ALBUM REVIEW: Roadsaw, “Tinnitus The Night”

By: Richard Maw

Album Type: Full Length

Date Released: 07/06/2019

Label: Ripple Music

This is definitely one of the best albums of the  year and its vitality is astounding for a band of this vintage. Superlative heavy rock for 2019.

“Tinnitus The Night” CD//DD//LP track listing:

1. Along For The Ride
2. Shake
3. Fat Rats
4. Final Phase
5. Peel
6. Knock Em All Down
7. Find What You Need
8. Under The Devil’s Thumb
9. Midazolam
10. Silence

The Review:

Roadsaw return after an eight year break from releasing full length records and boy does this just JUMP out of the speakers! Kind of like an US East Coast Orange Goblin, these noise purveyors deal in the finest and heaviest stoner rock. Massive riffs, drums, bass and sounds coalesce to turn in powerhouse performances on opener “Along For The Ride” and “Shake”, The band slows to a greasy groove on “Fat Rats” and don't put a foot wrong from there.

With ten tracks and neatly fitting onto one side of a TDK 90min cassette (should that be your preferred medium) this feels like a throwback to the band's first heyday (95-2000) and channels the power of their 2007 release “Rawk N Roll”. I am ashamed to say that I missed out on their self titled 2011 effort, but in my defence I did catch them live at Desertfest a few years ago- and they ripped the Underworld a new one with a tight and energetic set of all-American rock and roll- and gave away a three track EP on CD which I still have.

“Final Phase” is a speedball of energy with “Peel” then dropping the pace back down to a laid back cruise. It's a fairly extended loose track that marks the mid point of this deadly record. For side two, you get “Knock Em All Down” first, with a big groove and grunge like feel. “Find What You Need” is pure rock and roll enjoyment- killer riffs and hooks.

“Under The Devil's Thumb” is just as good- grooves for days- with swagger like Monster Magnet in their prime. For a band with 25 years under their belt, Roadsaw sound hungry and hopefully this album will see another flurry of activity from them and lead to more releases and shows. The albums second languid set piece is “Midazolam”; a longer playing time and the band spreads their wings to take in some epic riffage and quiet loud dynamics. As the band close things with “Silence”, they utilise acoustic guitars for a rather melancholy ending to this excellent record.

This is definitely one of the best albums I've heard this year and its vitality is astounding for a band of this vintage. Superlative heavy rock for 2019. Welcome back!

“Tinnitus The Night” is available HERE

Band info: bandcamp || facebook

TOP 16 MOST POPULAR ALBUMS OF 2018 SO FAR.... THE SOUR 16 (JAN - JULY 2018)

It has been hectic 2018 to say the least, so forgive me readers for I have sinned, it has been 6 months since our last SOUR 16, and our usual presentation of the 16 most popular albums of the month.  So given that I have failed to deliver the chart for the last six month, I’ve decided to present not only the most albums of the 7 months , but also the individual charts for the months you missed.  So by my reckoning that 112 albums for you to check out.  So apologises normal services is resumed, here is our TOP 16  MOST POPULAR ALBUMS OF 2018 SO FAR and the SOUR 16 (JAN - JULY 2018)

Here’s a quick recap, each month you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  To put it simply, the SOUR 16 are the records that have been trending the most at SLUDGELORD HQ.

The results are compiled based on the amount of page views the reviews have received and are then calibrated into the list below. (Total views are highlighted in brackets)

16). Black Label Society, “Grimmest Hits” (2134)

15). Tribulation, “Down Below” (2249)

14). Harakiri for the Sky, “Arson” (2504)

   
13). Phantom Winter, “Into Dark Science” (2532)

12). Fu Manchu, “Clone of the Universe” (2657)

 
11). Verheerer, “Maltrer” (3504)

   
10). Somali Yacht Club, “The Sea” (3651)

   
9). Witchcryer, “Cry Witch” (3884)

   
8). Earthless, “Black Heaven” (4071)

7). Monster Magnet, “Mindfucker” (4744)

6). Forktail, “Forktail” (5194)

5). Sleep, “The Sciences” (5931)

4). Hooded Menace, “Ossuarium Silhouettes Unhallowed” (5924)

   
3). Winterfylleth, “The Hallowing of Heirdom” (9958)

   
2). Amorphis, “Queen of Time” (15574)

