By: Richard Maw
Album Type: Full Length
Date Released: 17/05/2019
Label: Season
of Mist
“Saint Vitus” CD//DD//LP track listing:
01. "Remains" (6:23)
02. "A Prelude To..." (3:20)
03. "Bloodshed" (3:04)
04. "12 Years in the Tomb" (5:24)
05. "Wormhole" (5:22)
06. "Hour Glass" (5:23)
07. "City Park" (4:01)
08. "Last Breath" (6:38)
09. "Useless" (1:32)
02. "A Prelude To..." (3:20)
03. "Bloodshed" (3:04)
04. "12 Years in the Tomb" (5:24)
05. "Wormhole" (5:22)
06. "Hour Glass" (5:23)
07. "City Park" (4:01)
08. "Last Breath" (6:38)
09. "Useless" (1:32)
The Review:
Saint Vitus return with their first full length
since 2012 and their first with Scott Reagers on the mic since... 1995! Saint Vitus' position as one of the greatest doom bands of
all time is not in doubt- even if people think that doom these days is two
hippies playing two chords to larger crowds than Vitus
have ever pulled.
Reagers'
previous best albums with the band are all seminal to doom; the Sabbath sludge of their debut, the punk leanings of “Hallows
Victim”, the career high-point of “Die Healing”... classic all and
wonderful entries into the doom genre that went so far as to form and innovate
it. After the joy of Wino returning to the band and then the release of “Lilie
F-65”, many fans were a little underwhelmed- the record had a few too
many fillers and felt rushed (if a record born a decade and a half too late can
be “rushed”).
So
what about their new self titled effort?! Well, this is the best album since “Die
Healing”, no doubt and for me it is a good deal better than many of
their other albums as well. With the band line up drastically changed (Armando
Acosta dead, Mark Adams fighting a battle with Parkinsons and Wino having
exited), Saint Vitus have something to prove here.
They, of course, are up to the task: Dave Chandler is still a maestro and one
of my favourites- not to mention most instantly recognisable- guitar players
and Reagers sounds just as fired up as he did three decades ago. Unbelievable,
but true.
This
time around, you get eight full tracks and an experimental soundscape with
samples. The sound is superb- thick and organic, very clear but it sounds so
alive and full of power. Henry Vasquez pounds the kit like Bonham in his later
years and that large diameter bass drum gets a thorough kicking. Pat Bruders
(ex- Down/Crowbar) brings a fat and competent
bottom end while the two veterans are on fine, fine form.
The
opener “Remains” is prime Vitus- paranoid, despairing, slithering. Great start. From
there you get the curveball “A Prelude
To” with its quiet delivery and west coast nightmare vibe- a wonderfully
offbeat track. “Bloodshed” is fast
and pretty furious, a throwback to “Hallows Victim” for sure. “12 Years In The Tomb” is a beast- but
you know that from the stream already.
“Wormhole” keeps the doom
flowing slow and low while “Hour Glass”
has a riff to die for , even if “City
Park” is the experimental soundscape that no one is really asking for.
Fortunately, “Last Breath” is a doom
101: monumentally heavy and dark. Classic Vitus. By the time the
full on hardcore of “Useless” ripped
out of the speakers, I was sold on this album.
This
is classic Vitus every step of the way and I could not
have hoped for a better album this late in the game. Just where it will sit in
the band's canon of releases, I'm not sure, particularly as the
sound/production and mix is so good that it is hard to compare to earlier
albums as it is just so pleasing to the ear. You never know, it could be their
last album and if that is the case they will have gone out on a high.
“Saint
Vitus”
is available HERE
Band
info: facebook