Showing posts with label Thorr-Axe. Show all posts
Showing posts with label Thorr-Axe. Show all posts

Saturday, 15 April 2017

TOP 16 ALBUMS: The Sour 16 for March 2017


Yes, it is that time again O ye lover of riffs, “The Sour 16” returns.  You know the drill by now, each month, you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, “The Sour 16” are the records that have been trending the most at The Sludgelord Headquarters.

The results are compiled based on page views alone and calibrated into the list below.  All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red)

16). Deadwound - "Identity Shapes" (533)

The South-West London quintet deal in a compellingly nasty blend of filthy sludge riffs, jarring discordance and searing bursts of d-beat fury. Tracks like “Crucifixed” and the crushing dirge of “Witch” come out of the blocks like “Remission” era Mastodon locked in a sweaty basement with His Hero Is Gone.  The band deliver twenty minutes of exhilarating noise that is equal parts barbed complexity and raw simplicity.

 http://thesludgelord.blogspot.co.uk/2017/03/review-deadwound-identity-shapes.html

15). Benighted - "Necrobreed" (556)

Benighted are the equivalent of a gargantuan, hyperactive monstrosity, hybridizing the manic-spastic energy of a joyous slasher rampage with the gurgling insanity of some cthonic abomination. 


14). Power Trip - "Nightmare Logic" (557)

All in all, you would be pressed to find a weak link in “Nightmare Logic”'s sound or mix. It's a pinnacle album for those who need their metal fast, violent, and up in their face like a full scale riot.


13).Stinking Lizaveta - "Journey to the Underworld" (558)

Stinking Lizaveta’s new album “Journey to the Underworld” finds the band in deadly form, crafting music that is seriously weird and complex yet still delivers an addictive riff high.


12). Hey Satan! - "Hey Satan!" (617)

Overall this is a very impressive debut by very talented musicians.  Superb songwriting and extremely catchy rock and roll filled with dueling fuzzed out guitars, loud drums and a dynamic singer.


11). Rezn - "Let It Burn" (630)

REZN relies on hefty passages of music but the key to the band’s sound is how they combine this heft with a droning melody. Imagine Velvet Underground wrapped up in a Mars Red Sky jacket and you’ll understand why these Chicago boys are worth your attention.  This is a gem of a debut and albums of this quality don’t come around very often


10). Ghastly Sound - "Ghastly Sound" (EP) (646)

The Worst” sounds like Torche playing Truckfighters with the ghost of Dio on vocals while “Where The Ghosts Hide” and “Cape Buffalo” bring to mind Big Business indulging in secret stadium rock fantasies with hints of the Deftones in the melodic choruses given free reign with vocalist Tyler Gurwicz doing his best Chino Moreno impression over foundation-shaking riffs.  This EP is a tantalising glimpse of what Ghastly Sound has to offer. Hopefully it won’t be long before they return to show what fist-pumping destruction they are capable of over the course of an LP.



09). Thorr-Axe / Archarus - "The Hobbit" (Split) (678)

From deep within the fires of Mt. Doom comes one of the best releases of 2017 – a Tolkien-themed split from Indiana riff-smiths Archarus and Thorr-Axe.  It spans the whole spectrum that stoner/doom metal has to offer, with each track bringing a fresh sound to the table.


08). Telepathy - "Tempest" (704)

A monsoon of riffs, from slow, knuckle-dragging doom moments to the calculated chaos of Mastodon, spinning on a huge axis with their long, winding loops, this album it hits you like a drug, freewheeling into your body.


07). In The Company of Serpents - “Ain-Soph Aur” (714)

“Ain-Soph Aur” is a heavy experience on all levels. The band have dialled back the volume and slowed the tempo from previous releases which has unexpectedly resulted in increased impact. This album is  towering achievement from In The Company Of Serpents. It is a fine addition to an already distinguished discography and an inspiring work that sets the standard for heavy music in 2017.


