Wednesday, 3 June 2015

Interview with PLAINRIDE


When my good pal – Timon Menge – advised me to check out a cool Stoner/Rock and Roll band by the name of Plainride I checked them out as Timon knows his stuff as he also runs Sludge Worm Magazine. So he's the premier authority along with his partner in crime - Andy on German Doom/Sludge/Stoner Metal music.

I was blown away by what I had heard. As Plainride are not your average Stoner Rock/Metal band. They inject a huge stream of Desert Rock, Fuzz Rock, Southern Rock and good old fashioned Rock and Roll. Now these Stoner Rock Outlaws are about to release their superb debut album – Return Of The Jackalope – And believe me when I tell you it's 71 mins of fuel injected Stoner Rock goddness.

Return Of The Jackalope is going to be released very soon along with my review. Before then I was given the chance to interview Max Rebel (Vox/Guitar) and Fabe van Fuzz (Guitar) from the band. And this is what they had to say.

1 – Hi guys. How's it going. Thanks for doing this interview. Much appreciated as we're huge fans of you guys.

Max: It’s an honor. Thanks for having us!

Photo Credit - Philipp Buron

2 – Can you tell our readers of how the band came about and where it is today.

Max: When I moved to Cologne back in 2012 I was looking for a new project and started digging through the local musicians groups online where eventually Fabe stumbled upon one of my posts. I guess the first time we met had a general awkwardness to it - till we discovered that we are both huge Eagles Of Death Metal fans. Ever since then our mission was clear. We later got Andrew (The Beermachine) involved on drums after a shady dude at a party gave us his contact info and then even later Leo on bass, whom we just discovered passed out in our rehearsal room one day.

After recording the album in 2014, Andrew went forth to pursue his career as undoubtedly the best drummer in Colognian carnival rock music. Luckily we managed to get Damian (The Brute) on board after him rescuing us from a possessed Yeti on our annual camping trip.

So now we’re here, waiting for the release of our first record, stoked as a goat and with absolutely no idea what awaits us on the other side.

3 – We are here to talk about your new album – Return Of The Jackalope. Now I've heard it a few times and it's a kick-ass album. But in your own words what can people expect from it.

Max: Thanks. I’d say people can expect an epic adventure straight from the desert, featuring some really catchy tunes, a phat vintage vibe and a shit-ton of booze.


4 – What inspired you or influenced you when recording the album.

Fabe: All. The. Beer.

Max: Not to mention the Polish cuisine, gallons of coffee and some quality Herbes de Provence.

5 – It's an epic album. 71 mins in length. Was it your intention to record something as epic as that for your debut record. Or did you just have to many great songs not to leave out.

Fabe: We just didn’t want to stop playing. But seriously though, I think a debut should contain all the band’s ideas and that’s exactly what we did.

Max: It really bothers me that a lot of bands make their first “professional” appearance with an EP. To me that’s like applying with only half a résumé. Obviously you gotta put some demos out there and any handcrafted mini-release is totally cool, but if you really wanna put yourself out there, you better make goddamn sure to do it with a bang!

6 – The album feels like a soundtrack to a long lost Desert Rock Road Movie as it has that kind of vibe especially with the soundbytes at the start of the album. Or am I just looking to much into this.

Fabe: Well we had this rough idea to arrange the track list in the same way as with a concept album. I mean it sure isn’t a concept album, but as you said it got that vibe.

Max: First of all I appreciate you saying this as I feel kind of the same way. And to all you Desert Rock Road Movie makers out there: you heard the man, go hire us! Alright now lemme go full singer-songwriter on you here: To me, the album also has this weird soundtrack-ish appeal even though the songs aren’t referencing each other or anything. However, Iyric- as well as sound-wise I feel like there’s this array of different universes and timelines we are covering that are partly separate but still connected. Return Of The Jackalope and Salt River for example to me both belong in this same sinister 1800’s Wild West tale, whereas Devil At Your Heels and Warpdrive are definitely pointing towards some Space Age thriller. Actually, thinking about this, I guess there’s a recurring motive of freedom and independence that’s inherent to every song on the album. Holy shit, we’re deep.


