Showing posts with label Elder Druid. Show all posts
Showing posts with label Elder Druid. Show all posts

Saturday, 18 January 2020

ALBUM REVIEW: Elder Druid, "Golgotha"


By: Brandon Noga

Album Type: Full Length
Date Released: 17/01/2020
Label: Independent



“Golgotha” CD//DD track listing:

1. Sleeping Giant
2. Golgotha
3. Sentinel 
4. Vincere Vel Mori
5. Dreadnought 
6. Paegan Dawn of Anubis
7. The Archmage

The Review:

Elder Druid are self described “Occult-laced riff dealers" from Belfast; an accurate description indeed. Anyone that plays with Slomatics for an album release is sure to have their own gargantuan heft, and I cannot argue that one bit. “Golgotha” is their second release, and it’s a mature effort. The production is top notch (thanks to the year long journey of going over and over the tracks until the band was satisfied), due to being recorded, produced and mixed by bassist Dale Hughes; and the hard work clearly paid off. All the tones are what a band of this caliber and genre should shoot for, to magnify every riff and beat. Laney, Orange, and Ashdown amps bring the heat and thunder, and the riffs pummel you into ancient soil and monuments contained underneath. The drums are mixed well, while complimenting and pushing the riffs to the forefront similar to Black Sabbath and Zeppelin.

“Sleeping Giant” kicks off the album with a fuzzy stoner riff with slight wah added, and comes crashing down with a titanic weight when the rest of the band kicks in. This giant definitely has a mangy coat covered in moss and has no regard for any insignificant beings when it starts lumbering for the first time in eons. The song rides the line between Stoner and Doom and grabs you by the neck to force your head to bang. The lead section is ethereal and layered in a mature way; very tasty. “Golgotha” is a diminished venture, with a monstrous bellow echoing over riffs that leave a footprint in the earth as wide as the eye can see. The breakdown reveals the entity to which these marks belong to, but it’s too late when it blocks out the sun shortly before your life comes to a confusing end.

“Sentinel” is the first single released, and I can see why. A harmonic minor odyssey that’s equally captivating as it is revealing of one’s self; a great example of what this band is capable of. Jake Wallace informed me that a Fender Rhoades and Theremin were employed for increased depth; Its slathered in reverb and ends up in the outer realms of space and time. “Vincere Vel Mori” (to conquer or die) is a more doom-pure track, with prickly fuzz tones bordering on static electricity and riffs that slow and come to a gradual heave.

“Dreadnought” consists of clever riffs as thick as the night is long, and flat-fifth single note lines harkening to the obvious Sabbath influence. The gradual decline is punctuated with bends to further throw your skull around. “Paegan Dawn of Anubis” contains a bass intro located in depths of the ocean not yet explored by man; that warns you of impending Lovecraftian beings, that your kind hasn’t been aware of in its minuscule existence. “The rivers run red” with the blood of ancestors succumbing to Anubis, and his gate to the underworld. 

The album closes with “Archmage”, another fuzz laden track with vocals expelled from a tar filled diaphragm. Its fades out with stops and bends, and one final reverb drenched echo to drown out the senses. Elder Druid has a bright future; they should proud of this album, and I wish them good luck on their upcoming tour and release show!



“Golgotha” is available HERE



Band info: bandcamp || facebook

Friday, 22 September 2017

INTERVIEW AND TRACK PREMIERE Occult tinged riff dealers Elder Druid conjure up "Blue Dream Black Death"


Elder Druid are a 5-piece sludge/doom band formed in early 2015 in Ballymena, Northern Ireland. Five lovers of heavy riffs and molten fuzz came together to add their stamp to the world of stoner rock and doom metal and with heavy influences from Black Sabbath, Electric Wizard, Kyuss and Sleep, the riffs began to take shape and all the elements started to fuse.

With two guitarists, Jake Wallace on lead and Mikey Scott on rhythm, a wall of sound is generated from the slow, rhythmic riffs. The coarse vocals of Gregg McDowell are gutteral warcries with enchanting, occult lyrics to tell the stories of warlocks and wizards. The low end is also ferocious with Dale Hughes providing a deep level of twang which lays the foundations to the riffs, complementing the reserved sense of calm from Brien 'Grizz' Gillen delivering a very soft but heavy canvas to the songs.

