Showing posts with label Animals As Leaders. Show all posts
Showing posts with label Animals As Leaders. Show all posts

Sunday, 12 February 2017

INSTRUMENTAL INTERPRETATIONS PART VIII: Vipassi – “Śūnyatā”

By: Phil Weller


Album Type: Full Length
Date Released: 20/01/2017
Label: Season of Mist




A less conservative approach to progressive tinted death metal, they pepper their songs with plenty of other musical flavourings. From the avant garde shredding on ‘Jove’, to the turbo charged, time signature metamorphosis assault of ‘Sum’, each track flaunts its own distinctive character. So if the likes of Animals As Leaders, Death, Obscura and Cynic appeal to you, then prepare for your taste buds to be tantalised.

Śūnyatā” CD//DD//LP track listing:

1). Gaia
2). Benzaiten
3). Jove
4). Sum
5). Elpis
6). Paradise
7). Samsara

The Review:


“Instrumental music,” this record’s accompanying press release concludes, “traditionally has a harder time in metal as in other genres. All too often, virtuoso musicians have used their talent mainly to stroke already massive egos. Yet bands like Animals As Leaders have demonstrated that ambitious skills and passionate song-writing can be fused into something greater, which appeals far beyond the grudging respect of colleagues.”

Indeed, while Vipassi drag their instrumental music down more deathly, but ultimately bewildering complex hallows reminiscent of Animals As Leaders – who have also featured in this column – that band has been helping people consider the genre of late. The band’s surging popularity is contradictory to what makes the charts, of both mainstream and metallic varieties, and as a result is opening the door of opportunity to bands like Vipassi.  

The band was born from jam sessions in 2009 between guitarist Ben Boyle and members of Australia’s Ne Obliviscaris – drummer Dan Presland, bassist Brendan Brown and guitarist Benjamin Baret. Soon, as the press release goes on to say, they “settled on an instrumental style that captured the openness aimed for to allow any listener to interpret and connect with the material subjectively. Their project represents a desire to explore beauty and darkness in all its shades, through melodic and complex compositions”.

Just like how the bass driven sounds of Obscura are treading on the turf Death once carved out as their own, continuing their legacy in a heavy but imaginative manner, Vipassi too are carrying the torch. A less conservative approach to progressive tinted death metal – and Chuck Schuldiner was anything but conservative – they pepper their songs with plenty of other musical flavourings. From the avant garde shredding on ‘Jove’, to the turbo charged, time signature metamorphosis assault of ‘Sum’, each track flaunts its own distinctive character.

Like Obscura too, the bass is powerfully prevalent. Brendan Brown’s playing refuses to just steady the ship, it can fly off the handle at any conceivable moment, meandering like a lost child in a supermarket, but played with an impressive conviction, grace and musicality belying of its disregard of convention. He is there secret weapon. 

Where a singer may add interest and that all-important record selling earworm, here they don’t so much as compensate for their lack of vocals by shifting time signatures every which way as they do utilise the void therein. Their venomous songs have many twists in their tails; they can pirouette on a knife edge, flip upside or segue from primitive passages to ones of airy, chilling calm. The change comes as sudden, but never feels anything but smooth.

Listen with headphones and these compositions become wholly, terrifyingly immersive. ‘Elpis’ is one such example. Above all an interloping song, something like this belongs more on a film score than it does a death metal album, but its skin crawling aesthetics stand strong; it gives the album a hellish death.

It leads you blindly into the closing track ‘Samsara’ which best merges their thundering metal, with guitars and bass tightly syncopated and resembling the sound of alien warfare, with hypnotic and creepy atmospherics. They weave in and out of the battle, sewing a vast and extravagant canvas.

Something about the music of Animals As Leaders pierces through the threshold from underground music to something more entertaining, rewarding and accessible – even if its complexity is anything but. Vipassi however, don’t come across as a band who can attain such contradictory achievements. But what they do is extremely appealing, so if the likes of Animals As Leaders, Death, Obscura and Cynic appeal to you, then prepare for your taste buds to be tantalised.

Śūnyatā is available here






Band info: bandcamp || facebook

Saturday, 10 December 2016

TOP 16 ALBUMS: The Sour 16 for November 2016


It is that time once again people to cast our minds back, and digest the 16 albums that would become November’s most viewed albums and form the basis for our sacrilegious ‘Sour 16’, the finest and most profane riffs around bundled together into a premium sized sonic soufflé.

You know the drill, each month; you the reader are unwittingly compiling a list of the top 16 records that we featured in November, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  The ‘Sour 16’ are the records that have been trending the most at Sludgelord Headquarters.


The results are compiled based on page views alone and calibrated into the list below. All reviews and streams can be viewed by clicking the artwork . (Total views since their publication are highlighted in red). 

16). Spirit Adrift - "Chained to Oblivion” (380)

This album is elegantly forged from beginning to end, and has no definable weak chinks in its armour.  Overall, this is likely to be an AOTY candidate for me, and one I have found myself returning to again and again in a variety of moods.


15). Superjoint - "Caught up in the Gears of Application" (381)

This is gnarly and nasty music made by a figure that is both revered and reviled. Through all the controversy, one thing keeps me coming back to listen to Anselmo: the quality of the music. And the music is as potent as ever. A storming return.


14) Animals As Leader - "The Madness of Many " (388)

Tosin Abasi and company find expressionism through mathematic complexity.


13) The Judge – “The Judge (399)

This one is crazy good, and crazy Sabbath inspired too. Give this band a listen, you’ll dig it.



