Showing posts with label In The Company Of Serpents. Show all posts
Showing posts with label In The Company Of Serpents. Show all posts

Saturday, 15 April 2017

TOP 16 ALBUMS: The Sour 16 for March 2017


Yes, it is that time again O ye lover of riffs, “The Sour 16” returns.  You know the drill by now, each month, you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, “The Sour 16” are the records that have been trending the most at The Sludgelord Headquarters.

The results are compiled based on page views alone and calibrated into the list below.  All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red)

16). Deadwound - "Identity Shapes" (533)

The South-West London quintet deal in a compellingly nasty blend of filthy sludge riffs, jarring discordance and searing bursts of d-beat fury. Tracks like “Crucifixed” and the crushing dirge of “Witch” come out of the blocks like “Remission” era Mastodon locked in a sweaty basement with His Hero Is Gone.  The band deliver twenty minutes of exhilarating noise that is equal parts barbed complexity and raw simplicity.

 http://thesludgelord.blogspot.co.uk/2017/03/review-deadwound-identity-shapes.html

15). Benighted - "Necrobreed" (556)

Benighted are the equivalent of a gargantuan, hyperactive monstrosity, hybridizing the manic-spastic energy of a joyous slasher rampage with the gurgling insanity of some cthonic abomination. 


14). Power Trip - "Nightmare Logic" (557)

All in all, you would be pressed to find a weak link in “Nightmare Logic”'s sound or mix. It's a pinnacle album for those who need their metal fast, violent, and up in their face like a full scale riot.


13).Stinking Lizaveta - "Journey to the Underworld" (558)

Stinking Lizaveta’s new album “Journey to the Underworld” finds the band in deadly form, crafting music that is seriously weird and complex yet still delivers an addictive riff high.


12). Hey Satan! - "Hey Satan!" (617)

Overall this is a very impressive debut by very talented musicians.  Superb songwriting and extremely catchy rock and roll filled with dueling fuzzed out guitars, loud drums and a dynamic singer.


11). Rezn - "Let It Burn" (630)

REZN relies on hefty passages of music but the key to the band’s sound is how they combine this heft with a droning melody. Imagine Velvet Underground wrapped up in a Mars Red Sky jacket and you’ll understand why these Chicago boys are worth your attention.  This is a gem of a debut and albums of this quality don’t come around very often


10). Ghastly Sound - "Ghastly Sound" (EP) (646)

The Worst” sounds like Torche playing Truckfighters with the ghost of Dio on vocals while “Where The Ghosts Hide” and “Cape Buffalo” bring to mind Big Business indulging in secret stadium rock fantasies with hints of the Deftones in the melodic choruses given free reign with vocalist Tyler Gurwicz doing his best Chino Moreno impression over foundation-shaking riffs.  This EP is a tantalising glimpse of what Ghastly Sound has to offer. Hopefully it won’t be long before they return to show what fist-pumping destruction they are capable of over the course of an LP.



09). Thorr-Axe / Archarus - "The Hobbit" (Split) (678)

From deep within the fires of Mt. Doom comes one of the best releases of 2017 – a Tolkien-themed split from Indiana riff-smiths Archarus and Thorr-Axe.  It spans the whole spectrum that stoner/doom metal has to offer, with each track bringing a fresh sound to the table.


08). Telepathy - "Tempest" (704)

A monsoon of riffs, from slow, knuckle-dragging doom moments to the calculated chaos of Mastodon, spinning on a huge axis with their long, winding loops, this album it hits you like a drug, freewheeling into your body.


07). In The Company of Serpents - “Ain-Soph Aur” (714)

“Ain-Soph Aur” is a heavy experience on all levels. The band have dialled back the volume and slowed the tempo from previous releases which has unexpectedly resulted in increased impact. This album is  towering achievement from In The Company Of Serpents. It is a fine addition to an already distinguished discography and an inspiring work that sets the standard for heavy music in 2017.


