Album Type : Full Length
Date Released : 30/4/2013
Label : Metal Blade Records/Pelagic
Records
Pelagial,
album track list:
1. Epipelagic
2. Mesopelagic: The Uncanny
3. Bathyalpelagic I: Impasses
4. Bathyalpelagic II: The Wish in Dreams
5. Bathyalpelagic III: Disequillibrated
6. Abyssopelagic I: Boundless Vasts
7. Abyssopelagic II: Signals of Anxiety
8. Hadopelagic I: Omen of the Deep
9. Hadopelagic II: Let Them Believe
2. Mesopelagic: The Uncanny
3. Bathyalpelagic I: Impasses
4. Bathyalpelagic II: The Wish in Dreams
5. Bathyalpelagic III: Disequillibrated
6. Abyssopelagic I: Boundless Vasts
7. Abyssopelagic II: Signals of Anxiety
8. Hadopelagic I: Omen of the Deep
9. Hadopelagic II: Let Them Believe
10. Demersal: Cognitive Dissonance
11. Benthic: The Origin of Our Wishes
11. Benthic: The Origin of Our Wishes
Bio
pe·la·gi·al [puh-ley-jee-uh
l] - 1. Of, relating to, or living in open oceans or seas rather than waters
adjacent to land or inland waters; such as, pelagic birds. 2. Living or growing
at or near the surface of the ocean, far from land, as certain organisms. 3. Of
or pertaining to the sea; marine
The Ocean's past two years of existence have been some of the most exhilarating in their eleven year history. The band completed tours in North America and Europe, as is common for many bands, but they added Russia, including Siberia, as well as China, Hong Kong, Southeast Asia, and Australia to the collage of stamps in their passports. Opeth, Dillinger Escape Plan, Between The Buried and Me and Devin Townsend are only some of the bands that The Ocean have supported on tour during their campaign to promote Heliocentric and Anthropocentric. The band's tireless efforts have afforded them one of the most truly worldwide fan bases in heavy music.
Now, after returning to Berlin, Switzerland (an oft-used inside joking, pointing out the member's origins), The Ocean have resurfaced with what could be their deepest and most trailblazing piece of work to date, Pelagial: a progressive musical journey, written, recorded, mixed and to-be-performed-live as one single 53-minutes piece of music. Mixed and mastered by Jens Bogren (Opeth, Katatonia, Witchcraft) at Fascination Street Studios in Örebrö, Sweden, Pelagial is set to be released on April 26th / 29th (Europe) & April 30th (North America / world) through Metal Blade Records
The Ocean's past two years of existence have been some of the most exhilarating in their eleven year history. The band completed tours in North America and Europe, as is common for many bands, but they added Russia, including Siberia, as well as China, Hong Kong, Southeast Asia, and Australia to the collage of stamps in their passports. Opeth, Dillinger Escape Plan, Between The Buried and Me and Devin Townsend are only some of the bands that The Ocean have supported on tour during their campaign to promote Heliocentric and Anthropocentric. The band's tireless efforts have afforded them one of the most truly worldwide fan bases in heavy music.
Now, after returning to Berlin, Switzerland (an oft-used inside joking, pointing out the member's origins), The Ocean have resurfaced with what could be their deepest and most trailblazing piece of work to date, Pelagial: a progressive musical journey, written, recorded, mixed and to-be-performed-live as one single 53-minutes piece of music. Mixed and mastered by Jens Bogren (Opeth, Katatonia, Witchcraft) at Fascination Street Studios in Örebrö, Sweden, Pelagial is set to be released on April 26th / 29th (Europe) & April 30th (North America / world) through Metal Blade Records
Line up
:
Drums: Luc Hess
Guitars: Robin Staps, Jonathan Nido
Bass: Louis Jucker
Vocals: Loic Rossetti
Guitars: Robin Staps, Jonathan Nido
Bass: Louis Jucker
Vocals: Loic Rossetti
Review:
Something
has risen. From the depths, from the
reaches where the pressure can crush cars and break skulls like walnuts, comes
a sound. The Ocean’s sound. Their latest album ‘Pelagial’ has burst onto
the musical coastline like a tsunami, leaving people shocked, shaken, and
praying for a second wave.