12). Wasted Theory - “Defenders of the Riff (417)


11). Desolate Pathway - "Of Gods & Heroes" (420)

Make no mistake, Desolate Pathway have delivered an epic doom record of epic proportions: light and shade, massive riffs, great performances, a downcast atmosphere... it's all here


10). Fvnerals - "Wounds" (443)

“Wounds” is a captivating set of songs that are simultaneously heavy and delicate. FVNERALS unique brand of doom-filtered slowcore creates a powerful feeling that stays with the listener long after the final note has rung out.


09). Holy Serpent - "Temples" (473)

All in all, “Temples” is a great record.  Holy Serpent nailed it.  The songs are well crafted, well-structured, the vocals are right on and the music is perfect parts psych, doom, sludge and out right heaviness.  Don’t hesitate, buy “Temples” immediately.


08). Dusteroid – “To Fathom Hell” (475)

They serve up a king size slice of skull crushing, heavy Sludge that feels like being hit with a sledgehammer repeatedly. Job extremely well done and then some


07). The Dead At Sea - "The Dead At Sea" (479)

A potent blend of early-Pelican crunch and Kyuss-style riffage, The Dead At Sea distil the sound of desert rock sinking into a cold watery grave.  “The Dead At Sea” is a compelling combination of killer riffs and hushed menace that perfectly evoke the bottomless depths of the ocean


06). Ortega - "Sacred States (500)

Ortega are not the first band to fuse post metal, doom and spaced-out sludge but they succeed by doing it bigger, better and heavier than most.  Sacred States” sees Ortega take their sound to the next level, delivering on the promise of previous releases and stretching out towards bold new horizons.


05). Call of the Void "A.Y.F.K.M." (508)

Call Of The Void’s sound is a potent cocktail of punk attitude and rock’n’roll swagger coated in a thick layer of sludge aggression. “AYFKM” is an intoxicating adrenaline rush that will keep you coming back for more.



04). 11Paranoias - "Reliquary for a Dreamed of World" (512)

What sets 11PARANOIAS apart from other bands operating in the realms of psychedelic heaviness is the otherworldly atmosphere they conjure. Every note is enshrouded in a hazy fog that lends their music a darkly unsettling feel.



03). Ghoul – “Dungeon Bastards” (828)

So many bands try to do what Ghoul is doing and just can't fucking get it right. This is a perfect storm. Superior song writing, technical prowess, and an awesome aesthetic.



02). Mother Mooch - "Nocturnes" (991)

Their blend of psychedelia with grunge and stoner rock/doom is a highly sought after formula and Mother Mooch are keeping the secret closely guarded - and rightfully so.  ‘Nocturnes’ is an astounding album from a band that have the potential to conquer the world.


1). Metallica - "Hardwired…To Self Destruct" (1565)

Metallica have rediscovered their mojo, brought the heavy and most importantly appear to be enjoying themselves. An album, of two halves, with a cracking opening salvo on side “A” and “B” side, marred only by one throwaway track.  If not perfect, it is the best music they have produced in over two decades and is the natural successor to the Black Album. 


A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Charlie Butler, Conor O’Dea, Jake Wallace, Eric Crowe, Rick Ahmed, Bobo Coen & Phil Weller

Friday, 4 November 2016

INSTRUMENTAL INTERPRETATIONS Part VII: Animals As Leaders – “The Madness of Many”

By: Phil Weller

Album Type: Full Length
Date Released: 11/11/2016
Label: Sumerian Records


Tosin Abasi and company find expressionism through mathematic complexity.

“The Madness of Many” CD//DD//LP track listing:

01. Arithmophobia
02. Ectogenesis
03. Cognitive Contortions
04. Inner Assassins
05. Private Visions Of The World
06. Backpfeifengesicht
07. Transcentience
08. The Glass Bridge
09. The Brain Dance
10. Aepirophobia

The Review:

Every generation plays host to its innovators and Animals As Leaders’ Tosin Abasi, through the imitable tones that usher forth from his 8 string guitar, represents a very fresh and modern approach to guitar playing. Using the extended range to flirt with slap techniques otherwise left to bassists and detailing his sonic canvas with everything from the heavy grunt of djent and progressive metal to swinging gypsy jazz, electronica and more, here is a musician who laughs at the idea of boundaries and limitations.

In many respects ‘The Madness of Many’, the band’s fourth album and second truly collaborative effort, is Abasi’s most accomplished too thanks to the diverse palette which is laid out before us. From the siren-led mathematic chaos of ‘Arithmophobia’ (meaning a fear of numbers) to the likes of ‘Inner Assassins’, which allows all his musical references and inspirations to tangle with one another inside one great big melting pot, it is a spectacularly engaging record.

The pinballing rhythms of ‘Private Visions of the World’ make way for some breath taking lead work before returning with a pinging vengeance. It sounds like a wondrous cross between John McLaughlin and Meshuggah. 

On the final two tracks, their diversity is further broadened when they drop the crunching steel electrics for nylon acoustics. ‘The Brain Dance’ and ‘Apeirophobia’ (a fear of eternity) shift the mood dramatically, giving the record a serene yet oddly frantic conclusion as the luscious flamenco at play soon dips and dives into time signature contorting, spasmodic djent phrasing. The band’s mantra of hybrid stylistic thinking is here epitomised as they seamlessly combine a traditional, almost ancient style of music with one of the most modern without you ever raising an eyebrow in confusion. Such is the quality of this cross-breeding, you just accept it for what it is, close your eyes and sink deeper and deeper into its transcendental depths.    

While its complexity may at times be overwhelming, there is a gorgeousness which prevails through a blazing trail of algorithms and acrobatics. It may sound like rocket science, but it has personality too.

“The Madness of Many” is available everywhere from 11/11/2016
Band info: facebook || official