Album Type: Full Length
Date Released: 08/07/14
Label: Metal Blade
Records
‘Constricting
Rage of the Merciless’ CD/LP/DD track listing:
1). Poisoning
Existence in Reawakening 03:47
2).
Unravelling Paradise 03:23
3). Baring
Teeth for Revolt 03:47
4). Reanimated
Sacrifice 03:28
5). Heaven’s
Crumbling Walls of Pity 03:43
6). Cold Earth
Consumed in Dying Flesh 05:29
7). FBS 03:42
8). Noctural
Conjuration of the Accursed 03:21
9).
Schadenfreude 03:35
10).
Externalize The Hidden Savagery 03:14
The
Band:
Louis B.
Falgoust II | Vocals
Sammy Duet | Guitars, Vocals
Zack Simmons | Drums
James Harvey | Bass
Sammy Duet | Guitars, Vocals
Zack Simmons | Drums
James Harvey | Bass
Review:
Goatwhore
is the brainchild of former Acid Bath singer/guitarist Sammy Duet and in my
view a highly underrated band. They came out of the NOLA scene at the tail end
of the 90’s with brethren Down and Crowbar to name a few, but defined
themselves and their sound very differently. Playing a blend of Death, Black
and Thrash metal, Goatwhore are a far cry from the sludgy half tempo groove
laden bands often associated with NOLA.
Their
latest release will be an easy progression for previous fans, but for new fans
this album offers a great introduction to the Goatwhore sound. ‘Constricting
Rage of the Merciless’ is a high tempo journey through extreme metal, a
fantastic blood pumping 6th album for the band.
I’d
like to start by saying if you are or ever have been a fan of Behemoth and
Decapitated but never listened to Goatwhore, go listen to them right this
second. You won’t regret it!
The
album starts as it means to go on. Fast. There is very little reprise in this
audible battering, it takes no prisoners and offers very little else than
relentless riffs and hard hitting grind. The drums are energetic and sound
great in the context of the music, with much variation from the blast beat
laden constraints black and death metal usually stick too. The guitar tones are
just beautiful; the rig produces fantastic note separation and harmonic
overtones similar to the Decapitated tone, with a crackly underlying sound.
They manage to make the tremolo picking very defined on the high notes so that
it doesn’t just blend into white noise.
Vocally
I would have liked a bit more variation. He uses quite plain rhythmic devices
in his vocals, and the growl generally stays at the same pitch throughout which
can lead to some tedious moments in the record. Although I wouldn’t really say
there is too much filler in the 10 tracks, there is a lot to get through and
sometimes it can feel like ‘just another Goatwhore section’. This however is
contrasted by the variation in the blend of extreme metal they use. Some songs
are straight Blackened Death, one is even a pretty standard Thrash track, most
manage to blend the three styles seamlessly into a great pulsing riff by riff
breakdown with little to no redemption in pace.
I
feel like Goatwhore deserve a bit more attention than they get. 6 albums is
quite a lot in a bands career, and the hype surrounding this last album was
pretty small. Even looking up lyrics, I found it hard to source specific songs.
Maybe they just got overshadowed by the sludge and stoner that came out around
the same time when they were starting and never managed to jump away from the
pigeon hole NOLA created. In any case, this album is not one for extreme metal
fans to miss! Thanks for reading Y’all!
Words by: Asher G.
Alexander.
You
can pick up a copy here
For
more information:
facebook.com/thegoat666
twitter.com/goatwhorenola
youtube.com/Goatwhorenola666
twitter.com/goatwhorenola
youtube.com/Goatwhorenola666