Showing posts with label Dunsmuir. Show all posts
Showing posts with label Dunsmuir. Show all posts

Sunday, 8 January 2017

THE 16 MOST POPULAR ALBUMS OF 2016: The Sour 16 End of Year List 2016


The Sour 16 End of Year List 2016
Whatever is going on in the world, in our personal lives, at work and at home, music is a constant source of escapism and as one year ends and another begins, the prospect that 2017 will bring another batch of fantastic releases is a mouth watering prospect. 

So, with that in mind, today we present the culmination of our efforts from 2016 and present “The Most Popular Albums of 2016” for your viewing pleasure.  I hope you had as much fun checking out the new music as we did presenting it to you. I’d like to bestow an immeasurable amount of gratitude to the contributors, who made this year so awesome. 

The results are compiled based on page views alone and calibrated into the list below. All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red). 


16). Gozu - "Revival” (1753) 

At their core, Gozu is a bad ass American rock band. They’ve got heavy riffs in tow and bang out tunes loud enough to piss off the neighbors. But Gozu is more than this. Gozu is a songwriting machine, one that is able to churn out eight loud, hard hitting compositions without sacrificing the meaning behind the songs or the band.  Gozu’s “Revival” is gruff and dirty when it needs to be just as it’s swift and soulful when the time is right.


15). Slomatics - "Future Echo Returns" (1818)

When a band's guitarist has their own signature fuzz pedal, it's a safe bet that they can cut through solid rock with their riffs; when both guitarists have an alternate version of the same pedal then prepare your eardrums for some serious, rock crushing heaviosity. The towering heaviness of the riffs and the images of the infinite, shimmering darkness of space is executed and captured perfectly. An amazing album worthy of any and all praise it will undoubtedly receives.


14) Rob Zombie - "The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser" (1935)

Rob Zombie hits a home run with each gnarly cut, keeping the fire hot throughout. Pastor Snow was right. Rock n’ roll has a great beat. And that evil feeling you feel when you sing it? It’s a good feeling to feel!


13) Conan – “Revengeance” (1964)

The song 'Every Man Is An Enemy' has one of the most metal sounding titles I've ever heard and the violent intentions inherent in the brooding, bruising riffs put the bands money where its snarling mouth is. 'Earthenguard', the final track of the 6 on offer, is a song so heavy it has its own gravitational pull. Its 12 minutes of neanderthalic doom which also swims and swirls thanks to the phased guitars. It's an odyssey, a massive trek through mountainous chops and pounding beats that are designed to systematically cave your head in.  Have Conan outdone themselves? Quite possibly.


12). Neurosis - “Fire Within Fires” (2056)

As this decade has yet to close, it's difficult to define what Neurosis are...but herein lies their beauty; you define who and what they are to you. After 30 years, these guys know what needs to go into a Neurosis record and will continue to do so until the music is finished with them.


11). Periphery- "Periphery III: Select Difficulty" (2137)

Experimental metal bands like Periphery will (hopefully) never settle for sticking to one particular groove.  Constantly innovating, this adds to “Juggernaut”, jumping off from that platform and diving into dark, unexplored depths.  Music should surprise and inspire, and “Periphery III: Select Difficulty” does both with eye-opening results.  Just watch out for unexpected face-melting, okay?

 

10). Asteroid - "III" (2159)

It is a hugely diverse record and shows the advanced musicianship between the band, blending all kinds of stoner rock and fuzz. This is a band who are firmly on the rise to the top and know exactly how to get there. One of the best releases of 2016 without a doubt.


 09). Dunsmuir - "Dunsmuir" (2341)

Dunsmuir, manages the uncanny trick of amounting to the sum of its parts. The record's players have some serious pedigree and none if it is wasted. Vinny Appice is as powerful as ever, with a beastly snare sound, while Bone and Davis are a formidable strings team. Fallon puts in a hardworking and uniformly stellar shift as per usual.  Simply put, if you like Clutch and Dio-era Sabbath, you will be right at home here. If you are a fan of Fu Manchu, there are sounds for you here as well. This album rocks, it’s that simple.


08). Wretch – “Wretch” (2673)

This is a fine debut and a much needed shot of trad doom, with actual songs, - in an era of obsession with amps and pedals (but without, you know, actual songs and stuff). It is a triumph for this intrepid trio and surely there are great things to come for the band. