By: Victor Van Ommen
Album Type: Full Length
Date Released: 24/02/2017
Label: Crispin Glover Records |
Stickman Records
“IV” is eight tracks that follow the verse-chorus-verse-chorus formula
and does so with licks, vocals, lyrics and melodies that are sharp, fast, and
poignant. As far as that’s concerned, there’s absolutely nothing to complain
about.
“IV” CD//DD//LP track listing:
1). Is This Love?
2). I Am the Night
3). LouCille
4). Ballad of a Millionaire (Song for Elina)
5). What Have You Become
6). The Inevitable
7). Heaven Comes Tomorrow
8). Stranglehold
The Review:
Spidergawd descends upon us from the northern
heights of Norway
with their most focused work, “IV.” As the name suggests, this is
the band’s 4th album. It should also be mentioned that at this point, the band
has only been around for four years. Impressive? Quite!
Their roots lay deep in the world of Motorpsycho
but Spidergawd
is a much different animal. “IV” jumps out of the speakers as a
rollicking, gritty, intense rock album that brings as much Van Halen to mind as it does Foo Fighters.
Yeah, you read that right, Foo Fighters. But I’m referring to their
’95-’97 period. The good years. So, as you’d expect, “IV” is pretty much just
eight tracks that follow the verse-chorus-verse-chorus formula and does so with
licks, vocals, lyrics and melodies that are sharp, fast, and poignant. As far
as that’s concerned, there’s absolutely nothing to complain about.
The double kick gas pedal keeps the pistons moving in
“Is
This Love?” Singer Per Borten belts his way through an emotional
chorus, “You don’t think I don’t know by now / I realize that you’re in love
again / as you walk out of my door…I see that I’m out of time, out of time to
make you mine,” and does so with such gusto that the song sounds more
of a celebration than a breakup.
“IV’s midsection is that
meat and potatoes riff-rock. “We Must Come to Pass” runs a tight
vocal melody before diving into a sly guitar solo accented by the baritone
tones of the saxophone. This is Spidergawd’s way of saying that they can also
handle subtlety, which, thanks to the control they have over their songs, works
very much to the band’s advantage. Take “What Have You Become,” for example,
which shows Spidergawd
at their most lean and mean. A hearty don’t-bore-us-get-to-the-chorus start
moves its way effortlessly into a set of verses that falls very much in line
with the Nordic Rock scene. An absolute blast, that’s for sure. This is a song
that’s going to sound great once we can start driving around town with the
windows down and the breeze in our hair.