7 – Your album is already generating a lot of BUZZ within the Stoner Rock community. Did you expect that to happen. Did you know you have a great album on your hands.

Max: I was aware of people enjoying our music and I know we made a killer album, but whatever evil witchcraft the shit is that’s going down as of right now is totally beyond me.

Fabe: Return Of The Jackalope isn’t your typical Stoner Rock album that’s for sure. As I like to say: we just play Rock ’n’ Roll from the desert. I really love the album and we hope the community will dig it too!

8 – What is the song writing dynamic in the band. Is it a group process or is it down to one individual.

Fabe: Usually Max or myself come up with a riff and then stuff happens, haha. The whole band works on it until it’s a real song. It’s really important to us that everybody in the band likes it and is satisfied with whatever result we end up with.

9 – How would you describe the bands sound. As I feel it's best coming from the bands themselves.

Fabe: Rock ’n’ Roll from the desert!

Max: Kickass Stoner Rock ’n’ Roll with Jackalopes!


10 – We have to talk about the awesome album cover. Who designed this and how much input did you have into the final design.

Fabe: My buddy and best friend Artur Bäcker designed it. He’s immensely talented and I knew he was the right guy for the job. He just gave us two sketches with different styles to choose from in the beginning and then worked his magic. I think the result is fucking epic!

11 - Your new album is being released by a new label called Beerfuzz Records. How did you hook up with them. Did you have any other offers from other labels. (Sorry Timon – I had to ask dude. If you don't know folks Beerfuzz is a new label created by a good pal of mine – Timon Menge – who also co-runs the fantastic website – Sludge Worm Magazine).

Max: Haha, Timon you sneaky ol’ bastard. Full disclosure: we met Timon quite a while ago at one of our shows after I had done an interview for Sludge Worm. That must’ve been the night he started putting stuff in our drinks. A year or so later the dosage had probably reached critical mass and now we’re all just a bunch of mindless zombies doing whatever he says. No, but seriously: Timon is a great guy / evil mastermind, who knows just what to do most of the time and we’d all be lost without him. I don’t recall any other labels asking us, which is probably gonna go down in Rock history as the single worst collective decision of the music industry in a few years.

12 – Which bands and artists got you involved with music. Was it a particular band or album that made you decide to become a musician.

Fabe: Mississippi Queen by Mountain. Leslie West is the fucking man!

Max: Probably the first time I saw EODM perform live. I was 15 and they didn’t have a press section in front of the stage yet. By the end of the show the crowd stormed the stage and I played air guitar back to back with Jesse Hughes. That’s when I lost my soul to Rock ’n’ Roll.


13 – You’re from Germany which has a great Sludge/Doom/Stoner Metal Scene. What is the scene actually like in Germany. Is it thriving or does it still remain in the underground.

Max: There’s definitely a thriving scene in Germany and we hope to be able to actively push that development forward - not only in regard for Stoner but live music in general. Sometimes it’s still tough to find your niche between bullshit pop and old father Metal that seems to be clutching Germany like a monarch overstaying his welcome, but it’s getting easier and I’m confident that music with a lot of groove to it is always gonna make its way - even in the cold north.

14 – Do you play a lot of gigs in your hometown or do you have to travel further afield to perform regular. And how would you best describe the Plainride live experience.

Max: It’s been quite a while now since we last played Cologne. Luckily there’s a lot of go-to places with great venues nearby - like Vortex in Siegen and Waldmeister in Solingen. We’re super excited for all the upcoming shows in strange new places also though. The Plainride live experience I’d say is of pretty fast pace, includes a lot of humor, a lot of headbanging and obviously loads and loads and LOADS of beer.