06). Hyenas - "Deadweights" (768)

Deadweights” is an exciting opening salvo from Hyenas, it is an exhilarating hit of chaotic hardcore, metal fury and punk’n’roll that takes me back to the early to mid-2000s


05).Obituary - "Obituary" (971)

Obituary haven't sounded this deadly and taut for a long, long time, this is even better than “Inked In Blood”- itself an impressive record, A unique band in the genre.  Obituary have always stood apart from other death metal bands. They now stand above them again, too, because this is a death metal tour de force


04). Fen - "Winter" (987)

When this album is on fire, which is often, it’s absolutely some of the best atmospheric black metal you’ll hear this year. While the build to those big moments can be over-stretched, the payoff is absolutely worth the wait.  But even when accounting for its biggest flaw, I believe that ‘Winter’ will end up as one of the year's best albums. There’s simply too much fantastic material here to be denied.  


03). Dopelord - "Children of the Haze" (1329)

“Children of the Haze” is defined by loose grooves, ghoulish riffing and a very vintage sense of wickedness. Dopelord prove that, unlike many other stoner metal bands, they are not content to just create the same song several times over and call it an album.


02). Hour Of Penance - "Cast the First Stone" (1399)


01). Pallbearer - "Heartless" (1642)

“Heartless” is an incredible achievement from Pallbearer, a set of huge songs that consolidate the best elements of their previous releases while moving into fresh sonic territory. This is the album that should see the band make the transition into stadium-bothering all-time greats, and deservedly so.


A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  March’s Sour 16 features reviews byRichard Maw, Theron Moore, Charlie Butler,  Phil Weller, Victor Van Ommen, Jay Keche, Ben Fitts, Daniel Jackson, Michael Pagos,  Hunter Young & Conor O’Dea

Wednesday, 1 March 2017

ALBUM REVIEW: In The Company of Serpents - “Ain-Soph Aur”

By: Charlie Butler

Album Type: Full Length
Date Released: 10/03/2017
Label: Independent


 “Ain-Soph Aur” is a heavy experience on all levels. The band have dialled back the volume and slowed the tempo from previous releases which has unexpectedly resulted in increased impact. This album is  towering achievement from In The Company Of Serpents. It is a fine addition to an already distinguished discography and an inspiring work that sets the standard for heavy music in 2017.

“Ain-Soph Aur” DD//LP track listing:

1). Middle Pillar
2). Nothingness
3). Crucible
4). Merkabah
5). Limitless Nothingness
6). Limitless Light


The Review:

Denver doom duo In The Company Of Serpents’ new LP “Ain-Soph Aur” is a heavy experience on all levels. The band have dialled back the volume and slowed the tempo from previous releases which has unexpectedly resulted in increased impact. Coupled with some weighty thematic and lyrical content that draws on Qabalah philosophy (“Ain-Soph Aur” means limitless or eternal light) and Jewish mysticism, this album hits hard.

“Middle Pillar” opens the album in punishing fashion, a relentless steamroller that destroys all in its path. This track acts a meeting point between the bands aggressive sludge roots and the grandiose widescreen destruction embraced over the course of this record.  

There are many bands that employ quiet/loud dynamics, maximum reverb usage and crushing doom riffage. In The Company of Serpents employ all of these elements here but their attention to detail and method of delivery have resulted in a completely absorbing and unique sounding record. The fact that this dense, multi-faceted music is the work of only two people is even more mind-boggling and impressive.

The key to this record’s distinct atmosphere is the dark country influence that runs through its veins. On paper, the combination of doom and country doesn’t sound like a winner. However, In The Company Of Serpents recognise the common ground between these two disparate genres and bring them together to create a glorious noise. “Ain-Soph Aur” brings to mind Panopticon’s similarly unlikely black metal/bluegrass classic Kentucky”, particularly during the cold acoustic ballad “Merkabah”.