06). Hyenas - "Deadweights" (768)

Deadweights” is an exciting opening salvo from Hyenas, it is an exhilarating hit of chaotic hardcore, metal fury and punk’n’roll that takes me back to the early to mid-2000s


05).Obituary - "Obituary" (971)

Obituary haven't sounded this deadly and taut for a long, long time, this is even better than “Inked In Blood”- itself an impressive record, A unique band in the genre.  Obituary have always stood apart from other death metal bands. They now stand above them again, too, because this is a death metal tour de force


04). Fen - "Winter" (987)

When this album is on fire, which is often, it’s absolutely some of the best atmospheric black metal you’ll hear this year. While the build to those big moments can be over-stretched, the payoff is absolutely worth the wait.  But even when accounting for its biggest flaw, I believe that ‘Winter’ will end up as one of the year's best albums. There’s simply too much fantastic material here to be denied.  


03). Dopelord - "Children of the Haze" (1329)

“Children of the Haze” is defined by loose grooves, ghoulish riffing and a very vintage sense of wickedness. Dopelord prove that, unlike many other stoner metal bands, they are not content to just create the same song several times over and call it an album.


02). Hour Of Penance - "Cast the First Stone" (1399)


01). Pallbearer - "Heartless" (1642)

“Heartless” is an incredible achievement from Pallbearer, a set of huge songs that consolidate the best elements of their previous releases while moving into fresh sonic territory. This is the album that should see the band make the transition into stadium-bothering all-time greats, and deservedly so.


A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  March’s Sour 16 features reviews byRichard Maw, Theron Moore, Charlie Butler,  Phil Weller, Victor Van Ommen, Jay Keche, Ben Fitts, Daniel Jackson, Michael Pagos,  Hunter Young & Conor O’Dea

Saturday, 25 March 2017

REVIEW: Thorr-Axe / Archarus - "The Hobbit" (Split)

By Jay Keche


Album Type: Split
Date Released: 13/03/2017
Label: Independent



From deep within the fires of Mt. Doom comes one of the best releases of 2017 – a Tolkien-themed split from Indiana riff-smiths Archarus and Thorr-Axe.  It spans the whole spectrum that stoner/doom metal has to offer, with each track bringing a fresh sound to the table.


“The Hobbit - Split” CD//DD track listing:


1). Thorr-Axe – “Good Morning”
2). Thorr-Axe – “Dawn Take You All”
3). Archarus – “Foehammer”
4). Thorr-Axe – “Whispers in the Dark”
5). Archarus – “Flies & Spiders”
6). Archarus – “Erebor”
7). Thorr-Axe – “Battle of Five Armies”


The Review:

From deep within the fires of Mt. Doom comes one of the best releases of 2017 – a Tolkien-themed split from Indiana riff-smiths Archarus and Thorr-Axe. This 40+ minute journey is a sonic retelling of the story of Bilbo Baggins and his adventure in The Hobbit.  The story features 4 chapters written by Thorr-Axe and 3 by Archarus and unlike most splits, the bands don’t take separate sides, but work together to form a cohesive quest with grooves that could slay the dragon Smaug.

Thorr-Axe opens the gates with “Good Morning” an acoustic piece that while peaceful, builds a sense of tension and urgency before smashing eardrums with “Dawn Take You All” – a chugging march across Middle Earth. For track three “Foehammer” they hand the mic to Archarus for a full 7-minutes of hard rocking riffage reminiscent of Elder or Pallbearer.

The bands then go on the alternate tracks with Thorr-Axe providing an onslaught of the heaviest doom complete with tortured screams and blastbeats that fully immerse the listener in the hardships that Bilbo and the Dwarves suffered through.

Archarus’ long whimsical grooves and clean vocals provide welcome interludes between Thorr-Axe’s brutally heavy brand of doom – which concludes the album after “The Battle of Five Armies,” a track as violent as its namesake.

