Showing posts with label Converge. Show all posts
Showing posts with label Converge. Show all posts

Saturday, 7 March 2026

Sonic Selections (((o))): 10 Essential Metal Albums released in February, 2025


 

Welcome to “Sonic Selections (((o)))” — a monthly descent through the records that have shaped my listening, defined the mood of the weeks gone by, and carved out their own space in the noise.  This is a curated reflection (based on my listening habits) on the releases that lingered, pressed themselves forward, and refused to fade into the backdrop. These are the albums that carried weight, that revealed themselves across repeated listens, and that left a tangible imprint on me throughout February.
 
Across this rotation, I clocked 1,562 streams, drawing from 87 artists, 88 new albums, and 347 new tracks, amounting to five full days of listening. The numbers may have dipped — an average of 56 streams per day, down 18%, with the weekly peak landing at 108 streams on February 11th, itself a 13% drop — yet the decline didn’t dull the impact. If anything, the quieter pace sharpened the focus, allowing certain records to rise with clarity and insistence
 
What follows is a collection of works that held my attention through atmosphere, intent, and sheer sonic presence — releases that demonstrated resilience under scrutiny, that demanded immersion, and that ultimately became the pulse of this month’s listening.
 
Here are the recordings that shaped the week’s sonic landscape.
 
1) Converge – “Love Is Not Enough”
 
What Converge present here is the sound of a band decades into their craft, yet still utterly unwilling to become a monument to past glories. Love Is Not Enough feels like the culmination of years spent refining emotional violence into something startlingly measured. There is an unmistakable sense of purpose woven through these songs — a clarity in the way they rise and collapse, as though the band have learned to channel turmoil rather than be consumed by it. Converge have long reshaped the boundaries of heavy music, and here they do so again, not through shock or abrasion, but through the quiet confidence of artists who know the weight their music carries.
2) Eximperitus – “Meritoriousness of Equanimity”
 
This album feels like an excavation — a slow, deliberate unearthing of something ancient and unfathomably dense. Eximperitus construct their world with a steady hand, each riff carved with ritualistic focus, each passage unfolding like a text written long before modern ears learned how to listen. Beneath the suffocating weight lies a remarkable sense of order; the chaos is controlled, the momentum purposeful. It is music that demands immersion, rewarding those who surrender to its gravity with hidden intricacies and quiet revelations. A towering, enigmatic work.
3) MØL – “DREAMCRUSH”
 
With “DREAMCRUSH”, MØL continue to blur the lines between beauty and abrasion, crafting a record that seems to breathe in colour before exhaling cold shadow. There is an emotional immediacy at play — melodies that shimmer with longing, vocals that tear through the haze with raw intensity. These songs feel like fragments of memory: radiant, fleeting, and occasionally devastating. MØL guide the listener through a landscape that is both bruised and luminous, and the journey leaves its mark long after the final notes fade.
4) Shine – “Wrathcult”
 
“Wrathcult” strikes with an immediacy that borders on confrontational. Shine waste no movement, no breath, no unnecessary flourish; every moment is honed to impact. Yet beneath the bluntness lies a sense of conviction — the sound of a band who trust the power of simplicity, who understand that aggression need not be clouded by excess. These tracks barrel forward with unwavering resolve, leaving behind a trail of grit and purpose. It is a record built from discipline, momentum, and unfiltered intent.
5) Ritual Arcana – “Ritual Arcana”
 
Ritual Arcana craft music that seems suspended in a perpetual twilight, where each note lingers like incense drifting through a dimly lit chamber. Their self‑titled record unfolds slowly, shaped by a patience that draws the listener inward. It is spacious yet heavy with atmosphere, each track carrying the quiet pulse of something unseen but deeply felt. There is a sense of ritual — a deliberate cleansing of emotion through sound and silence. This is not music that demands attention; it quietly earns it, inviting you to sit within its shadows and listen.
6) Poppy – “Empty Hands”
 
With “Empty Hands”, Poppy steps forward as an artist unafraid to reshape her skin once again. What emerges is a record of clarity and re‑definition — a distillation rather than an expansion. These songs move with purpose, their edges still sharp but their centre more grounded, revealing a maturity in both tone and intent. There is a quiet confidence throughout, as though she has stripped away the noise to reveal something more vulnerable and sincere. A graceful, compelling reinvention.
7) Embittered – “Archatron”
 
