ELEVEN IS ONE LOUDER: Rob Hoey (Limb) picks 5 artists & bands he loves that had a great impact on heavy music... Without using mountains of distortion (and in lots of cases, none)

By: Rob Hoey

As we (Limb) get ready to release our third album “Saboteurs of the Sun...” (available here) ...I thought I'd chat about some of our influences who didn't need modern distortion to get heavy. 

A lot of people who read this will already be very aware of these artists and in writing it I thought 'if I were to read this would I find this kind of thing patronising'? Then I realised that if I hadn't heard of some of these people I wouldn't be able to appreciate the music we have today, so here's to them... The scoundrels, cads, olden day punks who said 'fuck you, I won't do what you tell me' and started something that we can still see / feel today in the roots of all that is sonically heavy. 

So even if you've heard all these before, click the links and refresh your memory while we look back and take our hats off to the men and women who carved out the path we now tread! 

1 Screamin' Jay Hawkins (1929 - 2000)

If you like Alice Cooper, Marilyn Manson, Ghost, Kiss or any other shock rockers then you have this man to thank! Before heading to tinkle the ivories, he would emerge from a coffin onstage and wore gold and leopard skin costumes and had voodoo stage props, such as his smoking skull on a stick (called Henry). Alongside all his stage antics he had scream (hence the nickname) that would give Noddy Holder a run for his money. 

Check Out – “I Put A Spell On You”

2 Jerry Lee Lewis (1935 - Present) 

The 'killer' as he is known (and nearly for very good reason, he tried to kill Elvis, look it up) is a controversial figure and no mistake. He is a wild and unbridled force of nature and pushed rock and roll to its limits at a time that America just wasn't ready for it. He once shot a gun to wake up tired party goers who couldn't keep up with him. Any live performance of his will give you a good indication of how energised he was. Also, he played piano like he'd made a deal with Lucifer himself. (you can still catch him live if you're in the states) 

Check Out – “Wild One” 

3 Richard Wagner (1813 - 1883)

Way before the metal zone pedal (or the DOD grunge for that matter) there were people who were determined to get tone henge blasting so had to be inventive. How I hear you cry? Load the bottom end of your orchestra with things like the 'octobass' a giant version of the double bass played with a bow that would make even SunnO))) smile (ok maybe not, too doom!). Richard Wagner was the king of heavy back in the day, those days being the middle of the 1800's. He was rattling the rafters way before Boris came along and showed us how to get a bass tone that would rattle your teeth straight down your neck! 

Check out – “Entrance Of The Gods Into Valhalla”

4 Sister Rosetta Tharpe (1915 - 1973)

So... A white Gibson LesPaul SG with three humbuckers sounds like something Zep or The Darkness might bust out on stage but long before all that came a gospel rock whirlwind in the shape of

Sister Rosetta Tharpe and man could she play. She cemented her place in rock and roll history when she embarked upon a European tour with Muddy Waters in 1963 (her UK debut was in Manchester) she noted as an influence by prominent British guitarists such as Eric Clapton, Jeff Beck, and Keith Richards

Check Out – “Up Above My Head”

5 Lead Belly (1888 - 1949)

Here we have Lead Belly a ne'er do well, moonshine swilling multi instrumentalist who saw his fair share of hardship which lead him to sing about women, liquor, prison life, and racism. He was also known to write songs about people in the news, such as Franklin D. Roosevelt, Adolf Hitler and Howard Hughes. You might know him best from Nirvana's cover of “My Girl (where did you sleep last night)”. They don't come much rougher round the edges than Lead Belly and if you scratch the surface of his prolific song library you'll find it paints a picture of man who lived hard and played harder. 

Check Out – “Black Girl (in the pines)”

Band info: facebook

TRACK PREMIERE: London heavyweights Limb debut "Wych Elm"

London heavyweights Limb set the controls for the heart of the sun with their third record on New Heavy Sounds.  “Saboteurs of the Sun” sees Limb hurl themselves skyward to discover new worlds within the riff–time continuum.  Building on their previous two records, which positioned the band in the thick of the UK heavy fuzz scene, the band now move beyond their sludge–doom origins to explore a cosmos of bubbling synthesizers, screaming organs, ecstatic choirs and galaxies of wild unidentified sounds, but feaer not the grooves, the power and the chops are all there in spades – helped by a masterful production from Russ Russell (Napalm Death, At the Gates, etc.)  “Saboteurs Of The Sun” will land on May 25^th and today you can get your first taste of the record  with an exclusive stream of the track “Wych Elm” below.  Preorders are being taken here

Singer Rob Hoey had the following to say about track:

"In 1943, a woman’s dead body was found stuffed inside the hollow trunk of a wych elm tree in the West Midlands. No-one knows who she was. Perhaps she was a Nazi spy, perhaps a local prostitute, perhaps the victim of an occult killing – after all, her severed hand was found elsewhere, consistent with the ‘Hand of Glory’ ritual. The mystery remains very much alive through the enigmatic reappearance of graffiti asking, “Who put Bella in the wych elm?” We still want to know."

