Showing posts with label Demon Eye. Show all posts
Showing posts with label Demon Eye. Show all posts

Wednesday, 2 August 2017

TRACK PREMIERE: Demon Eye deliver a hard charger of epic proportions with "Dying For It"



DEMON EYE are back with their third offering and another dose of their own blend of Heavy Classic Rock, Proto Metal and Traditional Doom!

The new album "Prophecies and Lies" was recorded by Mike Dean of CORROSION OF CONFORMITY in the band's hometown of Raleigh, North Carolina, and displays a strong musical progression with mighty riffs, haunting melodies and fist-raising anthems. DEMON EYE are bringing vintage heavy darkness for modern times and current day evils, giving their listeners dynamic songs to empower them against all adversaries.  With the release date of 11 August 2017 just over a week away, today were serving  another sonic brew from the album entitled “Dying For It”,  a hard charger with a bit of Voivod dissonance meets classic Dio. You can check it out in full below. 
Preorders are available here



Band info: facebook  || bandcamp

Tuesday, 11 July 2017

TRACK PREMIERE: Raleigh, North Carolina's doom knights Demon Eye issue "The Redeemer" & choose their Top 5 influential albums


Taking their name from one of the darker tracks of the Deep Purple catalogue, Demon Eye consists of four men, two New Yorkers, two Southerners, and one shared love for old school metal, yes Demon Eye are back folks, indeed news of an impending third offering pleases us very much around there parts, having fallowed the upward trajectory of this stellar act since debut “Leave The Light” (review here) hit are decks back in 2014.  Be sure to mark the date in your diary because “Prophecies And Lies” will be released on August 11th and that means  another superior dose of their classic rock, proto metal and traditional doom.

Demon Eye’s heavy grooves and thunder rhythms channel the doom and crush of Black Sabbath and Pentagram, and the fist banging shred of early ‘Maiden.   You could say that Demon Eye represents the flowering of an American take on the spirit of the Scandanavian Retro Rock bands.  Combing the warm vibes of 70's jams by Deep Purple, Black Sabbath, Mountain and others with a rough and ready smattering of the early metal roar of Pentagram and Pagan Altar thrown in for good measure.

Their story is an odd one.  The band that would come to be known as Demon Eye began life as a seventies tribute / cover band Corvette Summer whose "set generally includes the music of: Thin Lizzy, Humble Pie, Led Zeppelin, Deep Purple, Blue Oyster Cult, Kiss, UFO, Alice Cooper, Free, ZZ Top, and many, many more..." (Source).  So the ingredients were all there to begin with. Meanwhile, it turns out frontman Erik Sugg has made quite a name as an incredibly popular children's entertainer in the Raleigh, North Carolina area, teaching toddlers how to read through the power of rock & roll, and if you don't dig the hell out of this story, you simply have no soul.  None of this however, suggests that the band would blast into the doom rock world with an absolute scorcher of a debut E.P., which was released in early Spring of 2013.  The eponymous E.P. generated a decent buzz and those with one ear closer to hell didn't fail to notice.

One of those folks was Jorn, owner of Souseller Records.  The label who would go on to issue Demon Eye's full-length debut, 'Leave the Light' and 2015’s critically lauded sophomore release “Tempora Inferalia” (review here).  So with the release date of “Prophecies and Lies” drawing ever closer, it gives us great please to welcome band the onto the pages of THE SLUDGELORD with a brand new and exclusive track “The Redeemer” which you an stream below. Folks new to the band, we envy you and if that describes you, you have to get your hands on this album if you would answer "yes" to any of the following questions:

Do you like the demonic smirk of evil and forbidden good times?

Do you like heavy guitars with shredding leads?

Do you like uptempo doom boogie music with catchy choruses and clean vocals?


Not only that, if the excitement of that new track wasn’t enough, we recently caught up with front man Erik Sugg to talk us through some of the bands own personal favourite albums.  Which you can check out below the track stream.  Double the dose double the riffs.  Demon Eye welcome back, you are truly knights of the sound table, we love you and you should too.  







 


Iron Maiden - "Live After Death"

This is Larry's pick. What is there to say? It's classic. Amazing heavy metal that has stood the test of time for several generations and will continue to do so. Top notch song writing and incredible playing. It was pretty amazing being a kid in the '80s and being exposed to Maiden as contemporary band. They were larger than life and made their music epic for fans of hard rock and metal everywhere.