15 – Are there plans for you to tour overseas in the near future or so. Or is still to early to do at this point in your career.

Max: Lemme just check my bucket list. Says right here:
- play at The Viper Room
- record album at The Machine Shop
Well. Guess we’re gonna have to head over there someday.

16 – Well guys thanks for doing this interview. Before we go, do you have anything to say to your fans.

Max: Thanks a ton for having us! Fans out there, you guys are the best, we love you, stay in school, listen to your moms and don’t drink shitty beer! Cheers!

All the best with your new album as it's a fantastic record. My review will be coming soon.

I want to thank Timon Menge for arranging this interview. Return Of The Jackalope will be released via BeerFuzz Records on CD/DD from July 24th 2015.

Words by Steve Howe, Max Rebel and Fabe van Fuzz

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OHHMS - Cold (EP Review)


Album Type: EP
Date Released: 29th June 2015
Label: Holy Roar Records

Cold - Track Listing:

1.The Anchor
2.Dawn Of The Swarm

Review:

OHHMS are back with their 2nd EP - Cold. Just only 8 months after their acclaimed debut EP - Bloom. OHHMS's style of music blends Post-Metal, Doom, Sludge, Stoner, Psych Rock and Noise to portray a band with a unique identity of their own. Bloom showed OHHMS were a loud, noisy and destructive unit which had me begging for more. Here, OHHMS experiment with their sound yet again as the band decide to add a huge amount of 70s Prog Rock atmospherics.

You still experience the familiar sounds from their celebrated debut EP but Bloom sees OHHMS bravely expand their sound with Paul's vocals offering a more dramatic feel. I would say Paul as Lead Vocalist is the one thing that has changed dramatically as his vocals go through a wide range of moods and emotions compared to Bloom. Cold offers two epic lengthy tracks - The Anchor which runs at 18:30 mins and Dawn Of The Storm which runs for 14:26 mins.

The Anchor is the loudest of the two tracks and the one which feels like a continuation from Bloom though with layers of 70s Prog Rock offering a more robust experience. Heavy Sludge/Stoner guitars are amped into the mix with ferocious drumming that sees OHHMS more angry than ever. The Anchor tells an intriguing story as OHHMS have written powerful and haunting lyrics to match the violent and out of control riffs. OHHMS deserve credit for structuring their songs into different parts as this EP has the feel and identity of a full length record instead of an EP that the band are classifying this release as.

The final track - Dawn Of The Swarm - sees OHHMS paying homage to their musical heroes from the heyday of 60s/70s Classic Hard Rock and Prog Rock mixed with the familiar Sludge/Stoner Rock vibes hidden amongst the groovy riffs. The tracks open with a dreamy guitar riff and shades of psych rock that brings back memories of The Who. OHHMS can't resist unleashing the thunder for all you heavy sludge rock fans. Vocalist Paul offers a different vocal experience that I've heard from him before. As Paul blends aggressive punk based vocals and even tender heartfelt vocals that has a distinctive Roger Daltrey aura around them. Strange, Yeah, I know but that's the vibe that I get from listening to the song.

When OHHMS become angry the riffs are LOUD, LEAN and HEAVY. Wait until they slow things right down and you see OHHMS in a different light. Some people may not like the change of sound that OHHMS have created here but when have OHHMS ever played by rules in their action packed short career so far. Conventional isn't a word in their vocabulary. Experimental, Loud, Heavy and Emotional are words that OHHMS do understand as the EP offers all of those experiences and more.

I know most people will prefer Bloom to Cold. That's fine as they're both outstanding records but I prefer Cold as it shows OHHMS are a band ready to take on the world and on this form, whose going to stop them. The production on the EP is once again superb. OHHMS are starting to get a well deserved reputation within the UK Sludge/Stoner Rock scene. I feel with Cold that OHHMS have the potential to grace some of the more prestigious International Sludge/Stoner Metal festivals and beyond. Cold is a brilliant record and stands out as a potential Album/EP of the year.