1). Wolftooth, “Wolftooth” (19820)

June/July 2018

16). Aseethe / Snow Burial, “Split” (413)

15). Witchsorrow, “Hexenhammer” (415) 

14). Drug Cult, Drug Cult” (451)

13). Witch Mountain, “Witch Mountain” (463)

12). Grave Lines, “Fed Into The Nihilist Engine” (503)

11). Uniform & The Body, “Mental Wounds Not Healing” (517)

10). Smock, “Interstellar Nobody” (520)

9). Wytchhazel, “II: Sojourn” (535)

8). Yob, “Our Raw Heart” (649)

7). Tomb Warden, “Reflection of the Mistake” (690)

6). Dopethrone, “Transcanadian Anger” (702)

5). Acid Priest, “Drop Out” (771)

4). Orange Goblin, “The Wolf Bites Back” (1097)

3). Cult of Occult, “Anti-Life” (1129)

2). Churchburn, “None Shall Live...The Hymns of Misery” (1305)

1). Bongripper, “Terminal” (1963)

May 2018

16). Tunguska Mammoth, “Breathless” (465)

15). Garganjua, “Through The Void” (477)

14). Mol, “Jord” (500)

13). Behemoth, “Messe Noire” (521)

12). Skinless, “Savagery” (580)

11). Cist, “The Frozen Casket” (581)

10). Iron Void, “Excalibur” (615)

9). Bong, “Thought & Existence” (709)

8). Wychhound, “Earth Orbiter” (730)

7). Chrch, “The Light Will Consume Us” (847)

6). Barst, “The Endeavour” (909)

5). LLNN, “Deads” (942)

4). Morag Tong, “Last Knell of Om” (997)

3). Nibiru, “Netrayoni” (2018) (1040)

2). Speedclaw, “Beast In The Mix” (1123)

1). Amorphis, “Queen of Time” (15574)

April 2010

16). Vomitor, “Pestilent Death” (428)

15). Boss Keloid, “Melted on the Inch” (438)

14). My Silent Wake, “There Was Death” 510)

13). Beneath Oblivion, “The Wayward & The Lost” (537)

12). Conjurer, “Mire” (565)

11). Will Haven, “Muerte”(610)

10).Foehammer, “Second Sight” (641)

9). Judas Priest, “Firepower” (721)

8). Hashteroid, “Hashteroid” (975)

7). Lychgate, “The Contagion in Nine Steps” (1000)

6). Mammoth Weed Wizard Bastard & Slomatics, “Totems” (1084)

5). Eagle Twin, “The Thundering Heard” (1090)

4). Ulvesang, “The Hunt” (1189)

3). Aerosol Jesus, “Failure” (1444)

2). Sleep, “The Sciences” (5931)

1). Winterfylleth, “The Hallowing of Heirdom” (9958)

March 2018

16). Vile Creature, “Cast of Static & Smoke” (498)

15). Blheg, “Solarmegin” (527)

14). Dead Empires, “Designed To Disappear” (598)

13). Ilsa, “Corpse Fortress” (617)

12). Mournful Congregation, “The Incubus of Karma” (668)

11). Hemelbestormer, “A Ring of Blue Light” (683)

10). Solleme, “The Infinite Violence” (888)

9). Rivers of Nihil, “Where Owls Know My Name” (969)

8). Leechfeast, “Neon Crosses” (1053)

7). Ministry, “AmeriKKKant” (1210)

6).Blaze Bayley, “The Redemption of William Black (Infinite Entanglement Part III)” (1308)

5). Coilguns, “Millenials” (1437)

4). Ancst, “Ghosts of the Timeless Void” (1727)

3). Earthless, “Black Heaven” (4071)

2). Monster Magnet, “Mindfucker” (4744)

1). Forktail, “Forktail” (5194)

February 2018

16). Marriage + Cancer, “Marriage + Cancer” (763)

15). Cultus Profano, “Sacramentum Obscurus” (845)

14). Lowered, “Lowered“(890)

13). Oryx, “Stolen Absolution” (897)

12). Philip H. Anselmo & The Illegals, “Choosing Mental Illness Is A Virtue” (926)

11). Green Lung, “Free The Witch” (962)

10). Mammoth Grinder, “Cosmic Crypt” (1264)

9). Keiji Haino & Sumac, “American Dollar Bill - Keep Facing Sideways, You're Too Hideous To Look At Face On” (1336)