Queensryche - "The Warning"

Bill, Demon Eye's drummer, is a huge fan of this era of Queensryche. It's great classic metal from an early period of the band before they began the more experimental portion of their career during the latter half of the '80s, (the more heavily produced, thematic albums.) A lot of folks in the metal community seem to share pretty strong feelings about Queensryche, but this album stands up. If you slept on it, you should go back and give it a listen.

Deep Purple - "In Rock"

We seem incapable of not discussing Deep Purple during interviews, ha. A huge influence for the band, obviously, and this record is certainly one of the best things they ever did. It slams, through and through. Everything from the heavy opening riffs to "Speed King" to Ian's valkyrie-shrieking in "Child in Time," to the almost MC5-ish "Flight of the Rat." I own three different vinyl copies of this, (my listening copy, my back-up copy, and a picture disc version.) It's one of my favorite records of all time. I was stoked to see a recent interview with Ritchie Blackmore where he stated it was one of his favorite things the band ever did.

Judas Priest - "Sad Wings of Destiny”

Paul chose this one. If it were the only Priest record in existence, they'd still be metal gods. It's really interesting this album was released in 1976 because that's around the time when punk started kicking off, but it still granted the band a huge audience and opened the doors for the pending NWOBHM scene. Generally Sabbath and Deep Purple are the bands credited in making the musical transformation from heavy blues towards a more classical moding style. That sort of thing ultimately became the blueprint for the traditional heavy metal sound. Tony Iommi and Ritchie Blackmore may have been the first guitarists to introduce that style to heavy rock, but Priest were the ones who really set that sort of thing into stone with this record. It will always hold up.

Witchcraft - "Witchcraft"

I can't not express enough how much this band means to me. When I heard Witchcraft's debut record back in the mid '2000s it stopped me dead in my tracks. It was everything I loved about vintage heavy rock and it was traditional doom metal like Pentagram and Candlemass, but it wasn't over-driven nor downtuned. It was very clean and crisp, but still sounded heavy and evil. I kept Witchcraft's sound and their techniques in my mind when I first started writing songs for Demon Eye. I didn't want to sound like them, but I wanted to achieve the same "less-is-more" kind of power they were achieving. I don't know much about Magnus Pelander as an individual, (he's a bit of a mystery to American fans,) but I will always admire his imagination and his stunning songcraft. I will buy everything he ever releases, Witchcraft and solo releases, for the rest of my life and for as long as he's releasing them.

Band info: facebook  || bandcamp

Wednesday, 31 August 2016

ALBUM REVIEW: Shadow Witch - "Sun Killer"

By: Richard Maw

Album Type: Full Length
Date Released: 15/08/2016
Label: Snake Charmer Coalition



This record is a fine debut and places the band amongst the retro rock/doom/metal scene but shows that they have a unique sound and approach. If you have been enjoying bands such as Demon Eye, R.I.P, Uncle Acid, Satans Satyrs, Electric Citizen and so on, well, Shadow Witch are better then some of them and can mix it with the best of them!


Sun Killer” CD//DD track listing:

1. (D.O.A.) Anticipation
2. Sun Killer
3. Wreckage
4. Blitzkrieg
5. Blood on the Vine
6. Creeper
7. Snout
8. Headless Army
9. Lamp Lite
10. Shadow Witch
11. Occupy
The Review:

This Kingston, New York group are only a year or so old, but they sound... much older. Coming on as a mixture between The Doors, Black Sabbath, stoner rock and even trad metal, these guys lay down some fearsome grooves and bring a laid back vibe to even the more frenetic tracks (such as the title track). From the opener, “(D.O.A) Anticipation”, you know what you are getting; grooves, doomy vibes and some weighty riffs all wrapped up in a distinctly American package.

There are some tracks which take on a mournful aspect such as “Wreckage”, while “Blitzkrieg” has a distinctly metallic flavour (circa 1980). Truthfully a couple of tracks are just grooves and there are some overlong intros which break up the flow a little, but overall the record is one of quality with aspects such as the use of keyboards for atmosphere, lifting it above a lot of the retro rock out there at the moment. The intro of “Creeper” exemplifies the aspects of the record I did not enjoy so much, but then the keyboards lift it and the band really kick in and it is fantastic.

Over the eleven tracks, the band are consistent with song lengths (the aforementioned “Creeper” is a little longer) and venture into thematic realms not often covered by po-faced bands of the retro rock genre; Tolkien-esque whimsy does not abound on tracks such as “Snout”- which is a very dirty ditty indeed.  More traditionally metallic sounds and themes are present for “Headless Army” and the record has gathered a fine head of steam by that point.

