Artificial Head
Records is pleased to announce the signing of psychedelic sludge band Cursus
and with it the album will be released on vinyl/digital on 28th April 2017.
Pre-order album here
Taken from the Latin word meaning “course” – specifically
the mournful paths our ancestors once took to bury their dead – the San
Antonio-based paring of guitarist/vocalist CJ Duron and drummer Sarah
Roork first came into being in the winter of 2013 with the
release of their “Summer
Solstice Sessions” demo. Influenced by the likes of Om, Neurosis, YOB and Ufomammut, and deep
in experimentation with different sounds, instruments and drone frequencies, the
demo slowly unfurled colossal riff driven soundscapes that permeated and
punched in equal measure.
Released through independently it quickly caught the
ear of label boss and fellow Texan, Walter Carlos, who signed Cursus on the spot to his Houston-based label Artificial Head Records.
“I had toured with Cursus a few times over the years and I’ve always admired their massive sound. Their ability to crush bodies in the room with their songs is uncanny,” explains Carlos. “Initially, we were going to release a live cassette by the band from recordings they made while on tour. But as the project kept going, we decided that a full-length studio album would be better and we’re proud to have Cursus as part of our family.”
“I had toured with Cursus a few times over the years and I’ve always admired their massive sound. Their ability to crush bodies in the room with their songs is uncanny,” explains Carlos. “Initially, we were going to release a live cassette by the band from recordings they made while on tour. But as the project kept going, we decided that a full-length studio album would be better and we’re proud to have Cursus as part of our family.”
Three years on from the release of “Summer Solstice Sessions” and
Duron and Roork have their debut album loaded. Produced in a
basement-recording studio by close friend Chris Dillard, over six
devastating songs Cursus summon
personal and spiritual pains and turns each into amplified dirges packed with
riffs, hypnotic string arrangements and spellbinding percussion. With the power
of cosmic doom burning brightly, distortion slams hard into 6/8 rhythms as the
Duron and Roork charter a longboat through a magnificent storm of ethereal
destruction.
Cursus’ self-titled debut album will be released on
vinyl/digital on 28th April 2017 via Artificial Head
Records and you can stream a new track “The Guardian” ahead of
the release next week.
In addition to the stream, we have a double
helping of Cursus, as we welcome CJ Duron to take us through
their top 5 doom influences s. So prepare to worship at the
altar of volume, as we take
our weekly trip into the extreme and turn the volume all the way up to
11. Why do we go to 11, because “It’s one louder, isn’t it?”
Winter – ‘Servants of the Warsmen’
Winter first came to our attention when we heard them
in their early days back in the 90s. Although I listened to stuff on
the faster side, their drudging, intense low-end awakened me to a slower
spectrum of heavy music. The video is a mix of rare live footage with an aged,
torn film reel aesthetic, which we are fans of.
Acid Bath – ‘Toubabo Koomi’
Acid Bath had to be among the few influences
I would mention. Their approach went from beautifully darkened
ballads, to wretched screams of pain. The way they weaved harmonies to capture
the poetic nature of music itself, within the heaviest of riffs, left a deep
mark on the way we saw possibilities of writing. The featured video captures
them in their apex of their refined sound.
Eyehategod – ‘Anxiety Hangover’
Eyehategod has a black place in our heart as one
of the first sludge/doom bands I came across. Their start and stop,
manic sound, made me realize how a song can take you into very different
directions within that short experience. I really like the stock footage they
use in ‘Anxiety Hangover’. The juxtaposition of the perfect American
family portrayal, with scenes of destruction, opens your eyes to what can
lie behind facades.
Godflesh – ‘Slavestate’
I came across Godflesh in the early 90s. The fact that
they came out with this pummeling sound created by two people and a drum
machine at the time, blew my mind. That tone and aggressiveness sounded like a
ten ton hammer slamming into a metal door. The video they created looks a
little primitive at this point, as it came out when digital graphics were
really fresh at the time. I liked the bleeding of colors, and the
electro-nightmare trip feel that permeates the video.
Neurosis – ‘Stones from the Sky’
Neurosis is a band that took me a while to
understand. I would throw them on while I was working on artwork and it
became very cathartic. It started to become a sound that was consoling in a
way. Their music seemed more like movements than actual songs. The ability
to let a riff breathe and take on different textures always followed
me. The video ‘Stones from the Sky’ showcases their steady, expanding
sound and features layered images which tell a story behind the
scenes. All of these bands had a huge influence on the way CURSUS
approaches song writing. They provided a soundtrack to our lives when we were
finding out who we were, now I feel that they paved the way for who we have
become.