Crucible” and “Limitless Light” demonstrate the band fully embracing their new sound to create epic, awe-inspiring journeys into uncharted heavy territory. The former is particularly striking when the brooding dustbowl menace of the song’s first half is shattered by an onslaught of devastating sludge. Imagine Earth and Neurosis joining forces to provide the soundtrack for True Detective and you have an idea of the eerie heaviness to be found here.

In The Company Of Serpents’ massive riff explorations are obviously their main strength but the shorter acoustic tracks are just as effective and integral to the flow of the album. The sparse minimalism of “Nothingness” and “Limitless Nothingness” provide periods of bleak calm that are as hypnotic as the explosions of volume that surround. 

“Ain-Soph Aur” is a towering achievement from In The Company Of Serpents. It is a fine addition to an already distinguished discography and an inspiring work that sets the standard for heavy music in 2017.

“Ain-Soph Aur” is available to preorder/buy here

Band info: bandcamp || facebook

FFO: Neurosis, Yob, Earth, Scott Kelly

Wednesday, 25 February 2015

The Sludgelord News: IN THE COMPANY OF SERPENTS: Denver's Doomiest To Kick Off US Tour Next Week; Additional Dates Confirmed


Denver doom duo, IN THE COMPANY OF SERPENTS, will kick off their US live takeover next week. Set to embark on March 6th in Salt Lake City with additional dates added since the initial announcement, the band will bring their lead-footed tidings to fourteen cities down the West Coast and into the Southwest, with the tour coming to a halt on March 21st in Wichita. IN THE COMPANY OF SERPENTS will be joined a host of ear-bleeders throughout the journey including Top Dead Celebrity, Ladybird, Gale and more. Comments the band, "Let the waves of fuzz roll over you, empty your mind, and worship at the throne of Ohms."

IN THE COMPANY OF SERPENTS will be scouring ears with hymns from their Merging In Light EP, unleashed at the close of 2014. Produced, mixed and mastered by Dave Otero (Cephalic Carnage, Catheter, Nightbringer, Primitive Man etc.) at Flatline Audio in Denver, Colorado, Merging In Lightboasts over twenty chest-heaving minutes of bottom-heavy, riff-sodden, fuzzed out cheerlessness. The Sludgelord champions the offering calling it, "perfect and depressing in its sound... a thunderous and downtuned beast. How this duo can make such a thunderous, epic, filthy, sludgy sound is bewildering." Echoes And Dust crowns IN THE COMPANY OF SERPENTS, "...one of the most exciting bands around in the doom genre," furthering of the EP, " It's a no frills affair with one eye on the old school and the other on a more contemporary affair and given time surely they must reap the dividends." No Clean Singing elaborates, "The music is tank-like in the roll of its mechanics, the guitar and bass chords so distorted and sludgy that it seems like an experiment in the most efficient means of sonic spinal compression, the drum strikes so powerful that they come down like a pile-driver on concrete. The effect is near-cataclysmic. But oh man, the groove is so dominant - these are neck-grabbing songs that will bend your head up and down to their will," while Heathen Harvest adds, "IN THE COMPANY OF SERPENTS have, yet again, succeeded in crafting a collection of tunes that are malicious and ugly, while still possessing an irrefutable catchiness. While the band seems to be embracing and exploiting their time in the studio for the occasional overdub or sound effect, it should be noted that they are not doing so at the expense of their live sound. Merging In Light is easily one of the year's best... Perhaps not as spacey or as sprawling as Yob, IN THE COMPANY OF SERPENTSchannels the same degree of unbridled anger, but without the occasional glimpse of hope or transcendence that is often intimated by Mike Scheidt and co."