“Archatron” feels like a descent — a slow, oppressive drift into a world sculpted from shadow and ritual. Embittered’s debut moves with an almost ceremonial patience, each riff rising like smoke from a long‑forgotten altar. The two‑part “Archatron” suite anchors the journey, a pair of sprawling movements that radiate cold purpose and atmospheric weight. This is blackened death metal that sees no need to rush; instead it smothers, surrounds, and eventually consumes. A stark, commanding first offering.
8) Shields – “Death Connection”
 
Shields deliver a record that feels polished yet heartfelt, a modern metalcore release shaped by hooks that soar and rhythms that strike with precision. “Death Connection” is driven by clarity — of production, of songwriting, of emotional direction. There is a sincerity beneath the sheen, a sense that the band have distilled their strengths into a series of tracks that move with both accessibility and earnest impact. It is an album that understands its purpose and fulfils it with confidence.
9) Gros Enfant Mort – “Les Sang Des Pierres”
 
This album moves like shifting earth — slow, deliberate, and charged with an underlying tension that never quite resolves. Gros Enfant Mort lean away from convention, embracing mood and atmosphere over traditional structure, and the result is music that feels both meditative and unsettling. Each track expands and contracts like breath, pulling the listener deeper into its textured emotional terrain. “Les Sang Des Pierres” is a quiet revelation: immersive, expressive, and haunting in the most understated way.
10) Fossilization – “Advent of Wounds”
 
“Advent of Wounds” is an immense and suffocating experience, the kind of death‑doom release that moves with the inevitability of encroaching night. Fossilization construct their songs from towering riffs and cavernous resonance, creating an atmosphere so dense it feels almost tactile. Yet within that heaviness lies a profound sense of mood — a slow‑burn emotional gravity that pulls the listener into its depths. It is a record built on scale, texture, and unrelenting weight, and one that lingers long after its final rumble subsides.
 


🩸 Top 10 Artists (minutes streamed): 
 
1). Converge (388 minutes)
2). Shine (344 minutes)
3). Eximperitus (339 minutes)
4). Syberia (325 Minutes)
5). Mol (295 minutes)
6). Embittered (283 minutes)
7). Fossilization (276 minutes)
8). Worm (205 minutes)
9). Urne (263 minutes)
10). Gorrch (263 minutes)
 
⚔️ Top Tracks (most streamed)
 

1). Armed for Apocalypse – “Fist Like Feathers” (17 times)
2). Converge – “Make Me Forget You” (14 times)
3). Converge – “Bad Faith” (14 times)
4). Nightmarer – “Crawl of Time” (13 times)
5). Nightmarer – “Hell Interface” (13 times)
6). Converge – “Gilded Cage” (13 times”
7). Converge – “We Were Never the Same”” (13 times)
8). Converge – “Amon Amok” (13 times)
9). Converge – “Beyond Repair” (13 times)
10). Pilori – “Lese-Majeste” (13 times)



⚔️🩸 Sonic Selections (((o)))  - February 2026  (30 biggest tracks of the month)


Friday, 6 March 2026

PLAYLIST: 🩸 THE NEW FLESH INDEX — WEEKLY ROTATION #9 Friday, February 20th to Thursday, February 26th, 2026


Welcome to The New Flesh Index A clear snapshot of the sounds shaping the period February 20th–26th, built from the tracks that demonstrated the strongest presence and impact throughout the week. This isn’t a playlist; it’s a curated index of movement, momentum, and measurable force within contemporary heavy music.
 
This rotation highlights February’s closing developments — riffs engineered with weight and precision, rhythms that maintain focused structural intent, and vocals that cut through the mix with controlled, intentional pressure. These are the tracks that consistently registered, held their ground, and left a sustained imprint across repeated listens.
 
This week’s selections are drawn from the following releases — projects that showed the most resilience under continued play and defined the week’s sonic profile:

 

1) Converge Love is Not Enough” (125 individual track streams)
 
This release captures Converge’s continued refinement of their highly disciplined, emotionally charged sound. The album balances abrasive energy with structural clarity, demonstrating the band’s ability to sustain intensity without sacrificing coherence. It showcases mature songwriting, sharper production choices, and a clear sense of purpose, reinforcing Converge’s long‑established position as a defining force within modern heavy music.
 