Thanks to OHHMS for the promo. Cold will be available to buy on CD/DD/Vinyl from Holy Roar Records from June 29th 2015. There's a whole range of packages to order from Holy Roar Records and BandCamp.

Words by Steve Howe

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Gorgantherron - Second Sun (Album Review)

Second Sun cover art

Album Type: Full Length
Date Released: 05th May 2015
Label: Self Released

Second Sun - Track Listing:

1.Second Sun 06:18
2.Superluminal 04:04
3.Bookbinder 06:12
4.Pre-Warp Civilization 06:06
5.Seventh Planet 06:34
6.The Stone 03:40
7.Paranoia 04:13
8.Entropy 04:51
9.Defy 05:56

Members:

Clint Logan-guitar, vocals
Toby Richardson-bass, vocals
Chris Flint-drums, vocals

Bio:

In 1968, a top secret military mission launched three chimpanzees into space. The goal was to test a new vessel designed for deep space exploration. Mookie, Yim-Yim & Steve were to be the first Earth creatures to travel to the end of the known galaxy and beyond. Few expected the animals to survive, but the data collected during the voyage would be invaluable for future expeditions. On August 25, 1968 their ship launched. Sold to the media as the launch of a weather satellite, it went unnoticed. For the next four years the vessel sent flight data and vital signs of the passengers, studied by only a few scientists with the highest security clearance. On January 19, 1972 the last communication was received. The ship had reached the edge of the galaxy and the passengers were still alive. Abruptly, all communications ended. Nevertheless, the scientists used the accumulated data to develop systems that would end up in the Space Shuttle, but the mission itself was forgotten.

Then in early 2010, radio telescopes picked up an unknown object traveling at remarkable speeds. Scientists tracked it until it fell to Earth, landing in rural Indiana. The military responded and were shocked to find wreckage of the ship that had launched in 1968, still blasting an endless loop of Black Sabbath's “Master of Reality” and the first two Iron Maiden albums. However, the ship was found to be empty with no sign of the three chimps. The occurrence was swept under the rug, and scientists were left scratching their heads.

Months later three men appeared claiming to be the very same chimps from the mission. They told of traveling to the Andromeda galaxy and being captured by a race of beings far more advanced than humans...the mighty Gorgantherron. They had been monitoring human progress for centuries and were appalled at humankind's behavior toward each other and their planet. The Gorgantherron used their superior technology to evolve the chimps into stunningly handsome men. They spent years listening to Doom and Black metal. The Gorgantherron considered metal to be one of the few things the miserable humans had gotten right. The three were educated in guitar, bass, and drums, then hurled back to their home planet to warn humankind of the dire consequences of continuing their petty, selfish ways.

Review:

Gorgantherron S/T debut album cover for Second Sun gives the impression of Death/Thrash Metal Band and that is further from the truth. As Gorgantherron play a blend of sci-fi inspired Sludge/Stoner Metal riffs that will have fans of Mastodon, Black Sabbath and High On Fire begging for more. This album is a must have album. No question about it as it's packed full of hard-rocking riffs and a ton of fantastic tunes to entertain you with.

Opening track - Second Sun - is a song that has plenty of bite amongst the fast-paced riffs with great vocals to match. The music itself is a hazy psychedelic take on all things Sludge/Stoner Rock with a hint of Doom Metal for you all Doom Fanatics to enjoy. Expect plenty of guitar solos as Gorgantherron are here to thrill you in every possible way. Classic Hard Rock Guitars appear towards the end and proves that this band means business. The album has a delightful sci-fi influence which only adds to the atmosphere.

