Showing posts with label Hang The Bastard. Show all posts
Showing posts with label Hang The Bastard. Show all posts

Saturday, 5 March 2016

“Big Riffs, Heavy Tones” - NOIZ All-Dayer Preview April 2nd 2016 @ Rebellion, Manchester, UK

By: Phil Weller

In Manchester, UK you will struggle to find a bigger champion of big riffs and heavy tones, of tidal sludge and dead-mongering doom as NOIZ promotion’s founder Eytan. And on April 2nd NOIZ Promotions takeover Rebellion to do just that; a venue that both physically and metaphorically stands up against the bullshit of the mainstream to wrap low down and dirty music under its ever-expanding wings. Situated on Deansgate, it stares across the road at a fleet of trendy cocktail bars, where egos, tracksuit bottoms, Nike Airs, fake tans and plastic drumbeats have full sway. It snarls at those places; a warm and welcome abode for the ‘outsiders’ who like their music a little more abrasive, a little less fabricated.
The bill is littered with names lauded frivolously on the hallowed pages of The Sludgelord – (Admiral Sir Cloudesley Shovell, Steak, Witchsorrow, Boss Keloid and more) – just looking at the poster is enough for any self-respecting Sludgelordian to pitch a gazebo in their trousers. 
Eytan’s battle plan then, is a simple one: “I enjoy putting bands on that don't come to the city often and putting my favourite local bands with them. I started NOIZ just under a year ago and hosted a few different kinds of event. So far booked around 50 bands.”
The inclusion of the rough, raw and ready old school rock n’ roll of the Admiral Sir Cloudesley Shovell, is the cherry on the top for him, he reveals: “I've managed to miss them each and every time I've wanted/attempted to see them, so as per with NOIZ, it was a selfish booking and one that I knew would enhance the lineup I was fleshing out. I think they'll bring a definite close to the event, no doubt it'll be messy down at the front and I think their raw vibe will be a perfect finale.
With the festival pulling in some shiny names from across the country, with Eytan saying desert rock fans would “be foolish to miss Steak”, it creates a foundation to flaunt the local talent: “All I can say about the locals is that you should go check them out right now, and a shout out to all of my mates who make up those bands.”
But who are those local acts?
Boss Keloid
Keloid are extremely difficult to define. At some points there's a meditative Om/Tool kind of quality, and then it goes... BROWN. The vocal performance on the new record is probably my joint-first favourite of any record I know from this area.”
Says Keloid bassist/brown bringer Adam Swarbrick: “It'll be our first show in quite a while, or at least what seems quite a while. It's been a very busy time for us, and we've had a few things to deal with in the time since our last show. So you can imagine, we're extremely hungry to launch a full scale herbal assault at NOIZ. I'm confident in speaking for all of us when I say we absolutely live for the live show. So having had more time away from the stage than we'd ideally have liked, NOIZ is a big event for us.”
Barbarian Hermit
“T'Hermit are an outstanding band that just seems to improve with every performance. I had them on at the MMC Weekender a month ago and they were many people's band of the weekend.”
PIST
PIST probably need no introduction from your readership. A warning would be polite if they do. In short, PIST don't party, they are party. Sonically, that is exactly what you get, but don't mistake that for 'silly', or 'novelty' - they are a pure, balls-to-wall metal band with a stoned groove and a drunken swagger.”
A band that usually top bills of this nature, this time around they’ll be treating us to a bright and early set, helping opening the event: “They do usually top the bills at larger events at Rebellion, they headlined the MMC Weekender to a packed house and it went crazy in there with stage diving and crowd-surfing. They're on early simply because they were added late on, but it does give me a very strong (and contrasting) opening pair.”
Almost definitely in the depths of some whirling drug binge, Admiral Sir Cloudesley Shovell sticksman Johnny Gorillar adds: “The Shovell love playin’ Manc; lovely people, good pubs and great audiences. Always a chore, never a pleasure - hold on - scratch that and reverse it!” A band who live and breath what rock n’ roll used to be – and refuse to accept and act like owt has changed, such is their charm – he continues: “we're going onto the studio the week before this gig, there's a few new 'uns in the set already, and at Roadburn we'll be previewing most if not ALL the new LP live. That way punters can record it and that will save Rise Above having to actually release the furker!” 
And with that, we anxiously cross the passing days of on our calendars and continue to prepare our livers for a heavy one and say our final goodbyes to our dignity. This event highlights the natural evolution of a promotions company with bigger plans yet still peaking over the horizon, as Eytan flirts with hints during our conversation.
“No doubt it's bigger [than previous NOIZ events], just look at the line-up! Also, we've had a great run of successful events in a short time, with mostly the same crew doing each event, a familiarity of sorts is setting in, and in a place with such a healthy and active community. That translates into word spreading like wildfire,” he explains.
“Like I said, I've so far booked around 50 bands as NOIZ and have three bands on the bookings roster: Boss Keloid, Dukatalon (UK only) and one TBA very soon. Also look out for the new label out of NOIZ Towers coming this year!
“Shout out to all the bands who are playing, all the bands who have played, all our crew, the supporters, everyone at Rebellion and Adam Swarbrick/Swarbuckle/SwarBROWN of Boss Keloid, and organiser of Riff Fest - look out for a VERY exciting NOIZ/Riff Fest collaboration early summer!”

