Showing posts with label Ortega. Show all posts
Showing posts with label Ortega. Show all posts

Saturday, 10 December 2016

TOP 16 ALBUMS: The Sour 16 for November 2016


It is that time once again people to cast our minds back, and digest the 16 albums that would become November’s most viewed albums and form the basis for our sacrilegious ‘Sour 16’, the finest and most profane riffs around bundled together into a premium sized sonic soufflĂ©.

You know the drill, each month; you the reader are unwittingly compiling a list of the top 16 records that we featured in November, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  The ‘Sour 16’ are the records that have been trending the most at Sludgelord Headquarters.


The results are compiled based on page views alone and calibrated into the list below. All reviews and streams can be viewed by clicking the artwork . (Total views since their publication are highlighted in red). 

16). Spirit Adrift - "Chained to Oblivion” (380)

This album is elegantly forged from beginning to end, and has no definable weak chinks in its armour.  Overall, this is likely to be an AOTY candidate for me, and one I have found myself returning to again and again in a variety of moods.


15). Superjoint - "Caught up in the Gears of Application" (381)

This is gnarly and nasty music made by a figure that is both revered and reviled. Through all the controversy, one thing keeps me coming back to listen to Anselmo: the quality of the music. And the music is as potent as ever. A storming return.


14) Animals As Leader - "The Madness of Many " (388)

Tosin Abasi and company find expressionism through mathematic complexity.


13) The Judge – “The Judge (399)

This one is crazy good, and crazy Sabbath inspired too. Give this band a listen, you’ll dig it.



12). Wasted Theory - “Defenders of the Riff (417)


11). Desolate Pathway - "Of Gods & Heroes" (420)

Make no mistake, Desolate Pathway have delivered an epic doom record of epic proportions: light and shade, massive riffs, great performances, a downcast atmosphere... it's all here


10). Fvnerals - "Wounds" (443)

“Wounds” is a captivating set of songs that are simultaneously heavy and delicate. FVNERALS unique brand of doom-filtered slowcore creates a powerful feeling that stays with the listener long after the final note has rung out.


09). Holy Serpent - "Temples" (473)

All in all, “Temples” is a great record.  Holy Serpent nailed it.  The songs are well crafted, well-structured, the vocals are right on and the music is perfect parts psych, doom, sludge and out right heaviness.  Don’t hesitate, buy “Temples” immediately.


08). Dusteroid – “To Fathom Hell” (475)

They serve up a king size slice of skull crushing, heavy Sludge that feels like being hit with a sledgehammer repeatedly. Job extremely well done and then some


07). The Dead At Sea - "The Dead At Sea" (479)

A potent blend of early-Pelican crunch and Kyuss-style riffage, The Dead At Sea distil the sound of desert rock sinking into a cold watery grave.  “The Dead At Sea” is a compelling combination of killer riffs and hushed menace that perfectly evoke the bottomless depths of the ocean


06). Ortega - "Sacred States (500)

Ortega are not the first band to fuse post metal, doom and spaced-out sludge but they succeed by doing it bigger, better and heavier than most.  Sacred States” sees Ortega take their sound to the next level, delivering on the promise of previous releases and stretching out towards bold new horizons.


05). Call of the Void "A.Y.F.K.M." (508)

Call Of The Void’s sound is a potent cocktail of punk attitude and rock’n’roll swagger coated in a thick layer of sludge aggression. “AYFKM” is an intoxicating adrenaline rush that will keep you coming back for more.



04). 11Paranoias - "Reliquary for a Dreamed of World" (512)

What sets 11PARANOIAS apart from other bands operating in the realms of psychedelic heaviness is the otherworldly atmosphere they conjure. Every note is enshrouded in a hazy fog that lends their music a darkly unsettling feel.



03). Ghoul – “Dungeon Bastards” (828)

So many bands try to do what Ghoul is doing and just can't fucking get it right. This is a perfect storm. Superior song writing, technical prowess, and an awesome aesthetic.



02). Mother Mooch - "Nocturnes" (991)

Their blend of psychedelia with grunge and stoner rock/doom is a highly sought after formula and Mother Mooch are keeping the secret closely guarded - and rightfully so.  ‘Nocturnes’ is an astounding album from a band that have the potential to conquer the world.


1). Metallica - "Hardwired…To Self Destruct" (1565)

Metallica have rediscovered their mojo, brought the heavy and most importantly appear to be enjoying themselves. An album, of two halves, with a cracking opening salvo on side “A” and “B” side, marred only by one throwaway track.  If not perfect, it is the best music they have produced in over two decades and is the natural successor to the Black Album. 


A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Charlie Butler, Conor O’Dea, Jake Wallace, Eric Crowe, Rick Ahmed, Bobo Coen & Phil Weller

Friday, 4 November 2016

ALBUM REVIEW: Ortega - "Sacred States"

By: Charlie Butler

Album Type: Full Length
Date Released: 05/10/2016
Label: Consouling Sounds |
Tartarus Records |
Narshardaa Records


Ortega are not the first band to fuse post metal, doom and spaced-out sludge but they succeed by doing it bigger, better and heavier than most.  Sacred States” sees Ortega take their sound to the next level, delivering on the promise of previous releases and stretching out towards bold new horizons.

“Sacred States” CD//CS//DD//LP track listing:

1. Strong Eye (11:25)
2. Maelstrom (09:31)
3. Descending Ladders (05:24)
4. Crows (18:48)
5. Void (11:18)

The Review:

Ortega’s new LP “Sacred States” has been a long time coming. Anticipation has been high for the Groningen post metal quartet’s first full-length since their excellent 2012 EPs “The Serpent Stirs” and “A Flame Never Rises On Its Own”. They are not the first band to fuse post metal, doom and spaced-out sludge but they succeed by doing it bigger, better and heavier than most.

Opener “Strong Eye” begins with some insistent chugging before launching into fearsome, lumbering riffage reminiscent of a more immediate Neurosis. “Maelstrom” continues in a similar vein with melodic guitar parts echoing “Panopticon”-era Isis, while “Void” sees the band add some of Yob’s psychedelic crunch to the mix.

Descending Ladders” marks the mid-point of the record with a swirling cauldron of noise and gut-churning heaviness. In contrast to the other epic compositions here, the track focuses on hypnotic repetition and minimal riffs to create a dark cloud of menace. This sets the scene for the 19 minute behemoth “Crows”. The track is Ortega’s finest hour and showcases their considerable song writing skill.

Often bands stretch tracks into double figure duration by stringing together unconnected ideas and relying on predictable quiet/loud dynamics. “Crows” is a fine example of a monstrous track that justifies its length, a sprawling journey into the unknown where each section flows naturally into the next. In amongst the crushing riffs and ominous clean guitar lines, Ortega also expand their post-rock side with a captivating and atmospheric passage in the middle of the song.

Sacred States” sees Ortega take their sound to the next level, delivering on the promise of previous releases and stretching out towards bold new horizons. Hopefully the wait for their next opus won’t be so long. 

Sacred States” is available on CD here, vinyl here, cassette here and digitally here


Band info: facebook || bandcamp

FFO: Neurosis, Isis, Cult of Luna, Minsk