Second Track -'Superluminal - sees the band playing a more stripped back approach compared to the opening track though the band offer a more faster style of Sludge/Stoner Rock towards the end of the song with a nice sideline in psychedelic rock. Expect more guitar riffing wizardry as things take a slight Mastodon/Thin Lizzy change of direction. Third Track - Bookbinder - opens with a slow-paced sludgy riff packed with a menacing attitude especially when the vocals have a slight NOLA vibe to them. This is one of the albums standout tracks as it's a slow-paced mysterious affair that allows the band to explore the doomier side of their music. It's quite a creepy affair as the riffs take centre stage with the vocals adding a more delicate balance.

Fourth Track - Pre-Warp Civilization - is the standout track for me as it's a heavy psychedelic instrumental track showing the bands flair and creativity for everyone to witness. It can be quite uplifting at times and that's very hard to do especially with instrumental music. Gorgantherron have no worries here as they unleash one of the albums more exciting tracks. It has shades of 70s Hard Rock merged with modern day Sludge/Stoner Rock theatrics.

The 2nd half of the album doesn't really change direction and why should it? - As the band have created some impressive riffs to excite you with. There's a lot more to come especially from other great tracks to check out such as - Seventh Planet, Paranoia and Defy. The vocals are more impressive in the 2nd half as they become ever more confident with their surroundings despite the sci-fi nature of the lyrics and overall mood of the album.

All you fuzz fanatics will get a kick out of this album as I forgot to mention that there's tons of FUZZ breathing life into the bands style of great music. Second Sun crackles with violent addictive energy and is one album that's been on constant rotation on my MP3 player ever since I bought this album a month ago. If you're into the heavier and psychedelic side of Sludge/Stoner Rock then I recommend you buy this album now as Second Sun is simply unmissable.

Words by Steve Howe

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‘Leechfeast/Meth Drinker’ - Split 12" (Review)


Album Type: Split 12
Date Released: 15/5/2015
Label: Dry Cough / Raw Birth Records

‘Leechfeast/Meth Drinker’ split 12 track listing:

1). Leechfeast – Aimless
2). Meth Drinker – Sewer

Review:

Another split, from two of the most brutal and evil fuzz mongering creations to ever bully their way onto the airwaves, Leechfeast and Meth Drinker? Oh hell Yeah! 

At 2 songs long, but over 19 minutes in length, it's a no brainer. This split is between some incredibly heavy bands, with absolutely no highs, simply knuckle-dragging, scum fuzzy, simplistic doom riffing that one can imagine without some extreme drug habits. Along the Lines of Keeper and War Iron, neither band gives so much as an inch of comfort in their sound, keeping it low and slow, with vocalists who sound like they are simply vomiting their demons out. The move for a 12" record was smart, because these long songs could fill both sides of a 7" easily, on their respective own.

Starting this party is Leechfeast, with Aimless (9:18). They start with a lullaby of feedback, which they just slam into a blackish wall of riffs. It’s very plodding, very steady. The vocals are wavering behind this monolithic noise, and give a very trippy air to the first parts. It's a very bleak sound, and really doesn't ever go away. The real vocals come shortly after, with much venom, acidic and simply thrown at the listener. Leechfeast don't want you comfortable, they wish to crush you under a sky of grating blackness. There is no flair to the rest of the band, the drums are just as plodding and sound somewhat like they are in another room, so as not to detune when the guitars crank up. If there is a bass player, he was swallowed by the Elder Gods sometime ago, and he was buried somewhere in that pedal signal. And that's not to say it never changes. It goes from what sounds like a stupidly simple Sabbathian riff with regular string changes around 5 and a half minutes, into what sounds like a bridge cable being picked in an really pissed off manner. 

Even more basic than your average white girl, Meth Drinker literally sounds like tectonic plates smashing against one another. It’s a huge, bass ridden sound, and it overwhelms the ear. They don't do leads of fret work, but they have cornered the market on huge, held riffs and chords. This is what your doom sounds like as it marches, ceaselessly, until the fateful time you meet in your last moments. It plods with purpose, thrumming with what sound like thick cables, the bass continuing a simple riff, as guitar fluctuates and offers screaming feedback to the Heavy Gods. It very simple, very heavy, and offers nothing but the sonic equivalent of a detuned monster truck. It is monstrous, and will slowly push you into a sonic morass for the almost 10 minute runtime.

