Showing posts with label Castle. Show all posts
Showing posts with label Castle. Show all posts

Monday, 5 November 2018

ALBUM REVIEW: Castle, “Deal Thy Fate”

By: Richard Maw

Album Type: Full Length
Date Released: 19/10/2018
Label: Ripple Music




Castle remain unique and mix up the sounds and approaches of many of your favourite bands to create a superlative heavy metal record


“Deal Thy Fate” CD//DD//LP track listing:

1). Can’t Escape the Evil
2). Skull in the Woods
3). Prelude
4). Hexenring
5). Wait For Dark
6). Deal Thy Fate
7). Haunted
8). Red Phantom
9). Firewind


The Review:

Castle have been on quite the prolific run since 2011; this is their fourth full length. 2016's “Welcome To The Graveyard” was a great, great album and my favourite of theirs to date. Is “Deal Thy Fate” a step forward, sideways or back? Either read on or go and listen to it to find out...

The band remain with a foot/other body part in several different camps. It's not doom, it's not trad, it's not thrash, it's not rock. In fact, it's all those things mixed together. The band have a spooky vibe and veer towards the doom rock of Pentagram at times, but there are many riffs here which lean towards, or even heavily on, Slayer for reference. From the opener of “Can't Escape the Evil” and into  Skull in the Woods”, you can only assume that Castle have summoned Jeff Hanneman's spirit and he has communicated what he would have played from beyond the grave, leading Mat Davis to oblige. That's not to take away from the material, it's a fresh angle for the band and they work it well.

Over the course of the eight tracks and one interlude here, Castle have added to their sound and built solidly on their previous three records. “Hexenring” could have nestled very comfortably into “WTTGY” and the vocals of Liz Blackwell are as stellar as ever. “Wait For Dark” is dramatic and evil in delivery and riffage and shows the band have retained an endearing rawness to their approach. My digitally provided copy has a few glitches here and there- it is hard to ignore at times with a couple of jumps in this track and others.

Digital issues aside, the sound of the album and the title track are reassuringly analogue. The evil and dark vibes continue and work really well with Blackwell's schizophrenic vocals. Once again, Castle are hard to pigeon-hole; the title track could be out of the Angel Witch NWOBHM play book, while “Haunted” goes much further towards hard rock. There may be nothing as immediate as “Flash of the Pentagram” here, but the songs throughout are uniformly strong and the production is perfect for the band.

The melting pot of hard rock and Slayer-esque riffing continues with “Red Phantom” and it delivers a storming and hard rocking penultimate track for this confident album. For the closing “Firewind”, Castle slow things down and offer up a track which starts effectively as a maudlin ballad and then gets heavier. Hey, if it's good enough for 70's era Priest... it's good enough for anybody. Castle deliver a surprisingly emotional final statement and close out the album with strength and purpose. The band have progressed here, no doubt, and they have set themselves up for a broader sound on their next album- should they wish to deliver such a thing. Castle remain unique and mix up the sounds and approaches of many of your favourite bands to create superlative heavy metal and hard rock. Excellent.

Order “Deal Thy Fate” direct from the band HERE and via Ripple Music HERE.



Band info: bandcamp || facebook

Wednesday, 14 September 2016

THE SLUDGELORD PRESENTS: The Sour 16 for August 2016

SubRosa



It is time cast our minds back upon the month of August and digest the 16 albums that would become August’s sacrilegious Sour 16’, the finest and most profane riffs around bundled together into a premium sized sonic soufflé.

You know the drill, each month; you the reader are unwittingly compiling a list of the top 16 records that we featured in August, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  The ‘Sour 16’ are the records that have been trending the most at Sludgelord Headquarters.
 