This album is a perfect blend of old talent and new blood – this being Thorr-Axe’s 4th release while only being Archarus’ second. Overall this latest effort from two of the Midwest’s best metal bands is some of the most well written music I’ve ever heard. It spans the whole spectrum that stoner/doom metal has to offer, with each track bringing a fresh sound to the table.


“The Hobbit – Split” can be purchased here and here






Monday, 28 September 2015

Conjurer - ‘Old World Ritual’ (Album Review)

By: Richard Maw

Album Type: Full Length
Date Released: 06/06/2015
Label: Independent



Conjurer are reliably badass: rumbling riffs, raw production, rough and ready gruff vocals... it's all there. I liked this album from the very opening of ‘Never Enough’. Similarly, ‘Trudge Down’ and ‘Entheogen’ cover murky ground with some excellent grooves. It is not sludge like EHG, it is not doom like the aforementioned TGOS, but it does combine the best of the two parent genres to create a unique sound. Maybe if Crowbar covered Saint Vitus it would sound a little like Conjurer?

Old World Ritual’ CD//DD track listing:

1.Never Enough 05:43
2.Trudge Down 03:48
3.Entheogen 03:42
4.Black Throne 03:23
5.Singularity 04:13
6.Flesh To Ash 05:28
7.Witch's Hale 02:51
8.Time Stands Still 04:50
9.Marauders 05:43
10.Gold Mask 05:45

Conjurer is:

Dillon Enright
Dustin Mendel
John Rau
Gabe Whitcomb
Brian Wyrick

The Review:

All right! Indiana has produced some kick ass bands- The Gates of Slumber and Thorr Axe, to name but two. Now the state-with-a-lot-of-heavy-already brings us this! Conjurer are kind of sludge, kind of doom- maybe even a cross between the two genres?! One thing is for sure, it is not “occult rock” and thank fuck for that. I feared that they would be so before I pressed play (based on the name) but I was very pleasantly surprised. If I hear another band “channelling the spirit” of 1970's horror films and combining it with cynical retro production I may have to only listen to the ‘Slowly We Rot’ by Obituary on repeat for the rest of my life. It is the only thing to cleanse these boring, trendy abominations from my mind.

Fortunately, Conjurer are reliably badass: rumbling riffs, raw production, rough and ready gruff vocals... it's all there. I liked this album from the very opening of ‘Never Enough’. Similarly, ‘Trudge Down’ and ‘Entheogen’ cover murky ground with some excellent grooves. It is not sludge like EHG, it is not doom like the aforementioned TGOS, but it does combine the best of the two parent genres to create a unique sound. Maybe if Crowbar covered Saint Vitus it would sound a little like Conjurer?

‘Black Throne’ takes rudimentary chordal riffing and makes a fine song out of it- a rolling groove, strong vocals and a cool time change for the last 40 seconds or so. Magic. ‘Singularity’ is aptly titled, being as it has a single minded approach: make big riffs, make big noise and repeat. That is not a snipe at the album as a whole, though. There is a lot of variety here. The band makes a virtue of offering up some really different sounds and textures. Yes, there are even hooks to go with the tempo shifts and key changes. Some tracks, like ‘Flesh to Ash’, ride the slow groove, whilst others such as ‘Witch's Hale’ clip past at (for anything in the sludge genre) lightning speed.

The rest of the record is similarly consistent;Time Stands Still’ reminded me of the much missed Scissorfight- just a lot darker. ‘Marauders’ is pretty vicious stuff and again is pacey for any of the genres involved. ‘Gold Mask’ closes this excellent debut with some sinister sounding clean guitar and sinister lyrics. The vocals, should you want a description is perhaps on the early Mastodon side of things- shouty, but not without melody.

This is a fine record and one that offers a nice combination of genres and good variety throughout. Definitely try it out if you are a fan of any of the bands mentioned in this review. You won't be disappointed.