Info:  facebook

Thursday, 17 September 2015

Live Review: The Sword / Hang The Bastard @ Manchester Academy 3, UK. 16/09/2015

By: Dominic Walsh




The Review:


Just into their second decade as a band, The Sword are currently touring in support of their superb new album; ‘High Country’. Hailing from Austin, Texas, The Sword have a stellar back catalogue behind them.



Prior to The Sword hitting the stage, Hang The Bastard provided support. The London based band ripped through a red hot thirty minute set to a gathering crowd with their collective heads banging in unison. Their sludge driven riffs spliced with largely black metal vocals gradually got more and more heads nodding and banging. The between tracks raft of feedback meant that cried appreciation was largely saved for the end.



The PA tracks that sound tracked the void between the bands ranged from Sly and The Family Stone, to The Band, to Boston. This more chilled out mood that the backing music brought fits in line with The Sword's latest opus. ‘High Country’ feels a little less heavy than some of the bands previous efforts, however this didn't show in the crushing performance The Sword bestowed on Manchester. The Academy 3 is a great venue to see bands. It's small, compact, and the sound is pretty decent in my opinion. All these factors worked in The Sword’s favour.



Taking the stage to a strange mix of Glenn Frey'sThe Heat Is On’, and ‘Unicorn Farm’ from ‘High Country,’ the band tore through a couple of early crowd pleasers in the form of 'Tres Brujas' and 'Cloak of Feathers.'  Newer tracks, of which there were plenty throughout the set (and rightly so!), sat well with the bands older and frankly harder material. 'The Dreamthieves' bluesy 'Free' feel sums up where The Sword are as a band in 2015. The classic hard rock feel with bags of swagger and groove that hark back to the 70's when Kossoff, Lynott and Bonham inhabited our planet. 'Early Snow' and 'Mist & Shadow' also showcase the kind of blues/hard rock that The Sword are masters of.



If some of the newer material is unfamiliar to the masses, ‘Freya’ is a stonewall classic. All of their trademarks adorn every second of the track and the crowd popped for this quite superb slab of heavy rock. Another classic in the form of 'Maiden, Mother & Crone' also had the crowd lapping up every razor sharp riff and crashing beat.  Dying Earth’, from 2012's ‘Apocryphon’, closed out the main set with some tremendous twin/duelling guitar work. The crash and combustable combination of the riff and drums on ‘Dying Earth’ is immensely powerful on record; the live version just compounds this. Simply stunning.


As the band exited the stage to an exultant crowd, it was clear the band and the crowd were not done. A loud audience during the encore break led to the band returning for a two song encore consisting of new instrumental, ‘Suffer No Fools’, before an almighty rendition of 'Arrows in the Dark' from 2010's ‘Warp Riders’.


As mutual appreciation via the raising of glasses ended the night, The Sword proved once again that they are a stellar band who are going to be around for a long time, especially with how the band have, and continue to evolve their sound.


The Sword Setlist Manchester Academy 3, Manchester, England 2015

Wednesday, 25 February 2015

The Sludgelord News: DESERT STORM confirm UK tour with Hang The Bastard


DESERT STORM have today confirmed that they'll be hitting the road with Hang The Bastard next month, on a short UK tour. The announcement follows the release of the Oxford riff-hounds' third studio album, entitled Omniscient.

The band commented: "We are stoked to be joining join Hang The Bastard on their UK headline tour next month. We've all been fans of them for a while now and we're sure it's going to be fun run of dates. Come along and catch us at a show!"

