Album
Type : Full Length
Date
Released : 31/1/2014
Label
: FDA Rekotz
Liar In Wait (Vinyl
Edition), track listing :
1. Among Us 04:46
2. Eye of the Infinite 04:25
3. Lash Thy Tongue and Vomit Lies 03:57
4. Liar in Wait 04:22
5. Reaching for Flesh 03:00
6. Semblance of Man 05:15
7. Sentience and Sapience 03:26
8. Spat Forth from the Darkness 03:40
9. Wraith of Gaia 03:21
2. Eye of the Infinite 04:25
3. Lash Thy Tongue and Vomit Lies 03:57
4. Liar in Wait 04:22
5. Reaching for Flesh 03:00
6. Semblance of Man 05:15
7. Sentience and Sapience 03:26
8. Spat Forth from the Darkness 03:40
9. Wraith of Gaia 03:21
Bio :
AMON formed in 1987 in Tampa, Florida, before changing their name to
DEICIDE and pioneering the American death metal movement. After their
highly-publicized departure from DEICIDE, brothers Eric and Brian Hoffman
resurrected AMON to spread the unholy plague all over the world.
Liar In Wait contains nine bone-crushing songs, recorded at
Red Room Recorders with Mark Prator and will be released in Europe with an new
and exclusive artwork, created by Misanthropic Artwork, with the layout done by
ArtWars Mediadesign. The European edition is limited to 200
gold/black marbled copies and 400 Satanic black copies. Package deals that
include the new AMON t-shirt are being offered as well. FDA Rekotz will unleash
this beast on January 31st
The Band :
Eric Hoffman | Guitars
Brian Hoffman | Guitars
Jechael – Vocals | Bass
Mike Petrak | Drums
Brian Hoffman | Guitars
Jechael – Vocals | Bass
Mike Petrak | Drums
Review :
When
Eric and Brian Hoffman left Deicide back in 2004, many wondered if they would
re-surface. Now they have, and a most welcome return they make. The leads are
back, the riffs are back, the armour is back. Amon is back!
First
things first, this is brutal stuff. If you were expecting a re-tread of the
first Deicide album (of which the Hoffman's wrote a great deal) or even of the
rough and ready “Amon: Feasting The Beast” release... think again. “Among Us”
kicks things off. It is fast and furious, the riffs snake around, the fret
boards get shredded and live sounding drums get a real hammering. The vocals
are low and growled, not screechy, and the band really summons up a cacophonous
noise. “Eye of The Infinite” continues this pummelling tradition with blast
beats and Morbid Angel like rhythms to the drums and vocal lines. “Lash thy
Tongue and Vomit Lies” offers impossibly precise guitar work and a frenzied
approach.
The
title track is up next and “Liar In Wait” does not disappoint. Many cymbals get
battered as the band whips up a storm over numerous time changes and the kind
of odd, lurching grooves that DM fans from the early 90's will instantly enjoy.
“Reaching For Flesh” is also deeply unpleasant- the riffs and rhythms coming so
thick and fast it is hard to follow without listening to it on headphones. Superb lead work on this one too- Eric was
generally regarded as the more masterful player in Deicide, but I can't
recognise the styles per se. I recognise quality when I hear it, mind, and this
is excellent.
“Semblance
of Man” is the longest cut on the record- but fear not; the fury does not
dissipate even for a moment. Warp speed is reached here in places, along with
chugging sections that get the head nodding. “Sentience and Sapience” is oddly
catchy in places; the snaking riffs leave an impression, coming as they do in
the midst of a maelstrom. “Spat Forth From The Darkness” is perhaps the closest
the band come to the brother's former outfit but is not ineffective or pale by
comparison. It is still much more tech-focussed than Benton's men, though, and
much more challenging to listen to. “Wraith of Gaia” is the last song here and
it ups the twiddly riff quotient even further.
The
bottom line here is that the Hoffman brothers are indeed back. If you want
brutal tech-death, then you have found the album you need. After listening to
this, I need a break from heaviness and may have to put a bit of folk on.
Furious and demanding death metal.
Words by : Richard Maw
You
can buy it here
For
more information :
https://twitter.com/amonhoffman