Showing posts with label Warhorse. Show all posts
Showing posts with label Warhorse. Show all posts

Thursday, 27 July 2017

RIFF REWIND (04/03/2015): Warhorse - ‘As Heaven Turns To Ash’ (Reissue)


Bio:

In a time where doom is flourishing in all directions and manners, Southern Lord exhumed the sole full-length from Massachusetts' Warhorse. Long out of print, rabidly sought after, and unconditionally vital in foreshadowing the plethora of current acts who partake in long form, recklessly downtuned sound voyages, 2001's ‘As Heaven Turns To Ash’ was  reissued on double LP and digital formats on February 24th, 2015 combined with their final 7" EP, I Am Dying.

Formed in 1996 and lasting the best part of a decade, Warhorse wallow deep down, grooving at the kind of frequency usually associated with imminent natural disaster. But in addition to their intricate delivery, Warhorse possesses an experimental, verging on psychedelic streak which gave rise to gritty and memorable riffs, and saw them sharing stages with the iconic likes of Electric Wizard, Khanate, Acid King, High On Fire and Unearthly Trance.

‘As Heaven Turns To Ash’ and ‘I Am Dying’ are sinister demonstrations of ultra-heavy riffs as a weapon, and with Southern Lord delivered a stellear  rerelease, doom fans worldwide will need to start saving pennies for the subwoofer damage they are sure to inflict.  Today we are rewinding the riffs back a mere 2 years in order present As Heaven Turns To Ash’. So if you missed it the first time or even following its reissue in 2015, be sure to remedy your error by checking out our review in full below.

By: Daniel Jackson

Album Type: Full-Length
Date Released: 29/09/2001 
(24/02/2015 for the reissue)
Label: Southern Lord


Were ‘As Heaven Turns To Ash’ to be released in 2017 for the first time, it would be in a league with 2014 standouts Conan and Ommadon and the reason, much like ‘As Heaven Turns To Ash’ itself is simple: execution. Especially for its time, but even now; Warhorse knew how to craft a deep fucking tone. If you told me that the guitars were tuned to a previously non-existent z flat and played through a baritone guitar, I’d believe you.


‘As Heaven Turns To Ash’ DLP//DD track listing:

1. Dusk
2. Doom's Bride
3. Black Acid Prophecy
4. Amber Vial
5. Every Flower Dies No Matter The Thorns (Whither)
6. Lysergic Communion
7. Dawn
8. Scrape
9. And The Angels Begin To Weep

I Am Dying EP:

1. I Am Dying
2. Horizons Burn Red

The Review:

Warhorse may not sound all that unique by today’s standards, but in 2001 ‘As Heaven Turns To Ash’ just wasn’t something you heard every day. It’s pretty easy to figure out from which wells Warhorse drew their inspiration: Black Sabbath, Sleep, and Eyehategod. In 2017, you’re going to look at that list and think “So? There are hundreds if not thousands of bands in that camp, and I’ve gotten my fill of it over the last 10 years”. That’s a fair point. It’s hard to argue that as of this writing, doom with stoner tendencies is a well-worn style and bands have needed to add more and more into the mix to come up with a fresh approach. There have been a few that have made stripped-down, basic doom in the Sleep and Eyehategod traditions work, though they’re often the exception rather than the rule.

Were ‘As Heaven Turns To Ash’ to be released in 2017 for the first time, it would succeed in that same way, with the added benefit of a much larger audience for their style. It would be in a league with 2014 standouts Conan and Ommadon and the reason, much like ‘As Heaven Turns To Ash’ itself is simple: execution. Especially for its time, but even now; Warhorse knew how to craft a deep fucking tone. If you told me that the guitars were tuned to a previously non-existent z flat and played through a baritone guitar, I’d believe you. The drums are given plenty of weight in both performance and in production. In a way, this album should serve as the bar which all bands in a similar style should strive to meet, at least production-wise.

