Showing posts with label The Nepalese Temple Ball. Show all posts
Showing posts with label The Nepalese Temple Ball. Show all posts

Sunday, 2 August 2015

The Sludgelord 'Sour 16' for July 2015

Welcome to The Sludgelord’s Sour 16’. Each month, you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal, but predominately the best the doom, sludge, stoner-psychedelic genres have to offer.  Is it chart? Not really.  To put it simply, the ‘Sour 16’ are the records you guys have been most interested in over the last month and checking out on this page.

So here is the The Sludgelord’s ‘Sour 16’ for July 2015, the 16 records you’re most looking forward too or are currently checking out.  Check em out, spread the word and perhaps revisit some records you may have overlooked.  

The results are compiled based on page views alone and calibrated into the list below. So without further ado, this is the ‘Sour 16’. So until next month, roll up, kick back, chug a beer and Hail the riff! All review links, are held under the artwork. (Total views at the time of publication highlighted in orange)


16) = The Nepalese Temple Ball – ‘Arbor’ (245)

‘How this band is not a household name is beyond my comprehension, but this album should go some way to making sure that happens.’






16) = Dreadnought – ‘Bridging Realms’ (245)

‘The cinematic scope of Dreadnought’s music sounds like it should take a small orchestra to perform it.’









14). Plaguewielder  - ‘Chambers of Death’ (252)

‘Ominously named, and equally ominous with their execution, Plaguewielder has no real give to their sound, the first track, ‘Existence is Our Exile’, simply shreds against the walls of your mind, with the torturous vocals raking like the nails of the dead against the inside of your skull.’








13). Vattnet Viskar – ‘Settler’ (254)

‘This record is DENSE! With a massively thick tone, these songs sonically envelop you in billowing oppressive textures’





12). Freedom Hawk – ‘Into your Mind’ (263)

‘Overall a very strong album that holds strong throughout; immense riffs and licks, explosive drumming, engaging vocals and solid bass playing- it doesn’t get much better.







11). Hair of the Dog – ‘The Siren’s Song’ (284)

‘The tone of the record is undeniably loud and heavy, but incorporates an atmosphere which is vibrant, full of energy and represents a band with a very bright future indeed’.








10). Abrams – ‘Lust.Love.Loss’ (294)

‘Blending spiky guitar lines reminiscent of These Arms Are Snakes, plenty of weird Cave In style effects, angular post-hardcore aggression and no-nonsense stoner riffing, Abrams have created a compelling and addictive listen here.’








9). Tremonti – ‘Cauterize’ (304)

‘It is not metal like Celtic Frost, certainly, but it is as metallic as bands like Black Label Society for instance.’








8). Fogg – ‘High Testament’ (311)

‘If you like your music with heavy riffs, fuzz pedals in overdrive and mixed with various styles, Fogg are worth checking out.







7). Goya – ‘Obelisk‘(326)










6). Khemmis – ‘Absolution’ (334)

‘From the opening riff of the album you can pretty much tell ‘Absolution’ is great. Laying somewhere between Pallbearer and perhaps a downtempo Ghost, Khemmis' first full-length is one of the best albums you will hear this year, Period!!’








5). A Trust Unclean  - 'Reality Relinquished' (341)

‘The whole EP is so energetic, inspiration seems to bleed from every available crevice; here is a band basking in a creative flourish.







4). Weeed – ‘Our Guru Brings us the Black Master Sabbath’ (343)

‘Be it in the album’s closing track or all the tracks preceding, Weeed has made a potential classic stoner rock album that draws from familiar elements of the genre and has enough experimentation to give them a sound of their own.’







3). Sweet Cobra – ‘Earth’ (354)

'Earth' will sit nicely in any collection and would add some melodic relief in between the usual tipple of sludge, doom, death metal and black metal. Brilliant.’








