Years
Active: 2004
- ?
Records
to Date: 2
Genre:
Sludge,
Hardcore
Labels:
Goodfellow
Records,
Undergroove Records,
Black Market Activites,
Metal Blade Records
The Band:
Audrey
Pope | Bass
Andre
Sanabria | Drums
Justin
Godfrey | Guitars, vocals
The Review:
Upon
scanning through my music library for an attention grabbing record, I happened
upon a record which is still a source of huge excitement for me coming some six
years after its original release. The
band encapsulates a memory of a time when buying music was much more interactive,
but most of all and most importantly, today’s subject of choice cuts, is all
about sheer oppressiveness and an overwhelming brutality.
The
album in question, “The Id Will Overcome”
by The
Abominable Iron Sloth, was in some ways not destined to happen,
coming some 4 years after their self titled debut, the band was dogged by
difficulties, perhaps none more so than returning home after a difficult UK
tour back in 2006-7 ( I saw them in Sheffield).
The
Sloth would also go through line up changes, a change of label and
band name, but alas The Sloth (The Abominable not The Indominable)
returned with Justin Godrey assembling a new line up, a new home in the shape
of Black
Market Activities and the resultant album was just colossal.
Aubrey
Pope (Bass) from the band recalls of the recording “Basically Guy of BMA
reached out to Justin I believe and said he was such a fan of the last album
that he wanted to put out the next one, no matter if he lost money on it. He
just wanted to make it happen. He flew us out to Kentucky I believe, to work with Chris
Owens. We slept in the studio there for a week and basically wrote half of it
while recording. Dre (Drum) had already been in the band and I joined when
Justin moved back to California .
We had been friends since I was in high school before The
Sloth started so it just made sense to throw me in the mix I guess.”
What
“The Id Will Overcome” presented to
the listener was predominantly anguish and misery, due in no small part to the tortured
performance of main man Justin Godfrey, but the despair of the record was
matched by the sheer weight of the music that accompanied it. The drums were minimalist, unobtrusive but
snappy, with a dense and organic feel, which married well with the obese nature
of the riffs, and what they lacked in technicality they made up for in sheer elephantine
girth, coupled with a bass tone that undulated your skin into pulp.
The lineage of the band can be traced most notably to heavyweights Will Haven, and Armed for Apocalypse but the band was very much cut from the cloth of Godfrey, the driving force and sole original member. The album was ugly; it was visceral but most importantly completely absorbing. Perhaps similar in tone vocally to Iron Monkey, The Sloth were not your atypical sludge band, this was not southern fried but rather leaning more to the lineage of Will Haven, inherently down tuned and groove oriented but vitriolic and hateful.
The lineage of the band can be traced most notably to heavyweights Will Haven, and Armed for Apocalypse but the band was very much cut from the cloth of Godfrey, the driving force and sole original member. The album was ugly; it was visceral but most importantly completely absorbing. Perhaps similar in tone vocally to Iron Monkey, The Sloth were not your atypical sludge band, this was not southern fried but rather leaning more to the lineage of Will Haven, inherently down tuned and groove oriented but vitriolic and hateful.
Album highlights of which they are many include “A Nation of Ignorants” which
immediately locks you in with spite, riffs lacerating you like barbed wire and
then the track veers into a maelstrom of violence and groove. The aforementioned minimalism of the record,
to me is what truly resonates; the album is sparse and dissonant, with riffs
hitting you with blunt force, managing to devastate with weight and repetition
rather than pace. As a whole, when
firing on all cylinders, The Abominable Iron Sloth, take a broken
bottle, make you eat it and somehow make it enjoyable. Worship at the alter of The Sloth and remember “A Family That Slays Together, Stays
Together”
Album
Details:
“The Id Will Overcome”, is second full
length and was released on April 27th 2010 via Black Market Activites, the
press wire remarked “raw, intense anthems rear their heads up out
of feedback swells, like violent storms exploding out of thick Pacific
Northwest gloom. With minimal tools - filthy guitars, primal drums, and
unnerving vocals that convey true horror - AIS
create brief, majestic epics that force heads to bang and teeth to gnash.
Imagine the infectious simplicity of early Nirvana
and the unhinged gut-spilling of Eyehategod.
The
album was Recorded at Headbanging Kill Your Mama Music, Louisville, KY, by
Chris Owens and mastered by Nick Zampiello at New Alliance.
“The Id Will
Overcome” CD//DD track listing:
1)
I Destroy
2) A Nation Of Ignorants
3) Slugs In A Salt Circle
4) Two Black Helicopters
5) Mongoroid
6) Nineties Male
7) The ID Will Overcome
8) Big Iron Door (Lyrics by Charles Manson)
9) Tramp Stamp
10) Killimanjaro Dreamin'
11) Heterodox Nonconformists
12) The Timely Death Of Billy Mays
2) A Nation Of Ignorants
3) Slugs In A Salt Circle
4) Two Black Helicopters
5) Mongoroid
6) Nineties Male
7) The ID Will Overcome
8) Big Iron Door (Lyrics by Charles Manson)
9) Tramp Stamp
10) Killimanjaro Dreamin'
11) Heterodox Nonconformists
12) The Timely Death Of Billy Mays
Band info: facebook