IN THE COMPANY OF SERPENTS:
3/06/2015 Bar Deluxe - Salt Lake City, UT w/ Oxcross, Top Dead Celebrity
3/07/2015 Crazy Horse - Boise, ID w/ Oxcross, Top Dead Celebrity, Swamp Shrine
3/09/2015 Highline - Seattle, WA w/ UN, Breag Naofa
3/10/2015 Tonic Lounge  - Portland, OR / Burials, Satanarchist, Dispossessed
3/11/2015 Eli's Mile High Club - Oakland, CA w/ Devoid
3/12/2015 Complex - Los Angeles, CA /Teeth
3/13/2015 The First Universalist Church Of San Diego - San Diego, CA w/ Old Man Wizard, Garth Algar, Deep Sea Thunder Beast
3/14/2015 51 West - Phoenix, AZ w/ Twin Giant, Ladybird, Gale
3/15/2015 Launchpad - Albuquerque, NM w/ End to End, Iceolus, Echoes Of Fallen
3/17/2015 Billiards Back Room - Abilene, TX w/ Adrenal Asphyxia
3/18/2015 The Badlands - Austin, TX w/ Mountain Of Smoke, Destroyer of Light + more for the Austin Heavy Music Vol.2 Showcase
3/19/2015 The Double Wide - Dallas, TX w/ Terminator 2, The Spectacle
3/20/2015 The Blue Note  - Oklahoma City, OK w/ Idre
3/21/2015 The Crows Nest - Wichita, KS w/ The Serpent Overlord, Idre 


Featuring artwork by renowned illustrator Sam Turner, (Sleep, Speedwolf et al) the EP was released independently on limited 12" colored vinyl and is currently available via the IN THE COMPANY OF SERPENTS BandCamp page HERE.

Source: Earsplit PR

Sunday, 22 February 2015

'In The Company of Serpents': An interview with Grant Netzorg



As a new reviewer at the Headquarter of Sludgelord I was sent the latest release ”Merging The Light”. I heard about the band last year but I didn’t spent much time with it because there were many other records that caught my attention.
As I think this is one of the most intresting band right now I think it’s time for the reader to learn about this secret little treasure. I caught up with Grant, the howling wolf of  ”In The Company of Serpents”
SL) For the one who doesn’t know your band, can you tell us a little about the band?
Sure.  We’re a two-piece from Denver, Colorado, and we play what could broadly be described as Doom or Sludge metal.  I play a baritone guitar through a wall of amplifiers, and Joseph Weller Myer beats the drums to a bloody pulp (his blood, usually, as he opens a wound or two during the course of a performance). 
SL) How did you come up with the band name?
JJ came up with it during a fever dream involving a talking dog, banjos, and ducks with teeth made out of candy corn. 
SL) Can you tell me a little bit about the process when you are  making music?
I usually have a riff or two that we will jam around until we begin to glean something resembling a full song from it.  Lyrics are usually in flux up until we go to record.  I will typically be singing around a particular theme or idea, but the words themselves and the articulation of whatever message is there will shift around until we solidify things in preperation for recording.  It tends to be a fairly organic process where we will jam on something until it feels right to us, at which point we will begin playing it live.  For each of our last two releases we had been playing the material live for nearly a year before they were released. 


SL) Have you met any reaction to your music national/international?
We’ve shipped records all over the world, but our primary fan base is in the US and the UK, at least if our shipping receipts are any indication. 
We will also be going to Mexico this June for the first time to participate in the Fist Fuck Family fest VI with Terrorizer and Nausea.
SL) Can you mention other bands that you are influenced by?
The obvious touchstones like Sabbath, Yob,  Neurosis, & Electric Wizard are all there, and there are numerous others that some people might find surprising.  Musicians like Swans, Throbbing Gristle, Dr. John, Neil Young & Crazy Horse, Ennio Morricone, Skip James, and many others are all favorites of mine that probably aren’t too outwardly evident in our music.   
SL) Can you recommend some bands worth listening to?
Denver is rife with great heavy bands right now.  Primitive Man are pretty much unparalelled in heaviness when it comes to crushing, doom/sludge shit.  Khemmis are another favorite, and they explore some melodic territory while still remaing heavy.  Cult of the Lost Cause is another great Denver band of talented players producing riff-driven instrumental tunes that are well worth your time.    Cloud Catcher is another great one for fans of awesome 70’s heavy riffs in the vein of classics like Sir Lord Baltimore and Captain Beyond.  Whilt is Joe’s other band, and he plays bass & sings in that one.  Very heavy, hypnotic weed doom. 