For the closing stretch, there is a mixture of psychedlic sounds (“Lamp Light”), groove based desert style rock (the band's theme song) and the raucously rocking finale of “Occupy”. This record is a fine debut and places the band amongst the retro rock/doom/metal scene but shows that they have a unique sound and approach. If you have been enjoying bands such as Demon Eye, R.I.P, Uncle Acid, Satans Satyrs, Electric Citizen and so on, well, Shadow Witch are better then some of them and can mix it with the best of them!

‘Sun Killer is available here


Band info: bandcamp || facebook

RIYL: Black Sabbath, The Doors, Demon Eye, Uncle Acid & The Deadbeats  

Wednesday, 23 March 2016

R.I.P. - "In The Wind" (Album Review)

By: Richard Maw

Album Type: Full Length
Date Released: 14/03/2016
Label: Totem Cat Records


This is a doom record, for sure, but of the vintage variety and with a distinctly American flavour. Retro in approach, satisfying in content, R.I.P. are a welcome addition to the great tradition of rebel outsiders which litter the US cultural highways; get your motor running: R.I.P. are here!

“In The Wind” “2xLP track listing:

1. The Scythe
2. In The wind Part 1
3. Tremble
4. Black Leather
5. Smoke and Lightning
6. In The Wind Part 2
7. The Tombstone
8. Bereaved
9. Brave In The Grave
10. In The Wind Part 3

The Review:

The Pacific North West has given us this trad doom/trad/garage rock offering from R.I.P. Instrumental opener “The Scythe” sets a frantic pace, before things settle to more groovy tempos with the title track. Certainly, fans of Pentagram, Orange Goblin and even The Stooges should check this record out.

With biker stylings “Black Leather” and a good line in song titles “Brave In The Grave”, the band have a recognisable schtick and play it as straight as they come. Even though some of the tracks exceed seven minutes, it is all very straight forward. Riffs that you could learn after one listen, steady tempos and vocals which are a pleasingly plaintive wail in style... in the parlance of another band of desperadoes: “Nuthin' Fancy.”

Naturally, “Tremble” features a cowbell and the sound is rough and ready with lots of distortion on the bass. For those doom fans whose tastes veer more to Uncle Acid, Demon Eye and so on, this record is a gift from the 70s gods. As doom becomes more about noise and less about riffs, it is nice to hear a band that have done their history homework and who have written some actual songs. I prefer the faster and more groove orientated songs on this debut full length, but that is just me; another listener may feel differently.

There is a sequel to the title track which kicks off the second half of the album and things remain loud and in the raw. The instrumental mellow-out of “The Tombstone” is a nice addition to the record as it lets up on the throttle and allows the final few tracks to really hit home. “Bereaved” has some groove filled riffing  which simply chugs out of the speakers, while the final two tracks including part three of the title track sequence(!) clock in over six and seven minutes respectively. If there is one minor criticism of the record, it could be a bit shorter... but then again, you get more for your money so the criticism will remain minor!

This is a doom record, for sure, but of the vintage variety and with a distinctly American flavour. Retro in approach, satisfying in content, R.I.P. are a welcome addition to the great tradition of rebel outsiders which litter the US cultural highways; get your motor running: R.I.P. are here!

“In The Wind” is available here



Band info: Facebook

Friday, 21 August 2015

'The Road to Death to False Metal': GodHunter –vs – Destroyer of Light ‘Endsville’ Tour Diary - Leg Two: Day 10-18

 By: Jake Brazelton & Keegan Kjeldsen


Day 10 - Indianapolis (Keegan from Destroyer of Light): On our very first tour, we played a place called Indy's Jukebox, which got bought out and is now called the 5th Quarter - our stop in Indianapolis for Endsville. Returning there was surreal. The last time, we played with Apostle of Solitude (who showed up this time and were nice enough to give us a place to stay) and the great Black Tusk (RIP Athon). Needless to say, it was a 'full circle' kind of moment, although the murderous stairs have been improved under new management. Conjurer slayed it hard - I was admittedly blazed out of my mind and managed to stand long enough to watch them, albeit through my shades. Yes, I wore my sunglasses at night and I didn't even bash the hell out of my shins. Indy treated both us and Godhunter very well this time. The bathrooms did not. I don't know if it's because there's literally a gym on the top floor and all the body odour just accumulates or if the innards of the bar patrons are just downright wretched (we probably contributed on that front). But all that was forgotten by the great support from a host of old and new friends and fans. The only scent that stuck with us at the end of the night was the sweet smell of love. And weed.