Limb Live Rituals:

​

Sat 19 May - London, Underdog Gallery

Fri 25 May - Bournemouth, The Anvil

Sat 26 May - Southampton, Firehouse

Sun 27 May - Cardiff, Tiny Rebel, Cardiff Psych and Noise Fest

Band info: facebook

TOUR NEWS: Desert Storm announce UK Tour dates in August with direct support from Limb

 

It probably doesn’t need to be said but I’ll say it again, Desert Storm are one of our favourite bands currently from the UK, their blend of blues based stoner jams has won them a whole range of fans and admirers within the scene. We originally reviewed their superb debut album “Forked Tongues” back in 2011and every subsequent release thereafter has been louder, heavier and more kick ass than the last, indeed their latest full length “Omniscient” was no different, a must have album. Plain and simple.  No strangers to the road, Desert Storm are set to head out on a 5 date UK tour sponsored by yours truly, in conjunction with Buried In Smoke and Sleeping Eye.  Adding further weight to these impending live rituals, Limb will act as direct support.  

Make no mistake this is a tour not to be missed.  You can catch them on the following dates

Wed 16^th Aug – London, The Black Heart

Thurs 17th Aug – Manchester, Rebellion

Fri 18^th Aug – Glasgow, Nice’N’ Sleazy

Sat 19^th Aug – Leicester, The Firebug

Sun 20^th Aug – Milton Keynes, The Crawford Arms

Limb: Facebook | BandCamp

Desert Storm: Facebook || BandCamp

TRACK PREMIERE: Limb cover Andrew WK's "Party Hard" to coincide with Euro Tour Dates

In their first release since the 2015 album ‘Terminal’ (review here) Limb have recorded a version of Andrew WK’s ‘Party Hard’ and put their own twist on proceedings. In a light-hearted and momentary move away from their doom and stoner roots Limb have put together this track to advertise their upcoming dates which have been booked for mainland Europe but start with a one off show at Hard Rock Hell’s ‘Doom vs Stoner’ festival in Sheffield this weekend. You can check  out the track below and you can Catch them partying hard here…

Saturday 1 October – Hard Rock Hell, (w/ Orange Goblin, Conan, Vodun & more), Sheffield (UK)

Saturday 15 October – Beta2300, Copenhagen (DK)
Wednesday 19 October - Hafenklang, Hamburg (GER)
Thursday 20 October - Tiefgrund (w/ Fistula, Grime), Berlin (GER)
Friday 21 October - Dynamo (w/ Monolord, Earth Ship, Zaum, Bark), Eindhoven (NL)
Saturday 22 October – Into The Void Festival (W/ loads!), Leeuwarden (NL)

Band info: Facebook || BandCamp

Live Review: NOIZ All Dayer, Rebellion Bar, Manchester, 2/4/2016

By: Dominic Walsh

Boasting one of the best heavy metal bills in Manchester in a long time, NOIZ promotions’ NOIZ All Dayer in Manchester seemed almost untrue with the amount of talent on show.

Drone duo, Khost, opened up the day with a massively heavy amount of tone and drone for the small crowd. It was only 12.30 when they took the stage so people were still filing in through the doors, although there were a couple of people who had made the effort to see Khost based on their attire.

From here on in, the bill changed shape with bands moving up and down the bill continually. Presumably this was due to people arriving/being delayed etc.

One band that did take the stage at their scheduled time was PIST. Now, for those who haven’t heard PIST, the clue is in the name. 1pm was a remarkably early time for the Bury quartet to hit the stage, however their groove laden angsty southern sludge did more than wake the gathered masses, and blow any Friday night cobwebs away.