8). Necrophobic, “Mark of the Necrogram” (1394)

7). Windhand / Satan’s Satyrs, “Self Titled” Split (1431)

6). Against The Grain, “Cheated Death” (1507)

5). Visigoth, “Conquerer’s Oath” (1709)

4). Harakiri for the Sky, “Arson” (2504)

3). Phantom Winter, “Into Dark Science” (2532)            

2). Fu Manchu, Clone of the Universe” (2657)

1). Verheerer, “Maltrer” (3504)

January 2018

16). Greber, “Cemetary Preston” (731)

15). Corrosion of Conformity, “No Cross No Crown” (751)

14). Greyfell, “Horsepower” (786)

13). Agrimonia, “Awaken” (805)

12). Haunt, “Luminous Eyes” (EP) (826))

11). Possessor, “The Ripper” (872)

10). Come to Grief / Fistula & Fistula / (16) Splits (946)

9). Druid Lord, “Grotesque Offerings” (956)

8. Watain, “Trident Wolf Eclipse” (999)

7). King Buffalo, “Repeater” (1397)

6). Black Label Society, “Grimmest Hits” (1665)

5). Wolftooth, “Wolftooth” (1723)

4). Tribulation, “Down Below” (2047)

3). Somali Yacht Club, “The Sea” (2388)

2). Witchcryer, “Cry Witch” (3676)

1). Hooded Menace, “Ossuarium Silhouettes Unhallowed” (5646)

ALBUM REVIEW & TRACK PREMIERE: Monster Magnet, "Mindfucker"

By: Victor Van Ommen

Album Type: Full Length

Date Released: 23/03/2018

Label: Napalm Records

If you’re ready for a simple space rock record that’s sturdy, hooky and well written, take “Mindfucker” out for a spin. 

“Mindfucker” CD//DD//LP track listing:

1). Rocket Freak

2). Soul

3). Mindfucker

4). I’m God

5). Drowning

6). Ejection

7). Want Some

8). Brainwashed

9). All Day Midnight

10). When The Hammer Comes Down

The Review:

Monster Magnet’s evolution has been fun to follow. Back in the day, when front man and key driving force of the band, Dave Wyndorf, got his band of psychedelic gods together, they got weird. As time progressed, the ‘Magnet remained a psychedelic powerhouse, but one that consistently moved forward from where they began. The days of long, drawn out and druggy jams are behind us. Now, we’re reveling in a period of shorter, leaner songs with big hooks. Fans of Monster Magnet are sometimes divided in the camps of “early” and “modern” Monster Magnet. There’s no need for these camps, though, because Monster Magnet has always been - and will always be - a band that knows when it’s time to get weird and when it’s time to rock out. Isn’t that what stoner rock is all about?’

So it’s now 2018, almost five years removed from Monster Magnet’s last studio album, “Last Patrol.” Where that album, and certainly the redux albums that followed it, brought both hooks and jams to the fold, this new album, “Mindfucker” is all about the rock and the roll. “Mindfucker” tells a simple story to the tune of compact riffs and songs that move pretty quickly. About half of the songs are around the 4 minute mark, which reflects the simple song structures.

But rest assured, simple isn’t bad, by any means. In the case of “Mindfucker,” simple is even somewhat a breath of fresh air. There’s that MC5 vibe in these songs and punk rock is never far out of reach. The hooks are firmly mounted and effortlessly carry the weight of the songs. Bob Pantella and Chris Kosnik play their asses off, running the sturdy rhythms up and down the dance floor.

Like any good Monster Magnet set list, the weirder tracks are spread out evenly between all the ragers. “I’m God” (exclusively streaming below) rears its head after the three songs that open the “Mindfucker” party. This track is the largest of the bunch, with a huge chorus that has Wyndorf stepping to the mic to proclaim that he, in fact, is God. Kind of a strange claim to make, sure, but Wyndorf’s lyrics have always been pretty out there, rather arrogant and more or less out of this world. After all, he delivers these lines with such conviction that he makes the lyrics work. The song uses every second of its 6:16 run time to fly off into space, in only the way that Monster Magnet knows how; Wyndorf at the helm, one foot on the monitor, colorful, flashing lights everywhere…all seen through a fish-eye lens.

