Showing posts with label Pyrrhon. Show all posts
Showing posts with label Pyrrhon. Show all posts

Tuesday, 9 June 2020

ALBUM REVIEW: Pyrrhon, "Abscess Time"

By: Josh McIntyre


Album Type: Full Length
Date Released: 26/06/2020
Label: Willowtip Records




“Abscess Time” CD//DD//LP track listing:

1. Abscess Time
2. Down At Liberty Ashes
3. Teuchnikskreis
4. The Lean Years
5. Another Day In Paradise
6. The Cost Of Living
7. Overwinding
8. Human Capital
9. Cornered Animal
10. Solastalgia
11. State Of Nature
12. Rat King Lifecycle


The Review:


Pyrrhon is a weird band. They’re one of several New York City based metal bands that are pushing the boundaries of heavy music in exciting and refreshing ways, a continuation of the city’s “downtown music” history that has shaped experimental music since at least the 60s. New York’s long passion for making strange and challenging music flows through the veins of John Zorn as it does Sonic Youth and, for today’s metal, bands like Krallice, Liturgy, Imperial Triumphant, and Pyrrhon just to name a handful.

This might be my favorite Pyrrhon album thus far. It feels incredibly focused for having such a messy sound. More often than not the bass, drums, and guitars all dance around each other yet they line up perfectly when the moment strikes, as if they are simply following different paths to the same end. Sometimes it feels like weirdo tech death theatre and the instruments are actors. They talk over each other, they change tone, and they react to one another. Doug, who deserves more credit for being an impeccable vocalist, feels like a narrator to this avant garde play who himself is reactive. His range is incredible, including the deepest growls, very high screeches, shouts, and spoken word sometimes filtered through effects.

The songs are all over the place. They range from a minute long to nearly nine minutes, from being claustrophobic at exhausting speed to miserable and winding at a creep. Even at its most intense, Pyrrhon’s music comes off as moody. They don’t play anything for its own sake, everything has a purpose even if it’s just to pick at your brain. Lyrics here are just as purposeful, conveying the general moods that the pitfalls of the economic and social system that lay bare onto us. Laborers as machines, alienated from their natural states and desires as they struggle under ever increasing living costs, and are deemed animals when they decide not to comply. Pyrrhon not only push forward as metal musicians and artists but they push as human beings expressing distaste for contemporary social structures.

“Abscess Time” sounds like feeding the weirdest parts of Gorguts into an Albert Ayler machine and seeing what comes out. Sometimes bits of noise, ambience, and hardcore are thrown in as seasoning. There are plenty of ‘normal’ moments (tech death normal anyway) with riffs and some parts even sound like Deadguy. Still, these parts are laid out in an atonal swarm that rips the senses inside and out. This album is a prime example of a metal band challenging itself and the genre. The diversity makes every second of the album worth it, too. Every idea has merit to it, riffs have interest to them, and the longer songs evolve throughout quite organically.

On a personal level, listening and enjoying this record is a mixed bag of emotions. I was supposed to see and play with Pyrrhon in Philadelphia before COVID-19 hit. They’ve long been a band that I’ve admired and wanted to catch at a show. Both beyond and including the pandemic, the socio-economic status of the world and especially the United States, my home, is uncertain. The naked gears of a horrid political machine are apparent. Pyrrhon is one of several voices that shriek at the status quo, whether it be musically or socially. Somehow that gives me a little bit of hope.


“Abscess Time” is available HERE





Band info: bandcamp || facebook

Monday, 4 December 2017

REVIEW: Yautja - "Dead Soil" [EP]

By: Mark Ambrose

Album Type: EP
Date Released: 10/11/2017
Label: Anti-Corporate Music Inc

 

This may be the best starting point for those who have not encountered the complexity, integrity, and badass head banging brutality of Yautja.

“Dead Soil” LP track listing

1. Dead Soil
2. Losses
3. Human Den
4. Denihilist (Live)
5. Teeth (Live)
6. Faith Resigned (Live)

The Review:

Yautja, for those not fully enmeshed with science fiction mythologies, is the technical term for the dreadlocked creatures in Predator – merciless hunters who live by their own savage code of honor.  Like their namesake, Tennessee’s Yautja have proven durable, dynamic, and bound by their own code.  A little background: the first three tracks of “Dead Soil” were the first post-demo recordings released by Yautja back in 2012 as part of a split with Enabler.  That band’s sordid breakup revealed a history of abuse that has been detailed elsewhere but, suffice it to say, has tainted practically everything they’ve been attached to.  Yautja have been vocal about reclaiming this out of print early material and giving it the presentation it deserves, bolstered by unreleased live recordings that shows Yautja as a brutal but progressive threat.

