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Monday, 11 February 2019
ALBUM REVIEW: Erlen Meyer, “Sang et Or”
By: Charlie
Butler
Album Type: Full Length
Date Released:
25/01/2019
Label: Argonauta Records
Erlen Meyer's fusion of intense
post-hardcore and lumbering post-metal is like Will Haven screaming into Cult
of Luna's wall of sound or the heaviest moments of the much-missed Kruger.
“Sang
et Or” CD//DD
track listing:
1.
Coton Cardé
2. Rouge Cardinal
3. Vipères
4. Grand Duc
5. Re Ar Fi La
6. Le Chant de l’Hydre
7. Enfer Forgé
8. Trompe l’Oeil
The Review:
Erlen
Meyer's“Sang
et Or” has been a long time coming. It's been six years since the Limoges quintet released their debut LP and three years
since their fearsome Damnation Festival performance left a smoking crater in
the centre of Leeds. Thankfully this new
collection is worth the wait.
“Coton Cardé” immediately creates an
air of dark mystery with a series of sparse, clanging chords. This atmosphere
is soon dispelled by the weight of the band rumbling into high gear. Erlen Meyer's
fusion of intense post-hardcore and lumbering post-metal is an intoxicating
brew, like Will
Haven screaming into Cult of Luna's wall of sound or the heaviest
moments of the much-missed Kruger.
What
separates Erlen
Meyer from the legion of acts with similar influences is their
execution. Instead of focusing on obvious quiet / loud and build / release
dynamics the band yield maximum heaviness via subtle changes to their
relentless single-minded onslaught. This is most evident on the mighty “Re Ar Fi La” where chiming melodies
snake their way through shifting tempos against a smoky, ghostly backdrop.
Elsewhere, unexpected eruptions of blastbeats in “Enfer Forgé” and “Rouge
Cardinal” shift the tracks into black metal territory. This fits perfectly
with the eerie atmosphere that hangs over the whole album like a dense fog.
This mood is enhanced by the spooky Theremin-like keyboards at the end of “Rouge Cardinal” and the restrained
bombast of spoken-word closer “Trompe I'Oeil”
that highlight the influence of Agatha Christie and Alfred Hitchcock's work on “Sang
et Or”.
“Sang et Or” is an impressive offering
from Erlen
Meyer that shows post-metal can still sound crushing and vital.
Hopefully it won't be another six years until the next time.