The songwriting aside, the production of this album is also top notch. “Mindfucker” is a party, despite some of the themes in the lyrics. The way the guitars sound and how this is mixed with Pantella’s cymbal work, makes this record sound rambunctious. “Mindfucker” even goes so far as to sound like a live recording, one that has Wyndorf pulling in the crowd and having the audience scream their lungs out for the entire duration of the record.

If you’re ready for a simple space rock record that’s sturdy, hooky and well written, take “Mindfucker” out for a spin. Go on, let loose of the hopes that Monster Magnet are going to make another “Spine of God.” The band’s moved on and is having a great time doing it. Join them for the ride, you won’t regret it.

“Mindfucker” is available here

Band info: facebook || bandcamp

ALBUM REVIEW: The Atomic Bitchwax - "Force Field"

By: Victor Van Ommen

Album Type: Full Length

Date Released: 08/12/2017

Label: Tee Pee Records

"Force Field" is an album that punches you in the face from the moment is starts, and keeps up its unrelenting force until the album’s grand finale. The songs are short, they’re fast, and each one hits its chorus within 30 seconds. There are no frills, no bullshit, just straight up rock n’roll with attitude.

“Force Field” CD//DD//LP track listing:

01. Hippie Speedball
02. Earth Shaker (Which Doobie U Be)
03. Alaskan Thunder Fuck
04. Shocker
05. Crazy
06. Fried Dyed And Layin To The Side
07. Shell of a Man
08. Houndstooth
09. Tits and Bones
10. Humble Brag
11. Super Highway
12. Liv A Little

The Review:

When The Atomic Bitchwax got their start in the 90’s, they offered up the flip side of the coin to the West Coast’s Fu Manchu. Like the Fu, The Atomic Bitchwax also had punk roots, dirty guitars, hard drumming and a link to rock royalty. What sets these bands apart is mostly the themes in the lyrics. Fu Manchu sings about babes and cars, The Atomic Bitchwax spits lyrics about drugs and flying through space. Sure, this is a pretty blunt summation of both bands, but the bottom line is, The Atomic Bitchwax appeals to the space-punkers. Their music is for those who want their Monster Magnet faster and their Fu Manchu more psychedelic. The Atomic Bitchwax fills that void perfectly.

In layman’s terms, The Atomic Bitchwax is a stoner rock band. But as Monster Magnet continues their way back to their psychedelic beginnings and Fu Manchu gets heavier, The Atomic Bitchwax once again fills the void between these two and does so by dropping the “stoner” tag. The word “rock” is what remains, and that’s just what we need in these times of pigeonholing bands into genres that are so specific that there’s no fun left in the music.

On December 8, The Atomic Bitchwax are going to drop a belter of an album. It goes by the name “Force Field” and its one helluva rock album. It’s one that punches you in the face from the moment is starts, and keeps up its unrelenting force until the album’s grand finale. The songs are short, they’re fast, and each one hits its chorus within 30 seconds. There are no frills, no bullshit, just straight up rock n’roll with attitude.

Opener “Hippie Speedball” is a quick two-and-a-half minute glimpse of what the band is here to do; rock. Follow-up “Earth Shaker” does the same, and the increasing speed and intensity in the third song “Alaskan Thunder Fuck” nails down the band’s mission statement. The cuts are teeming with vocal harmonies, polished beyond belief but no less sharp and mean. And when Pantella pounds on his drums, you can hear him grinning with satisfaction. Kosnik and Finn are also grinning, no doubt about that, and this adds to the album’s presentation. The band is smug, they know they’re kicking ass and they know their licks are second nature. This is rock n' roll.

“Force Field” confirms the direction The Atomic Bitchwax took on 2015’s “Gravitron.” On “Force Field,” the New Jersey three-piece don’t do much more than open the flood gates and barrage the listener with hard-ass riffing and tight-ass rhythms. This happened in 2015 and it’s happening again now. Therefore, the simple conclusion is, if you dug “Gravitron,” you’ll love “Force Field.”

“Force Field” is available here

Band info: facebook

ALBUM REVIEW: Evil Triplet - "Otherworld"

By: Victor Van Ommen

Album Type: Full Length

Date Released: 10/02/2017

Label: Super Secret Records

Evil Triplet’s laissez-faire, anything can happen attitude works really well. There’s no pretense or chest thumping, just an enjoyable fuzzed out ride.  Evil Triplet throws their own twist to this spacey-stoner formula in how they let the mind altering substances influence their game while plotting out soundscapes as vast as Texas itself.

