Album Type: Full Length
Date
Released:
03/02/2017Label: Sentient Ruin Laboratories
I hate to sound melodramatic or
overstated but this was a completely other-worldly experience ... the
likes of which I'm still recovering from.
“Scriptures
of Grief” CS//DD track listing:
1).
I
2).
II
3).
III
The Review:
It
can be said that in this modern age we all have a sense of universal gateways.
Instant paths to information, shared experience and ideologies - for better or
worse. The beckoning, albeit distracting handheld glow of our portable gateway
devices. The altar of research and interaction that takes form as a desktop
battle station or a convenient laptop. Your path to these gateways is not beset
on all sides with a burden of gnosis, or a life resolute on mastering the
arcane mysteries of the universe. The gateway is the path, and the path is the
gateway. Sorry, I just got done listening to "Scriptures of Grief"
by Gateway.
Having
emerged from the alternate plane that this Gateway release puts you - it's sort of
difficult not to look at things a bit differently. Sure, blackened death doom
is a thing and those words in conjunction sort of let you know what you're in
for when you hear them - but this is something else. I hate to sound melodramatic
or overstated but this was a completely other-worldly experience ... the
likes of which I'm still recovering from.
Three
tracks, titled as simple numerals - "I-II-III" comprise this
album as ways to delineate three concise movements or phases. So for the sake
of coherency I'll just refer to them as "parts". Part one is a
telling display of this one man's death doom dealing abilities overall. The
knack for creating atmosphere and laying a formidable track for you to attach
yourself to. Clocking in at almost twelve and half minutes long it takes you
through gravity questioning swirls and sweeps of low-end frequency annihilation
and eerie distant digital percussion. A rare instance where mechanical drums
actually fit to serve the experience. The guitar tone is for me,
more reminiscent of early 90's drone distortion - a la early Earth
with sort of a destructive industrial warmth but sterility that beckons you
near whilst burning and semi-sizzling your ear drums. In terms of vocal
performance, it's more of a production than an outright telling. Deep, guttural
bellows soaked in reverb so wet it glistens and drips. I'm reminded of
bio-mechanic landscapes in the latest Doom video game and the sounds they would
make when no one was fighting on them.
Part
two further delves into a more scientific and somewhat industrial conjuring of
textures with the seamless transition from the first part. Marked by an
increase in mechanical drum excellence, this part of the album wants to take
you for a ride. Big breaks, followed by cliff-drops and more trudging with
hypnotic guitar work and those calculated machinations that are the drums
culminate to make this 8 and a half minute affair stand out resolute as a
different phase of the album. Probably a deliberate notion to give the entire
journey its height in intensity and callousness. Not a guitar solo in sight
here - nor anywhere on this entire landscape. The guitar serves as solid slabs
of gristle and glacial meat for the rest of the aural participants to feed from.
Part
three folds in organically at the brief respite that marks the transition. From
there it’s an inevitable downhill affair with a final surge of tempo and
intensity which disassembles and deconstructs to sub-sonic ruminations and
rumblings encapsulated in yet another 8 and half minute dirge. Kind of like the
slow motion death rattles of a wounded elder god - the dying breaths of a world
destroyer. At somewhere around the 6 minute mark the song releases its final
frustration in tempo and intensity to fall to the ground, awash in a fuzz tide
and crispy wizard whispers. The gateway has closed and the scriptures have been
read aloud. Time for you to return to the plane of the mundane mortal.
