Showing posts with label Cirith Ungol. Show all posts
Showing posts with label Cirith Ungol. Show all posts

Tuesday, 8 June 2021

REVIEW: Cirith Ungol, "Half Past Human" [EP]

By: Richard Maw
 
Album Type: EP
Date Released: 28/05/2021
Label: Metal Blade Records



 
“Half Past Human” CD//DD//LP track listing:
 
1). Route 666
2). Shelob’s Lair
3). Brutish Manchild
4). Half Past Human
 
The Review:

Cirith Ungol's comeback was surely the comeback of the decade; it is no mean feat to revive a band decades after their dissolution AND make an album as convincing as “Forever Black”. Cirith Ungol managed it and are now back with this EP. Four Tracks of trad/doom/hard rock idiosyncrasy. Cirith Ungol have never been the easiest band to like or 'get' and this surely continues here. The themes are fantastical. The vocals are an acquired taste, the bass is bobbling in sound and high in the mix- just like on their debut, “Frost and Fire”. All of that said, this rocks. It's great.

Cirith Ungol are a cult band for a reason- they sound like no one else. They meld genres and sounds like no other band. They fall into a similar bracket to Manilla Road or Pagan Altar: you love them or you are just puzzled.

It is crucial to note that these are not exactly 'new' songs. Instead they are revived from the band's dim and distant past. We assume that they were thus written decades ago; certainly, none have been officially released before. This alone makes for a real fan's treat. Of the four tracks here, you get hard rocking proto-metal on “Route 666” and “Brutish Manchild”, The fantasy element (specifically Tolkien) is fulfilled on “Shelob's Lair”- with a great middle section riff and solo. The biggest treat here is saved for last, though. “Half Past Human” is close to seven and a half minutes in length and is a wonderful track. It is evocative of dynamic and maudlin early Judas Priest moments. Thematically it deals with a dystopian glimpse of the future, science fiction and technology providing ample inspiration.

Overall, then, this is four more new-old songs from Cirith Ungol, all of which sit well with anything else in their discography. For true fans, it’s a must. For casual listeners, this is a perfect introduction to the band, with all their eccentricities on display. It's magnificent, obviously.

“Half Past Human” is available HERE 

Band info: bandcamp || facebook

Monday, 27 April 2020

ALBUM REVIEW: Cirith Ungol, "Forever Black"

By: Richard Maw


Album Type: Full Length
Date Released: 24/04/2020
Label: Metal Blade Records




“Forever Black” CD//DD//LP track listing:

1.The Call
2. Legions Arise
3. The Frost Monstreme
4. The Fire Divine
5. Stormbringer
6. Fractus Promissum
7. Nightmare
8. Before Tomorrow
9. Forever Black

The Review:


Cirith Ungol are, against all odds, back. Drums, guitars and vocals are handled by the band members who played on the classic albums. Second guitar is handled by a member from the band's later period while only the bassist is a newcomer. The line up matters, as really this is as close as it is possible to get to a fully reformed band. Cirith Ungol's influence and reputation really cannot be overstated- they featured Elric (from Michael Moorcock's books) on their album covers and thus brought the fantasy/sword and sorcery element to metal, treading a path that the likes of Led Zeppelin and Ronnie James Dio had trod before them. They made one of the first trad doom albums in “King of The Dead”. They are a true underground cult band with a devoted following.

After several decades of no music, can the band still cut it?! The answer, pleasingly for everyone is YES. This album is a wonderful thing. It sounds warm and natural with an organic production. Tim Baker's voice remains intact and as idiosyncratic as ever. The songs are there. After a minute long intro, “Legions Arise” serves as a call to arms for the Ungol faithful and it is a joy to behold with excellent guitar passages and great performances.

The quality control does not let up over the course of the following seven tracks (along with the intro, there are nine tracks total). It's really hard to pick highlights; “The Frost Monstreme”, “The Fire Divine”- they are just quality compositions full of the real, old school Cirith Ungol vibe. “Stormbringer” (Elric again) closes the first half/side one of the record and it is an atmospheric epic. It's almost so good, I can scarcely believe it.