This split isn't for the faint of ear, and will test the casual doom/drone fans. Enjoy!

Words by: Hunter Young

‘Leechfeast/Meth Drinker’ is available here

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Clouds Taste Satanic - “To Sleep Beyond The Earth” (Album Review)


Album Type: Full-Length
Date Released: 14/5/2014
Label: Self-Released


“To Sleep Beyond The Earth” CD//DD//LP track listing:

1). To Sleep Beyond The Earth (Parts I & II) (22:39)
2). To Sleep Beyond The Earth (Parts III & IV) (22:11)

Review:

Clouds Taste Satanic's opus “To Sleep Beyond The Earth” is singular in vision and monolithic in intensity. The opening section of the first track bleeds power and infernal majesty with huge ringing chords oscillating into the distance interspersed with verbed out tremolo picking. You can tell right off the bat this was recorded at eardrum-bursting volume and echoes of Sunn O))) weigh heavy in the background. Moving into some nice melodic sections, Clouds Taste Satanic use a sprinkling of what sounds like a very subtle background effects at times a la Ufomammut. The occasional ringing gong at the beginning and ending sections are really fun to and do a great job at setting the atmosphere.

Parts III & IV quickly move into an ascending stompy riff. At just before the five minute mark Clouds Taste Satanic settle into a nice groove then quickly break it up and move back into a stompy section. This track has more interesting song writing as the rhythmic changes are substantial and pummelling. These sections at the beginning of the second track are of a higher tempo then the lumbering opener. The middle bridge section echoes the huge intro with huge ringing chords. Interesting they move into a section around the fifteen minute mark that reminds me a lot of the band Tempel from their fantastic album “On the Steps Of The Temple” but slowed down and drugged out a bit.

I love the tones and production on this one, everything is raw and huge. The guitar tones in particular are well into doom buzzsaw territory and the drums are pounding. I would also be inclined to say I like Parts I & II a bit better as the beginning of Part I is incredibly epic, literally a perfect opener. Weirdly I'm seeing a release date of May 2014 for this, which is highly unusual to get something that's been out so long that hasn't been reviewed. Not sure what's up with that, weird considering how good the album is, check it out below. In addition, I note on their facebook page they are planning on releasing something in the fall of this year, mentioned tentatively as Oct. 1st. as well.

Words by: Chris Tedor

Available Below:



Tuesday, 2 June 2015

Codas – ‘Currents’ (Album Review)


Album Type: EP
Date Released: 2/6/2015
Label: Crowquill Records

‘Currents’ CD//DD track Listing:

1). The Sun Martyr
2). Follow The Blind
3). White Black
4). Currents

Review:

As the solo project of Mario Quintero (Sleep Lady, Spotlights), the debut EP from Brooklyn based Codas has a very cool roster of sonic ingredients! This is going to be a new favorite for all lovers of drone, electronic, mathcore, and post-metal.

This EP is pretty awesome. No lyrics or vocals getting in the way of all the textures and atmospheres. I could easily put this album on from start to finish and not skip a single track. I would also imagine this would be great for listening to at night, driving long distances, or when thinking really fucking hard about something. I love this style of music.

On the track “The Sun Martyr” there is a distinct drone throughout, underneath a gritty, driving, and syncopated electronic drum beat. Guitars and other keys layer on top of one another. (Its almost like what I would imagine visiting another planet would sound like. In fact, if I were making a movie about visiting another planet, in the scene where we actually get to the planet, this song would be playing. At that rate I would just use this EP in its entirety for my imaginary of the film.) Immediately after ‘The Sun Martyr’ there is a crushing mathy drum beat with lots of busy guitar work to make your head spin...so don't get too comfortable with one particular beat on this EP. ‘Currents’, the title track and also the longest song on the EP starts off like something from the Fight Club soundtrack, and at times it sounds as if Aphex Twin, Baroness, Kongh, and Don Caballero are all collaborating together. The immensely powerful, odd timed drums at the end of this song are a great way to cap off the EP. Well done Codas, this is a great debut!