Title track “Dead Soil” is a blistered assault of sludgy punk dripping with hardcore edge.  In less than two minutes, Yautja charge through rhythm changeups while spewing corrosive, accusatory lyrics. “Losses” turns the invective inward, riding palm muted guitar riffs that swap between left and right channels for a headspinning effect.  The track is furious but short and left me wanting more.  Human Den,” the longest track (at over two minutes), is also the best.  There is an actual chorus this time, and Coburn’s beats are inhumanly fast.  The final riffs and vocals are chilling: “The waste leaks from my pores / And I try to dig deeper / For air that must be there / I have to dig myself a home.”

The live trio of “Denihilist”, “Teeth”, and “Faith Resigned” comprise the majority of the EP, and show Yautja has come a long way in the five years since the initial release.  All three tracks come from their only full-length release, 2014’s “Songs of Descent”, and have me jonesing for another full-length in 2018.  The impeccable dynamic of the live performance shows Yautja is a battle honed monster – a power trio in an era continually invested in “more is more” musicianship.  They manage to take simple ideas, like countering doom riffs with blast beats, and infuse them with undeniable intensity.  The sound quality is almost studio level, with only a few strained vocals and audience applause between songs indicating the live setting.  If nothing else, it made me furious that I missed their latest tour with Pyrrhon, and dead set on not making the same mistake twice.
       

On the surface, “Dead Soil” is a fans only affair.   As a mix of previously released material and unreleased live tracks, doesn’t seem like an ideal entry point for new Yautja listeners.  But this is actually my first listen of the band and I’m hooked.  In one release they showed they were a dynamic trio from the start, and the added live cuts are testament to their prowess and growth.  So with their personal ethos and remarkable musicianship on display, this may be the best starting point for those who have not encountered the complexity, integrity, and badass headbanging brutality of Yautja.

“Dead Soil” was released via Anti-Corp on 10th November and is available here (this is a vinyl only release that includes a remix by Mikey Allred at Dark Art Audio and even better than that, it’s an etched record, with the amazing artwork of Caroline Harrison etched into the B-side by Dan Emery at Black Matter Mastering)


Band info: bandcamp || facebook

Saturday, 2 September 2017

TOP 16 ALBUMS: The Sour 16 (August 2017)




With English winter ending in July and commencing again in August, the summer as we know it, is over!  Now as we enter September, the sunshine may waver, but one constant source of light, is the inspiring music we embrace and celebrate. 

Mike Patton once said “what a day, when you can look it in the face and hold your vomit,” So to make things a little more bearable, allow yourself to indulge in a hefty dose of medicine, because it is time to present 16 of the best albums from August, it is time for your SOUR 16.

You know the drill by now, each month you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, THE SOUR 16 are the records that have been trending the most at SLUDGELORD HQ.

The results are compiled based upon the amount of page views the reviews have received and are then calibrated into the list below. 

16). Cult of Erinyes - ‘Tiberivs’ (387)


In short, ‘Tiberivs’ is fully realized and wonderfully executed. Any black metal fans sleeping on this album are doing themselves a real disservice.





15). Mudbath - "Brine Pool" (397)


While firmly a doom metal group, Mudbath is not afraid to introduce different elements. With a shrieking vocal approach reminiscent of black metal and flourishes you might otherwise associate with drone, Mudbath manages to make it work.




14). Dead Cross - "Dead Cross" (405)


While Dead Cross don’t quite deliver the all-out face-melting insanity you may expect from their constituent parts, this debut is still an exhilarating burst of queasy punk rock mayhem that reminds most young pretenders who’s in charge.




13). Timeworn - "Venomous High" (408)


Some of the most engaging moments on “Venomous High” come when Timeworn move slightly away from their core sound.  “All Chiefs” finds the band at their most unhinged as they unleash an arsenal of spidery math-metal riffs with breakneck rock’n’roll abandon. Anyone missing Swiss behemoths Kruger will find a lot to enjoy in this killer track. “Venomous High” is a fine offering from Timeworn that takes an array of well-worn modern metal influences and blows them up on a grand scale.

 12). Nidingr - "The High Heat Licks Against Heaven" (414)


Given the amount of average extreme music that is available, Nidingr’s release is outstanding for such depth alone.






