Showing posts with label Fogg. Show all posts
Showing posts with label Fogg. Show all posts

Sunday, 2 August 2015

The Sludgelord 'Sour 16' for July 2015

Welcome to The Sludgelord’s Sour 16’. Each month, you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal, but predominately the best the doom, sludge, stoner-psychedelic genres have to offer.  Is it chart? Not really.  To put it simply, the ‘Sour 16’ are the records you guys have been most interested in over the last month and checking out on this page.

So here is the The Sludgelord’s ‘Sour 16’ for July 2015, the 16 records you’re most looking forward too or are currently checking out.  Check em out, spread the word and perhaps revisit some records you may have overlooked.  

The results are compiled based on page views alone and calibrated into the list below. So without further ado, this is the ‘Sour 16’. So until next month, roll up, kick back, chug a beer and Hail the riff! All review links, are held under the artwork. (Total views at the time of publication highlighted in orange)


16) = The Nepalese Temple Ball – ‘Arbor’ (245)

‘How this band is not a household name is beyond my comprehension, but this album should go some way to making sure that happens.’






16) = Dreadnought – ‘Bridging Realms’ (245)

‘The cinematic scope of Dreadnought’s music sounds like it should take a small orchestra to perform it.’









14). Plaguewielder  - ‘Chambers of Death’ (252)

‘Ominously named, and equally ominous with their execution, Plaguewielder has no real give to their sound, the first track, ‘Existence is Our Exile’, simply shreds against the walls of your mind, with the torturous vocals raking like the nails of the dead against the inside of your skull.’








13). Vattnet Viskar – ‘Settler’ (254)

‘This record is DENSE! With a massively thick tone, these songs sonically envelop you in billowing oppressive textures’





12). Freedom Hawk – ‘Into your Mind’ (263)

‘Overall a very strong album that holds strong throughout; immense riffs and licks, explosive drumming, engaging vocals and solid bass playing- it doesn’t get much better.







11). Hair of the Dog – ‘The Siren’s Song’ (284)

‘The tone of the record is undeniably loud and heavy, but incorporates an atmosphere which is vibrant, full of energy and represents a band with a very bright future indeed’.








10). Abrams – ‘Lust.Love.Loss’ (294)

‘Blending spiky guitar lines reminiscent of These Arms Are Snakes, plenty of weird Cave In style effects, angular post-hardcore aggression and no-nonsense stoner riffing, Abrams have created a compelling and addictive listen here.’








9). Tremonti – ‘Cauterize’ (304)

‘It is not metal like Celtic Frost, certainly, but it is as metallic as bands like Black Label Society for instance.’








8). Fogg – ‘High Testament’ (311)

‘If you like your music with heavy riffs, fuzz pedals in overdrive and mixed with various styles, Fogg are worth checking out.







7). Goya – ‘Obelisk‘(326)










6). Khemmis – ‘Absolution’ (334)

‘From the opening riff of the album you can pretty much tell ‘Absolution’ is great. Laying somewhere between Pallbearer and perhaps a downtempo Ghost, Khemmis' first full-length is one of the best albums you will hear this year, Period!!’








5). A Trust Unclean  - 'Reality Relinquished' (341)

‘The whole EP is so energetic, inspiration seems to bleed from every available crevice; here is a band basking in a creative flourish.







4). Weeed – ‘Our Guru Brings us the Black Master Sabbath’ (343)

‘Be it in the album’s closing track or all the tracks preceding, Weeed has made a potential classic stoner rock album that draws from familiar elements of the genre and has enough experimentation to give them a sound of their own.’







3). Sweet Cobra – ‘Earth’ (354)

'Earth' will sit nicely in any collection and would add some melodic relief in between the usual tipple of sludge, doom, death metal and black metal. Brilliant.’








