Showing posts with label Cargo Records. Show all posts
Showing posts with label Cargo Records. Show all posts

Sunday, 26 July 2015

Black Space Riders - 'Refugeeum' (Album Review)


‘All in all, “Refugeeum” is an album of quality, but it’s the addictive elements that will either make or break the listening experience. Either the addiction will hit home, bringing the listener back for another hit, or scare them away by the fourth track. The choice is yours.’


Album Type: Full-Length
Date Released: 24/7/2015
Label: Self Released/Cargo Records

‘Refugeeum’CD//DD//LP track listing:

1. Vortex Sun (8:03)
2. Universal Bloodlines (4:27)
3. Born a Lion (Homeless) (3:46)
4. The Lure (Come with us) (4:03)
5. Run to the Plains (10:50)
6. Curtains of Death (8:21)
7. Melek's Lament (Yazidi Tears) (6:06)
8. Walking Shades (4:33)
9. Ritual of Inner Strength (9:27)

Black Space Riders is:

JE | lead vocals, guitars, organ, beats
SEB | lead vocals
C.RIP | drums, percussion
SLI | guitars
SAQ | bass guitar
HEVO | additional bass guitar

Review:

Since 2008, there has been a German quintet drifting in and out of focus of the Hubble Telescope. They fly amongst the planets under a flag that reads Black Space Riders, using a battle cry named "Refugeeum"" that is strong enough to pierce through the vacuum that is the cosmos. Led by the band’s sure-footed vocal compass, Black Space Riders push their space-rock far and wide with a clear purpose to conquer. The steady, choppy guitars played to the simple time keeping of the rhythm section combines to make affable melodies and an impressively large sound.

What’s most remarkable on “Refugeeum” is how addictive it is and this lies in the simplicity of it all. Leaving space in the songs is key for Black Space Riders, allowing for an expanded arrangement. So even though the lead melody in a song like “Born a Lion” is a mere four notes, there’s room to build upon and expand the song. These building blocks are primarily found in the vocals, be it the back and forth of “The Lure” or the bellowing found in “Curtain of Death.” Perhaps as anticipated, this leads to sing-a-longs...whether you want to or not. So yes, this coin has a flip side, and that is that the melodies aren’t spectacular and have the potential to get played out, almost to the extent of annoyance.

But don’t sell these guys short. They know what they have in tow and certainly in Germany, there are enough people out there who will eat this goth, space, stoner metal up. “Refugeeum” starts by pulling in the listener with an airy chant that slowly takes form as a strong opener. Obviously the cut that they spent a great deal of time working out is “Run to the Plains,” which serves well as the album’s centerpiece. Though the verses get dangerously close to a dance song, the band somehow makes it work. Once the chorus lands and the distortion pedals have been hit, Black Space Riders take on a whole new direction, one that comes back in the album’s two closing tracks. “Walking Shades” shows that the band can succeed at making their music a little bit more complex and closer “Ritual of Inner Strength” will speak to the Pink Floyd fans of the eighties.

All in all, “Refugeeum” is an album of quality, but it’s the addictive elements that will either make or break the listening experience. Either the addiction will hit home, bringing the listener back for another hit, or scare them away by the fourth track. The choice is yours.

Words by: Victor van Ommen

‘Refugeeum’ is available here

For more information:


Monday, 9 February 2015

Profane And The Sacred - Chapter 1: Long Time Coming (Album Review)


Album Type: Full Length
Date Released: 23/2/2015
Label: Cargo Records

‘Chapter 1: Long Time Coming’ CD//DD track listing:

1. Bench
2. Bleed That Stone
3. You Know
4. Weather The Storm
5. From The Top
6. All For None
7. Just A Little
8. Words
9. A New Leaf

Review:

London has produced a stoner rock outfit of some ability in Profane and The Sacred. The religious dichotomy of their name aside, this is a heavy old time in the rich vein of COC (Keenan era).
‘Bench’ starts mellow, then goes for a big groove. The vocals and hooks are catchy and have a very classic rock quality to them- along with grit as well, naturally. That the opener is over eight minutes long is interesting and puts the band firmly in stoner territory. Without the song length, you could even label this classic rock in a 70's style.

‘Bleed That Stone’ has a big riff to open proceedings. It's driving and powerful stuff with an aggressive edge to it. A lovely guitar section in the middle and a heavy ending fill things out nicely. With that we are into the stop/start start (!) of ‘You Know’. More chugging southern grooves surface and the likes of Down, COC maybe even Karma to Burn are invoked. How you feel about people playing this kind of stuff who are not from the Southern states may well influence your initial feelings towards this, of course. If I had not read that they were UK based, I would not have known or guessed. It doesn't seem to put people off, say, Truck Fighters... so give them a chance.

‘Weather The Storm’ is a darker proposition. With a lengthy instrumental passage to open and set up a rather mournful vibe before a monster groove kicks in. The verses are much more up beat with tempo changes completing this lengthy track. ‘From The Top’ is heavy and powerful, with the kit coming in for some twin kick abuse and inventive rhythms- excellent. There is some excellent intricate guitar work around two thirds of the way through. A strong lyrical refrain tops off this excellent track.

‘All For None’ lets that live drum sound ring out to start with a loping and lazily laid back riff snaking in thereafter. Once again, it is powerful and groovy stuff. ‘Just a Little’ has a rather Skynyrd-esque title, and the content has a little of that band's wistfulness too. It's heavy, of course, but the lineage is clear.

‘Words’ (bass sound!) is seven and a half minutes of crushing stoner goodness.  A New Leaf’ has a mellow vibe throughout and closes the album with a lovely instrumental piece of music,
The record is a good one by any standard. It is certainly better than the vast majority of stuff out there in the stoner rock genre at the moment, and competes well with the big guns of the American scene too. The sound and production is great, the performances are committed and very strong for the whole band. If you like COC, Down, Alabama Thunderpussy, Artimus Pyledriver and even bands like Trouble then this is a must. A very good record.

Words by: Richard Maw

You can pick up a copy here

For more information:


Tuesday, 16 December 2014

Profane And The Sacred - 'From The Top' (New Video Exclusive)




'From The Top' is the new music video by London stoner rock 4 piece Profane And The Sacred:


Featuring gigantic doom laden riffs that unashamedly smother you in nostalgia but waste no time in lacing prog tinged instrumental breakdowns into a 5 minute musical journey. Showcasing time progressions that shift gears but never let up on the momentum and allowing the raspy, gritty vocals of singer Luke Alleeson to cover the organic soundtrack with a warning to all in the song's lyrical content.

The band release their debut album 'Chapter 1 : A Long Time Coming'  on 23rd February 2015 via Cargo Records.

Profane And The Sacred are:

Luke Alleeson - Vocals / guitars
Rick Spooner - Guitars
Rob Taylor - Bass guitar
Kieran Smith - Drums


For more information:

www.profaneandthesacred.co.uk
www.facebook.com/profaneandthesacreduk
www.twitter.com/profanebanduk