As the afternoon progressed, Fvnerals and Dystopian Future Movies (both late additions to the bill due to cancelled gigs in the area) serenaded the crowd with dark post rock and doom laden riffs that slowed the pace somewhat during the afternoon. The slower pace did nothing to dampen the enthusiasm of the crowd. Both bands have been touring together; if you’re a fan of Neurosis, Bossk, Long Distance Calling (or bands to that effect), give them a whirl.

Either side of Fvnerals and DFM, there were arguably some of the star turns of the day. Another local band who are making plenty of waves in the metal world, Boss Keloid, were in celebratory mood with a storming set which showed how much the band have evolved. They are much tighter as a band, and the material from their new LP ‘Herb Your Enthusiasm,’ sounded incredibly strong. To bring the pace down again slightly, were Witchsorrow. Although they’re a doom band, their latest LP, ‘No Light, Only Fire,’ has plenty of more up tempo selections. A mix of these tracks and cuts from “God Curse Us” helped them deliver a great set.

Towards the top of the bill was heavy rock trio The Admiral Sir Cloudesley Shovell, who did not disappoint. Complete no frills rock and roll just the way it should be. Steak ably assisted with their fuzzy stoner rock keeping the pace up as the crowd got steadily more lubricated.

One of the absolute star turns of the day however, took place early in the afternoon. London’s Vodun turned many heads in Rebellion. The trio, who have just released their debut LP “Possession”, took to the stage in their ‘tribal’ attire and delivered a scintillating performance. Chantal Brown’s vocals can easily draw comparisons with Skunk Anansie’s Skin, and the riffs swerve from thrash, to stoner, to doom. Over the course of their short set, Vodun proved why they are getting many great reviews of “Possession”. Another afternoon success came in the form of their tour mates, Limb. Showcasing some prime cuts from 2015’s “Terminal”, the band delivered a stomping set against a hazy white light back drop; foggy and fuzzy on many levels! “Down By The Banks” is a monster of a track; Limb deserve to be edging themselves up bills. They have the songs and presence to be huge.

The day ended with Israeli sludge mob Dukatalon playing host to a fully liquored audience. Their stomping set ended with a huge stage invasion capping off an excellent day of heavy metal. The amount of bands on the bill only scratches the surface of the amount of great bands out there. NOIZ are behind many of Manchester’s all day metal events – if you are even the slightest it curious, go along and check out some of the bands; it’s almost a dead cert you’ll find something you enjoy.

You can check them out here: https://www.facebook.com/noizpromo/

“Big Riffs, Heavy Tones” - NOIZ All-Dayer Preview April 2nd 2016 @ Rebellion, Manchester, UK

By: Phil Weller

In Manchester, UK you will struggle to find a bigger champion of big riffs and heavy tones, of tidal sludge and dead-mongering doom as NOIZ promotion’s founder Eytan. And on April 2^nd NOIZ Promotions takeover Rebellion to do just that; a venue that both physically and metaphorically stands up against the bullshit of the mainstream to wrap low down and dirty music under its ever-expanding wings. Situated on Deansgate, it stares across the road at a fleet of trendy cocktail bars, where egos, tracksuit bottoms, Nike Airs, fake tans and plastic drumbeats have full sway. It snarls at those places; a warm and welcome abode for the ‘outsiders’ who like their music a little more abrasive, a little less fabricated.

The bill is littered with names lauded frivolously on the hallowed pages of The Sludgelord – (Admiral Sir Cloudesley Shovell, Steak, Witchsorrow, Boss Keloid and more) – just looking at the poster is enough for any self-respecting Sludgelordian to pitch a gazebo in their trousers. 

Eytan’s battle plan then, is a simple one: “I enjoy putting bands on that don't come to the city often and putting my favourite local bands with them. I started NOIZ just under a year ago and hosted a few different kinds of event. So far booked around 50 bands.”

The inclusion of the rough, raw and ready old school rock n’ roll of the Admiral Sir Cloudesley Shovell, is the cherry on the top for him, he reveals: “I've managed to miss them each and every time I've wanted/attempted to see them, so as per with NOIZ, it was a selfish booking and one that I knew would enhance the lineup I was fleshing out. I think they'll bring a definite close to the event, no doubt it'll be messy down at the front and I think their raw vibe will be a perfect finale.

With the festival pulling in some shiny names from across the country, with Eytan saying desert rock fans would “be foolish to miss Steak”, it creates a foundation to flaunt the local talent: “All I can say about the locals is that you should go check them out right now, and a shout out to all of my mates who make up those bands.”

But who are those local acts?