“Otherworld” CD//DD//LP track listing:

01. Star Ladder
02. Fungus
03. Get a Job
04. Planet I’m On
05. Post Group Date Scene
06. Pyramids
07. We Are the Aliens
08. Worship Satin
09. Road Trips

The Review:  

Those who celebrate the weird unite! Evil Triplet is here, dialing in from the warm and fuzzy Austin, Texas, to bring us a sprawling 72 minute look into the world of weirdo stoner-space rock named, “Otherworld.” Each extended jam is the glue that holds a song together and in turn places the successive songs in context. It’s an album that’s big with its claws dug deep in a keen ear for a strong hook.

It’s close to impossible to discuss “Otherworld” without mentioning the influences that pierce the veil of the songs. Just short of ripping anyone off, Evil Triplet puts on a show of how they’ve applied lessons that they’ve learned from the greats. Such is the case in the chug-a-chug of “We Are the Aliens,” a song that runs like an early Queens of the Stone Age hit, but the 9 minute run time offers up a murky, spaced out vibe to get lost in. This theme of ‘getting lost’ runs through the album, certainly during moments that the instrumentation is expanded to include a Monster Magnet like organ or a hippy-is-as-hippy-does sitar jam. These journeys make Evil Triplet more than just a power trio, they’re a spaced out power trio, and they make this work to their benefit.

In terms of groove, there’s plenty of that, too. Take the shroomer’s anthem “Fungus,” locked in at the track two spot, wasting no time in letting you in on one of the many things that keeps Evil Triplet busy. “Worship Satin” is less about drugs but lacks not in laid back tonal push. Then there’s the sarcastic “Get a Job,” a song that will get you down even if you aren’t unemployed, and the burnt out “Planet I’m On,” which are just two of many examples that show Evil Triplet’s penchant for riding a tasty lick for as long as the wax in a the lava lamp is swimming around. And to tie everything together, there’s the unabashed Steve Marsh behind the microphone, honing in on pitting loose stoner vibes up against a down and out I-wish-I-was-living-in-outer-space-instead story when he sings verses like this:

I took off several hours ago and I left the whole world behind

Looking for the most precious thing, it wasn’t so hard to find

I found it and gave it to the one who needs it

And then I blew my mind!

Evil Triplet’s laissez-faire, anything can happen attitude works really well. There’s no pretense or chest thumping, just an enjoyable fuzzed out ride. Sure, the Wyndorfian influence is felt, as is the So-Cal sunburn that drives this whole stoner rock thing. What makes “Otherworld” flourish is that Evil Triplet throws their own twist to this spacey-stoner formula in how they let the mind altering substances influence their game while plotting out soundscapes as vast as Texas itself.

“Otherworld” is available here

Band info: bandcamp || facebook

11 IS ONE LOUDER: Frozen Planet….1969 guitarist Paul Attard picks his top 5 psychedelic releases

Although the band name suggests otherwise, Frozen Planet….1969 dates back to early 2012! It was then that a heavy-psych jam session between two Sydney-based musicians, Paul and Frank Attard, and Canberra-based Lachlan Paine, took place.

Luckily, this afternoon of improvisation at the home of Pepper Shaker Records, Frank Street Studio, was recorded. However, it wasn’t until over a year later that the three decided they should finally mix and release some of the material they had created that day.

They decided this album would be set out like a soundtrack to a film. That film would be called “Frozen Planet….1969”. It was a digital-only release on Pepper Shaker Records. Pretty soon this one-off release would become a band called Frozen Planet….1969. The emphasis would be on improvisation. No vocals, just straight-out instrumental jamming. This band would consist of Paul Attard- guitar, Lachlan Paine- bass and Frank Attard- drums. It was basically a side-project for the three of them. Paul and Frank had been playing in the stoner-doom band, Mother Mars. Lachlan was playing in the Canberra heavy rock trio, Looking Glass. After playing on numerous bills together over the years it seemed only natural there would be some sort of collaboration between the two bands at some point.

