Showing posts with label Jethro Tull. Show all posts
Showing posts with label Jethro Tull. Show all posts

Wednesday, 24 April 2019

ALBUM REVIEW: Lord Dying, "Mysterium Tremendum”

By: Richard Maw


Album Type: Full Length
Date Released: 26/04/2019
Label: eOne Heavy



Not many bands would attempt something so daring and varied. Of course, not many bands are anywhere near as good as Lord Dying, so try this one out and expand your taste. Excellent.

“Mysterium Tremendum” CD//DD//LP track listing:

1. Envy The End
2. Tearing At The Fabric Of Consciousness
3. Nearing The End Of The Curling Worm
4. The End Of Experience
5. Exploring Inward
6. Severed Forever
7. Even The Darkness Went Away
8. Freed From The Pressures Of Time
9. Lacerated Psyche
10. Split From A World Within/Devoid Of Dreams/Death The Final Loneliness
11. Saying Goodbye To Physical Form


The Review:

Lord Dying are back and Portland's finest have not run out of riffs and hunger just yet! The first thing that hit me when I pressed play was the sound- thick, muscular, meaty and absolutely spot on for this sludge/metal mash up. Sitting somewhere between Mastodon, High On Fire, Death Angel and Jethro Tull (!?) this record has a surprising amount of variation, not to mention light and shade. “Envy The End” will get your head banging at any volume, mind, and after that opening the album has more twists and turns than a sidewinder.

The Doors-esque “Tearing at the Fabric of Consciousness” is just one of the curve-balls here; it's dark and quiet and pretty different to what you might find on the average sludge release. As the record progresses, the band runs the gamut from quieter almost folky moments to thrash riffage and the heaviest of sludge metal. The vocals are just as changeable- clean singing, more metal type singing and screams/growls.

The eleven tracks on offer clip by, being as the song lengths are pretty varied- no formulaic writing here, so instead there is a real mixture of light and heavy. The quiet loud dynamic has worked for the greatest metal bands you can name, so Lord Dying are onto something here. The life/death concept is a good one for the band to explore and gives them latitude with the arrangements; lots of instrumental sections and some pretty psychedelic sections throughout the album are welcome additions to the Lord Dying's approach here.

As a concept album, a track by track is a little pointless and would perhaps spoil the experience for the listener as this is an album to be experienced as a whole or at the very least in track list order. Suffice it to say that most heavy music fans will find something they like here; it covers a lot of ground and approaches (often even in one song) and ranges from the very pretty (“Freed From The Pressures of Time”) to the whimsical to the more extreme metal you might have expected.

“Mysterium Tremendum” is a vast work and is not what I really expected at all- and is all the better for it. Not many bands would attempt something so daring and varied. Of course, not many bands are anywhere near as good as Lord Dying, so try this one out and expand your taste. Excellent.

“Mysterium Tremendum” is available HERE





Band info: facebook || bandcamp

Tuesday, 24 July 2018

ALBUM REVIEW: Wytch Hazel, "II: Sojourn"

By: Richard Maw

Album Type: Full Length
Date Released: 13/07/2018
Label: Bad Omen Records



Just how good and revered this album is and will be is not yet known, but there is no doubt that all the elements are there for this to become at the least an underground hit.

“II: Sojourn” CD//DD//LP track listing:

1). The Devil Is Here
2). Save My Life
3). Still We Fight
4). Wait On The Wind
5). See My Demons
6). Barrow Hill
7). Chorale
8). Slaves To Righteousness
9). Victory
10). Angel Take Me

The Review:

Undoubtedly the best medieval inspired hard rock band in the North West of England (!) Wytch Hazel are back with this second full length album. They have retained their vintage sound and peculiarly English sense of style on this excellent return. Much like their debut, “Prelude”, the band play very assuredly and with considerable flair; the guitar work is fleet footed and the rhythm section is very tight indeed.

If the band were going for a classic Wishbone Ash crossed with Thin Lizzy by way of Jethro Tull vibe... they have succeeded admirably. Messrs Downey, Lynott, Gorham and Robertson/Moore/White/Sykes (or Bell) would be hugely pleased if they came up with the fiery work displayed on “Save My Life” or storming opener “The Devil Is Here”. The word here is classic: classic sound, well delivered  songs and timeless in themes and scope.

There are bursts of pace (“Still We Fight”) to go with anthemic choruses. There are mellow and melancholy tracks (“Wait On The Wind”) and not a duff track in sight in the ten on offer here. This is English hard rock of the best vintage (1972-1978) and actually manages to conjure up the wistfulness  that the aforementioned Wishbone Ash did so convincingly on their classic “Argus” full length.

Just how good and revered this album is and will be is not yet known- it needs more time to bed in than the two weeks I have had it for review; but there is no doubt that all the elements are there for this to become at the least an underground hit. From the lush acoustics of “Barrow Hill” to the instrumental bombast of “Chorale”, the ingredients are here.

Wytch Hazel pursue the same path to its logical conclusion via “Slaves To Righteousness”, “Victory” and the closing “Angel Take Me”. The only possible fly in the ointment for some listeners may be the somewhat spiritual/religious aspect to the record- but it was there on the debut too. It doesn't bother me but you may feel differently; your call.

What we have here, then, are ten tracks of finely crafted English hard rock in the classic style. There are no songs about girls, no songs about cars, only loud guitars and a longing for another, simpler time. Fantastic.

“II: Sojourn” is available here



Band info: bandcamp || facebook