Friday, 15 February 2019

ALBUM REVIEW: Hollow Leg, "Civilizations"

By: Richard Maw

Album Type: Full Length
Date Released: 25/01/2019
Label: Argonauta Records

This Florida outfit come on like a freight train- an unstoppable band channelling the spirit of early High on Fire

“Civilizations” CD//DD//LP track listing:

1. Litmus
2. Dirt Womb
3. Mountains of Stone
4. Black Moon
5. Hunter and the Hunted
6. Intro
7. Chimera
8. Akasha
9. Exodus

The Review

This Florida outfit come on like a freight train- an unstoppable band channelling the spirit of early High on Fire but moving a little slower. From the opening pounding of “Litmus”, you expect sludge and that's what you get.

That said, there is much more to this record- acoustic guitars and clean vocals on “Black Moon” are just the start. There is a fair amount of stoner-ish atmosphere (“Hunter and the Hunted”,Intro”) and some really cracking riffs. The production and mix are great; weighty and pleasing to listen to and the tempos are not just one slow pace. There are some real head-nodders in here too; “Chimera” is one of them and it utilises a mid-paced but oddly groovy approach. 

If you prefer a bit of gloom, then “Akasha” covers it well with some very doomy sounds that will appeal to even the most ardent Sabbath purist. The closing close-to-eight-minutes of “Exodus” is an expansive finish to a blinding record.

Hollow Leg inhabit the same kind of space as High on Fire (first album) but also cover the territory of Sleep, The Sword (early) and other bands who are on the doom/stoner/sludge spectrum whilst not quite fitting into one bracket. Recommended and really good.

“Civilizations” is available HERE

Band info: bandcamp || facebook

VIDEO PREMIERE: Norwegian post-doom collective Leonov premiere "Hunted"

Ever since its formation in 2010, Leonov has found inspiration for their celestial doom in the existential, the darkness and affliction, as well as the curiosity and hope in things beyond our reach and comprehension.

Their latest record “Wake” released on 26th October 2018 via Fysisk Format is an album that contends with life’s great journey in the face of these forces, from cradle to grave. From the childlike and fundamental quest for belonging, acceptance and affirmation – to the mature recognition that we are ever coming up short and are not in control of our existence. Today at THE SLUDGELORD you can check a brand-new video for the track “Hunted” as well as a quote from the band about the track. “Wake” is available HERE

“Hunted£ is about feeling hunted. It's even unpleasant when what chases you wants you well. Either way, it can be a feeling of being watched and persecuted. The video Simen Skari has made, holds this existential fear and claustrophobia that one can recognize as a result of this.

Band info: facebook

Wednesday, 13 February 2019

ALBUM REVIEW: Mastiff, "Plague"

By: Chris Bull

Album Type: Full Length
Date Released: 01/02/2019
Label: APF Records

If the universe implodes, "Plague" would undoubtedly be the soundtrack.

“Plague” CD//DD//LP track listing:

1). Hellcircle
2). Bubonic
3). Brainbleed
4). Quarantine
5). Vermin
6). Torture
7). Weep
8). Black Death

The Review:

Without sounding too cliché or lacking in imaginative use of vocabulary, 'Plague' by Mastiff is fucking heavy. I mean REALLY FUCKING HEAVY! If the universe implodes, this will undoubtedly be the soundtrack.

As the hellish screams and guitar scrapes and rumbles give way to the D-beat infused sludgy groove of 'Hellcircle' it's clear that this is the type of fairground ride you'd get in a village fete; terrifying due to its lack of adequate safety and rickety structure. The ride shudders towards the end of the circuit and then slows down...but it's not stopping...'Bubonic' and 'Brainbleed' see you taken around the circuit a couple more times, the safety harness is frayed and coming loose and it looks like one of the wheels is about to fall off, yet no matter how many times or how loud you scream for help, all you get is vocalist Jim Hodge bellowing at you.

'Vermin' sees sparks coming from the wheels as onlookers stare in terror. As it slows down, you're consumed by false hope; "please, just let me off the ride"...but it's no use, 'Torture' has other plans...the safety harness has completely torn and you're heading towards the loop-the-loop, all you can do is cling to the bar in front of you. Tendons are stretched and twisted as the ride hurls you in an upward trajectory then slams you back into your seat, rupturing your tailbone in the process. As you begin to weep, you realise that the onlookers are now smiling sadistically, seemingly enjoying your suffering. As the ride screeches to a halt, the throes of 'Black Death' ring out, nullifying your pain as just a part of your existence. As you're rushed to hospital, battered and bruised, with life altering injuries, you feel a sympathy with the people who did this to you. Much like Stockholm syndrome, you feel as though this ride has awakened you to the realities of life. Pain is inevitable, but everything must end.

“Plague” is available HERE

Band info: bandcamp || facebook

Monday, 11 February 2019

ALBUM REVIEW: Erlen Meyer, “Sang et Or”

By: Charlie Butler

Album Type: Full Length
Date Released: 25/01/2019
Label: Argonauta Records


Erlen Meyer's fusion of intense post-hardcore and lumbering post-metal is like Will Haven screaming into Cult of Luna's wall of sound or the heaviest moments of the much-missed Kruger.