Put this on and be prepared to space out for a while. Very refreshing, great production quality, the drum samples sound awesome and don't take away from the fact that there isn't really a human drummer on the record (that I could hear anyway). Lots of shimmering guitar effects, well placed drone chugs, glitches and ticks, dying robot noises...but also a balance of intricate and melodic guitar work. This record is like a rebirth in a way. By the time you are done listening to it, you'll be looking forward to the next one just as much as I am.

Words by: Joel Willis

‘Currents’ is available here

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Cloud Rat - ‘Qliphoth’ (Album Review)



Album Type: Full Length
Date Released: 29/05/2015
Label: Halo of Flies

‘Qliphoth’ LP//DD track listing:

1. Seken
2. Botched
3. The Upper World
4. Raccoon
5. Daisies
6. Bloated Goat
7. Rusting Belt
8. Udder Dust
9. The Killing Horizon
10. The Boar’s Snout
11. Hermit Interstice
12.  Live Wake
13. Thin Vein
14. Bolt Gun
15. Rouge Park
16. Friend Of The Court
17. Chrysalis

Cloud Rat is:


Adrian | Drums
Brandon | Electronics
Madison | Vocals
Rorik | Guitar

Review:
‘Qliphoth' is a very different album. Not just in that it blends genre elements you don’t often hear together in one place, but it’s also moving in a way that a lot of albums aren’t capable of. Even stranger still, its ability to affect a listener doesn’t require knowing what Madison’s words are. All you have to hear is the pain and the urgency in the utterly harrowing screams on display over the course of the album. When paired with the gut-wrenching, miserable musical performances offered throughout ‘Qliphoth’ as well, your day is bound to be irrevocably altered. That’s not to say that getting some context and insight into the album wouldn’t enhance the experience. It absolutely does (to that end I recommend Kim Kelly’s excellent interview with Madison here). But the aural devastation on its own, stripped completely of any and all context, is more powerful than just about anything you’re likely to hear this year.

‘Seken’ sets the album in motion with a bit of misdirection, sounding dreamy and full of hope. The droning guitar part feels cozy, Madison’s voice is pleasant, and the overall vibe is similar to the feeling you get from some warm, nostalgic summer memory. The moment is fleeting, though. You’re viciously ripped away from it and thrown straight into the maelstrom and given precious few moments of respite from then on. The album shifts from unmerciful and chaotic grindcore and powerviolence to lunging hardcore to unhurried, layered, and saturated noise rock. It all flows nicely for as seemingly disparate as these styles might sound on paper. It’s that same unpredictability that makes ‘Qliphoth’such a captivating listen for the entirety of the album’s forty minutes; a demanding run-time for a grindcore album, especially one this emotionally intense. The peaks and valleys of the album, both in terms of speed and intensity, never feel forced, for the sake of an album with variety. Each musical pivot feels necessary, for the sake of listener and performer alike.

‘Qliphoth’
kept me at arm’s length on the first couple of listens. Even for a grizzled metal veteran such as myself, who listens to Napalm Death, Nasum, Pig Destroyer and Wormrot among many other grind bands regularly, this took a period of adjustment. This also takes into account how much I listened to the previous album ‘Moksha’. While ‘Moksha’ has much of the same cathartic savagery,


‘Qliphoth’ is caustic in a way its predecessor is not. Certainly, there are parts that are catchy and instantly memorable, but in no way is this album an easy listen. If you’re like me, you’ll find the extra effort immensely rewarding.


Words by: Daniel Jackson

You can pick up a digital copy here and a CD/LP copy here.

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