Musically, the band are still mixing classic hard rock with heavy metal and doom, with liberal use of a cowbell to be heard on several tracks. The guitar work is excellent throughout and the bass work of Jarvis Leatherby also stands out- seamless continuity from their previous releases, essentially. The likes of “Fractus Promissum” and “Nightmare” groove really convincingly.

Cirith Ungol have always been a pretty concise band- there is nothing beyond six minutes in run time here, so nothing is wasted. The writing is consistently good- well laid out song structures with enough recognisable hooks and changes to keep the modern day metaller interested. Of the remaining songs, “Before Tomorrow” is doomy and dark, whilst the title track is full of menacing riffage and drama. If they don't manage to make another album, for whatever reason, then this one will more than suffice. It's better than fans could have hoped for.

Without question, this will be the comeback album of the year. It sits proudly alongside anything else the band have done and is a credit to those involved that they can still do this after nearly five decades. This is unique rock/metal/doom from the original masters. A dramatic and fulfilling return.

“Forever Black” is available HERE




Band info: bandcamp || facebook

Wednesday, 2 August 2017

TOP 16 ALBUMS: The Sour 16 (July 2017)

Olde

Yes, it is that time again O ye lover of riffs, “THE SOUR 16” returns.  You know the drill by now, each month you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, THE SOUR 16 are the records that have been trending the most at THE SLUDGELORD Headquarters.

The results are compiled based on the amount of page views the reviews have received and are then calibrated into the list below.  All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in the red)

16). Entrails - “World Inferno” (370)

I can't find any fault with this album from intense opener to epic closer of “The Blood Breed”, the band don't put a foot wrong. This is raging death metal, plain and simple












15). Viscera/// - “3: Release Yourself Through Desperate Rituals” (373)



"If one were forced to classify the band’s current sound, post-metal might be the safest category, but even that vaguely defined subgenre does not quite do the band justice, as it fails to mention the strains of psychedelia, black metal, hardcore, death metal and the band’s grind roots to are still very present in VISCERA///








14). Eternal Black - "Bleed The Days" (374)



The sheer weight of the riffs will indeed threaten to pull you under, as they deliver just the right amount of menace to go with the fuzz. There is a hefty dose of soul in the music here, along with a pervading blackness.










13). Norska - "Too Many Winters" (393)



“Too Many Winters” is a captivating collection of powerful doom steeped in Norska’s unorthodox and compelling personality.











12). Cloud Rat/Disrotted - "Split LP" (413)



This is an awe-inspiring release from two incredible bands who can seemingly do no wrong at the moment and continue to deliver an embarrassment of heavy riches in 2017.










11). Goatwhore - "Vengeful Ascension" (458)



“Forsaken” jumps out of your speakers and down your throat and suffocates and entertains the listener in the best way possible. There’s nothing quite like what this band can deliver – the riffs, vocals and drumming is first class and unique









10). God Dethroned - ‘The World Ablaze’ (466)



If you’re a longtime fan like me, this album is everything you’d want and then some. ‘The World Ablaze’ is all of the best elements of the God Dethroned’s entire discography amalgamated into a single album.










9). God Root - "Salt and Rot" (518)



God Root have managed to craft one of the most ambitious, progressive, and emotionally harrowing offerings of 2017.  The cosmic journey of “Salt and Rot” is one that will leave you shaken to your fleeting, human core.










8). Voivod - "RRRÖÖÖAAARRR", "Killing Technology", "Dimension Hatröss" (Reissues) (534)
















7). Wounded Giant - "Vae Victis" (581)



there are moments of majestic riffing and an impressive amount of variation on offer











6). Owlcrusher - "Owlcrusher" (697)



With three tracks spread across 45 minutes, each song embraces sprawl and space: the reverb heavy drum tone pounds like the pulse of a leviathan.  The low end guitar tone crackles with fuzz, while the bass rumbles so menacingly that, with the right sound system, you may get your guts churning like you’ve just been forced to smoke a whole pack of unfiltered cigarettes – you’ve got the cold sweats, your insides feel poisoned, and you’re probably gonna puke, but god damn it you’re hooked




5). Destroyer of Light - "Chamber of Horrors" (719)


I will have to say that this album falls into an epic category for its great compositions, the honest heart involved in creating such a journey of ebb and flow, the range of emotion that continues what true music is about; music that continues what early St. Vitus and Trouble were doing, but DoL are creating it their own way.