Boss Keloid

“Keloid are extremely difficult to define. At some points there's a meditative Om/Tool kind of quality, and then it goes... BROWN. The vocal performance on the new record is probably my joint-first favourite of any record I know from this area.”

Says Keloid bassist/brown bringer Adam Swarbrick: “It'll be our first show in quite a while, or at least what seems quite a while. It's been a very busy time for us, and we've had a few things to deal with in the time since our last show. So you can imagine, we're extremely hungry to launch a full scale herbal assault at NOIZ. I'm confident in speaking for all of us when I say we absolutely live for the live show. So having had more time away from the stage than we'd ideally have liked, NOIZ is a big event for us.”

Barbarian Hermit

“T'Hermit are an outstanding band that just seems to improve with every performance. I had them on at the MMC Weekender a month ago and they were many people's band of the weekend.”

PIST

“PIST probably need no introduction from your readership. A warning would be polite if they do. In short, PIST don't party, they are party. Sonically, that is exactly what you get, but don't mistake that for 'silly', or 'novelty' - they are a pure, balls-to-wall metal band with a stoned groove and a drunken swagger.”

A band that usually top bills of this nature, this time around they’ll be treating us to a bright and early set, helping opening the event: “They do usually top the bills at larger events at Rebellion, they headlined the MMC Weekender to a packed house and it went crazy in there with stage diving and crowd-surfing. They're on early simply because they were added late on, but it does give me a very strong (and contrasting) opening pair.”

Almost definitely in the depths of some whirling drug binge, Admiral Sir Cloudesley Shovell sticksman Johnny Gorillar adds: “The Shovell love playin’ Manc; lovely people, good pubs and great audiences. Always a chore, never a pleasure - hold on - scratch that and reverse it!” A band who live and breath what rock n’ roll used to be – and refuse to accept and act like owt has changed, such is their charm – he continues: “we're going onto the studio the week before this gig, there's a few new 'uns in the set already, and at Roadburn we'll be previewing most if not ALL the new LP live. That way punters can record it and that will save Rise Above having to actually release the furker!” 

And with that, we anxiously cross the passing days of on our calendars and continue to prepare our livers for a heavy one and say our final goodbyes to our dignity. This event highlights the natural evolution of a promotions company with bigger plans yet still peaking over the horizon, as Eytan flirts with hints during our conversation.

“No doubt it's bigger [than previous NOIZ events], just look at the line-up! Also, we've had a great run of successful events in a short time, with mostly the same crew doing each event, a familiarity of sorts is setting in, and in a place with such a healthy and active community. That translates into word spreading like wildfire,” he explains.

“Like I said, I've so far booked around 50 bands as NOIZ and have three bands on the bookings roster: Boss Keloid, Dukatalon (UK only) and one TBA very soon. Also look out for the new label out of NOIZ Towers coming this year!

“Shout out to all the bands who are playing, all the bands who have played, all our crew, the supporters, everyone at Rebellion and Adam Swarbrick/Swarbuckle/SwarBROWN of Boss Keloid, and organiser of Riff Fest - look out for a VERY exciting NOIZ/Riff Fest collaboration early summer!”



Info:  facebook

"A Year in Review": The Sonic 6 of Sludge 2015

By: Aaron Pickford

As part of our review of 2015, over the coming days, I will present the definitive “Sour 16” for 2015 and this will be generated by looking at all releases throughout the year, however I thought it would also be cool to look at specific genres too and whilst I would have loved to have generated a “Sour 16” for each popular genre at The Sludgelord, that would have taken up an inexplicable amount of time. Of course we all gravitate to a favourite genre, however each has its own merit, therefore I thought it would be a good idea to highlight, “six of the best” releases of 2015 within our most popular genres.  So today, as we reflect upon an awesome year of music in 2015, we present the Sludge “Sonic 6” for 2015

The Sludgelord’s ‘Sonic 6’ for 2015 is compiled based upon page views alone and calibrated into the list below, we will be presenting further lists during the lead up to Christmas, but for today roll up, kick back and Hail the riff!  Check out the Sludge “Sonic 6” for 2015 (full reviews can be viewed by clicking the artwork and total views since the date of publication are highlight in red). 

6). Limb – “Terminal” (607)

All in all, Terminal builds on what Limb have already achieved and is ultimately better than their top notch debut. The tracks on Terminal are well crafted, and the whole piece is tighter throughout. Absolutely no time is wasted on the album with every note being completely integral to the success of the album

5). The Moth – “And Then Rise” (621)

“And Then Rise” is simply unmissable on every level.