SL) What happened to your former drummer? Do you spot any difference between  the old drummer and the ”new” one when it comes to drumming?
JJ Anselmi was the original drummer in this project, and he left on amicable terms to pursue teaching writing at a collegiate level.  He plays in several other projects in California, including The Agonic Line, his newest band.
In any case, JJ and I wrote what became the debut ITCOS album together, and his involvement in the band ran from its inception in early 2011 through the autumn of that same year.  I had originally planned to just disband the group when he had to take off to pursue teaching, but he insisted I try to find a drummer to keep it going.  We had played with a band called Royal Talons multiple times during that brief stretch, and Joe was their drummer, and he was also our favorite drummer to watch that was playing heavy music in Denver, hands-down. 
I got in touch with Joe about playing together, and he has been the cornerstone of this band’s rhythmic pulse ever since.  We have a solid chemistry together, and I’m looking forward to how we mutually evolve this project moving forward.  Joe and I are musically in lockstep, and I think our best material together is on the horizon. 



SL) What do you think about working with Billy Andersson? Was it a onetime collaboration ?
Billy was great, and I am glad we got to work with him.  He was at the board for many of my favorite records from bands like Neurosis, Melvins, Sleep, etc., so it was definitely cool to work with him.  The recording sessions for that record, Of the Flock, were conducted here in Denver at Jamie Hillyer’s Module Overload studios, and then Billy handled the mixing and mastering.  We would definitely be down to work with Billy in the future, although we’re also very happy with the results we’ve gotten from working with Dave Otero at Flatline Audio here in Denver.
SL) I don’t understand how it’s possible that you don’t have a record deal.  How come?  Do you spot any interest from some record label?
We haven’t courted any labels, and only a handful have gotten in touch with us.  We are certainly not averse to working with a label, but would want to make sure it would be a mutually beneficial situation.  Probably our biggest hurdle right now is distribution, as we ship all album and merch sales ourselves, and aren’t really in record stores outside of Denver.  European Distrobution is another painful topic, as shipping to EU is exorbitant, and we don’t want our fans outside the US to have to deal with ridiculous shipping fees, so we will hopefully have something worked out in the near future which will help offset those costs. 
SL) What’s up next ? Any new releases coming up during 2015 ?  Touring plans?
We are heading out on a spring west coast tour of the US which will be officially announced in the near future, and we also have a new song we recorded recently which should be out soon.  It was a collaboration with some friends of ours here in Denver, and we’re excited to unleash it when the time is right. 
SL) As I listened to your whole discography, I noticed a change. The music as you said has elements of Yob and Sabbath  in the early releases but I think for example the songs on ”Merging” is more varied than the recent releases, The sound is thicker and the songs go between heavy repetitive riffs to more building the song  with  an atmosphere we know from Yob and then explode into heaviness. Which direction are the new material going ?
The new material I’ve been writing has been more eerie and atmospheric.  We recorded a new song in November, which will be released later this year as part of a collaboration which will be announced sometime in the near future.  It was written in an open minor tuning rooted in G on my baritone guitar, and explores some spaghetti western-type sounds that I’m fond of. 



SL) What can the audience expect of you as a live act? Will you perform as a duo?
Bring earplugs.  We perfom as a two-piece, just as we record.  I play through 3 rigs simultaneously, so the stage volume is pretty overwhelming, though nothing compared to bands like Ladybird, Jucifer or Sunn 0))). 
SL) Finally, Is it easy or difficult to find live gigs in Colorado ?
There are many awesome venues in Denver which cater to all manner of unusual sounds, and people here go to shows often, so I would say easy. 
Words and Interview by:  Sven-Ã…ke Alveving
You can pick up their merch here.
For more information:


Monday, 26 January 2015

In The Company of Serpent - Merging In Light EP (Review)