The results are compiled based on page views alone and calibrated into the list below. So kick back, with a cold one and let the power of the riff compel thee! All reviews can be viewed by clicking the artwork. (Total views since their publication are highlighted in red)


16). Bossk - "Audio Noir" (364)

The shimmering soundscapes of “The Reverie” gently ease the album into life. The track glides through waves of serene guitar atmospherics, before being crushed under a slab of molten distortion. Even though the classic quiet/loud dynamics of post-rock are employed here, Bossk manage to avoid the obvious, telegraphed crescendos by taking a more understated approach, conversely when they crank up, Bossk prove that they have honed their riffcraft to perfection. “Heliopause” is a relatively short burst of stoner aggravation while “Atomsmasher” fully delivers on the cataclysmic power of its name. In summation, Audio Noir” is a triumph for Bossk that sees them comfortably deliver on their fans’ anticipation for a full-length.

http://thesludgelord.blogspot.co.uk/2016/08/album-review-bossk-audio-noir.html

 
15). Body Void - "Ruins" EP (371)

Sounding like a seismic shift, 'Swans' instantly obliterates everything. The riffs slowly and mercilessly attack the central nervous system while the vocals suffocate and strangle. At the tail end of this EP comes the even more epic and gigantic 'Ruins', if you can imagine Andy Dufregne's escape in ' The Shawshank Redemption'; slow, filthy, dark, foreboding, this track is the embodiment of it. Body Void have set the bench mark pretty damn high now, surely they will follow this up with something truly amazing.

http://thesludgelord.blogspot.co.uk/2016/08/review-body-void-ruins-ep-review.html
 

14). Warfather - "The Grey Eminence" (397)

“The Grey Eminence” is a better record than Warfather's debut (which was in itself a good album!) and is a credit to those involved. This is a style of death metal I like a lot; a mixture of all elements of the genre without too much of any one thing. This is controlled force and a must listen for death metal heads everywhere.

http://thesludgelord.blogspot.co.uk/2016/08/album-review-warfather-grey-eminence.html
  

13)= Earthship - "Hallowed" & Khünnt - "Failures"  (405)

“Hallowed”is well represented with monolithic riffs, multi layered vocal arrangements and in standout track “Monolith” it delivers one of the heaviest moments within the course of the album. To me it appears as if the band had held back on us up until this point, because they have unleashed a truly astonishing album, which pummels and pounds you with a thick narcotic groove. This album is sonic alchemy of all their best elements, making this album a great listen and one to be admired.

 
http://thesludgelord.blogspot.co.uk/2016/08/album-review-earthship-hallowed.html
 
Khünnt create the kind of bleak racket that would make even Khanate cry themselves to sleep, echoing the ragged noise rock monotony of Shit and Shine it is strangely euphoric and completely crushing in equal measure. “Failures” is a bold step forward from Khünnt. It sees them maintain their reputation for sonic drudgery while finding new ways to subject the listener to aural torment.

http://thesludgelord.blogspot.co.uk/2016/08/album-review-khunnt-failures.html


11). Howling Giant - “Black Hole Space Wizard”: Part 1” (EP) (469)

Howling Giant come across as a confident band that are bursting at the seams with invigorating hooks that sound as familiar as they are new. They have the discipline to take their time fleshing out riffs without losing sight of the song, their energy and passion is felt throughout, which is the glue that holds this EP together.

 
http://thesludgelord.blogspot.co.uk/2016/08/review-howling-giant-black-hole-space.html


10). Make - "Pilgrimage of Loathing" (526)

An encompassing album that sees Make drag the psychedelia and post-metal of their previous recordings into a sludgy realm full of menacing atmospherics and hard-hitting riffs, Pilgrimage Of Hate is sure to please those who like their doom dark and heavy, but less predictable than the average group.

http://thesludgelord.blogspot.co.uk/2016/08/album-review-make-pilgrimage-of-loathing.html

 
09). Lord Vicar - "Gates of Flesh" (551)

For anyone wanting quality traditional doom, the purchase of this album is a no brainer. Lord Vicar represents the very best in the genre and this album is a focused and fulfilling listen.

http://thesludgelord.blogspot.co.uk/2016/08/album-review-lord-vicar-gates-of-flesh.html

08). Hexxus - "Tunguska" (577)

Hexxus brings something different from the word go, desolation lays in their wake, pain and fear tremble before their sheer levels of decibel destruction.

 
http://thesludgelord.blogspot.co.uk/2016/08/album-review-hexxus-tunguska.html



7). Yeti On Horseback – “The Great Dying” (583)

Soaring melodies, crushing and enveloping riffs, brutal vocals, “The Great Dying” has got the lot! It's beautifully downtrodden in it's make up and utterly captivating.

 
http://thesludgelord.blogspot.co.uk/2016/08/album-review-yeti-on-horseback-great.html


6). Devil Electric - "The God's Below" (EP) (647)