11). Geezer - “Psychoriffadelia” (424)


Guttural guitars and raunchy drums at the ready. Geezer delivers the intensity of the Melvins, one of the group's inspirations, while giving its own unique spin to stoner rock. While many others try, this is one band that is confident enough to step out and truly make this sound their own.




10). Sunrot - "Sunnata" (480)


Those who take the plunge into “Sunnata” will still be blown away by the fierce musical skill, emotional honesty, and undeniable potential of Sunrot.  Their truly exceptional full-length debut has set a high benchmark that, one hopes, is only the opening chapter of a lengthy, groundbreaking career.




9). Below The Sun - "Alien World" (533)


What you get is nothing short of spectacular. The soundscape intersects multiple metal subgenres, including funeral doom, black metal, drone and post metal. Moods throughout are bleak, as if the rumbling seas of Solaris are flicking gently at your mind and bouncing your hopes and fears to and fro.




8). Blues Funeral - "Awakening" (624)


Close your eyes and you can hear hints of Mountain and Blue Oyster Cult throughout "Awakening." The rolling title track is a true showcase for how these inspirations have shaped the Texas band. Such attention to the details most people probably never notice further ensures a level of quality that may surprise you. Not only is the music masterfully played, but nothing overpowers the composition



7). Red Mountains - "Slow Wander" (658)


...it is so refreshing to find a release that is all at once heavy, accessible and frankly beautiful in its construction.






6). Ledge - "Cold Hard Concrete" (700)


“Cold Hard Concrete" is that uneasy masterpiece you will value even more by year's end.






5). Pyrrhon - "What Passes for Survival" (796)


"What Passes for Survival" is an uncompromising album and you will learn that fast, right out of the gate.  It is impossible to listen to Pyrrhon's magnificent new release, without admiring the band's fearlessness and technical prowess.  This album is exactly what extreme metal doubters need to hear.



4). Weed Demon - "Astrological Passages" (1040)


Weed Demon is quite willing to show they can do a diverse attack that goes beyond a Melvins-ish crunch. It can definitely throttle you with heavy, sludged out guitars and drums. Yet, as you find on "Primordial Genocide" and elsewhere, Weed Demon can go from blasting to burrowing with its arrangements, zipping from fast to slow, metal to a variation on math rock, smoothly.


3). Devil Electric - "Devil Electric" (1097)


Although you'll not find a swerve or anything wildly disparate, Devil Electric is nonetheless entrancing. In particular, the group is guaranteed to energize any fan of heavy blues reminiscent of Black Sabbath, The Allman Brothers and similar bands.




2). Venom Inc. - “Avé” (1128)


This record, is a triumph. Venom Inc. have produced a record more than worthy of the Venom name and it contains some of the best and most “Venom” moments since the early 80's. I cannot praise or recommend this record enough to fans of Venom or just metal in general. The songs, performances and production all deliver.




1). Accept - "The Rise Of Chaos" (1407)


“The Rise of Chaos” is precise, prescient, presented superbly in terms of artwork and production and, more importantly, rocks as hard as anything I have heard this year. A tour de force.





A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  August 2017’s SOUR 16 features reviews by:  Richard Maw, Daniel Jackson, Charlie Butler, Mark Ambrose, Mark Tremblay & Ernesto Aguilar

Wednesday, 9 August 2017

ALBUM REVIEW: Pyrrhon - "What Passes for Survival"

By: Ernesto Aguilar

Album Type: Full-length
Date Released: 11/08/2017
Label: Throatruiner



"What Passes for Survival" is an uncompromising album and you will learn that fast, right out of the gate.  It is impossible to listen to Pyrrhon's magnificent new release, without admiring the band's fearlessness and technical prowess.  This album is exactly what extreme metal doubters need to hear.


"What Passes for Survival" CD//DD//LP track listing

1. The Happy Victim's Creed
2. The Invisible Hand Holds A Whip
3. Goat Mockery Ritual
4. Tennessee
5. Trash Talk Landfill
6. The Unraveling: Hegemony of Grasping Fears
7. The Unraveling: Free At Last
8. The Unraveling: Live From The Fresh Corpse
9. Empty Tenement Spirit

The Review:

It is hard to say how many people truly understood how significant at the time it was for the sociopolitical history to be put forward in a breakout song such as Iron Maiden's 1982 classic "Run to the Hills." The character and manner of Native American depopulation has been a contentious one for scholars, where terms like genocide spark heated debate. Yet Bruce Dickinson, who has made no secret of his personal opinions on a range of topics over the years, squashed it all for just a second, putting these stories into a song still heard today, even in the mainstream.