Album Type: EP
Date Released: 21/12/2014
Label: Self Release

Merging In light LP//DD track listing:

1 Breed, Consume, Die (07:23)
2 Third Mind (04:30)
3 A Union of Opposites (09:40)

In the Company of Serpents are:

Brown Notes & Scratchy Throat | Grant Netzorg
Skins | Joseph Weller Myer

Review:

Hailing from Denver, Colorado, In The Company of Serpents are back with an EP which is absolutely perfect and depressing in its sound. It’s a thunderous and downtuned beast. It couldn’t have been released on a better day than the winter solstice, the darkest day of the year. How this duo can make such a thunderous, epic, filthy and sludgy sound is bewildering, nonetheless I’m bewitched.

I first heard about the band when they released ‘Of The Flock’. I thought that record was a masterpiece but I lost it somewhere in the flood of good music released last year. I’m very honoured and excited to rediscover the band again.  For me ‘Of The Flock and their self titled debut fell somewhere between Church of Misery and Electric Wizard  spliced with the mighty Black Sabbath, but I think fans of High On Fire will also be delighted with the band’s sound. ‘Merging the Light’ continues in the same vein but the songs are more focused and more aggressive.

The EP opener “Breed, Consume, Die” is a monstrous tune that pushes the boundaries for what heavy music could be. It starts with a beautiful intro but after that you get a sense of the sludge-infused doom metal, the type of which ITCOS are well-known for. The record has a nice balance between groove and sheer ugliness.  The muddy guitar tone and the riffing keep my mind interested and excited during the entire record. Grant’s voice sometimes reminds me of Kirk Windstein but with a much more raspy delivery, it is the sound of fire straight from the mouth of Hell.  Lyrically the song seem to be about humanity’s need to work so they can consume bullshit stuff that doesn’t enrich our lives.  

The track ‘Third Mind’ could be one of the best the band has produced to date, the fuzz-laden distortion and the rhythmic groove has the intensity of a Ten Ton Hammer banging against your head and fills me with joy and happiness.  This is the way music always should be. The song is completed with the dissonance from a swirling, razor sharp solo stabbing you in the throat, and ‘how I love feeling, like I’m gasping for breathe’.

The EP closer ‘A Union of Opposites’ could be the absolute opposite to the previous song and is perhaps their most dynamic song so far. Tribal drumming opens the track, with tremolo picking and the absolute beautiful atmospheric aura. The vocals are anguished and tormented and both mournful and soulful at the same time.

If I have to say one negative thing about the record, it would be that it is way too short. Only 22 minutes but on the other hand it means that I can repeat it many times on my way to work.  This is a band that I will come back to a lot and for me this could be a record we will remember as a classic in the future

Words by:  Sven-Ã…ke Alveving

You can pick up the limited LP/DD here.

For more information:


Monday, 2 June 2014

Vinyl Corner : In The Company of Serpents - Of The Flock (Album Review) (2)



Album Type : Full Length
Date Released : 31/10/2013
Label : Unsigned/Self Released

Of The Flock, track listing :

1). Ash Swamp 01:08
2). Craven 05:47
3). Blood from Stone 10:41
4). Of The Flock 06:41
5). Untied / Culling Essence from the Vod 07:56

The Band :
Joseph Weller Myer | Drums
Grant Netzory | Guitars, Vocals

Review : 

Having been guilty of being submissive to the digital era for many years, the last 12 months has seen a shift in my attachment to music.  For the better, I might add.   I have embraced vinyl!! 

In no small part due to a thriving underground ‘doom’ scene, many artists have taken a DIY approach to releasing music, borne from a desire to release music on a format which many of them grew up with. On that basis, purchasing a vinyl is directly giving back to the band or label.