After gigging through the summer of 2016 across Northern Ireland, the band went into the studio with Andy Shields (Hornets) and recorded a 5-track EP entitled ‘Magicka’. After being picked up by Jon Davis from Conan, it was released digitally on all major platforms on October 15th 2016 on Black Bow Records. The band would continue to gig into early 2017 and In May 2017 they played the album launch for Hornets' 'Witch Hunt' alongside doom legends Slomatics and 7.5 Tonnes of Beard. Following a successful UK tour  these occult-laced riff dealers from Belfast, Northern Ireland  are set to release their debut album “Carmina Satanae” which roughly translates to Songs of Satan. Containing 8 of their heaviest  tracks to date and recorded with Niall Doran in Start Together Studios, the album is set for release on October 6, 2017 and today you can stream the opening track from the album entitled, “Blue Dream Black Death” below. 

You can also check out a short interview with Mikey Scott, who gives us the low down on the inception of the band, what we can expect from the forthcoming album and what the future holds for this talented doom progeny. 


Can you give us an insight into how you started playing music, leading up to the formation of Elder Druid?

Mikey (guitar): I actually started playing bass guitar first at a fairly young age, probably about 11 years old, with dreams of becoming the next Linkin Park, writing terrible songs with a couple of friends and planning our world domination. After that didn’t pan out as we imagined, guitar and bass was more of a hobby for me during my teens. I played in a band in my late-teens, giving me some good stage experience before connecting with the ‘Druid guys after Jake got in touch to write some seriously heavy riffs.

For those of us unfamiliar with your band, is there any bands on the scene past and present that you would use as a reference point bands to describe your band, and who or what continues to inspire you and push you to try new things?

Being perfectly honest, I was a bit of a doom novice before joining Elder Druid. I’ve always been a heavy metal man but my major influences would be bands like Metallica, Deftones and Machine Head. Spending time with the guys really introduced me to the world of low and slow music, which I fell in love with pretty quickly.

Jake turned me onto bands like Sleep, Electric Wizard and Bongzilla, to name just a few – I think you can definitely identify influences in our style from those bands. I’m currently listening to a lot of Beastmaker and Monolord. Two absolute titans of modern doom.

I think you can take inspiration from almost anywhere when it comes to writing music – different genres, movies, locations or even the atmosphere you find yourself in. I’ll get riff ideas or little bits of melody for a lead guitar part at the most inopportune times, almost completely randomly, and have to take myself off to whistle or hum the idea into my phone and hope it comes back to me later. Sometimes they’re great and sometimes they’re trash, but you have to have that creative energy to consistently bring ideas to the table.

What can you tell us about your upcoming record and where do you feel it sits within the context of current metal scene?

Our upcoming record, “Carmina Satanae”, is a collection of our 8 heaviest tracks to date. We brought back 2 old favourites in ‘Reigning Hell’ and ‘Rogue Mystic’ for re-recording to give them the treatment they deserve. The other 6 tracks will be brand new to everyone’s ears, unless you’ve seen us play live over the last few months. We’ve been crafting these songs together for a while now, playing them on-stage as much as possible to truly let them develop and breathe as pieces of music. We’ve taken time to arrange the songs in such a way that a full album play through makes sense to whoever’s listening and takes them on a journey.

Make no bones about it, this album is heavy. We have a lot of groove all over it, and a few lighter moments in there but this album is for fans of sludge, doom and anything loud.

Does anything spring to mind when you think about the completion of your upcoming record and how is the mood in the camp at present?

I think I can speak for everyone when I say we’re excited. It’s a good feeling to put a lot of work into something, especially something that’s creative, and be happy with the results. Niall Doran from Start Together Studios, who recorded and mixed the album, really got what we were looking for in terms of sound – a lot of credit has to go to this man for taking our live sound and being able to recreate that for the album. For me, the excitement just builds with every new track or video that we put out leading up to the release. I just want as many heavy doom and sludge fans worldwide to hear the album and hopefully dig it.



