By: Richard Maw & Nathan Harrison
Album Type: Live Album
Date Released: 03/04/2020
Label: Blaze Bayley Recordings
“Live in
Czech” CD//DD track listing:
1. The Dark Side Of Black
2. A Thousand Years
3. Dark Energy 256
4. The World Is Turning TheWrong
Way
2. A Thousand Years
3. Dark Energy 256
4. The World Is Turning The
5. Human
6. Together We Can Move The Sun
7. Solar Wind
8. Virus
9. Life Goes On
10. Fight Back
11. Silicon Messiah
12. The Day I Fell To Earth
13. Eagle Spirit
14. Calling You Home
15. Stare At The Sun
16. Man On The Edge
17. Futureal
18. The Clansman
6. Together We Can Move The Sun
7. Solar Wind
8. Virus
9. Life Goes On
10. Fight Back
11. Silicon Messiah
12. The Day I Fell To Earth
13. Eagle Spirit
14. Calling You Home
15. Stare At The Sun
16. Man On The Edge
17. Futureal
18. The Clansman
The Review:
Blaze's live offering captures
him and his band, comprising members of Brit metal aces Absolva, at the end of a 59 date
(!) tour at the Melodka venue in Brno, Czech Republic at the tail end of
September 2019. Having seen Blaze around
a month earlier at The Underworld in London ,
I knew what to expect from a live document of the show.
To
fully explore the Blaze live
experience, Nathan Harrison, a Blaze
Bayley fanatic, of British doomers The Human Condition and Maiden tribute
band Maiden's Shadow has been asked to weigh in on this weighty release.
The
release takes in a monster eighteen tracks and spans a good portion of Blaze's career.
RM: The overall sound is as
live as it gets (to borrow a phrase!). It's raw and most definitely not
overdubbed or tweaked in the studio. Similar to the “Live in France ” release a while
back, this represents exactly what the band and Blaze sound like at a live gig- tight, fast and furious.
NH: As with any Blaze Bayley release (and as should be
expected) the man himself is the main focus here. Anybody who dismissed Blaze’s singing ability during the Maiden
days should give his recent solo releases a go as his voice and range have
improved beyond measure – the man is ostensibly a walking diaphragm, such is
his building-toppling vocal power. The band behind him certainly sounds tight
as always but they don’t quite pack the same punch they do when playing right
in front of you. A slightly beefier sound would have benefitted this release –
Chris Appleton’s guitar sound is quite trebly but the other instruments aren’t
given quite enough bass to compensate. That said, there are moments where the
overall sound simply soars – the more epic tracks were the focus of this tour
and it shows. “The World is Turning the
Wrong Way”, “Together We Can Move
the Sun” and “Eagle Spirit”, the stunning closer to
the latest studio release, are particular highlights.
RM: In terms of song
selection, Blaze has a lot to choose
from: Wolfsbane,
two albums with Iron
Maiden and all of his solo full band records - now close to double
figures. Perhaps unsurprisingly, “Live in Czech” focuses on a
selection of tracks from the “Infinite Entanglement” trilogy- with
a bent towards the more epic feeling songs from those three albums. There is a
fair smattering of Maiden classics here as well- “Virus “(appropriate for these times,
sadly) rears its head as do more obvious choices such as “Futureal” and “Man on the
Edge”. There is also the title track and “Stare at the Sun” from the “Silicon Messiah” album. The set
hangs together well and Blaze sings
all songs with total conviction. I personally would like to have heard a track
or two from the superb “The Man Who Would Not Die” record,
but I am splitting hairs. The fact that there is only one guitarist is of
course noticeable on the Maiden material, but so what? Chris Appleton
is a phenomenal player and his virtuosity and energy shine through on every
track.
NH: As the “Infinite
Entanglement” trilogy was the focus of this tour, this leaves little
room for anything unusual or surprising in the rest of the setlist – not that
there’s anything wrong with the other songs showcased here! The vastly
underrated Blaze era of Iron Maiden
is represented brilliantly by the tracks chosen here and Blaze picks some of his most popular earlier solo songs to round
out the set. The problem is that Blaze’s
solo catalogue is so solid that there’s always going to be something missing!
Songs from the aforementioned “The Man Who Would Not Die” and its
incredible follow up, “Promise and Terror” have been
largely absent from Blaze Bayley
shows in the last few years so a return for some of these would have been
welcome. The songs that are here, though, are some the best – “Stare at the Sun” particularly will
always be an incredible song, especially when played live with such gusto by
all concerned.
RM: As anyone who has been
to a Blaze live show knows, Blaze talks to his audience. A lot. He
delivers his song intros in a slow and stilted style- making sure that members
of the audience who do not speak English as a first language (i.e. probably
almost everyone) understands what he is saying. In a live setting it's an
endearing trait. On a live album, it can be a little distracting as it makes
for some lengthy intros and breaks between songs. This is, however, offset by
the fact that this is a live record- representative of the show, not a live
“greatest hits” contract filler. To be fair, the introduction to “Silicon
Messiah” is genuinely interesting as it tells the tale of how the band
in its current form came to be.
NH: For a lot of his time as
a solo artist, Blaze’s general
approach to audience interaction has remained unchanged. While it can
occasionally be a bit repetitive, his sheer love and gratitude for his fans is
undeniably real and he makes it clear just how much he relies on them when he
now self-releases everything he puts out. Blaze
is also a man who has been through some very tough times - personally and
professionally – but has come out of the other side. This determination is
reflected in the encouragement and advice he often gives to his audience and
the sentiment he puts into many of his lyrics. During these rather trying,
scary and altogether depressing and difficult times for many, we could probably
all benefit from being a bit more Blaze Bayley
about it all!
RM: I think this edges out “Live
in France ”-
the more epic material goes over really well live and as this was recorded long
after the “Infinite Entanglement” trilogy had been completed the set feels
really cohesive. The sound is also a notch above “Live in France ”-
a little clearer, a little more punchy to my ears.
NH: Given its very specific
focus, this is a strange album to compare to previous Blaze live releases with a broader approach. Sound wise, it
certainly edges out “Live in France ” but doesn’t quite
have the power of earlier releases “As Live As It Gets” and “The
Night That Would Not Die”. Blaze’s
performance, however, has only got better since these releases and, three
studio and two live releases in, the chemistry between him and Absolva
as his backing band is tangible.
In
conclusion, this is a real live album for fans who witnessed the tour, fans who
have the albums but couldn't make the shows or anyone interested in hearing
what a real professional metal band sounds like. Blaze Bayley is an international treasure of the metal scene and
one who deserves your support. He's out there; year after year, album after
album, tour after tour- relentlessly taking real heavy metal to the masses.
He's a totally independent artist these days, as he states at the start of “The Clansman”, and his passion and
commitment to the faith is unwavering. When the current dystopian world health
crisis is concluded, it's guaranteed that Blaze
will be coming to a venue near you and bringing his best. This live record is
definitive proof that you should go and see him and his band play- after all,
as recent events have proven, you never know when that option might be taken
away.
“Live in
Czech”
is available HERE