Showing posts with label Childbite. Show all posts
Showing posts with label Childbite. Show all posts

Sunday, 29 May 2016

Child Bite - "Negative Noise" (Album Review)

By: Charlie Butler

Album Type: Full Length
Date Released: 01/04/2016
Label: Housecore Records



Child Bite create an idiosyncratic racket, a chaotic collision of off-kilter punk, the weirder end of 80’s hardcore and rumbling post-punk.  “Negative Noise” is an invigorating blast of dissonance, a blend of familiar influences twisted into their warped vision.   Shawn Knight’s hyperactive drawl makes a compelling foil to the band’s manic yet inventive playing, as his Jello Biafra via Mike Watt drawl varies in intensity to match the song’s twists and turns.



“Negative Noise” track listing:

1). Death Before Dementia
2). Paralytic Phantasm
3). Euphoria Saturation Point
4). Born a Hog
5). Video Blood
6). Apex of Anxiety
7). Vermin Mentality
8). Beyond the Dirt
9). The Great Ego Flood
10). Into the Disease
11). Heretic Generation
12). Feed Me Septic Dreams

The Review:

Child Bite create an idiosyncratic racket, a chaotic collision of off-kilter punk, the weirder end of 80’s hardcore and rumbling post-punk. The Detroit quartet have shared vinyl with the illustrious likes of David Yow and Dope Body. New album “Negative Noise” shows they are more than match for these heavyweights.

The band cover a lot of ground stylistically over the course of “Negative Noise” but their identity maintains strong and coherent throughout. For every breakneck burst of damaged rock like “Death Before Dementia”, “Born A Hog” and “Vermin Mentality” there are voyages into stranger territory like “Paralytic Phantasm” and “Beyond The Dirt”. The spooked-out reverb soaked guitars of the former are taken to extremes with the huge wall of sound and a hypnotic bass line that begins the latter, seven minutes of menacing riffs and anxious vocals that make for the album’s highlight.

Video Blood” sees the band at their most angular, sharp chiming guitar lines building to keening screeching wails while the stop/start riffs of “Euphoria Saturation Point” sees them at their most restless. Strong undercurrents of noise rock bubble to the surface periodically, most noticeable during the intro of “Apex of Anxiety” which exudes the shambolic belligerence of Pissed Jeans and the churning riff that heralds the arrival of “Heretic Generation”. Shawn Knight’s hyperactive drawl makes a compelling foil to the band’s manic yet inventive playing, as his Jello Biafra via Mike Watt drawl varies in intensity to match the song’s twists and turns.

Negative Noise” is an invigorating blast of dissonance, a blend of familiar influences twisted into Child Bite’s warped vision of noisy punk rock.

Negative Noise” is available here



Band info: bandcamp || facebook

Thursday, 3 December 2015

Various Artists - ‘Morbid Tales: A Tribute to Celtic Frost’ (Album Review)

By: Daniel Jackson

Album Type: Full Length
Date Released: 15/11/2015
Label: Corpse Flower Records


Child Bite, along with Phil Anselmo brings the biggest name to the tribute, and Phil sounds like he had a blast trying Tom G. Warrior’s unique vocal inflections on for size. He’s like a middle-aged kid blasting “The Usurper” in front of a mirror, doing his best impression of Warrior while his parents are out of the house, which kicks this album off with a really fun tone

‘Morbid Tales: A Tribute to Celtic Frost’ LP//Digital track listing:

Side A:
1. Child Bite w/ Philip H. Anselmo - “The Usurper”
2. Persekutor - “Procreation Of The Wicked”
3. Acid Witch - “Cherry Orchards”
4. Temple Of Void - “Os Abysmi Vel Daath”
Side B:
5. Municipal Waste – “Nocturnal Fear”
6. Hayward (featuring Scott Kelly and Jason Roeder of Neurosis) - “Jewel Throne”
7. Coffin's Slave (featuring Scott Carlson of Repulsion) - “Dance Sleazy
8. Evoken – “Dawn Of Megiddo”

MP3 Download Bonus: Black Anvil – “Dethroned Emperor”

Flexi Bonus: Coffins Slave - Hellhammer’s “Reaper”

The Review:

There was a time, particularly in the first half of the 2000s where tribute albums were a dime a dozen. In fact, there were bands with only a single album out with tribute albums arriving only a year after that album had come out, as was the case with Evanescence. In a more relevant metal context, Dwell Records released an enormous number of metal tribute albums in the late 90s and early 2000s, to wildly varying results. But those tributes also enabled them to get some great albums from the likes of The Chasm and Evoken into major US record stores, at a time when that made a huge difference.

In 2015, tribute albums seem less prevalent anecdotally, or at least more easily ignored. It’s for that reason, along with the sheer effort and reverence ‘Morbid Tales: A Tribute to Celtic Frost’ has behind it, that this tribute is more special than just about any other out there past or present. You can order the album with a 150 page illustrated comic released earlier in the year, as the album is meant to be the comic’s soundtrack. There’s no questioning Celtic Frost’s influence and impact on the heavy metal genre, but this album really drives that point home.

Child Bite, along with Phil Anselmo brings the biggest name to the tribute, and Phil sounds like he had a blast trying Tom G. Warrior’s unique vocal inflections on for size. He’s like a middle-aged kid blasting “The Usurper” in front of a mirror, doing his best impression of Warrior while his parents are out of the house, which kicks this album off with a really fun tone. Sadly, Persekutor drop the ball a bit with a thin-sounding, antiseptic cover of “Procreation of the Wicked”, which takes some of the steam out of the album early on.

Luckily, there’s more than enough here to make up for a couple of stumbling blocks along the way. Acid Witch’s cover of “Cherry Orchards” makes a case for being better than the original for sheer personality, besides being really well-conceived and executed. Temple of Void’s take on “Os Abysmi Vel Daath” from 2006’s ‘Monotheist’ and Evoken’sDawn of Megiddo” are powerful versions in their own right, and each band remembers that the best part of covering a song is making it your own.

With the level of care that went into producing most of these covers, combined with the awesome idea behind the illustrated book that accompanies the album, what you have here is all you could really want in a tribute. There’s a level of passion for the band of honor here that so often feels absent from other tribute albums. For that reason, along with the quality of music on offer, ‘Morbid Tales: A Tribute to Celtic Frost’ is a step above and beyond just about any tribute album I’ve heard to date.

You can pick up an LP/illustrated book copy here