Old World Ritual’ is available here

FFO: Crowbar, Saint Vitus, Scissorfight

Band info: Facebook | Bandcamp

Saturday, 24 January 2015

Thorr-Axe - Gates of Winter (Album Review)

Gates Of Winter cover art

Album Type: Album
Date Released: 13th January 2015
Label: Self Released

Gates Of Winter – Track Listing

1.Open The Gates 04:17
2.The Seer's Vision 05:23
3.Four Hooves 02:15
4.Mountain Crusher 04:27
5.The Forging Ritual 05:39
6.Gates Of Winter 06:48
7.Descent 05:35
8.Intermission 04:31
9.Awakening 14:32

Bio

Blackened Doom for weird fucks.

Members

Tucker Thomasson: Guitar/ Vocals
Garrett Daniels: Guitar
Jake Cullison: Bass
Jacob Lett: Drums/ Vocals

Review:

Blackened Sludge/Doom Riffsters - Thorr-Axe - are back with a new album - Gates Of Winter - that is aptly named as an ice cold experience awaits you full of heavy pounding riffs. Thorr-Axe open the album up with - Open The Gates - an instrumental affair that combines fast-paced sludge riffs with a cool as ice exterior. Thorr-Axe makes you feel you're battling for survival in one of the harshest winters imaginable.

The album then explodes into life with - The Seer's Vision - that sees Thorr-Axe proving they have lost none of their volatile fury they showed on their last record. The band has ventured into angrier territory with the music being a mix of Blackened Sludge, Doom Metal and Thrash. The vocals come from the old school of Thrash and Doom with lead vocalist showing people who's in charge. This album is loud and angry from the start and it never stops for a single second.

3rd track - Four Hooves - is a more thrashier affair with the band taking influence from legendary 80s thrash metal bands with a twisted sludgier groove. The vocals takes a more death based growl approach that only gives the album extra weight within the passed off fury stakes. Even though the song only runs for less than 2.30 minutes, it's still one of the heaviest offerings on the album. Thorr-Axe return to familiar Blackened Sludge/Doom Metal territory with - Mountain Crusher - another song that contains an icy atmosphere hidden within the music.

People may remember these guys playing heavy Stoner Metal riffs on their last album. There are traces of Stoner Metal music on the album but Thorr-Axe have focused more on the Thrash and Sludge parts of the music and it's a decision that pays off big time. The album is big on great ideas and even better riffs to devour you with. It's taken Thorr-Axe 4 years to follow up their acclaimed debut album – Wall Of Spears – but it definitely has been worth the wait. The album flies with violent moods and imagery that will have you singing from the rooftops. This is old-school carnage where a band writes an unforgiving melody with unapologetic lyrics and vocals to stand out from the crowd.

5th track - The Forging Ritual - is one of the albums harshest songs as it sees Thorr-Axe unleash a torrent of fury and emotional abuse onto the listener. Grab onto something as this is one wild ride that is relentless in it's approach, delivery and execution. The title track - Gates Of Winter - is another highlight that sees Thorr-Axe revelling in the glory of the heavy and brutal spectacle of destructive riffs and pitch black vocals whilst still including an emotional guitar solo that will bring a tear to your eye. The last few songs on the album takes you through the emotional pain barrier especially the almost 15 minute epic – Awakening – that adds doomy atmospherics to the mix for a hint of post-metal subtlety. I wasn’t expecting that from Thorr-Axe. I hope they venture into that realm of music in the future as it matches the albums gloomy outlook.

My final thoughts on the album - Thorr-Axe have created a stunning exercise in sheer brutality. They may lose some fans who are expecting something like their debut album. I applaud their decision going down a darker path as it gives the band a more unforgiving identity. A stunning album.

Thanks to Cat Jones at Southern Cross PR for the promo. Gates Of Winter is now available to buy from BandCamp now.

Words by Steve Howe

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