During an impressionable age, vinyl was my first experience of Black Sabbath, Frank Zappa and many others, indeed the same can be said for many music fans my age I’m sure.  Nowadays, music has become a disposable commodity in one sense, a piece of dental floss, you use it once, then you throw it away.  Perhaps, it has always been the case, however the lack of substance to the digital age, means that new generations of music lovers, perhaps never fully embrace music as a physical product and don’t have memorable stories to share.  Who remembers the frustration of carrying portable CD walkman’s around?  Taking care to keep it flat, to ensure it didn’t skip or the fact they were so cumbersome, it wouldn’t fit in your pocket.  The cassette tape who’s sound quality would diminish after multiple playbacks over many years.  Ah, the memories 


Invariably music follows trends in terms of styles, but also in terms of format too and whilst having an ipod with 18,000 songs on it, is good when you’re on the move, music is something that should be ‘experienced’.  There is need to get back to basics and reconnect with it and that is where vinyl excels for me.  Trends are invariably cyclical, but with vinyl sales increasing exponentially, I cannot get enough of it. Which leads me on to today’s vinyl corner and why it is so gratifying for me, to share my thoughts on awesome vinyl with you guys.  In the hope you’ll be convinced to shed the bread for some killer wax. 

Released on 31 October 2013, In The Company of Serpents, delivered ‘Of The Flock,’ their second official release.  A doom/sludge two-piece from Denver, Colorado, they formed in early 2011, when vocalist/guitarist Grant Netzorg met drummer JJ Anselmi at a show their former bands were playing. Following the release of their S/T release in 2012 on cassette (limited to 300), as well as the digital release, Joseph Weller Myer took over on drums.

This leads us to the present.  Being unfamiliar with the band myself, what drew me to the band was the ‘Of The Flock’ Limited edition vinyl.  Never judge a book by its cover, I hear you cry.  Well carry on reading folks!! Pressed on clouded black/white vinyl, with artwork by Mike Lawrence Illustration, the album and sleeve comes housed in a custom black-on-black envelope hand sealed with signet wax.  This thing is just fucking beautiful.  Immediately I was drawn to the record, based upon how it looked aesthetically.  But this isn’t style over substance, far from it in fact.


Speaking with Grant from ITCOS, I got the sense that this package was borne from the band’s love for music, but also their love of the vinyl format.  Indeed he said that they always wanted to put out a cool and unique release that would stand up to the sorts of things that labels such as Southern Lord release.  Hell, I hadn’t even heard the music yet and I was sold. (By the way Grant, you succeeded in spades my friend.) 

Pirate press thought it was so damn cool, they named it their vinyl of the week.  Not bad eh?!

The vinyl is limited to 475 pieces too and that is also the attraction to vinyl, you’re part of an exclusive club, who post pictures, celebrate music and tell their friends, who in turn most likely add it to their ever increasing ‘must purchase’ list.  Harking back to the days of tape trading and the cassette culture, whereby music was recorded, shared and distributed amongst friends around the world, spreading the love of music.  If indeed they liked the music, a diehard fan, would most likely buy it. 

Someone recently said to me, ‘sometimes vinyl is just a nice thing to have’, and therein is the attraction.   Vinyl looks cool, sounds great and it is kinda labour intensive, but in a good way.   You have to invest in it, not just by way of handing over your cash but you have to invest in it physically too.  Get the vinyl, pull out the sleeve, take out the wax, put it on the player, put the needle on it and then wait 20 mins and do it again, whilst looking at the gatefold or lyrics.  It is interactive, aesthetic and positively pornographic at times. Obviously it helps if the music slays too.


Thankfully not only does ‘Of The Flock’ look badass but it sounding fucking huge too, so let us concentrate on that.  Kicking off with ‘Ash Swamp’, this acts as a segue to the first bludgeoning trauma of ‘Craven’, it is an acoustic intro of sorts, drenched in southern flavour, setting the scene like a haze of sunshine glistening, light rays bending to produce a displaced image of a distant object, a juggernaut of sound which is about to displace your jaw. 

