Album Type: EP
Date Released: 16/09/2016
Label: Loma Vista Recordings
At times both
bombastic and over the top, rocking and rampantly commercial, this EP is a
complete vindication of everything that Ghost stand for.
“Popestar” CD//DD//LP track
listing:
1). Square
Hammer
2). Nocturnal Me (Echo & the Bunnymen)
3). I Believe (SimianMobile Disco)
4). Missionary Man (Eurythmics)
5). Bible (Imperiet)
2). Nocturnal Me (Echo & the Bunnymen)
3). I Believe (Simian
4). Missionary Man (Eurythmics)
5). Bible (Imperiet)
The Review:
Let’s get
this out of the way. There are defiantly bands that wrongly or rightly, divide
opinion. Ghost
are very high up that list. Maybe it’s the naked ambition to become hugely
successful, maybe it’s the image which could be called gimmicky or that they
are just not heavy enough. Possibly all are true, but either way love them or
loathe them, there is no ignoring them.
Their latest
release called “Popestar” is a
second (almost) covers EP. Their last one
“If You Have Ghost” was very well received, so can they pull of same trick
twice? The answer is a resounding yes. Ghost do not go for the usual Sabbath,
Metallica,
Maiden
covers, instead and as always Ghost do the unexpected and deliver a set that
shows an influence beyond a classic rock record collection. With the exception
of one track I’m unfamiliar with the originals and that for me is always a plus
point.
It starts
off with a brand new Ghost song “Square Hammer”. A keyboard riff plays before crunchy guitars kick
into a medium paced stomp. Papa Emeritus III’s vocals gift this song with a
simply beautiful melody. A towering chorus that is as catchy as is expected
underlines the Ghost
mission statement. In other words, a chorus to be sang by the masses in
stadiums worldwide, which it more than likely will be. A pre-thrash 80’s style
guitar solo carries the song back to that huge chorus, which in turn wraps up the
song. Everything their fans love about them is delivered in less than four
minutes.
The next track “Nocturnal Me” is an Echo and the Bunnymen song. Although familiar
with the name I don’t know this song at all. After a wavering keyboard intro, a
waltz time riff kicks in. A double tracked vocal delivers a lyric that could
have come from a Viking metal album. “In an ice-capped fire/of burning wood/in
our world of wire/ignite our dreams of starry skies”. Ghost however gives it a flavour of gothic
splendour before a keyboard driven, almost spoken word chorus. This motif is
repeated in the third verse before biting guitars kick the song goes up a gear.
Military style drumming brings us to a bigger chorus. The song finishes with
the keyboard driven waltz time riff replacing the guitars. A dramatic song that
feels short at just over five minutes.
The next
track “I Believe” is by Simian Mobile
Disco, whom I have never heard off. I assume it is a dance act which
is something Ghost
did on their last EP covering “Army of
Lovers”. It starts off with phased keyboards, a dance music reference
point. An electronic sounding string riff introduces melody of song before a
laidback vocal takes a casual preamble into action. Ghost gets straight down to the
bones of song. Don’t bore us; get to the chorus seems to be point here. There
doesn’t appear to be any guitars on this track at all. It is covered in washes
of atmospheric keyboards and its saving grace, an unsurprisingly beautiful
vocal by Papa Emeritus III. Although this can in no way be described as rock
music it does the same job as the Disturbed cover of “Sounds of Silence”. It highlights the vocal powers of the front man
and is a nice change in pace from previous songs.
Track four
is perhaps the best known song on the EP. I’m sure most people know “Missionary Man” by Eurythmics. It starts with vocals
underpinned by a keyboard, before kicking into a crunchy stomp. The guitars are
dialled up high giving a nice contrast to the last song. When the chorus
crashes in, it has added female backing vocals which rather than diminishing
power, it elevates the chorus and lyrical content, taking this Ghost
treatment of the song to an even more epic scale. This is Ghost at their most rocking with
nasty guitars and a lyric that is snarled with venomous intent. A huge keyboard
riff pushes the song along until a blues drenched harmonia solo, which is
backed by gospel type female vocals and staccato guitars. It builds to wild
abandon before stepping of the gas to let the verse kick in again with double
tracked vocals. A final pause as the hammond
organ starts building it up for the inevitable finale of repeated chorus. In
the same way Marlon
Manson made “Tainted Love”
his song. Ghost
have claimed “Missionary Man”.
The final
track “Bible” is by a Swedish band
called Imperiet
and because I am not familiar with this track or band, it is easy to approach
it with fresh ears. Epic is a word used a lot to describe Ghost’s vocals, but it is very
fitting description here, because this track starts off with one. It kicks
straight into a chorus filled with pomp and grandeur which finds Ghost
at their most bombastic and commercial. Pomptastic anyone? In less skilled
hands this song could easily come across as mawkish and sugary rather than life
affirming, fortunately, this band know exactly how to walk that tightrope and
do it with a subtle dexterity. Understated drumming allows the lyric and music
to soar. It is almost all chorus and key change to the finish line till an
ominous spoken word passage in conjunction with almost reverent finale brings
it to conclusion.
Overall Ghost
deliver one new song and four covers and stamp their identity all over it. At
times both bombastic and over the top, rocking and rampantly commercial, at
least four of tracks here you will dig their way into Ghost‘s live set and stay there
for many a year. For fans of this band it delivers exactly what you expect and
surprises as well, which no matter what you feel about this band must be
admitted is a very neat trick. A complete vindication of everything that Ghost
stand for.