Showing posts with label Kjeld. Show all posts
Showing posts with label Kjeld. Show all posts

Saturday, 12 December 2015

"A Year in Review": Black Metal's "Sonic 6" for 2015

By:  Aaron Pickford



As part of our review of 2015, over the coming days, I will present the definitive “Sour 16” for 2015 and this will be generated by looking at all releases throughout the year, however I thought it would also be cool to look at specific genres too and whilst I would have loved to have generated a “Sour 16” for each popular genre at The Sludgelord, that would have taken up an inexplicable amount of time. Of course we all gravitate to a favourite genre, however each has its own merit, therefore I thought it would be a good idea to highlight, “six of the best” releases of 2015 within our most popular genres.  So today, as we reflect upon an awesome year of music in 2015, we present Black Metal’s “Sonic 6” for 2015

The Sludgelord’s ‘Sonic 6’ for 2015 is compiled based upon page views alone and calibrated into the list below, we will be presenting further lists during the lead up to Christmas, but for today roll up, kick back and Hail the riff!  Check out Black Metal’s “Sonic 6” for 2015 (full reviews can be viewed by clicking the artwork and total views since the date of publication are highlight in red). 

6). Imperial Triumphant - “Abysmal Gods” (562)

Certainly Imperial Triumphant share a stratosphere with the Gorguts, Artificial Brains, Pyrrhons and Deathspell Omegas of this universe, but this is a different breed of genius. There’s a sickness, a mentally “unwell” aspect to ‘Abyssal Gods’ that you simply cannot find anywhere else. The jangling, out of tune ragtime break early on in “Opposing Holiness”. The hallucinogenic guitar solos in “Black Psychedelia”. It all points to an album no one should miss out on, although you’re likely to come out the other end of it a worse person, or at least in a worse mood.




5). Arcturus – “Arcturian” (614)

The number of influences on this record is immense. Traces of classical, polka, noir, fusion, black metal, power metal, and many more can all be found on this album. Vocally, among the peppered black metal roots, there are traces of middle eastern scales, clean harmonies, and several other influences including Tool as one of the more obvious. The harmonies alone seem to come at the listener from all directions, adding to the intense psychedelic atmosphere.



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4). Kjeld – “Skym” (737)

If you should listen to just one Black metal record of the year this could be the one because this is another Dutch fist in the face of God!




3). Enslaved – “In Times” (941)

Everyone has “their” Enslaved album and that runs a wide spectrum of possibilities because Enslaved have been excellent in a number of different ways. ‘In Times’ is just another example of Enslaved finding a new energy and turning that energy into something beautiful.



2). Drudkh – “A Furrow Cut Short” (1064)

‘A Furrow Cut Short’ is undoubtedly up there with ‘Autumn Aurora’ and ‘Blood in our Wells’; albums that are possibly the best to have emerged from the newer wave of ‘atmospheric’ black metal. Nothing is more satisfying than when one of your favourite bands releases potentially the best album of their career over ten years on. So clear a spot at the top of your album of the year list because ‘A Furrow Cut Short’ is it.




1). Marduk – Frontschwein (1428)

This black metal of the highest quality and of the most palatable type to a casual fan such as myself, all elements are present and correct with the band on great form. Looking for something to compound your winter blues? Look no further.




Reviews featured in this article were written by: Daniel Jackson, Joel Willis, Sven-Ake Alveving, Heather Blewett, Richard Maw

Wednesday, 21 January 2015

Kjeld - Skym (Album Review)


Album Type: Full-Length
Date Released: 2/3/2015
Label: Hammerheart Records

‘Skym’ CD//LP//DD track listing:

1). Tûzen Sinnen
2). Skym
3). Gerlofs Donia
4). Gjin Ferjouwing
5). Ús Grûn
6). Bonifatius
7). Baduhenna
8). Brek en Brân
9). Ivich Libben
10). Stoarm
11). Bern fan Freya

Kjeld is:

Tsjuster | Guitars
Kd | Guitars
Swerc | Bass
Fjildslach | Drums
Skier | Vocals

Review:

This is the first time Kjeld has crossed my path. I was told that the band are inspired by the ancient tradition and the lyrics are in the Frisian language, overall this is a refreshing change to the deeply rooted Scandinavian Black metal they play. I have listened to the record many times and in different environments, it is safe to say ‘Skym’goes well everywhere.

The album opener starts with hammering drums and as the singer starts to sing with the music building a melodic landscape, I am reminded of the melodic parts of Dimmu Borgir but without directly copying them. Kjeld present a magical blend to the music, together with inspiration from the early black metal scene and it works very well. The album continues with the title track, it’s a brutal onslaught but somewhere around the 2 minute mark the tempo goes down just to give the listener a chance to rest. Then it accelerates into the end with a cold, icy feeling and it leaves the listener gasping for breath.

The third track is a favourite of mine. Starting off, like they’re unleashing hell, the track floats seamlessly into a rich variety of the melodic guitar and the faint background synths, completed with trumpets, making the sound landscape familiar with the one we hear from Behemoth. The fourth track starts with a pierced guitar lead with a rampaging intensity and when the keyboard comes in, it casts an aura of dark beauty. It reminds me of the reason I love Black metal. My mind swept away to the smoggy Warfield where the soldiers lay waiting for the end. The vocalist’s snarl is definite highlight on the record.

‘Ús Grûn’ takes us back to the same feeling as the beginning of the record. A midtempo start to make the listener secure before speeding up. Nice furious drums with a lovely atmospheric guitar melody. The following songs are in the same vein as the other ones. Hoarse sawing guitars and as I said with a rampaging intensity sometimes mixed with an eerie atmospheric melody combined with shrieking and very nuanced and strong vocal performance

Skier’s vocals are placed in the background of the production but his shrieking and harsh vocal are still in the centre of the songs and it pierces your brain in the most delightful way. If you should listen to just one Black metal record of the year this could be the one because this is another Dutch fist in the face of God!

Words by: Sven-Åke Alveving

You can pick up a CD/LP copy here.

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