‘Craven’ spews forth with venom, you’re met with blasting drums and galloped riffs, guitars tuned down and drums sounding live and percussive, accentuated by a mix that is very lo fi, as if the quality has been degraded somehow.  It sounds very raw and that is what is immediately striking about the opening refrain. That and the fact I feel the presence of Al Jourgensen in the riffing department, playing thrash but in the tone of Steve Brooks.  Ministry crossed with Floor.  Good Flava, y’all!!


The thrashing pace immediately subsides into a nonchalant, almost laid back groove.  You know the type, Fu Manchu are the masters of it. Swaggering in manner, like some ostentatious display of arrogance. It is the type that just gets your body rocking, the perfect lullaby, albeit this is likely to paralyze.  Bucketloads of fuzz and repititious riffs are the order of the day, hell if I wasn’t mistaken, a Godflesh comparison wouldn’t be an entirely kooky comparison.  What this band display is raw unbridled leaden riffs, the type that slap your face raw.  Indeed they overwhelm or oppress you severely.  In the vocal department Grant is perfect, with a barked flavour to his delivery, brusque and explosive. Almost acerbic, the type to sour any atmosphere.  You’re  Not convinced about the record, yet?!! Continue. 

‘Blood from Stone’ kicks off with a slow arpeggio, then it is onwards with the brutalisation, like your arse has been handed to you on a plate.  ITCOS explode like a firework in the face with massive riffs, so huge the din perforates your eardrums.  This is nasty outlandish shit!!  I mean these jams are positively feral, like an untamed wild dog lusting for flesh.  This is bastardised sludge doom and certainly there is a depravity to the guitars, reminiscent of St. Louis hate mongers Fister, with a side order of fuzz from ‘Dopethrone’ era Electric Wizard.  Hell, throw in the collapsing riffs of Yob and that pretty much encapsulates ITCOS’ sound.  All the while the backbeat of the metronomic skin assault of the drums would make even Ed Gein seem like a pussy.

To my ears ‘Of The Flock’ has an industrialised tone in terms of production, like it was recorded in some seedy dungeon, ‘where prisoners whine and piss their clothes, and the torture never stops’. (Frank Zappa) The record has that tune low, play slow sensibility and yet there are smatterings of  thrash too, just check out the last ¾ of this track and the galloped riffs are straight out of the Hanneman text book.  RIP brother. 


‘Of The Flock’ the track starts clean and very bass heavy on the low strong, the drums sound almost reverbed, dare I say  Endtroducing era DJ Shadow?  Yes goddam it, I will, ‘cause that is exactly how they sound.  Kick ass album! It doesn’t take long before the earth starts to crumble under the enormity of riffs, this time a double tracking of guitars combines and is used brilliantly to produce a weighty mass of distortion and repetitive riff that Tommy Victor is known for. Chorus, Whose Fist is this Anyway?  Enough said.  

If this band was to arm wrestle with the best of them in term of the riffs, these fuckers would go ‘over the top’.  Shit movie, but appropriate reference point nonetheless.  These sons of bitches have it dialled make no mistake.   I speak less of the vocals but that is not to say that they are not good, in fact they sit nicely within the wall of sound and are akin to a raging Scott Kelly, permeating your consciousness, like molten lava corroding all in its path. 

‘Untied/Culling Essence from the Void’, throws us back to where we started with acoustic guitars. An arpeggio which is then turned up to 11 when the abhorence of the baritone kicks in with full effect. ‘Initiate, full force heaviosity.’  Roger that captain!! Again there is double tracking to the guitars, it pervades your senses and the abomination that confronts us, is blissfully bleak and repugnant.  Saving some of the best riffs for the finality of the record.  What ITCOS present with ‘Of The Flock’ is 30 mins of some of the most impure, indecent and coarse noise that these ears have heard for some time and even to the last minute of the track, they still arm their weapons to pulverise.  I am literally addicted to the record and with junk this good, I am literally running out of veins.  My withdrawal ain’t gonna pleasant.  Now stop whining like a bitch and go buy this thing. Support DIY!! 


Words by : Aaron Pickford

You can get it here

For more information :