Frozen Planet….1969 played its first show in February 2014 and it was also around this time that the band recorded another mammoth jam session. From this jam session came the second and third releases for the band, “Lost Traveller Chronicles, Volume 1” (released 20th August 2014) and “Lost Traveller Chronicles, Volume 2” (released 6th May 2015). The concept this time would be a travel journal through the constellations, with each song being a chapter from the journal! Both volumes were released in digital and physical format on Pepper Shaker Records.

Fast forward then to 11/1/2017 and with Frozen Planet….1969 releasing their latest album “Electric Smokehouse” the chemistry between the players – Paul Attard on guitar, Lachlan Paine on bass and Frank Attard on drums is stronger than ever and can be heard in each one of these new cuts. In fact, it’s not only heard, its felt, and that’s what makes this record sound so great. The music is alive, it moves, it gels, and best of all, it’s both heavy and psychedelic.

Given that the album has left such an imprint upon us here at Sludgelord acres, we decided to hook us with the band and  get them to talk about influences. So here is guitarist Paul Attard to talk through his top 5 psych based records, as we take our weekly trip to the extreme, by cranking it to 11.  Why do we go to 11,  because “It’s one louder, isn’t it?”

Hi there.

It's Paul, the guitarist in Frozen Planet....1969 here.

I have a list here of five albums loosely in the psych genre that I absolutely love and have inspired and influenced me in some way with my own music.  I tried to aim mainly for heavy psych rock but there were certain albums I just couldn't look past and they still tie in with psychedelia in some way and they fit in with the spirit of what Frozen Planet....1969 is all about.

These are in no particular order!

Jimi Hendrix – “Band Of Gypsys”

A great example of a jam band and psych rock. This album was recorded live at the Fillmore East and featured Billy Cox on bass and Buddy Miles on drums.  Everything Jimi Hendrix did was great but I've chosen this album because it features some amazing jamming and tonnes of soul! And it was a band that hardly had time to prepare before the show.  They just chose a few songs, got up on stage and then just jammed out.  'Machine Gun' is a stand-out if you want total heavy psych guitar. Hendrix, Cox and Miles on this album (known as the Band Of Gypsys) are just the ultimate psych-rock jam band.  Some seriously groovy bass and drums fill this album also. Only six songs were chosen for the album. These songs were taken from concerts over New Year's Eve and New Year's Day 1969/1970.  So much other great material was left out!

Hawkwind – “Hawkwind”

Hawkwind are known more for being a space-rock band but their first album has more of a psychedelic vibe to it.  It features not only some dark, trippy psych but also some acoustic, more folky, blues sounding material- Which is more where guitarist/vocalist Dave Brock was coming from.  Bottom line is, the range of sounds on this album- acoustic twelve-string guitar and harmonica, some shuffling beats to crazy, way-out sound effects and heavier, darker guitar sounds- covers a great deal of what I like to hear.

Captain Beefheart And His Magic Band – “Safe As Milk”

Certainly not a heavy psych rock album!  But this is just great.  Straight out psychedelia. And with just the right amount of blues which is what the Magic Band had been doing for a couple of years leading up to this album. And I guess it goes without saying that the blues element is a big part of the foundation of psychedelia and psych rock anyway!  Captain Beefheart (Don Van Vliet) put together a batch of psych (and blues) flavoured songs for this album and made them all even more unique with his amazing deep voice over the top. He was always experimenting with sound too and was always evolving.  The magic band (especially in the incarnation that followed this album) were no strangers to the extended jam as well.

Atomic Rooster - “Death Walks Behind You”

This is more of a heavy prog rock album but I think you could still call it a psych rock album. In 1970 most heavy music still seemed to have a psych or blues vibe to it anyway.  Some amazing energy in these tunes and some great musicianship.  They do stretch out at times and jam.  They managed just fine on this album without a bass player with Vincent Crane covering basslines on the organ.  Crane also used a piano on this album and used it to great effect.  Overall, this album is a great example of early heavy rock involving three musicians who could improvise really well together.

Monster Magnet – “25........Tab”

Also known as just "Tab".  This recording is often recognised as an EP or mini-album but I think with an opening track that goes for about half-an-hour and a total playing time of over fifty minutes we can safely call this an album.  The opening track 'Tab' features some great psych guitars and tape delay sound effects as well as some great, solid, driving, yet laid back bass and drums. And later in the song if you zone in on what Wyndorf is saying it only adds to the trip!  A great example of psych rock from the early 90's.

Band info: bandcamp || facebook