2) Embittered Archatron” (52 individual track streams)
 
“Archatron” presents a compact, tightly executed blend of metallic hardcore that favors precision over breadth. The album maintains a consistent level of aggression while avoiding unnecessary complexity, resulting in a focused and streamlined listening experience. Its strength lies in its directness—each track serves the same clear aesthetic goal, making it a cohesive and efficient entry in the band’s catalogue.
 
3) MädätysKuoleman Ulottuvuudet” (34 individual track streams)
 
This album delivers a raw, fast, and deliberately unpolished take on extreme punk and metal crossover. Mädätys lean into a harsh, abrasive aesthetic that values immediacy and confrontation, creating a release that feels urgent and uncompromising. The record’s rough edges are part of its identity, offering listeners a faithful representation of the band’s underground roots and traditionalist approach.
 
4) Worm – “Necropalace” (30 individual track streams)
 
Necropalace emphasizes atmosphere, scale, and slow‑burn intensity, positioning Worm firmly within the more expansive side of extreme metal. The album’s pacing is deliberate, with extended passages that build mood through texture rather than speed. It rewards patient listening, revealing depth through layered instrumentation and careful production choices. As a full release, it demonstrates a strong command of tone and space.
 
5) Sundecay The Blood Lives Again” (21 individual track streams)
 
This album is defined by its weight and measured pacing, drawing from doom metal’s foundational traits while maintaining a modern sense of clarity. Sundecay focus on thick, resonant riffing and controlled tempos, creating a sound that is heavy without feeling stagnant. The record’s cohesive construction and tonal consistency make it a solid entry for listeners seeking methodical, slow‑burn heaviness
 
6) In Aeternum …of Death & Fire” (11 individual track streams)
 
“…of Death & Fire” offers a direct, tradition‑minded interpretation of blackened death metal, built on speed, sharp riffing, and concise arrangements. The album favors efficiency over experimentation, delivering a straightforward but well‑executed set of tracks that reflect the genre’s classic characteristics. Its clarity and focus make it a reliable release for listeners who appreciate extreme metal that stays close to its roots.



⚔️ Total Streams: 289 ↓ 17% — A continued reduction in overall listening, following last week’s already‑lower activity levels.
🩸 Total Artists Streamed: 20 ↓ 17% — Listening narrowed across fewer artists, reversing last week’s broader spread.
⚔️ New Albums: 20 ↑ 27% — Despite the decline in total activity, new releases still entered rotation at a strong rate, maintaining consistent interest in fresh material.
🩸 New Tracks Streamed: 70 ↓ 39% — A significant decrease in new‑track exploration, indicating more focused, deeper listening rather than wide variety.
⚔️ Total Listening Time: 1 day ↓ 16% — Listening sessions were shorter overall, continuing the reduced engagement trend from the previous week.
🩸 Average Streams per Day: 41 ↓ 18% — Daily output followed the overall decline, settling below last week’s reduced pace.
⚔️ Most Active Day: 93 streams on February 23rd ↓ 13% — A solid peak still occurred, though at a lower level than last week’s highest‑activity day.


⚔️ Top Artist: Converge (125 individual track streams)



🩸 Top Album: Converge – “Love is Not Enough” (125 individual track streams)



⚔️ Top Track: Converge – “Bad Faith” (14 streams)



⚔️🩸 The New Flesh Index Playlist #9 (30 biggest tracks of the week)


Friday, 8 December 2017

TOP 16 ALBUMS: THE SOUR 16 (November 2017)


As we enter the countdown to Christmas and with a mere 17 days to go it is time to present 16 of the best albums from September, it is time for your SOUR 16

You know the drill by now, each month you the reader are unwittingly compiling a list of the top16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, THE SOUR 16 are the records that have been trending the most at SLUDGELORD HQ.

The results are compiled based on the amount of page views the reviews have received and are then calibrated into the list below.  All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in the red)

16). Sect“No Cure for Death” (823)



Sect have set the standard for hardcore music and what it should aspire to in 2017. If you’re looking to heavy music with a message, look no further than “No Cure for Death”.









15). Slabdragger & Wren - “Mothers Of The Beef And The Magic Of Invention” [Split] (874)



Both bands deliver the best kind of cover version; one that takes the source material and imbues it with their own unique spirit to create something new and exciting.  An essential purchase for any fans of the UK heavy underground and maybe it’ll turn some old Zappa and Beefheart heads towards the sludgier side of life too






14). Cannibal Corpse - "Red Before Black" (938)


Once again, Cannibal Corpse have crushed all in their wake and returned as conquering anti-heroes of the death metal genre.  Cannibal Corpse remain the death metal band by which many other death metal bands are judged and remain my go-to band of choice if I want to listen to something extreme, violent, uncompromising and also oddly, inexplicably, insanely listenable.