 
Hailing from the Melbourne, Australia, Devil Electric unleash abevy combination of, ‘riffs of old and new in a collision of unholy matrimony’.

http://thesludgelord.blogspot.com/2016/08/review-devil-electric-gods-below-ep.html
 

5). Black Tar Prophet/Iron Gavel - "Black Tar Prophet/Iron Gavel" Split (636)


 
4). Castle - "Welcome to the Graveyard" (829)

This is fantastic heavy metal of the most traditional kind, forged, I can only assume, in the fires of hell

http://thesludgelord.blogspot.co.uk/2016/08/album-review-castle-welcome-to-graveyard.html
 

3). Shadow Witch - "Sun Killer" (915)

This record is a fine debut and places the band amongst the retro rock/doom/metal scene but shows that they have a unique sound and approach. If you have been enjoying bands such as Demon Eye, R.I.P, Uncle Acid, Satans Satyrs, Electric Citizen and so on, well, Shadow Witch are better then some of them and can mix it with the best of them!

 
http://thesludgelord.blogspot.co.uk/2016/08/album-review-shadow-witch-sun-killer.html


2). Slomatics – “Future Echo Returns” (1608)

When a band's guitarist has their own signature fuzz pedal, it's a safe bet that they can cut through solid rock with their riffs; when both guitarists have an alternate version of the same pedal then prepare your eardrums for some serious, rock crushing heaviosity. The towering heaviness of the riffs and the images of the infinite, shimmering darkness of space is executed and captured perfectly. An amazing album worthy of any and all praise it will undoubtedly receives.

 
http://thesludgelord.blogspot.co.uk/2016/08/split-review-exclusive-stream-black-tar.html


1). SubRosa - "For This We Fought the Battle of Ages" (2694)

If you love really emotionally charged hard hitting music, give this record a listen. I had very high expectations of this record, and those expectations were met and then exceeded.

http://thesludgelord.blogspot.co.uk/2016/08/album-review-subrosa-for-this-we-fought.html
 


A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  August’s “Sour 16” features reviews by:  Richard Maw, Dan Brownson, George Parr, Charlie Butler, Chris Bull, Hunter Young, Eric Crowe, Victor Van Ommen  & Gerardo Pacheco

Tuesday, 13 September 2016

INTERVIEW: "The End of the Beginning" with Boston's Doom-laden metal maestros Second Grave




In life, it is often said that timing is every thing, indeed it is through careful consideration of other external factors than can often influence some desired outcome, a time to be born, a time to die, a time to fight, a time to love, a time for peace, a time to riff.  We all have a clock that has been set but it means something different to everyone.  Whilst timing, is used to refer to the time at which something happens or is planned to happen, or to the length of time that something takes, it is also a skill or action of knowing when to judge when is the right moment to do something.  So in the case of Boston’s, Second Grave, you could say my timing to introduce the band to our readers sucks. But first let us set the scene…. 

Conceived in early 2012, Second Grave combine elements of doom, heavy rock, and metal, with an emphasis firmly planted in riff worship. Their sound partially hearkens back to a time when red hot tubes–pushed to their limit–delivered massive tone through huge cabinets, while delivering epic tales of ancient battles, horror, human nature and the mysteries of the arcane.

By the end of 2012, Second Grave had released their debut self-titled E.P. played shows with likes of Witch Mountain, Castle, Elder, and Pilgrim.  A 2-song 10” EP “Antithesis” (released by Pariah Child on vinyl) would follow in November 2013 and the band would appear at the Stoner Hands of Doom festival in Richmond, VA. May of 2014 saw the band at the Eye of the Stoned Goat Festival in Worcester, MA.

So fast forward to August 2016, I receive an email from Second Grave to announce the release of their long-awaited full length album—3 years in the making.  Cue much excitement, a killer band, killer riffs, the timing was perfect? Well you’d think!

Please welcome Second Grave, it is “The End of the Beginning”



SL: Can you give us an insight into how you started playing music, leading up to the formation of Second Grave

Chuck Ferreira (drums):  I think, like most other musicians, as children the love of music takes hold of you and, at some point, you pick up an instrument—often not the one which you're most proficient on as an adult—and start emulating your musical heroes, and this process just grows until you develop some degree of ability.  Practice and jamming, over and over again, and you get to a point where you join a band or start a band, etc. 