The album
itself is less an album and more a musical odyssey: it takes you on a journey
through the layers of the seas, from the light depths of the Epipelagic, to the
Bathyalpelagic, all the way down to the dark and terrifying Benthic
region. Prepare yourself for the
descent; you may not be the same when you resurface.
It’s an
innocuous start to proceedings: ‘Epipelagic’ is a piano-driven, orchestral
piece with smatterings of water sounds put to good effect, almost as though
you’re dabbling your toes in the water, testing it and enjoying the new
sensations washing about you. The smooth
transition into ‘Mesopelagic: Into the Uncanny’ is so subtle you find yourself
almost floating. Look down, you can’t see
the sand. Just water. At 2 minutes into the second track, Loic
Rossetti’s vocals slip like a current into the mix, and then suddenly a storm
erupts. The guitars kick in, the drums
ramp up, and you get dragged deeper and deeper away from the shore.
Things
begin to get heavy as ‘Bathyalpelagic I: Impasses’ grabs you by the leg and
takes you down. Try and take a breath,
and instead find your lungs filled with roiling guitars and sweeping
piano. The more the song continues the
deeper and darker it becomes, and the more out of your depth you feel. ‘Bathyalpelagic II: The Wish in Dreams’ is a
frantic, almost Chimaira-esque tune that twists and turns like a tornado, with
some beautiful guitar attacks from Robin Staps and Jonathan Nido and almost Steve Harris-like
basslines from Louis Jucker.
When the
piano starts to lull you into a soothing state, the guitars and drums slowly,
inexorably keep your downward trajectory going and ‘Bathyalpelagic III:
Disequillibrated’ keeps your journey going.
It’s a track which starts slow, and then the pace becomes as ferocious
as the vocals, turning itself into a dark beast intent on swallowing you
whole.
If you
looked up now, you wouldn’t be able to see the light. This is ‘Abyssopelagic I: Boundless Vasts’,
where it is cold, dark, and crushingly intense.
You are reaching the lowest reaches, and the hypnotic, doom-laden
guitars are here to show you how lost you have become. This is a track of wonders: from heavy
riffery to violin-laden breaks, it again eases flawlessly into the next tune, ‘Abyssopelagic
II: Signals of Anxiety’, where it is so minimal at the start you have to fight
the feelings of utter isolation it manages to instill. The drums build up the tension like hearing a
door creak open when you’re the only one in the house, and Loic’s voice is a
siren, tempting you into deeper and darker depths.
‘Hadopelagic’’s
two-part epic, ‘I: Omen of the Deep’ and ‘II: Let Them Believe’ must be spoken
about in the same paragraph. Part I is
an instrumental introduction to the new depths, a short slice of doom riffs
that open the floodgates for Part II to pour through like a vengeful tide. Clocking in at a massive 9 minutes 18
seconds, ‘Let Them Believe’ is a slow burn that explodes in your ears like a
depth charge, rending you asunder with gleeful abandon. It’s a sweeping, orchestral movement that ignites
the imagination and spurs the senses.
After the track rolls to a breathless halt, the depths bubble about
you. It’s time to go even lower.
‘Demersal:
Cognitive Dissonance’ is just a whisper shorter than ‘Let Them Believe’ but is
no less expansive. It starts with a
light section of guitar play before the crush comes battering down and the
heaviness pushes against your chest. Luc
Hess powers down with the drums on this with a maniacal flair, pushing the
other members to greater intensity.
Again, this song sweeps and soars, but is a much darker animal than the
preceding ‘Let Them Believe’. The doomy,
trudging tone this song takes as it nears the finale is as murky as any
Candlemass diatribe. Heroic display
indeed from the German quintet.
As the
guitars toll like sunken bells, your journey has reached its final
destination. Here be the lair of the
Deep Ones, and ‘Benthic: The Origin of Our Wishes’ is the theme of those
terrifying, primordial creatures. The
pace is as slow and methodical as the currents, buffeting and slamming you to
and fro with little heed to the well-being of your ears. This is the finale of your adventure: are you
alive? Does it feel good to be
alive? Breathe deeply: you have just
experienced one of the finest metal offerings of this year, if not the
decade. The Ocean’s ‘Pelagial’ is the
deepest, darkest musical descent you will make.
Get ready to face the depths.
Words by :
Chris Markwell