The song writing here is strong, despite being deeply indebted to its influences. It also helps that whenever it sounds like the album might be stuck in a groove or idea for too long, the band knows when to include a softer dynamic break or change the emotional tone enough to keep things from getting stale. There are several softer instrumental pieces throughout the album, and along with the subtle diversions sprinkled in throughout the bulk of the album, they manage to avoid letting the bloom fall off the rose.

I’m not entirely certain what ended Warhorse after just one full length and a few EPs. I’d certainly speculate that it’s possible they just had the one album in them. The two songs from the ‘I Am Dying’ EP that came out the following year (also included in this reissue as bonus tracks) suggest that Warhorse were kinda running in place. Even on ‘As Heaven Turns To Ash’, nearly twenty minutes of the album had been recorded in demo form around three years earlier. It would be safe to say that even considering the brief window of time they were together; Warhorse wasn’t a terribly prolific band. They came together and created one great album’s worth of material and moved on. You’d have to try pretty damned hard not to respect that.

Monday, 26 October 2015

Recitation - 'Carrion' (Album Review)

By: Richard Maw

Album Type: EP
Date Released: 09/10/2015
Label: Indisciplinarian 



‘Carrion’ is one twenty seven minute (!) track that is funereal in its approach, downbeat in its execution and extremely dark in content.  Massively heavy and plodding, incorporating vocals of the inhumanly low variety, the guitars are similarly tuned and the drums are massive and unforgiving.  Overall the record is an exercise in vibe and endurance.

‘Carrion’ DD//LP track listing

1). Carrion

The Review:

Recitation is a Danish “project” (so the internet says) that is very, very doom. ‘Carrion’ is one twenty seven minute (!) track that is funereal in its approach, downbeat in its execution and extremely dark in content. The vocals are of the inhumanly low variety, the guitars are similarly tuned and the drums are massive and unforgiving. The riffs are repeated ad infinitum, as you might expect, and there are not a huge number of them. The record is an exercise in vibe and endurance. Massively heavy and plodding until around 17 minutes in, when things pick up and the vocals are buried in the mix. Of course, it all slows down again later...

If you are a fan of the funeral end of doom or enjoyed the last Conan or Foehammer release, then you will most likely enjoy this. For me, these Danes are not the equal of either of those bands, but they certainly make a dark and heavy noise which is well worth checking out. Just don't expect dynamics or surprises.

‘Migation’ is available here

FFO: Conan, Foehammer, Ahab, Warhorse



Band info: bandcamp | tumblr

Saturday, 21 February 2015

The Sludgelord News: WARHORSE: Vice Magazine Levies The Heavy With A Stream Of "I Am Dying;" Reissue To See Release This Tuesday Via Southern Lord


With its official reissue now just days away, today Vice Magazine levies the heavy with a stream of "I Am Dying" from legendary Massachusetts doom weavers, WARHORSE.  

The gargantuan psalm comes by way of the band's final EP of the same name, initially unleashed in 2002 and now available as a companion to the band's As Heaven Turns To Ash... full-length, both given the reissue treatment by Southern Lord Recordings.Long out-of-print, fervently sought after, and unconditionally vital in foreshadowing the glut of current bands that indulge in slow, self-possessed, infernal low-end sound excursions, WARHORSE's As Heaven Turns To Ash and their subsequent I Am Dying EP still reeks of brimstone, bong smoke, and burning tube amp nearly fifteen years since their respective releases! Both slabs of doom domination will be combined and reanimated on double LP and digital formats courtesy of the Lord.  

In commemoration of its release, Vice kicks off your weekend with the sonic enormity of "I Am Dying" noting, "Doom is a careful and meticulous art, and WARHORSE did it right. They blended Sabbath-era blues riffs with obliterating vocals and enough dark walls of sound to transcend all of the usual run-of-the-mill stoner metal. It's a heavy dose of sludge... While bands like Sleep and Electric Wizard encouraged us to 'drop out of life with bong in hand' or mount the dopethrone, WARHORSE conjures a genuine sense of exuberant doom and despair."

Raise your doom claw to the sounds of "I Am Dying," now playing at THIS LOCATION.
 
