Album Type: Full Length
Date Released: 10/06/2016
Label: Patac Records |
Lost Apparitions
Overall, Conclave are a band you
should absolutely pay attention to if you’re a fan of the stoner doom genre and
love bands in the riff worship category. They bring a refreshed approach using
melodic/harmonized guitars, reverb soaked leads, soaring yet aggressive vocals,
and highly energized drumming. Conclave paced this release very well, and I
frequently found myself having riffs stuck in my head long after listening
“Sins of the Elders” CD//CS//DD track listing:
1). (Intro)
Descend
2). Funeral
Fyre
3). Black Lines
4). Cut it off
5). Mammut
6). Cold
Comfort
7). Sins of the
Elders
8). Kaltas
(Outro)
The Review:
In
a world where it seems stoner doom is king; Conclave pull off their best work to date with an
anger-soaked massive riff machine. I was lucky enough to see Conclave live in Boston a few times, and
they were overwhelming with their stage presence, masterful song crafting, and
beastly amp setup. It’s rare that a band captures their live sound on a record,
and Conclave have totally
nailed with this. With each song
clocking in around 7-9 minutes, this is a doom release begging to be cranked.
The album invokes visions of punishment, despair, hopelessness as you wander
through the tomb-like atmosphere this album creates.
“Sins of the Elders” starts
off with “Descend” which sets the
mood using rain samples, reverb/delay drenched clean guitars, and spoken word
before tossing the listener into a dark well full of pummeling riffs. “Funeral Fyre” is loaded with powerful
hits and soaring growled vocals, layered with massive sounding distortion/fuzz.
Jerry’s vocals really shine on this release, giving a melodic feel to the angry
shouting style seen in stoner doom. His vocals remind me of the style seen from
Tom Fischer in Triptykon’s releases. It’s clear the band has a
fantastic handle on the genre and introduces their own spin with more
variation, catchy riffs, melodies, and killer guitar solos reminiscent of 90s
era death metal.
The
third track, “Black Lines,” hones in
on the more stoner doom sound of the band and builds up with crushing riffs and
amazing drumwork. Dan Blomquist is a fantastic drummer, and the highly creative
drum riffs follow the guitar work and add an entirely new amazing layer to the song
writing on this entire album. “Cut it
Off” immediately reminded me of early Crowbar with the slow tempo drums and a darker more
progressive approach to the Sabbath riff style. When the chorus comes into the first
solo, this song quickly became one of the highlights of the album for me.
“Aethereum” stood out to me with the low
spoken word vocals over the crushing doom riffs and syncopated drums. The
reverb/delay drenched leads in this song make it sound particularly evil mixed
with the spoken vocal style. The alternating solos on the song were a welcome
addition, and showcase that Conclave are far more than your run-of-the-mill
stoner doom band. I loved this vocal approach so much that I wish it was
peppered into some of the other songs. “Cold
Comfort” grabs the listener in anticipation with guitar feedback and
overdrive bass/drums to build atmosphere before the band crushes the listener
with what they do best.
The
title track, “Sins of the Elders,”
was my favorite of the entire release with a down-tuned melodic Iron Maiden inspired
riff which invokes feelings similar to the killer album artwork. The guitar harmonies
sound great and really showcase the chemistry of the band. The harsh backing
vocals in this song and double bass bring a welcomed dynamic to the band’s
sound. The final song, “Kaltas”
brings a calming atmosphere similar to how the album started using a
reverb-laced acoustic guitar and subtle cymbal hits. An excellent closer giving
the listener the feeling they completed a journey back to familiar territory
and conquered the welcomed horrors in the depths of “Sins of the Elders”.
Overall,
Conclave are a
band you should absolutely pay attention to if you’re a fan of the stoner doom
genre and love bands in the riff worship category. They bring a refreshed approach
using melodic/harmonized guitars, reverb soaked leads, soaring yet aggressive
vocals, and highly energized drumming. Conclave paced this release very well,
and I frequently found myself having riffs stuck in my head long after
listening. For $10 on bandcamp, you get master-crafted doom with a full 6 panel
digipak with amazing artwork completely reminiscent of how the record sounds.
Throw on some headphones, and descend into the bleak punishing atmosphere of “Sins of the Elders.” I highly recommend
it.
“Sins of the Elders” is available here
FFO: Tryptikon, Crowbar, Electric
Wizard, Windhand, (early) The Sword