Showing posts with label Venomous Maximus. Show all posts
Showing posts with label Venomous Maximus. Show all posts

Wednesday, 2 August 2017

TOP 16 ALBUMS: The Sour 16 (July 2017)

Olde

Yes, it is that time again O ye lover of riffs, “THE SOUR 16” returns.  You know the drill by now, each month you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, THE SOUR 16 are the records that have been trending the most at THE SLUDGELORD Headquarters.

The results are compiled based on the amount of page views the reviews have received and are then calibrated into the list below.  All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in the red)

16). Entrails - “World Inferno” (370)

I can't find any fault with this album from intense opener to epic closer of “The Blood Breed”, the band don't put a foot wrong. This is raging death metal, plain and simple












15). Viscera/// - “3: Release Yourself Through Desperate Rituals” (373)



"If one were forced to classify the band’s current sound, post-metal might be the safest category, but even that vaguely defined subgenre does not quite do the band justice, as it fails to mention the strains of psychedelia, black metal, hardcore, death metal and the band’s grind roots to are still very present in VISCERA///








14). Eternal Black - "Bleed The Days" (374)



The sheer weight of the riffs will indeed threaten to pull you under, as they deliver just the right amount of menace to go with the fuzz. There is a hefty dose of soul in the music here, along with a pervading blackness.










13). Norska - "Too Many Winters" (393)



“Too Many Winters” is a captivating collection of powerful doom steeped in Norska’s unorthodox and compelling personality.











12). Cloud Rat/Disrotted - "Split LP" (413)



This is an awe-inspiring release from two incredible bands who can seemingly do no wrong at the moment and continue to deliver an embarrassment of heavy riches in 2017.










11). Goatwhore - "Vengeful Ascension" (458)



“Forsaken” jumps out of your speakers and down your throat and suffocates and entertains the listener in the best way possible. There’s nothing quite like what this band can deliver – the riffs, vocals and drumming is first class and unique









10). God Dethroned - ‘The World Ablaze’ (466)



If you’re a longtime fan like me, this album is everything you’d want and then some. ‘The World Ablaze’ is all of the best elements of the God Dethroned’s entire discography amalgamated into a single album.










9). God Root - "Salt and Rot" (518)



God Root have managed to craft one of the most ambitious, progressive, and emotionally harrowing offerings of 2017.  The cosmic journey of “Salt and Rot” is one that will leave you shaken to your fleeting, human core.










8). Voivod - "RRRÖÖÖAAARRR", "Killing Technology", "Dimension Hatröss" (Reissues) (534)
















7). Wounded Giant - "Vae Victis" (581)



there are moments of majestic riffing and an impressive amount of variation on offer











6). Owlcrusher - "Owlcrusher" (697)



With three tracks spread across 45 minutes, each song embraces sprawl and space: the reverb heavy drum tone pounds like the pulse of a leviathan.  The low end guitar tone crackles with fuzz, while the bass rumbles so menacingly that, with the right sound system, you may get your guts churning like you’ve just been forced to smoke a whole pack of unfiltered cigarettes – you’ve got the cold sweats, your insides feel poisoned, and you’re probably gonna puke, but god damn it you’re hooked




5). Destroyer of Light - "Chamber of Horrors" (719)


I will have to say that this album falls into an epic category for its great compositions, the honest heart involved in creating such a journey of ebb and flow, the range of emotion that continues what true music is about; music that continues what early St. Vitus and Trouble were doing, but DoL are creating it their own way.









4). Cirith Ungol - "King of the Dead" (Ultimate Edition) (724)



It's a very engaging listen, 33 years on and is an absolute must have for any fan of doom- or anyone looking at how the genre started to really form into something (along with the work of Vitus, Trouble et al).  An essential album and a worthy reissue. Enrich your record collection and your life by buying it!








3). Melvins - "A Walk With Love & Death" (727)



On “A Walk with Love and Death”, the Melvins do both things that their cultish fans love about them, and do them both damn well.











2). Venomous Maximus - "No Warning" (731)



In some places on the album, those qualities are phrased in the same ways that fans have come to expect, and so admirably, but in other spots on “No Warning”, Venomous Maximus explore new ways to do that which they’ve always done: create infectiously and wonderfully diabolical music.









1). Olde - "Temple" (866)



Olde’s “Temple” is doom metal done the way it should be. It is well-crafted, forward-thinking, and a contender for one of the best records of the year.











A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  July 2017’s “SOUR 16” features reviews by:  Richard Maw, Daniel Jackson, Charlie Butler, Ben Fitts, Mark Ambrose, Mark Tremblay, Jay Hampshire, Jack Taylor & Eric Crowe.

Friday, 7 July 2017

ALBUM REVIEW: Venomous Maximus - "No Warning"

By: Ben Fitts

Album Type: Full Length
Date Released: 28/07/2017
Label: Shadow Kingdom Records


In some places on the album, those qualities are phrased in the same ways that fans have come to expect, and so admirably, but in other spots on “No Warning”, Venomous Maximus explore new ways to do that which they’ve always done: create infectiously and wonderfully diabolical music.


“No Warning” CD//DD//LP track  listing:

01. I
02. Spellbound
03. Pray For Me
04. Return Of The Witch
05. All Of My Dreams
06. II
07. No Warning
08. Blood For Blood
09. Endless
10. Sea Of Sleep



The Review:

Venomous Maximus have never been about pushing their musical envelope, expanding upon or diverging from what they do, but that is fine, because what they do is simply wonderful. “No Warning” is the third full-length album from the Houston-based doom metal quartet, and will not disappoint. “No Warning” is loaded with all the thick, vintage fuzz guitar tones, epic riffing, hazy atmosphere and awesomely vampy vocals that made Venomous Maximus’ last two albums so great, and what fans of the band have come to expect.

Just popping in the album and pressing play might throw a listener at first, due to the forty-eight seconds of buzzy, devilish synthesizer that opens “No Warning” on the instrumental track “I”, but any trepidation is instantly dispelled once the thudding guitar riff on the next track, “Spellbound”, kicks in. “Spellbound” is classic Venomous Maximus, with their natural, psychedelically occult vibe (and lyrics), and driving doom riffs, inflected with classic heavy metal. While these qualities are also present on other tracks throughout the album including, “Blood For Blood”, the album’s jammy nearly ten-minute long closer (although to be fair, the track contains almost 3 minutes of complete silence) “Sea Of Sleep” and perhaps best manifested in “Return Of The Witch”, one of the best songs the band has ever recorded, “No Warning” does demonstrate that Venomous Maximus have more than one trick up their collective sleeves.

While “No Warning” is still true to the sound and identity the band established on their past two albums, some tracks do find new ground, previously unwalked by the band, that still manages to exist safely within the confines of their musical territory. Tracks “Pray For Me” and the album’s title track see the band wander old school metal terrain, with muted, propulsive power chords and operatic, melodramatic melodies. Conversely, the tracks “All of My Dreams” and “Endless” see Venomous Maximus unplug for bleak, folk-influenced music, with “All of My Dreams” nearing the grim sounds of modern day gothic rock acts like King Dude.

“No Warning” shows Venomous Maximus continue to deliver material bursting with the qualities that makes their music so appealing. In some places on the album, those qualities are phrased in the same ways that fans have come to expect (and there is nothing wrong with that), and so admirably, but in other spots on “No Warning”, Venomous Maximus explore new ways to do that which they’ve always done: create infectiously and wonderfully diabolical music. 

“No Warning” is available to buy/preorder here



FFO: Grand Magus, Castle, Sahg, The Sword

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