“Sang et Or” CD//DD track listing:

1. Coton Cardé
2. Rouge Cardinal
3. Vipères
4. Grand Duc
5. Re Ar Fi La
6. Le Chant de l’Hydre
7. Enfer Forgé
8. Trompe l’Oeil

The Review:

Erlen Meyer's “Sang et Or” has been a long time coming. It's been six years since the Limoges quintet released their debut LP and three years since their fearsome Damnation Festival performance left a smoking crater in the centre of Leeds. Thankfully this new collection is worth the wait.

“Coton Cardé” immediately creates an air of dark mystery with a series of sparse, clanging chords. This atmosphere is soon dispelled by the weight of the band rumbling into high gear. Erlen Meyer's fusion of intense post-hardcore and lumbering post-metal is an intoxicating brew, like Will Haven screaming into Cult of Luna's wall of sound or the heaviest moments of the much-missed Kruger.

What separates Erlen Meyer from the legion of acts with similar influences is their execution. Instead of focusing on obvious quiet / loud and build / release dynamics the band yield maximum heaviness via subtle changes to their relentless single-minded onslaught. This is most evident on the mighty “Re Ar Fi La” where chiming melodies snake their way through shifting tempos against a smoky, ghostly backdrop. Elsewhere, unexpected eruptions of blastbeats in “Enfer Forgé” and “Rouge Cardinal” shift the tracks into black metal territory. This fits perfectly with the eerie atmosphere that hangs over the whole album like a dense fog. This mood is enhanced by the spooky Theremin-like keyboards at the end of “Rouge Cardinal” and the restrained bombast of spoken-word closer “Trompe I'Oeil” that highlight the influence of Agatha Christie and Alfred Hitchcock's work on “Sang et Or”.

“Sang et Or” is an impressive offering from Erlen Meyer that shows post-metal can still sound crushing and vital. Hopefully it won't be another six years until the next time.

“Sang et Or” is available HERE

Band info: facebook

TRACK PREMIERE: New England doom collective Marrowfields debut "Metamorphoses"

New England’s Marrowfields release their second single, titled “Metamorphoses” ahead of their new album release. Lasting just over 11 minutes, the album’s title track showcases a different side of the band’s sonic repertoire utilizing blackened styles in addition to their crushing doom sound. The album is a concept album loosely based on Ovid’s tale, “The Metamorphoses” and the title track captures the spirit of the epic story. 
Marrowfields released their first single a few months ago titled “Birth of the Liberator.” The song was well received, and the band continues to finish up their new album promoting the new material while playing shows around the New England area. Check out their new track below.  

Band info: facebook

Friday, 8 February 2019

TRACK PREMIERE: Dr Awkward & The Screws debut "Take Me Down"

Dr. Awkward & The Screws is a 70s stoner-rock/heavy-blues group from the historic city of Athens, Greece. In early 2017, the band released a self-tiled EP that got some extremely positive reactions from fans and press and allowed them to play numerous shows throughout Greece.

Now nearly two years later, the Greek group is back with their first full-length album "Gettin’ out of Style", which offers nine tracks full of heavy and bluesy riffs and groovy rhythms. Showcasing the band’s strongest material to date, "Gettin’ out of Style" sees Dr. Awkward & The Screws merging heavy stoner-rock riffs with some 70’s bluesy leads and some catchy, groovy rhythms that will surely appeal to all fans of Uncle Acid & the Deadbeats, Windhand and Horisont among others.  “Getting out of Style” is available HERE on digital and on vinyl.  You can check a new track "Take Me Down" below

Band info: facebook  || bandcamp 

Thursday, 7 February 2019

ALBUM PREMIERE: Georgia doom trio Negative Wall prepare sci fi themed debut "Gammagelu"

Georgia doom trio Negative Wall prepares to release their debut album Gammagelu” tomorrow Feb 8th 2019.  Formed just last year by seasoned metal stalwarts Tommy Stewart (bass/vocals), Don Cole (guitar), and Dennis Reid (drums), the band recorded Gammagelu” in seven days following only seven rehearsals.  The album, whose title is Latin for "Frost of Gamma," features three sci-fi themed originals and a cover of Electric Wizard's "Torquemada 71."
“Gammagelu” takes place in a bleak outer space setting where things can go terribly wrong.  "Hybrid Genus Serpentis” tells the bizarre story of a reptilian being who forces himself on a space traveller only to be imprisoned in a capsule by the product of that union, keeping him confined until he is the only living being left in the universe. “Mater Saeva Kp22” (which translates to “The Cruel Mother”), is a reimagining of an old Celtic folk song with a new plot about matricide on an alien planet.  "Imperii Excules" (“Exiled Imperials”) is inspired by an episode of 1960s sci-fi show The Outer Limits where an alien race attempts to start a penal colony on Earth -- with grotesque results.  And as for the Electric Wizard cover, band leader Stewart said, " While not sci-fi, it stylistically fits and is simply a band favorite."

Stewart produced and recorded “Gammagelu” at Blue Ogre Noise Lab in Smyrna, Georgia. The album will be released via Black Doomba Records on digital and CD formats, as well as a special edition three-color numbered vinyl.  Ahead of the release tomorrow check this album in its entirety below.  Preorder

Band info: facebook || bandcamp