4). Greenhorn – “Like Rows Of Crooked Teeth” (773)

Truthfully, my first listen to Greenhorn left an everlasting impression, they truly are a force in the UK doom scene and this album only strengthens that belief. Give this album a listen; let them leave an impression on you too, because what’s so brilliant about them is that as well as being seriously fucking heavy, you get a history lesson  thrown in too’

3). Torche – “Restarter” (833)

To scrape a nit comb over this record, there is little originality in the noises that rattle your eardrums here. There’s nothing we haven’t heard and felt from the Miami four piece before, but  I for one am just delighted to hear another Torche record and I have no doubt that the vast majority of the already converted will see ‘Restarter’ as faultless.

2). The Body/Thou – “You, Whom I Have Always Hated” (1240)

It’s exceptionally rare that an album, or a work of art for that matter, can effectively convey terror, but throughout this release I was struggling to think of comparable works of art and kept returning to masters of horror fiction: Poe, Lovecraft, Thomas Ligotti. Like each of these authors, The Body and Thou manage to create concise, compact stories of horror, which, when collected, should be seen as guidebooks to human terror and masterworks of nuanced, unbridled genius.

1). Dopethrone – “Hochelaga” (1560)

The album is, in a word, massive. Beware the listener that clicks play on this with cheap speakers. You'll soon need to replace them simply because of the sludgy, waxy build-up their riffs will leave on the speaker material. They play some of the nastiest blues you'll find outside of Satan's record collection, focusing on booze, rebellion, occult, sex, and of course, drugs.

Reviews featured in this article were written by: Hunter Young, Mark Ambrose, Phil Weller, Chris Bull, Steve Howe, Dominic Walsh

The Sludgelord 'Sour 16' For August 2015

By: Aaron Pickford

As the haze of sunshine finally appears to be descending for the last time and with it the end of summer, let us not despair and instead rejoice as we usher in another feast of music for your listening pleasure, a veritable smorgasbord of riffs, this can only mean one thing? The Sludgelord’s ‘Sour 16’.  Welcome, all lovers of the riff, you know the deal by now, however for those of you that do not, let us recap.  Each month, you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal, but predominately the best the doom, sludge, stoner-psychedelic genres have to offer.  It is not a chart, in which reviewers or contributors extol their opinion about their favourite music, but simply, the ‘Sour 16’ are the records you guys (readers) have been most interested in over the last month and checking out on this page.

So here is the The Sludgelord’s ‘Sour 16’ for August 2015, the 16 records you’re most looking forward too or are currently checking out.  Dig in, spread the word and perhaps revisit some records you may have overlooked.  The results are compiled based on page views alone and calibrated into the list below. So without further ado, enjoy the ‘Sour 16’. Roll up, kick back, chug a beer and Hail the riff! All review/band links can be accessed by clicking on the artwork. (Total views at the time of publication are highlighted in red)

16). Eschaton – ‘Sentinel Apocalypse’ (312)

For anyone with an interest in death metal from Revocation to Morbid Angel to Immolation to Death, then this album should definitely be checked out. I enjoyed it hugely and recommend it highly.

15). Nightfell – ‘Darkness Evermore’ (320)

“Rebirth” sees the band playing with different melodic black metal elements… which make for a wonderful musical counterweight to the resonant doom n’ death rumbling of the album’s general comfort zone.

14). Fight Amp – ‘Constantly Off’ (348)

‘In short, I’ve been missing out. I’m really happy to have had a reason to sit down with a band I already thought I knew and find out there’s still so much more to them. I can only highly recommend ‘Constantly Off’, and after this I’m off to check out all the stuff I’ve missed.’

13). Lucifer ‘Lucifer I’ (352)

‘All in all, “Lucifer I” is a solid release, song-per-song. It’s sure to be a hit for all the ‘70s obsessive’s and the proto-metallers, but it also has moments that are evil enough and dark enough to satisfy those who need a little more intensity beyond the black rainbow.’

12). = Myrkur  - ‘M’ & Gnaw Their Tongues – ‘Abyss of Longing Throats’ (354)

At this juncture, Myrkur has proven to be capable of material that is truly special, with the sort of vivid musical imagination welcome in any genre, metal being no exception. What’s most exciting is what an even deeper exploration of this kind of folkish black metal, rich with creativity might yield a couple of years from now.