As for Second Grave, we formed in 2012 when drummer, Chuck Ferreira, contacted singer/guitarist, Krista Van Guilder, about “starting something heavy”.  Initially not sure about it, it was several months before Krista reached back out to Chuck to determine if he was still interested—he was, and so the initial steps toward Second Grave forming were taken.  Krista brought along Chris Drzal (guitar) and eventually Dave Gein (Black Pyramid) was brought on board to play bass.  When Dave left a couple years back (he plays on both the “Second Grave” and “Antithesis” EP s), Maureen Murphy joined the band and we kept rolling along!

SL: What can you tell us about your upcoming record and where do you feel it sits within the context current doom scene

Chuck Ferreira: The record, “Blacken the Sky” is now officially out (currently available for a name-your-own-price on Bandcamp) and features a hugely collaborative effort where we were all of the same mind set.  We don't like to peg ourselves as being strictly a Doom band, but it's clearly a huge part of our sound.  Each member of the band has a wide array of influences, and having played together now since early 2012, we've sort of figured out a way to meld those influences into the “Doom” sound that you hear on “Blacken The Sky”.


The current Doom scene is extremely diverse, with many various off shoots—blackened Doom, Doom Metal, Stoner Doom, Sludge, etc.  “Blacken The Sky” probably has a foot in the classic Doom sound in the line of the Black Sabbath inspired sound, and one in the more Doom Metal genre, but even within that description, there are variations.  At the heart of it, though, it's extremely melodic and heavy, and we feel it doesn't purposefully try impose any particular style, rather, it incorporates all the elements we love.  


SL:  How was the mood in the camp going into the recording of the record

Chuck Ferreira: The mood was great—but also determined.  It took us four years to finally get to the point of recording a full length—we had released two very well-received EP s prior, but it was time to buckle down and get this out.  We had a lot of great new material and worked hard to hone it down.  When it came time to tracking (at Mad Oak Studios in Boston, with co-producer Benny Grotto), we were in a good place because we had these songs down really well.  There wasn't much tinkering in the studio. 

SL: What can fans look forward to from you over the next 12 months? How is your schedule shaping up?

Chuck Ferreira:  In a true “doom” and despair scenario, many people will be surprised to learn that as of August 27th we've decided to put Second Grave to rest.  Everyone is going in different directions with new projects and we're all just at different places in our lives from the time this band started in 2012.  There are the obvious musical differences and desire on the part of all four members to head down new paths, but we all remain committed to making sure everyone gets to hear “Blacken the Sky”.  In a lot of ways, this full-length is a great way to cap off what's been a great run for us, we've had the honor of sharing the stage with bands like Windhand, Witch Mountain, Castle, Elder, Jucifer, Gozu, Gospel of the Witches, Pilgrim, and many others, and we made a lot of friends along the way.  We're thankful for all of that.  Doom on. 

  • Chris Drzal, guitarist, has a heavy/doomy due project called "Winterbolt" that he's getting going.
  • Krista Van Guilder, vocals guitar, and Maureen Murphy, bass, are getting a new project going that will likely be unveiled later in 2016.  No name yet.
  • Me (Chuck)--I'm involved with several projects in the Boston area (non-metal bands Eddie Japan and Aloud), as well as being a busy session drummer.  It's only a matter of time, though, before I get a new heavy rock/doom project going again.
“Blacken the Sky” is available here

Band info: bandcamp || facebook

Monday, 1 August 2016

ALBUM REVIEW: Castle - "Welcome to the Graveyard"

By: Richard Maw

Album Type: Full Length
Date Released: 15/07/2016
Label: Ván Records


This is fantastic heavy metal of the most traditional kind, forged, I can only assume, in the fires of hell

Welcome to the Graveyard’ CD//DD//LP track listing:

1). Black Widow
2). Hammer and the Cross
3). Welcome to the Graveyard
4). Veil of Death
5). Flash of the Pentagram
6). Traitors Rune
7). Down in the Cauldron Bog
8). Natural Parallel

The Review:

Album number four for these USA retro trad/doom merchants. Truthfully, there is much more then doom going on here (much as the same could be said for Ozzy-era Sabbath). Opener “Black Widow” is a cracker- great vocal, some nice double kick flourishes and a reliably large and warm sound. “Hammer and the Cross” keeps the quality high with evil riffing and fine performances all around. The title track is a fine piece of melodrama which finds the band ploughing familiar metal furrows, but with stronger hooks than many of their contemporaries.