13). Hooded Priest - "The Hour Be None" (959)



This is doom metal that will appeal to anyone with a sense of theatre and anyone who wants to bang their head as well; there is some great metal on offer here. Huge and sprawling in its ambition, “The Hour Be None” is a doom tour de force and I recommend it highly.







12). Amenra - "Mass VI" (1054)



Amenra’s music is real and comes across as brutally honest. The formula (sonic + emotional heft) = (a heavy album) is one that’s been done many times before, but what Amenra does that sets them apart from the pack is the diligence they use when drinking from the well of inspiration. Amenra makes their listener feel and live with them. This keeps Amenra in touch with why they started making music in the first place. It’s this artistic integrity that helps make “Mass VI” what it is. 




11). Pale Horseman - "The Fourth Seal" (1084)


Pale Horseman offers a special sort of heft to their music, with mesmerizing guitars convulsing, vocals crunching  and the drums creating a war beat that is stifling in weight.










10). Fister & CHRCH“Fister/CHRCH” (Split LP) (1120)



Over the course of nearly forty minutes, CHRCH and Fister, employing different sonic palettes and lineups, craft a perfect split for the moment: unholy, polluted, funereal and dismal – a requiem for humanity’s end times that is as beautiful as it is ugly.







9). Manilla Road - "To Kill A King" (1205)



In summary, To Kill A King is a superb and epic metal album, forged from the finest steel.











8). Dead Quiet“Grand Rites” (1255)



All of the nuance and balance on this record really make it an experience that never bogs the listener down. It is for these reasons, that Dead Quiet’s “Grand Rites” is one of the best Canadian Metal records of the year.








7). Purple Hill Witch - "Celestial Cemetery" (1256)



From the Deep Purple-indebted organ intro, to the bluesy pentatonic riffing, there’s no doubt that the latest LP from Norway’s Purple Hill Witch is pure retro-metal worship.  The pervasive garage metal swagger elevates some pretty raw material and proves that they have the chops to be a really excellent outlier in the doom metal underground






6). Clouds Taste Satanic - "The Glitter of Infinite Hell" (1381)



Clouds Taste Satanic’s blend of doom, stoner and sludge chords, capacious basslines and drums set an imposing climate that sets them  apart from their peers. Each cut here feels distilled down to the pitched greatness of its many influences. Guitars simmer like the hunt during a horror movie and by the albums conclusion, chances are your mind will be thoroughly mashed.





5). Converge - "The Dusk In Us" (1897)



Today, with random acts of violence, anger and pessimism dotting our timelines, maybe Converge just now seems like a soundtrack to our contemporary apocalypse










4). Godflesh - "Post Self" (2301)



It may be a disturbing, challenging last will and testament of humanity’s futurist hopes and dreams, but “Post Self” is an invigorating, complex, and honest piece of industrial metal.  Perhaps most importantly, in a genre that can be glutted with repetitive speed metal riffs and samples of shouting despots, Godflesh stands as one of the smartest bands working today.





3). Norilsk - "Le Passage des Glaciers" (2752)



French canadian doom duo Norilsk return from a two-year layoff with a surprising new album, one that gives a reengaged sound to the pair's signature style.  Norilsk manages to be bold without being alienating, and that is indeed refreshing.








2). Electric Wizard - "Wizard Bloody Wizard" (9121)



 “Wizard Bloody Wizard” transcends whatever the in-thing of the moment is, and focuses instead on musicianship, the album's all-analog approach creates a warm, vintage sound for the songs and on the whole Electric Wizard feels re-energized, whilst  remaining true to their seedy pedigree






1). Morbid Angel - "Kingdoms Disdained" (28760)



This album is a statement of intent, placing the focus on convulsive rhythm changes and dissonant, jagged riffs over accessibility.  ‘Kingdoms Disdained’ is Morbid Angel's most uncompromising album of their career and their best album in nearly twenty years, and I don’t consider that light praise.







A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  Novembers 2017’s “SOUR 16” features reviews byRichard Maw, Ernesto Aguilar, Daniel Jackson, Mark Ambrose, Victor Van Ommen, Charlie Butler & Mark Tremblay