‘Gnaw Their Tongues has opened up a portal into hell and is dragging you with him. Fear the worst. Expect to suffer. If you make it out alive, expect some severe emotional trauma.’

10). Six Feet Under – ‘Crypt of the Devil’ (357)

‘This is as pure a strain of death metal as you are ever likely to find: crushing, sawing guitar riots? Check.  Throat-expanding guttural vocals?  Check.  Lurid, obscene song titles, including ‘Broken Bottle Rape’ and ‘Compulsion to Brutalize’?  Check mate.  If it’s classic death metal grooves you’re after, look no further.’

09). Limb – ‘Terminal’ (371)

All in all, Terminal builds on what Limb have already achieved and is ultimately better than their top notch debut. The tracks on Terminal are well crafted, and the whole piece is tighter throughout. Absolutely no time is wasted on the album with every note being completely integral to the success of the album

08). Locrian – ‘Infinite Dissolution’ (400)

‘Standout track ‘An Index of Air’ leans into emptiness with a rattling drone, an almost imperceptibly off-time drum pulsing the intro before expanding out into tidal-waves of anguished convulsions blended with blissed out droning black that Deafheaven would burn gasoline-soaked churches to attain.’

07). Carousel – ‘2113’ (420)

‘2113’ is a blur of dynamic, late night booze fuelled journeys filled with timeless hooks and immensely powerful solos. A band that knows how to capture your attention; they filter the music of their childhood heroes add a contemporary twist and their unique flair and create magic. They build on their concrete foundation of strong vocals and catchy choruses, wrap up some tight backing and present a very pleasing album complete with a jazzy little bow.

06) Hivelords – ‘Tapered Limbs of a Human Star’ (424)

'Cavern Apothecary' was a glimpse into the potential this band had at that point. On ‘Tapered Limbs of a Human Star’, they've smashed through the glass ceiling and surpassed the promise they showed. The fact that they're signed to Anthropic Records is both a blessing and a curse; it makes those who know about the band seem like part of a secret club and preserves their cult status. However, had this been released on a label like Relapse, Profound Lore or Candlelight, everyone would be losing their shit and proclaiming this as the best album they've heard this year. It’s simply stunning.’

05). DoctoR DooM – ‘The Seed We Have Sown’ (534)

‘It's a monstrous sound, reminding me of a club scene in many a Bond film, but replace lounge piano or jazz with a much more upbeat rock band. This is Everyman Rock. And they love to stay around with their songs, so look forward to an album full of 4+ minute slabs that will take you along sonic highways of old.’

04). Ahab – ‘The Boat of Glen Carrig’ (551)

‘It's hard to sum the record up, such is the scope and depth on offer within the record, but suffice it to say this: it will feature in year end lists, it will grow on you and is definitely one of the more unusual and ambitious releases of the year. This is fine stuff, but then again coming from Napalm Records, does anyone expect anything less?! Dark, atmospheric and powerful. A fantastic record.’

03). Pentagram - ‘Curious Volume’ (710)

Overall, for my money, Curious Volume is a better album than Last Rites- more focused, more inspired and it crackles with life, it really does. It is the best album from Pentagram in a long while and for that we should all rejoice. Legendary for a reason!

02). The Sword – ‘High Country’ (1377)

The length of the album, at 15 tracks, does make getting acquainted with this record a slow process, but in the end you’ll discover there aren’t any dips in form. ‘High Country’ is rich in consistency and across its span, Cronise, Shutt and co. dispel any fears you may have about this release all the while oozing a slick professionalism. They’ve been at this song writing malarkey for a while now, they’re hardened pros and this stands testament to their brilliant legacy.’

01). Ghost – ‘Meliora’ (5382)

‘Today, Ghost still manage to shock and surprise us in a society where we’ve seen and heard it all before. People are fascinated, fixated even with finding out their true identities. Their music is more powerful than it ever has been too. ‘Meloria’ is a spellbinding listen and one which will see them elevated to greater plains of existence. It affects you, leaves you shaken. They can make you laugh or cry without so much of a flick of the wrist and, although the music we love is basking in something of a purple period right now, a band as potent as this is still a rarity.’

This list features reviews by, Chris Bull, Philip Weller, Kat Hilton, Hunter Young, Richard Maw, James Harris, Dominic Walsh, Chris Markwell, Daniel Jackson, Erik Sugg & Greg Sheriff