You can also shake the pavement with "Doom's Bride," still weighing down the airwaves of Noisey at THIS LOCATION.

Forged in 1996 and lasting the best part of a decade, the output of WARHORSE wallows deep down, grooving at the kind of frequency usually associated with imminent natural disaster. But in addition to their intricate delivery, WARHORSE exuded an experimental, subtle psychedelic swagger which gave rise to gritty and memorable riffs, and saw them sharing stages with the likes of such amplification legends as Electric Wizard, Khanate, Acid King, High On Fire and Unearthly Trance.

As Heaven Turns To Ash... + I Am Dying will be released on double LP via Southern Lord Recordings on February 24th, 2015. A limited run of 500 copies on gold vinyl are available exclusively to mailorder customers. For preorder bundles go to THIS LOCATION. For digital orders go HERE.


Source: Earsplit PR

Monday, 9 February 2015

The Sludgelord News: WARHORSE: Hymn From Iconic Massachusetts Doom Conjurors Streaming At Noisey; As Heaven Turns To Ash... /I Am Dying Reissue Preorders Available


In just two weeks, Southern Lord Recordings will reissue the As Heaven Turns To Ash... debut and subsequent I Am Dying EP from short-lived, iconic Massachusetts doom conjurors, WARHORSE.

Long out-of-print, fervently sought after, and unconditionally vital in foreshadowing the plethora of current acts who indulge in slow, self-possessed, infernal low-end sound excursions, As Heaven Turns To Ash... was issued in 2001 with the band's final two-track I Am Dying EP unleashed just one year later, both via the Southern Lord stable. Still reeking of brimstone, bong smoke, and burning tube amp, both slabs of doom domination will be combined and reanimated later this month on double LP and digital formats.

In observance of its release, Vice Magazine's music portal, Noisey, hurls forth "Doom's Bride," the second movement off As Heaven Turns To Ash... elaborating, "Traditionally speaking, a war horse is a massive beast, capable of carrying its master into the heat of battle and fending off attackers by virtue of its imposing bulk and deadly flying hooves. From the plains of Asia to medieval bloodbaths up to the far-flung atrocities of WWII, war horses' lives were stained by blood, narrated by screams, and generally-mercifully-short. Given their brutal history, it's not exactly difficult to see why they'd serve as the namesake for not one, but at least five different heavy metal bands... The MassachusettsWARHORSE was as short-lived as its namesake, but left a far greater impact than any of those poor nags ever did. The scarcity of their recordings rendered them cult classics, and their syrupy, downtuned grooves more than stand the test of time -- a fact that Southern Lord picked up on when they decided to reissue WARHORSE's seminal 2001 full-length, As Heaven Turns To Ash..., and finalI Am Dying 7" together in one monumentally heavy package."

Feel the cataclysmic crush of "Doom's Bride" now suffocating the frequencies of Noisey at THIS LOCATION.

Forged in 1996 and lasting the best part of a decade, the output of WARHORSE wallows deep down, grooving at the kind of frequency usually associated with imminent natural disaster. But in addition to their intricate delivery, WARHORSE exuded an experimental, subtle psychedelic swagger which gave rise to gritty and memorable riffs, and saw them sharing stages with the likes of such amplification legends as Electic Wizard, Khanate, Acid King, High On Fire and Unearthy Trance.

As Heaven Turns To Ash... will be released via Southern Lord Recordings on February 24th, 2015. Preorder yours today at THIS LOCATION.


Source: Earsplit PR

Monday, 19 January 2015

The Sludgelord News: Daily Digest

Your rundown of the top sludge news stories of the day …

WARHORSE - It’s been 14 years since Massachusetts stoner doom band WARHORSE released their one and only full-length album, ‘AS HEAVEN TURNS TO ASH’. Since that time, wars have been fought, empires have been toppled and new ones have arisen. One of those empires is the Doom and Stoner genre in metal, there’s no denying its current surge in popularity led by bands like Uncle Acid &  the DeadbeatsElectric Wizard an Windhand. Well, SOUTHERN LORD RECORDS is asking the current generation of Stoner and Doom fans, “yeah, but have you heard ... this?”