UK TOUR DATES SUPPORTING HANG THE BASTARD:

Mon 16 March     Liverpool - Shipping Forecast
Tue 17 March      Milton Keynes - Craufurd Arms
Wed 18 March     Sheffield - Corporation
Fri 20 March        Birmingham - Oobleck
Sat 21 March       Swansea - Sin City

The five piece band entered the studio in 2014, to lay down the tracks for Omniscient with Jamie Dodd at Flesh & Bone Studio, Hackney, before the producer - who counts Orange Goblin among his credits - returned to The Animal Farm studio in south London, where it was mixed.

The follow up to 2013's critically acclaimed 'Horizontal Life', which was mastered by Billy Anderson (Melvins, Sleep, Cathedral) was released on 26th January 2015. What may appear to the untrained eye to be a straight up stoner rock album, has a bluesy depth and at times veers towards a folk-tinged acoustic edge.  The band will be showing off their diversity on stage when they play Desert Fest in London this coming April, alongside the likes of Sleep, Red Fang, and Orange Goblin.

DESERT STORM will appeal to fans of The Sword, Clutch, Down and Torche. 'Omniscient' is their third album - their heaviest, yet most diverse release to date. The band have notched up many high profile support slots over the years, including tours with Karma To Burn and Nashville Pussy.

Omniscient is available digitally via iTunes, or via the Blindsight Records Bandcampdigitally or on CD. Vinyl will follow via Secret Law Recordings

Source: Pioneer Music Press

Find DESERT STORM on the internet:
FACEBOOK
TWITTER
WEBSITE
BANDCAMP
INSTAGRAM

Wednesday, 18 February 2015

The Sludgelord News: HANG THE BASTARD announce tour dates with Corrosion Of Conformity & UK headline dates

HANG THE BASTARD are stoked to announce their first UK headliner tour of 2015! Furthermore the band was confirmed as direct support for Corrosion Of Conformity in the UK in March. HANG THE BASTARD can't wait to get back on the road supporting their album 'Sex In The Seventh Circle'.

The band comments: “We are more than excited to be back playing shows and to be back on the road in the UK after a tough couple of months. Tom is feeling a lot better after his back problems and we are ready to play some riffs! Coupled with that, we are honoured beyond belief to be a part of this historic COC tour.  We really can’t wait to visit some of the places we haven’t been to in a long time. It’s gonna be heavy and it’s gonna be loud!!! Bang your heads, we are coming for you!”

You can watch the video for 'Sex In The Seventh Circle' here: https://www.youtube.com/watch?v=zvYvGo2CBxw

'Sex In The Seventh Circle' is available in the following formats (all pictured above!):
Ltd Edition, CD Digipak (incl. 2 additional tracks)
180g Gatefold black Vinyl + CD
180g Gatefold red Vinyl + CD (limited to 600 copies)

All physical formats are available here: http://smarturl.it/HTBCMDistro

iTunes: http://smarturl.it/sitsciTUNES
AmazonMP3: http://smarturl.it/sitscAMAZONMP3


HANG THE BASTARD live:
with Corrosion Of Conformity
Mar 7        Manchester - Academy 2
Mar 8        Glasgow - Garage
Mar 9        Nottingham - Rescue Rooms
Mar 11    Bristol - Bierkeller
Mar 12    Colchester - Arts Centre
Mar 13    London - Electric Ballroom

headline dates
Mar 16    Liverpool - The Shipping Forecast
Mar 17    Milton Keynes - Craufurd Arms
Mar 18    Sheffield - Corporation
Mar 20    Birmingham - Oboleck
Mar 22    Southampton - The Firehouse

2015 festival dates
Mar 14    Hammerfest
Apr 25     Desertfest London

HANG THE BASTARD online:
facebook.com/hangthebastard
twitter.com/hangthebastard


Century Media online:
centurymedia.com
youtube.com/centurymedia
twitter.com/centurymediaeu
facebook.com/centurymedia
instagram.com/centurymediaeu


Century Media webshop:
www.cmdistro.com


Source: The Noise Cartel

Wednesday, 11 February 2015

Hang The Bastard - ‘Sex in the Seventh Circle’ (Album Review)


Album Type: Full Length
Date Released: 22/9/2014
Label: Siege of Amida/Century Media Records

‘Sex in the Seventh Circle’ CD//DD//LP track listing:

01. Keeping Vigil
02. Morrs Tempest
03. Hornfel
04. The Lesser Key
05. The Majestic Gathering Of Goetia
06. Mist Of Albion
07. Sex In The Seventh Circle
08. Snake Symbol
09. Absorption
10. Beyond The Pale
11. Sweet Mother

Hang the Bastard is

Joe Nally | (Bass/Vocals)
Sam Rice | (Guitar)
Simon Grubb | (Drums)
Tom Hubbard | (Vocals)

Review:

I’m not really sure if Hang the Bastard are human. 