Day 11 - Louisville Kentucky (Jake from Godhunter): Sometimes a town has ways of surprising you. Louisville was definitely one of these kinds of towns. We rolled into town a little early so we could stop by the Lousville Deathfest to check out our buds in Immortal Bird. They were playing in what looked like a warehouse kind of building next to an abandoned silo. Immortal Bird ripped apart a sea of dudes in black shirts and their girlfriends. We then drove down to the Mag Bar which is a rad little dive in a weird part of town. Tonight was just us and Destroyer of Light so we weren't in any kind of rush to get set up. We played our set to Destroyer of Light and like one other dude but that dude bought a shirt. So we were 1 for 1 on fans in Kentucky. The owner of Mag Bar was one of the coolest dudes we met on tour. He kind of looks like a shorter hipster version of Abe Lincoln and told us approximately a million dad jokes while smoking a blunt with us.




Day 12 - Raleigh (Keegan from Destroyer of Light): It was a doomed night at The Pour House after a looong all-night and all-morning drive straight from Louisville. With multiple drivers and room enough for two to sleep, it can be done - but we don't recommend it unless you absolutely know what you're doing. If everyone's tired, pull off at a rest stop and sleep for a few hours. You don't even need to set an alarm when you tour in summer: the sun will helpfully commence with burning you to a crisp as soon as it comes up, a friendly nudge that it's time to wake up and drive. Needless to say, we spent most of our time after coming into Raleigh sleeping, dreaming of Lone Star, nachos, cowgirls and all the other things we miss about Texas. At the bar, The Hag woke us the fuck up with their punishing style of sludge-grunge, as well as Bitter Resolve, whose name fit their sound perfectly. They were aggressive and thunderous, and got the blood flowing before Endsville descended on Raleigh. For future reference: no drinking alcohol in the parks of Raleigh... Unless you have a permit.






Day 13 - Charleston, WV (Jake from Godhunter): #picklemouth 





Day 14 - Pittsburgh (Keegan from Destroyer of Light): We've been known to wax poetic about Pittsburgh, especially about the striking view of the city you get when coming in. Tunnel after tunnel through hills and mountains... then, bam. You come out onto a bridge and see the full majesty of the city: the river, the bridges, the hills, and the unique skyline. We seriously can't say enough good things about it. The weather was close to perfect and the wind was refreshing when up in the hills. But, oh yeah, there's hills everywhere, and that makes loading gear a special kind of pain in the nuts. Still, I'm always happy to return to Gooski's for more pierogies, sausage, kraut and wings: playing on Polish Hill has its benefits. After watching Slaves BC and Outlander blast the smallish room in the back of the bar, we were ready for a tight show, and Jeff and Dick jammed bass on the floor. After load-out (my favorite part of tour), Max from Dendritic Arbor was kind enough to put us up for the night, and we got cuddly with some big, fuzzy cats (my actual favorite part of tour).



Day 15 - Buffalo, NY (Jake from Godhunter):  I need to tell you guys something. Western New York is beautiful. We tried to leave early so we could hang out at Niagara Falls for a few hours but we woke up way too late so we only got to stop for fifteen minutes or so. The Falls are insane though. Mist in the air, tourists everywhere, and crazy ass ducks chilling in the water right before the falls. Crazy shit. David's cousin who live in Buffalo showed us and DoL a ton of love by cooking us up some burgers and letting us hang out before the show. We get down to Mohawk Bar where we got to watch a drunk guy get thrown out of the bar, call the cops on the bar for refusing service to him and when the cops showed up they told him "Get your shit, take your head out of your ass and get out of here." After all of this, Bastard Lord brought the hammer of doom down on the crowd before it was time for Endsville. Buffalo is an interesting place. I'd definitely play here again.





Day 16 - Brooklyn (Keegan from Destroyer of Light): Driving into NYC during rush hour is an Odyssey of torture that filled me with enough suffering to write three funeral doom records. Pro tip: iPhones can't handle New York. They can't figure out where the hell they are and you end up getting re-routed through Times fucking Square. Yeah, that happened. After our souls and bladders were crushed for several hours, we reached St. Vitus Bar and remembered why we come to New York. It felt like a metal mecca of sorts, and it was awesome to meet up with Immortal Bird again, this time to play a show. While we were unloading in a bus zone, a city bus pulled up right behind us and the driver got out. We were sure it was to tell us to move our asses, but a lady on the bus, the only passenger shouted that it wasn't her stop. The driver shrugged and said, "I'm gonna eat a sandwich at this deli. Sorry", then walked right past us. Got to meet the mighty Frank Huang of Pit Full of Shit. Immortal Bird's performance was brutal and technical, but without crossing into prog territory. After some very loud sets from the Endsville tour, we drank, partied and mourned the toll money we'd parted with earlier that day. We parted ways with tour buddies Immortal Bird, but not for the last time: Death to False Metal Fest awaits in two days!



