By: Daniel Jackson
Album Type: Full Length
Date Released: 20/11/2015
Label: 20 Buck Spin
Magic Circle throws hook after hook and riff after riff at the listener, giving us no shortage of big moments to latch onto, without falling back on the most tired aspects of Sabbath’s catalogue as the default. Although Magic Circle isn’t going to wow anyone with innovation, for what it sets out to do, Magic Circle does it better than just about anyone going right now
‘Journey Blind’ CD//DD//LP track listing:
1. Journey Blind
2. The Damned Man
3. A Ballad For The Vultures
4. Lightning Cage
5. Ghosts Of The Southern Front
6. Grand Deceivers
7. Antediluvian
2. The Damned Man
3. A Ballad For The Vultures
4. Lightning Cage
5. Ghosts Of The Southern Front
6. Grand Deceivers
7. Antediluvian
The Review:
There’s no scarcity of doom and classic heavy metal worship as we’re closing in on the end of 2015. There are, of course, folks who can’t get enough, and that’s fine. I’m a lot more temperamental when it comes to this style, particularly when the bands being worshipped are bands like Black Sabbath. Orchid for example, was fun the first time around, but the returns have diminished greatly for me from album to album. The truth is that Sabbath worship has been done to death by hundreds of bands over the years, and unless you’ve got a genuinely good approach, you’re doomed to mediocrity from the start.
After opening with the sort of dirge you might expect of any traditional doom band, the album’s lead and title track, “Journey Blind”, picks up the pace into something akin to “Neon Knights”, though Magic Circle’s interpretation is looser, and less palm-muting centric. We’re also treated to some slow gallop ala “Country Girl” in the song's second half, which makes for a perfect tempo break for that point in the song. The song exposes a lot the lack of variety that has plagued so many Sabbath-worshipping bands over the last 20 years, and that’s just in the first song.
For the rest of the album, Magic Circle throws hook after hook and riff after riff at the listener, giving us no shortage of big moments to latch onto, without falling back on the most tired aspects of Sabbath’s catalogue as the default. I suppose it’s a strange thing to compliment a band on finding a more interesting way of paying homage to another band’s work, but I also suppose that metal’s a strange genre that way. In any event, Magic Circle isn’t going to wow anyone with innovation, but that’s by design. For what it sets out to do, Magic Circle does it better than just about anyone going right now.
FFO: Black Sabbath, Pagan Altar, Orchid, Crypt Sermon