2). Alustrium – ‘A Tunnel  to Eden’ (409)

Listening to "A Tunnel to Eden" I get the feeling that this might be the album that "makes" this band









1). Gorgoroth – ‘Instinctus Bestialis’ (411)

‘Technical and precise, this album at times has a subtle yet palpable progressive tinge…’







This list features reviews by Heather Blewett, Chris Tedor, Chris Bull, Victor Van Ommen, Philip Weller, Brian Mclean, Kat Hilton, Charlie Butler, Steve Howe, Hunter Young, Richard Maw & James Harris

Tuesday, 7 July 2015

The Nepalese Temple Ball - 'Arbor' (Album Review)


‘How this band is not a household name is beyond my comprehension, but this album should go some way to making sure that happens.’


Album Type: Full-Length
Date Released: 23/05/2015
Label: Self Released

‘Arbor’ DD track listing:

1). A Snake for Every Year
2). Knee Deep
3). Mongolian Terror Trout
4). Gas Bird
5). Desert Baron
6). Statues in the Garden of Death
7). Astral Beard
8). The Axemen

The Nepalese Temple Ball is

Stitch Heading | Bass, Vocals
DavePhilips | Drums
Lee Husher | Guitars, vocals, soundscapes
Tim Galling | Vocals, guitars

Review:

Sometimes you get a release that seems to appear out of nowhere and completely obliterate your eardrums and your soul. The Nepalese Temple Ball has delivered such an occasion with ‘Arbor’, their debut full length. The tree on the front cover represents the band with each branch being the journey of each member. Their Facebook page cites Neurosis and Oxbow amongst their influences and although they wear their influences on their collective sleeves, they certainly have an identity of their own.

Opening track 'A Snake for Every Year' starts with some shimmering soundscapes from vocalist/guitarist/noise monger Lee which brings to mind work with Light Bearer but altogether more sinister. What follows is 9 plus minutes of sonic disembowlment; some post hardcore leaning riffs, gruff vocals from bassist Stitch and the eerie atmospherics make this song an excellent introduction to the band for new listeners. Second song 'Knee Deep' is a faster track which has a slight hint of black metal, especially in the harshness of Lee's vocals, as well as some military drumming before the 'Through Silver In Blood' era Neurosis worship beats you around the eardrums. A rerecording of 'Mongolian Terror Trout', previously available on the band's Bandcamp page is next and the band use every weapon at their disposal and is a straight up beast of a track. 'Gas Bird' is the fourth song...and boy, what a brilliant song it is! The opening riff reminiscent of Gardenia by Kyuss but fuzzier, dirtier, darker and undoubtedly heavier! The vocals from Tim sound tormented as he bellows about confronting a monster manifested from paranoia and anxiety and there's some very interesting drum work going on from drummer Dave.

Moving on then to the centrepiece 'Desert Baron', it is an instrumental that conjures up images of...A barren desert! When this played through my headphones, my mouth became dry and the temperature rose. Epic, sprawling, dissonant riffs hang in the air while the soundscapes disorientate. On the 6th track 'Statues in The Garden Of Death' the band display some of their hardcore influences for a couple of minutes before the pace slows down to let the song suffocate you slowly with it's hypnotic melodic guitar work...then they bring the doom! The final 2 songs 'Astral Beard' and 'Axe Man' put an end to proceedings rather nicely with the intricate drumming and spoken word sample of the former and the creeping noise that gives way to some good old filthy sludge with bassist Stitch handling lead vocals. The riffs are crushing, and the soundscapes wrap everything up in a harsh, caustic, atmospheric blanket. The latter, a song about man's destructive nature, bleeds in the soundscapes and dissonant drumming before a devastating riff cuts through. The vocals are screamed/shouted in unison as the song hammers that main riff home before everything breaks down and the noise breathes the album's final breaths.

Overall, this is a tremendous release. How this band is not a household name is beyond my comprehension, but this album should go some way to making sure that happens.

Words by: Chris Bull

‘Arbor’ is available for download here

For more information: