By: Richard
Lennon
I’m
a bit obsessed with Neurosis. I was given the “Souls at Zero/Enemy of the Sun” bundled
digipack on release about 20 years ago (by my Gran, of all people) and have
been a fan ever since. In all that time I’ve never managed to catch them
live, so when they announced two shows at Koko to celebrate 30 years as a band
- supported by instrumental US
drone-mongers Earth
on the Monday night and British anarcho-punks Subhumans and Discharge
on the Tuesday - I snapped up tickets immediately and have spent the last few
months salivating in excitement.
After a few pints over the road, we arrived a couple of minutes before Earth came on and just had time for a run to the merch stand and the bar before Dylan Carlson and co wandered onto the stage of Koko. Their set was hypnotic ally brilliant, as Carlson - backed by Adrienne Davies on drums and a baritone guitarist whose name I’m not sure of – ground out a succession of long, mesmerising instrumental pieces full of ultra-slow, head-nodding grooves and bluesy guitar riffs that were big, slow and heavy enough to have been written by dinosaurs. Music I’d found difficult to pay attention to on record was suddenly all-encompassing and completely gripping. I’m sure a proper fan could give you a much more thorough review, but I’ll just say that I was grinning from ear to ear by the end of the set and leave it at that.
And
so, having been thoroughly re-educated about Earth, it was time for one of
the most influential acts in modern heavy music to unleash the apocalypse on Camden . What followed
wasn’t quite what I was expecting. In an interview with Overblown in the run-up
to these shows, Steve
Von Till mentioned that Neurosis “[wanted]
to celebrate our 30th anniversary by going back in the catalogue, trying to
find some songs that would work, and trying to acknowledge each phase of our
band” and that comment had me excited about the possibility of them
raiding “Souls at Zero”, “Enemy of the Sun”, “Through Silver in Blood” and “Times of Grace”, in turn bringing out a
crowd-pleasing set of classics. In the end the set list leans much more heavily
on recent albums than I was hoping. “Lost”,
from “Enemy of the Sun”, gets a huge
cheer from the crowd about halfway through and they close with the incomparable
“Locust Star”, which is one of my
all-time favourite songs by any artist, but the rest of the ten-song set is
drawn from their last four albums, including three of the five tracks on new
release “Fires Within Fires.”
But
if that sounds like a complaint, it isn’t. Neurosis are majestic. They don’t chat. The
visuals are long gone. What we get is visceral, intense, totally alive heavy
music, and the fact that I don’t know the new stuff that well doesn’t get in
the way at all. There aren’t many bands who can take music that didn’t really
set the world on fire for you on record and make it feel like a vital listening
experience live, but Neurosis does precisely that. They pound out
almost two hours of non-stop riffage, load it with waves of electronica from
Noah Landis's sample/keyboard/theremin station on the side of the stage and
offer more dynamics and subtlety in ten songs than many modern metal acts
manage in an entire career. 30 years of making music hasn't slowed the
juggernaut of sludge that is Neurosis down one iota and on this form you
wouldn't bet against seeing the 40th anniversary shows come around. Maybe
they'll finally cave in and play the greatest hits set in 2026.
Setlist:
1).
Stones from the Sky
2). Given to the Rising
3). Bending Light
4). Lost
5). Broken Ground
6). Casting of the Ages
7). Fire is the End Lesson
8). Distill (Watching The Swarm)
9). At the Well
10). Locust Star
2). Given to the Rising
3). Bending Light
4). Lost
5). Broken Ground
6). Casting of the Ages
7). Fire is the End Lesson
8). Distill (Watching The Swarm)
9). At the Well
10). Locust Star