What stands out as your overarching memory from the recording sessions?

As far as one particular memory goes, I’d have to say standing on the roof of the studios, looking over Belfast, after we’d finished recording the record was a bit of a triumphant moment for myself. We’ve put a lot of work into writing songs, gigging and getting shit done this year – so to finally have a full length album in the bag made me proud. That was a cool moment to reflect on everything we’ve achieved since we formed in 2015 and how far we’ve come.

I’d also say the vibe in the room that whole weekend was amazing. We decided early on that we wanted to record the album live to get that feeling of you’re listening to us, not a cleaned up unnatural version of us. If you want to come see Elder Druid live, this is how we sound. We wanted to try and replicate the energy we have on stage in the studio and everyone showed up and delivered. It’s hard to recreate energy, or a particular vibe, especially when you’re on the clock, but we all knew how big of a deal this was and magic happened that weekend.

With your new record in the bag, how is your schedule shaping up over the next 12 months?

Right now, we’re looking to the album launch in Belfast on October 6th with local heft merchants Nomadic Rituals and Molarbear, as well Manchester’s Voodoo Blood who we met on tour earlier this year. We wanted to bring anyone who’s supported us this far an unbelievable night of music, start to finish and I don’t think there’ll be any disappointments with that line-up.

Looking further ahead, we have big gigs coming up south of the border – Siege of Limerick and Zhora’s album launch in October, as well as a couple more trips across the pond to England later this year and early 2018.

Finally, do you have any last words?

To anyone who’s supported us by coming to the gigs, buying music/merch, watching our stuff online etc. major thanks from all of us. Playing in a band is a lot of fun on a personal level, but when other people can get a kick out of it, that’s one of the best feelings you can get.  If you’re not already, get on the Elder Druid Bandcamp, Youtube, Facebook and Instagram for new material and upcoming gig information!

It’s been a good year so far, we won’t be taking it easy after this new record drops so stay tuned for more good stuff in the not-so-distant future. Peace!


Band info: facebook || bandcamp

Tuesday, 1 November 2016

"fuzzy riffs, stomping bass, pounding drums and gutteral wails": Ballymena's Elder Druid present "Magicka"


Elder Druid formed in early 2015 in Ballymena, Northern Ireland. Five lovers of heavy riffs and  molten fuzz came together to add their stamp to the world of stoner rock and doom metal. With  heavy influences from Black Sabbath, Electric Wizard, Kyuss and Sleep, the riffs began to take  shape and all the elements started to fuse.

With two guitarists, Jake Wallace on lead and Mikey Scott on rhythm, a wall of sound is generated  from the slow, rhythmic riffs. The coarse vocals of Gregg McDowell are guttural war cries with  enchanting, occult lyrics to tell the stories of warlocks and wizards. The low end is also ferocious with Dale Hughes providing a deep level of twang which lays the foundations to the riffs, complementing the reserved sense of calm from Brien 'Grizz' Gillen delivering a very soft but heavy canvas to the songs.

In August 2015, Elder Druid released two songs recorded live in the Loft, Belfast. 'Otherworld' and 'The Ides of March' kicked off their song writing process. In late 2015, after a lot more time writing music, Elder Druid recorded a live EP at Attic Studios in Belfast comprising of 3 tracks: 'Sellsword', 'The Warlock' and 'Reigning Hell' and released them as live music videos as well as on Bandcamp. The band chose a live performance to try and capture the raw energy.

After gigging through the summer of 2016 across Northern Ireland, the band went into the studio with Andy Shields (Hornets) and recorded a 5-track EP entitled ‘Magicka’ which caught the attention of Black Bow Records and who subsequently released the EP digitally on 23rd September and can be streamed in full below.


Delving into the world of magic, wizards, warlocks and the occult, 'Magicka' is packed full of thick, fuzzy riffs, stomping bass, pounding drums and gutteral wails, so be sure to pick up a copy here



Band info: bandcamp || facebook