The label will be re-issuing the classic long player on February 23, 2015 which is described as “absolutely vital in foreshadowing the plethora of current acts who partake in long-form, recklessly downtuned expeditions”. 

As an added bonus, the full album will feature a pair of bonus tracks, the complete ‘I AM DYING’ EP that was issued a year later in 2002.

Here are the details:
TRACK LIST:

As Heaven Turns To Ash LP
    1. Dusk
    2. Doom's Bride
    3. Black Acid Prophecy
    4. Amber Vial
    5. Every Flower Dies No Matter The Thorns (Whither)
    6. Lysergic Communion
    7. Dawn
    8. Scrape
    9. And The Angels Begin To Weep

I Am Dying EP
1. I Am Dying
    2. Horizons Burn Red


Source:
Rarelyunable PR

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BLACK SHEEP WALL - California sludge four-piece BLACK SHEEP WALL’s new album ‘I’M GOING TO KILL MYSELF’ won’t be released by SEASON OF MIST RECORDS until January 26, but you can hear “TETSUO THE DEAD MAN” right now on The Obelisk website.

"It's crazy how much can change in a year or two, but when you think about our history those who have been following us shouldn't be surprised", states guitarist SCOTT TURNER. "We're very excited about the release of 'I'm Going to Kill Myself', and the debut of Brandon as our full time vocalist after doing close to 7 years of duty on bass. His voice is the voice I've been waiting to have in the band for years.

“The album was just as much a labour of love as it was an arduous and brain wracking process. Once you hear the songs you'll know what I mean. They are a test of endurance as Jackson and I purposely tried to push the limits of taste for the album which I sometimes like to think of more as a special project than a true follow up album.

“'I'm Going to Kill Myself' is unique to us in that rather than sitting down for formal song writing sessions we kind of just wrote songs through conversations, and with odd symbols and notes on paper that translated to guitar, bass, and drums in the studio.”

The four song follow-up to 2012’s ‘No Matter Where It Ends’ is over an hour long and is capped by a closing track, ‘METALLICA’ which covers over half of that span. ‘Tetsuo the Dead Man’ isn’t nearly that long, but approaches the 10-minute mark with sustained fury.

You can stream the song at this location. If you like what you hear, you can pre-order the album at this location.


Source:
Season of Mist Records

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GHOLD - It was confirmed over the weekend that doom sludge duo GHOLD are set to release their second album. ‘OF RUIN’ will come out on March 16 through RITUAL PRODUCTIONS. The London-based drum and fuzz bass team were tapped by Terrorizer Magazine as “one to watch in 2015”, so the release of this album will be seen as the rising stars’ "big chance" and everybody involved in the project pushed themselves to the limit to make sure the band takes full advantage of the attention.

"We basically locked ourselves in the studio, slept on the floor, and just really pushed everything as far as we could,” said album engineer Dan Miller. “It was a real heady environment of manic creativity, where anything and everything was tried, and a lot of the more weird or offbeat ideas ended up really working. The result I think is something at times pretty heavy and mean, but also quite beautiful, warm, lush and completely original.”

‘Of Ruin’ will be available on CD and vinyl and the band will have an official album release show on March 20 at the Black Heart in London. You can watch a trailer video for the album at this location.


Source:
Rarelyunable PR

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DEATH ANGEL - Switching gears now, San Francisco thrash metal band DEATH ANGEL are set to take over the UK this August, with a string of four dates. The short run will begin on August 4 with a stand-alone headlining slot at Wolverhampton’s Slade Rooms. The band will then support prog legends Queensryche at Bristol’s Marble Factory on the 5th, London’s Electric Ballroom on the 6th (with Armored Saint) and finish out at the Brighton Concorde on August 7.

The band is touring on the strength of their 2013 album ‘The Dream Calls for Blood’ from Nuclear Blast Records. You can watch the video for the title track at this location, and if you like what you hear you can order the record here.