4). Cirith Ungol - "King of the Dead" (Ultimate Edition) (724)



It's a very engaging listen, 33 years on and is an absolute must have for any fan of doom- or anyone looking at how the genre started to really form into something (along with the work of Vitus, Trouble et al).  An essential album and a worthy reissue. Enrich your record collection and your life by buying it!








3). Melvins - "A Walk With Love & Death" (727)



On “A Walk with Love and Death”, the Melvins do both things that their cultish fans love about them, and do them both damn well.











2). Venomous Maximus - "No Warning" (731)



In some places on the album, those qualities are phrased in the same ways that fans have come to expect, and so admirably, but in other spots on “No Warning”, Venomous Maximus explore new ways to do that which they’ve always done: create infectiously and wonderfully diabolical music.









1). Olde - "Temple" (866)



Olde’s “Temple” is doom metal done the way it should be. It is well-crafted, forward-thinking, and a contender for one of the best records of the year.











A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  July 2017’s “SOUR 16” features reviews by:  Richard Maw, Daniel Jackson, Charlie Butler, Ben Fitts, Mark Ambrose, Mark Tremblay, Jay Hampshire, Jack Taylor & Eric Crowe.

Sunday, 23 July 2017

ALBUM REVIEW: Cirith Ungol - "King of the Dead" (Ultimate Edition)

By: Richard Maw

Album Type: Full Length (Reissue)
Date Released: 28/4/2017
Label: Metal Blade Records



It's a very engaging listen, 33 years on and is an absolute must have for any fan of doom- or anyone looking at how the genre started to really form into something (along with the work of Vitus, Trouble et al).  An essential album and a worthy reissue. Enrich your record collection and your life by buying it!



“King of the Dead”(Ultimate Edition) CD//DD//LP track listing:

1. Atom Smasher
2. Black Machine
3. Master of the Pit
4. King of the Dead
5. Death of the Sun
6. Finger of Scorn
7. Toccata in Dm
8. Cirith Ungol
9. Last Laugh (Live)
10. Death of the Sun (Alternate Mix)
11. Master of the Pit (Live)
12. King of the Dead (Live)
13. Cirith Ungol (Live)


The Review

Cirith Ungol occupy a strange place in the book of heavy metal; a true cult band that mixed sword and sorcery themes with classic rock, traditional metal and true doom, all punctuated by Tim Baker's unique (the best word for it) voice. “Frost and Fire” was a good debut- with one foot in the 70s. “King of the Dead”, meanwhile, is regarded by many as their best album, being as it was self produced which gave the band a certain amount of freedom to do what they wanted. The band now occupy a similar space to Manilla Road- cult, underground, quirky and worshipped by their true disciples.

This ultimate edition of the revered album gives a new remastered sheen to the main album and adds on some live tracks and alternate mixes. The album itself sounds... pretty great, actually! This is a well produced record with an unusual sound. The lead work reminds me of Iommi (in tone as well as content), the bass is prominent (as per the debut) and the drums still pack a forceful percussive sound.

Let's be honest, the album is a classic; it's weighty, but never over the top in terms of heaviosity . The songs are there- “Atom Smasher” and “Black Machine” are a fearsome opening twosome. “Master of The Pit” is a doom classic, straying into epic territory- as does the title track. There is some quicker stuff on here (“Death of the Sun”), more melancholy fare (“Finger of Scorn”), an instrumental (“Toccata in Dm”) and the band's theme song. It's a very engaging listen, 33 years on and is an absolute must have for any fan of doom- or anyone looking at how the genre started to really form into something (along with the work of Vitus, Trouble et al).

The ultimate edition comes with the aforementioned bonus tracks- live versions (some very recent, some contemporaneous), alternate mixes and what have you- but as usual, all you really need is the original album- particularly in this superior audio form. The remaster is great and made my old CD sound very wooly indeed. An essential album and a worthy reissue. Enrich your record collection and your life by buying it!



“King of the Dead”(Ultimate Edition) is available here


Band info: bandcamp || facebook