Day 17 - Salem, MA (Jake from Godhunter): Salem might have been one of the best on this tour. We got into the witchy world of Salem early so we could check out some of the sights before the party started. We got a taste of what the witch trials were like by seeing the re-enactment and dungeon tour at the Witch Dungeon Museum before checking out some of the cemeteries. After we got done with all of our touristy bullshit, we got to one of the most strangest venues we have ever played, Koto Sushi Restaurant. I've never played an actual sit down restaurant before so I had no idea what to expect but fuck Salem, you dudes know how to party. We had people who came out to the show from Boston and some from as far as Maine to see this show. After letting the close the sit down aspect of the restaurant, the bands set up on the floor across from the bar. After the venue filled up, Led to the Grave thrashed and shredded the energetic crowd and set everything up perfectly for Endsville to lay waste to Koto. During our set, an extremely inebriated dude was rocking out a bit too hard and almost knocked over Dick before his buddy took him off somewhere to sleep it off for the night. After wrapping up the music we shared some booze and stories with all of our new friends, it was time to hit the road again. Salem fucking rules and Koto fucking rules.





Day 18 - Hamden, Death to False Metal Fest (Keegan from Destroyer of Light): We've been calling this the 'traffic tour', because we've managed to hit awful traffic almost every drive so far, and the road to Death to False Metal was no different. Jeff walked side-by-side with the van for a bit as we inched along, because sometimes you gotta smoke and we weren't going faster than walking distance. We rolled into the parking lot with little time to spare before loading in gear for Godhunter's set. The Outer Space stage where we both played was agonizingly small - and given the size of the room and the loudness of the bands there, I'm guessing it was incredibly loud. I'm guessing because my hearing has been systematically destroyed already, so who knows. Needless to say, I approve of that: Godhunter, Destroyer of Light and Secret Cutter all shared gear and blasted the audience in what could only be called a 'heavy metal lounge party'. Just outside, metalheads strummed away at acoustic guitars, and finally Archaic Decapitator finished the night on the small stage with their technical death assault. Meanwhile, at the ballroom, Grizzlor's raw, reckless abandon was followed up by the power doom of Demon Eye and Nasty Disaster's nasty brand of heavy metal. Immortal Bird kicked up the harshness and freakout level in preparation for Krieg's black metal blitz. Good people run this fest, and I can only hope that the discovery of another fest with the same name will only be a minor hurdle: while the fest may not be keeping the name, every band performed their asses off. Hats off to everyone involved.




Monday, 1 June 2015

The Sludgelord Sour 16 for May 2015

Welcome to The Sludgelord’s Sour 16. Each month, you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal, but predominately the best the doom, sludge, stoner-psychedelic genres have to offer.
Is it chart? Not really.  It is merely the 16 records you guys have been most interested in over the last month and you have been checking out on this very page.

Our idea for this thing was to turn the power over to you guys, yes it would be easy for us to choose our favourite records of the months, however it is you the reader, the fans that support these bands, buy their records and attend their shows.  So here is the The Sludgelord Sour 16 for May 2015, the 16 records you’re most looking forward too or are currently checking out.  Check em out, spread the word and perhaps revisit some records you may have overlooked.  


The results are compiled based on page views alone and calibrated into the list below. So without further ado, this is the Sour 16. So until next month, roll up, kick back, chug a beer and Hail the riff! All review links, are held under the artwork.   

16) =    Space Metal – ‘Space Metal’ (260)




The Exploding Eyes Orchestra – ‘I’




14).      Ten Foot Wizard – Sleeping ‘Volcano’ (279)




13) =    Feral - ‘Where Dead Dreams Dwell’ (280)




Weedeater – ‘Goliathan’



11).      Galvano – ‘Trail of the Serpents’ (318)





10).      Demon Head – ‘Ride the Wilderness’ (326)




9).        Obsequiae – ‘Aria of Tombs’ (329)



8).        Arcturus – ‘Arcturian’ (378)



7).        Demon Eye – ‘Tempora Infernalia’ (409)




6).        Cult Leader – ‘Useless Animal’ (421)




5).        Sun & Sail Club – ‘The Great White Dope’ (454)




4).        Entrails – ‘Obliteration’ (478)




3).        Mutoid Man – ‘Bleeder’ (672)




2).        My Sleeping Karma – ‘Muksha’ (758)




1).        Paradise Lost – ‘The Plague Within’ (1322)