Once again the tour dates are listed as follows (find ticket links embedded within):


Source:
Nuclear Blast Records

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DOWNFALL OF GAIA - Moving across the Atlantic now, another tour is set to take place, though this one will be significantly longer and considerably darker. Metal Blade Records’s  very own German post-black metal quartet DOWNFALL OF GAIA will play over 20 cities during the course of their 23 day United States tour. It’s the band’s first opportunity to showcase material from their latest album, ‘AEON UNVEILS THE THRONES OF DECAY’ released in November, in the United States.

"We are pretty excited to return to the States and present our new record Aeon Unveils The Thrones Of Decay for the first time live on stage!” said Downfall of Gaia vocalist Dominik Goncalves dos Reis. “Six months of silence has passed and finally we are ready to hit the road again! Can't wait for this ride!"

You can get in on the ride at the following Tour Dates:
1/22/2015 Quinn's - Beacon, NY
1/23/2015 Kung Fu Necktie - Philadelphia, PA
1/24/2015 Mojo 13 - Wilmington, DE
1/25/2015 Metro Gallery - Baltimore, MD
1/26/2015 DC9 - Washington, DC
1/27/2015 Strange Matter - Richmond, VA
1/28/2015 The Earl - Atlanta, GA
1/29/2015 Will's Pub - Orlando, FL
1/30/2015 Churchill's - Miami, FL
1/31/2015 Fubar - St. Petersburg, FL
2/01/2015 The Handlebar - Pensacola, FL
2/02/2014 The Maze - New Orleans, LA
2/03/2015 Dirty Dog - Austin, TX
2/04/2015 Double Wide - Dallas, TX
2/05/2015 Fubar - St. Louis, MO
2/06/2015 Red Line Tap - Chicago, IL
2/07/2015 The Wisco - Madison, WI
2/08/2015 Now That's Class - Cleveland, OH
2/09/2015 The Shop - Pittsburgh, PA
2/10/2015 The Monkey House - Burlington, VT
2/11/2015 UANC - North Haven, CT
2/12/2015 O'Brien's - Boston, MA
2/13/2015 Saint Vitus - New York, NY


Source:
Earsplit PR

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ENABLER - In Ohio, hardcore metal trio ENABLER was at Silver Bullet Studios recently, hard at work recording their third studio album, Century Media revealed. It’s the band’s second album with producer Greg Thomas at the helm, who produced 2012’s ‘All Hail the Void’.

“It’s been great working with Greg Thomas again,” frontman Jeff Lohrber said. “I thought it was key to work with a producer who is not only a brilliant engineer, but also understands the band’s sound. We’ve done this before, so there’s a lot of fresh ideas coming out, some things we wanted to try previously but didn’t have the time, as well as a lot of reflection on the previous material of everything that we love about it as well as everything that we think needed to change.

“The collection of songs on this record is the most dense and diverse that I’ve written for Enabler, at times it is the band at its heaviest and most destructive moments and at times is the most melodic and heartfelt it’s ever been. There is also a general love for punk and traditional rock and roll that comes out on this record that the band hasn’t quite done before, with a lot of black metal style undertones hidden beneath it. The record just sounds scary, but very listenable at the same time. I’m always excited for every release the band puts out, but I think this one takes the cake on anything the band has done previously. I can’t wait for everyone to hear it.”

Fans will be able to hear it sometime in early summer, that’s where the release date is expected to fall around.


Source:
The Noise Cartel & Enabler

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OVID’S WITHERING - And we finish the weekend’s top news stories with a flair for the dramatic. Unique Leader Records will re-release Florida’s theatrical blackened technical metal quintet OVID’S WITHERING’s ‘SCRYERS OF THE IBIS’ LP on March 10.

The album, which was originally independently released back in 2013 to critical acclaim, will be released digitally as well as on CD and double vinyl. You can preview the album at this location and pre-order your copy at this location.


Source:
Earsplit PR

And now you’re all caught up in the world of sludge.