I’m almost certain that a touring band went over to Greece, camped out by a cave, had a few drinks… and somehow disturbed a nest of harpies.  After gorging on the hapless troupe of players, instead of returning to their cave, the harpies decided to tour the world and show us all just how hardcore mythological creatures can sound.  If the riffs of harpies interest you, then Hang the Bastard have that market nailed.  And yes, it is a good sound. 

This album – ‘Sex in the Seventh Circle’ – is their second full-length, and moves on from 2009’s ‘Hellfire Reign’ with a sound that is somehow more aggressive and focused than their growling debut.  If you enjoyed their ‘Sweet Mother’ 7inch release in 2013, expect an album that builds on that raw and vital sound, and prepare for an absolute blizzard of riffs to howl down upon you.  I suggest whiskey, a warm coat and some mittens for the journey. 

Let’s talk about vocals, and for this I’m going to address Hang the Bastard’s frontman directly:

Dear Mr. Tomas Hubbard,
Your voice.  Firstly may I say kudos on it: you sound like Al Jourgensen and Travis Ryan were harmonising, with Angela Gossow adding in a few extra notes here and there when needed.  I just want to know where you got this wonderful skill, and also have you cracked any glasses with this banshee power? 

Seriously, Tomas Hubbard’s voice is this manic harpy howl that really acts as the meathook, grabbing you bodily and dragging you deeper into Hang the Bastard’s musical slaughterhouse.  As soon as you hear that scream erupt from album opener ‘Keeping Vigil’, and Sam Rice and Joe Nally’s guitar and bass punishment ensues, you’re already hooked in.  Welcome to the slaughterhouse, kid: here’s where the fun begins. 

Over the 11 tracks that make up ‘Sex in the Seventh Circle’, you get shook, shaken, beaten and blown up.  Imagine a Grindhouse B-movie full of gore, explosions, grime and dark magicks.  This is its soundtrack.  ‘The Majestic Gathering of Goetia’ pounds at you like a tenderiser on raw steak, the drums of Simon Grubb a constant pummelling presence.  This is then followed up by the spacey, pseudo-Hawkwind ‘Mists of Albion’, a swirling fog of acoustics and rather tender vocalisations which give way to brawling distorted guitar and haunting, subtle solos.  Out of the violent riffery, this track was the one which impressed me the most. 

From open to close, ‘Sex in the Seventh Circle’ is massive.  These four London harpies have made something the stoner rock world can treasure, and I’m sure this is only a glimpse of what these guys are truly capable of.  Get Hang the Bastard in your collection right now! 

Words by: Chris Markwell

You can pick up a copy now

For more information:

Saturday, 9 November 2013

Hang The Bastard - Sweet Mother/Dyad 7" (Review)




Album Type : 7”
Date Released : 16/9/2013
Label : Siege of Amida / Century Media Records
 

SWEET MOTHER / DYAD 7", track listing :

1). Sweet Mother 05:42
2). Dyad 05:37

Review :

Hang The Bastard have a sweet new piece of wax out, a double tracker that you can spin with your filthy little paws on trad black or (fucking awesome) purple. Sexy aesthetics aside, you should never judge a band by its vinyl.  Well, not just its vinyl anyways.

'Sweet Mother' is a shit-kicker of immense proportions, packed with groove and those ever-important colossal earthmover riffs. A hybrid of Bongzilla, EHG and everything whisky soaked inbetween those two; it stamps its feet and breaks its pint glass. Real fighting music without the knuckle drag that won't follow the rules, which is always what you want from this kind of stuff. Heavy as balls and likely to wake up face down in a gutter somewhere with no memory of the night before.

The opposite side is occupied by 'Dyad'. After a creepy intro its battle stations on the HMS riff. This is an utter beast of a track, the main part cuts like a chainsaw through a cake. It's completely excessive and not suited for the situation at hand at all, which is why I love it. It's so ridiculously heavy that when twinned with the gargled vocals it stands to give you motion sickness. The drumming isn't shuffling its feet nervously in the corner either; it's got a gun to its head. The cymbal work is particularly good; every crash sounds like a shattering windscreen.

You need to part ways with your cash in exchange for this immediately. Highly recommended for any fan of depraved riffs and good times. Which I sincerely hope is all of you.

Words by : Matt Fitton

You can buy it here


For more information :

https://twitter.com/hangthebastard
http://www.hangthebastard.bigcartel.com/