2). Alustrium – ‘A Tunnel  to Eden’ (409)

Listening to "A Tunnel to Eden" I get the feeling that this might be the album that "makes" this band









1). Gorgoroth – ‘Instinctus Bestialis’ (411)

‘Technical and precise, this album at times has a subtle yet palpable progressive tinge…’







This list features reviews by Heather Blewett, Chris Tedor, Chris Bull, Victor Van Ommen, Philip Weller, Brian Mclean, Kat Hilton, Charlie Butler, Steve Howe, Hunter Young, Richard Maw & James Harris

Thursday, 16 July 2015

Fogg - 'High Testament' (Album Review)


‘If you like your music with heavy riffs, fuzz pedals in overdrive and mixed with various styles, Fogg are worth checking out.’
Album Type: Full Length
Date Released: 23/06/2015
Label: Tee Pee Records

‘High Testament’ CD//DD//LP track listing:
1). Joy of Home
2). You are Welcome
3). The Garden
4). Seasons
5). Mountain
6). Hand of the Lord
7). Grass in Hand

Fogg is:

Ethan Lyons | Drums
Chase Jowell | Guitar
Brandon Hoffman | Bass, Acoustic Guitar, Vocals

Review:

It has been a long time since a band has sent tingles down my spine on a first listen, but Fogg have done just that with their new record entitled ‘High Testament’, an absolutely monster of an album. It’s all here Proto-metal, Doom, Psych, Jazz, and Stoner Rock, surrounded by riffs Mr Iommi would be proud of. Fogg hail from Fort Worth, Texas and there must be something in the water there for an album to be produced to this standard. A benchmark for this genre, it is raw and beautiful!

‘Joy of Home’ gets us on the way. A nice relaxing acoustic intro opens things up accompanied by Brandon Hoffman’s understated chilled raw vocals, indeed this intro lulls you into a false sense of security as we are met with thunderous fuzz soaked riffs intent on pummel your senses. Before you know it, the track is coming to the end, not before a howling guitar solo arrives to make the hairs on the back of my neck stand to attention. Now that’s what I call a start to an album.

‘You Are Welcome’ arrives with riffs saying hello, the structure then changes to a sixties psych vibe mainly due to the echoing vocal harmonies (Wolfmother?). Don’t worry though, riffs are in evidence throughout the track and they blend in so well. ‘The Garden’ is completely different, an acoustic ditty with very raw vocals, giving this track a lovely charm. Innocently sang but sang with feeling and emotion, a flute solo arrives taking you to the bottom of your garden to sit with the enchanted creatures while the wind blows. ‘Seasons’ arrives with a deep throbbing bass intro and smashing riffs wake you up from your slumber in the garden of enchantment you previously found yourself in. The new season has arrived awash with cosmic fuzzed ambience, causing the leaves to fall and die. We are met with a great wailing guitar solo before the track returns to the throbbing bass line taking you to journey’s end.

‘Mountain’ is the track of the album for me! A bluesy intro sets things up to cries of “let’s get into something heavy” and boy does it ever. The rumbling guitar riffs work in unison with a powerful throbbing organ entwining together and producing one hell of a noise. You feel you are entering the void of death, where the grim reaper awaits you. This track is truly something special. ‘Hand of the Lord’ is a slow burner, beginning again with acoustic guitar and understated raw vocals, but the middle section brings you back to riff heaven, powerful, emotive, eerie and then back to a chilled ending. What more can you ask for?  Then finally we have ‘Grass in Mind’, more deep riffs and raw vocals driving the track through an eerie landscape of bliss. Lovely Jazz guitar loops arrive to take you to a different mind space but not for long, the riffs return leading to a little acoustic interlude to end this opus of awesomeness.

Fogg have produced something extraordinary with this album, it’s like a fine LSD soaked wine. It has everything, passion, great lyrics, magical song arrangements and fantastic musicianship.  What’s more Fogg are adept at switching the tempo of the record, to increase and decrease the tension at just the right moment and this is done to devastating effect. If you like your music with heavy riffs, fuzz pedals in overdrive and mixed with various styles, Fogg are worth checking out. Spin this record now and you’ll almost certainly buy the vinyl, I know I did. Wow! Now that does sound incredible.

These guys have totally graced my eardrums with ‘High Testament’!

Words by: Brian Mclean

‘High Testament’ is available here

For more information: