Album Type: Full
Length
Date Released: 24/02/2017
Label: Nuclear
Blast
Eleven focused and taut tracks of atmospheric death
metal is what you get and it is delivered superbly, this is an interesting and engaging
listen with a heart of absolute darkness.
“Atonement” CD//DD//LP track
listing:
1. The Distorting Light
(3:14)
2. When The Jackals
Come (3:54)
3. Fostering The Divide
(3:27)
4. Rise The Heretics (3:41)
5. Thrown To The Fire (4:04)
6. Destructive Currents
(4:26)
7. Lower (4:01)
8. Atonement (4:32)
9. Above All (4:55)
10. The Power Of Gods (3:58)
11. Epiphany (4:22)
The Review:
Immolation are something of an East
Coast death metal institution these days. Ross Dolan and his not so merry men
have perfected a kind of “rolling tank” style of death metal which is quite
distinct from many other US
death metal masters. Certainly, the atmosphere and texture on offer here is
different to anything from Florida .
Indeed,
this album is a very different proposition to “Kingdom of Conspiracy ”
from a couple of years back. Opener “The Distorting Light” brings a pitch
black atmosphere, echoing vocals and a distinctly modern death metal approach
to sound and production- reverbed, bassy and big sounding. Much of the material
here is not lightning fast- sure there are fast blast beats, but the melodies
(if that is the right word) are often quite slow moving, as are the vocals. “When
The Jackals Come” is a good example, and in this way the record shares
something in common with the best black metal- but is way heavier. “Fostering
The Divide” is slow and steady, with the distinctive rolling style that
we have come to know and love from Immolation.
There
are no epic tracks here, so the arrangements are tight and focused with plenty
of riffs and changes, but not so many that the album is hard to follow. Running
consistently through the album is a very dark atmosphere, though; it permeates “Rise
The Heretics” and “Thrown To The Fire” and even when
things are faster, as they are on “Destructive Currents”, the bleakness
is all consuming.
There
is clean guitar to be heard on “Lower” (and at other points in the
record), but only for the intro as things then get very weighty and very, very
dark. The title track is a bit of an album high point for me; frenetic changes,
dissonant riffage and lovely soloing (as per). The final three tracks (taking
the count all the way up to eleven) continue the atmosphere, but “Above
All” is more straightforward fare in terms of delivery, as is “Power
Of The Gods”. The track placement is solid- more experimental stuff
early on and more straightforward death metal down the back stretch to keep the
listener interested via direct heaviness and weight of riffs.
As
is standard with death metal, by the time “Epiphany” rolls around the album has
run the right length. Too much of music this heavy is, indeed, too much. Eleven
focused and taut tracks of atmospheric death metal is what you get and it is
delivered superbly, as usual. Time will tell if this matches the heights of “Kingdom...”
as that was one of my top albums of 2013, but on the first few listens this is
an interesting and engaging listen with a heart of absolute darkness.
Band info: facebook
FFO: Incantation, Morbid Angel, Suffocation, Dead Congregation