The intro to “Veil of Death” screams “METAL!” from the speakers and shows the band playing to their strength: they know what their sound is, they know when to break into a riff built around crashing chords and when to drop an excellent lead break leading into a verse (just check out the first minute of this one!).

“Flash of The Pentagram” is reliably badass with the dual vocals at octave intervals (I think) working really well, this is the kind of revved up rock and roll that Orange Goblin and Pentagram would be proud to have on one of their records. A slamming song, encapsulating everything good about Castle in just over three minutes. Listen to this one if you fancy getting a taste of what the band is all about. The main riff of “Traitor's Rune” is also fantastic and by this point in the record I was truly sold on what the band have created here. This is a consistent record which hangs together perfectly. More occult themes arise from “Down in the Cauldron Bog” and the spirit of true metal is summoned!

At only eight tracks, I was left wanting the album to continue on for a few more- great move by the band- which says a lot about the quality on offer here. “Natural Parallel” closes things convincingly and somewhat creepily. I really enjoyed this record a lot and will continue to listen to it, I suspect, a great deal over the coming months. This is fantastic heavy metal of the most traditional kind, forged, I can only assume, in the fires of hell. For fans of Orange Goblin, Pentagram, Demon, Angel Witch and so on.

‘Welcome to the Graveyard” is available here

Band info: facebook

Monday, 18 May 2015

Castle - 'Deadhand Hexagram' 7inch (Review)


Album Type: 7inch
Date Released: 30/04/2015
Label: Ván Records

‘Deadhand Hexagram’ 7inch track listing:

1). Deadhand Hexagram
2). Be My Ghost (Reprise)

Review:

Traditional doom/heavy metal straight out of the US North West, this two track single wastes no time in laying down a lovely organic bass driven production. The riffing is Sabbath by way of Dio as are the vocals (which soar beautifully in places)  and phrasing. “Deadhand Hexagram” is an excellent four minutes plus of occult themed melodrama with time changes and catchy riffs throughout.

 The B-side “Be My Ghost Reprise” treads different territory with a clean guitar opening and sterling vocal from Liz Blackwell (who delivers on every level on this release). The track has strings too courtesy of Uta Plotkin which create a very melancholy atmosphere. As a taster of the band, this single works very well, showing both their melody and heaviness. In fact, it really made me want to explore their discography and get hold of more material. This fine and unusual stuff- most definitely heavy metal, most definitely doom, but not retro per se- Castle tread their own path. Give it a try and hear for yourself.

Words by: Richard Maw:

‘Deadhand Hexagram’ is available now

For more information:

Like: Facebook | Tweet: Twitter | Official: Website


Wednesday, 14 January 2015

The Sludgelord News: CASTLE unveil new video, plus European tour in the works




Heavy metal enthusiasts, CASTLE have today unveiled their brand new video for the track A Killing Pace. The song is taken from their most recent release, Under Siege, released via Ván Records earlier this year.

The dark and sinister video was filmed at The Trash Palace in Toronto, Canada, ahead of their run of Californian tour dates due to kick off this week.

Check out the video for A Killing Pace HERE.

Following a successful 2014, which saw the release of Under Siege and a seemingly endless cycle of tours that saw the band traverse the globe, 2015 is not showing any signs of letting up. CASTLE are already planning a return to Europe this spring/summer, with the first show already confirmed.



CASTLE will join the stellar line up on Ván Records' Acherontic Arts Fest - which will take place on May 1st, in Oberhausen, Germany - alongside Atlantean Kodex, Necro Deathmort, Vanderbuyst and many others. The finishing touches are being put to the remainder of the tour dates, which will be announced in the coming weeks. 

Consisting of eight tracks of riff-driven melodic metal, Under Siege -- CASTLE's third full-length release -- was released last year to stunning reviews. The Chicago Reader praised its "Iron Maiden-ish guitar leads (that) tickle like bloody claws", while A.V. Club lauded the album as the band's "most throttling full-length" yet.
 

Under Siege is available via the Ván Records webshop on CD or LP


For further information on the band, please visit:
facebook.com/CastleSF
www.heavycastle.com

Source:  Pioneer Music Press