Long before and long since, metal has, more so than so many genres of popular music, made cultural commentary part of its fabric. Oppression, injustice and rebellion all have been subjects in metal as long as, well, there has been metal. It is thus impossible to listen to Pyrrhon's magnificent new release, "What Passes for Survival," without admiring the band's fearlessness in this regard, and in it, carrying on a tradition that needs them to do so.

If you are a fan of Pyrrhon's previous work, this new recording will draw your attention because the band has a reputation for extreme music with something extra. The guitars are always more technical, the bass and drums always more booming and the vocals far more ripping than the next group. You will not be disappointed at all in this regard. However, Pyrrhon shines brightest in its exceedingly powerful songwriting. The Brooklyn quartet here crafts its best music yet.

"The Mother of Virtues," Pyrrhon's last recording, was renowned for its topical, dense lyrics, where surveillance, discrimination, wealth inequality and bigotry were laid bare in ways that were poetic in their presentation rather than preachy. If the title "What Passes for Survival" did not hint to you already that Pyrrhon were going to be just as uncompromising, you will learn it fast, right out of the gate.

On "The Invisible Hand Holds A Whip," vocal maestro Doug Moore does not need to name names for song to have punch. "The sources in conflict/Revised and provisional/The havens offshore/The funding's untraceable/But someone's getting paid/And everyone's got a theory/Oh, I can feel the hands on me/Pointing me towards the ones I should hate/Don't tell 'em the maths got minds of their own/They want backs to walls /And blame always finds a home."

Quite possibly the only thing heavier than Moore's lyrics is the music itself. Guitarist Dylan DiLella, Erik Malave on bass and drummer Steve Schwegler are gifted in how well they play together. Their style is as far away from your thun-thun-thun metal standard. Instead they create compositions you just do not expect. "The Unraveling," a threesome of tracks prefixed as such, is a perfect exhibit of this unique approach. DiLella presents several inventive chord progressions and Malave's bass work is visionary. As we close with "Empty Tenement Spirit," you will feast on Schwegler's violently passionate drums, which are a real treat.

"What Passes for Survival" is exactly what extreme metal doubters need to hear. Now, if only other genres of music could be nearly as intellectual and technical.

"What Passes For Survival" is available digitally here and physical copies are available here



Band info: bandcamp || facebook

Wednesday, 25 February 2015

The Sludgelord News: Pyrrhon Announce European Tour: April Route to Feature Support from Department of Correction


New York experimental death metal strategists, PYRRHON, have announced their first ever European tour. Featuring support from French grinders Department of Correction, the tour kicks off on April 10th in Paris and runs through April 25th in Plymouth, UK. A complete listing of dates is included below.

The band will be touring in support of their sophomore full-length and Relapse debut, The Mother Of Virtues. Released in early 2014, The Mother Of Virtues takes its listeners on a traumatic sonic voyage into the darkest portals of musical severity with a mind-altering synthesis of clanging death metal, dark jazz rhythms, twisted storytelling and subtle shades of otherworldly psychedelia.
Stream The Mother Of Virtues in full via BandCamp HERE and pick up the album via Relapse HERE and iTunes HERE.
PYRRHON also recently unveiled an official music video for the track "Sleeper Agent." The seizure-inducing clip was directed by David Hall (Brutal Truth, Fuck The Facts) and can be viewed HERE.  

PYRRHON Tour Dates w/ Department of Correction 
April 10 Paris, FR Cirque Electrique
April 11 Poitiers, FR TBA
April 12 Tours, FR Canadian Café
April 13 Toulouse, FR Pavillons Sauvages
April 14 Montpellier, FR Secret Place
April 15 Clermont Ferrand, FR Raymond Bar
April 16 Saint Etienne, FR L'Assomoir
April 17 Bourg En Bresse, FR La Tannerie
April 18 Bern, CH Caffette
April 19 Tubingen, DE Epplehaus
April 20 Liege, BE Péniche Inside Out
April 21 London, UK Unicorn
April 22 Leeds, UK Temples of Boom
April 23 Newcastle, UK Northumberland Arms
April 24 Bolton, UK Alma Inn
April 25 Plymouth, UK Tiki Pub

Source: Relapse Records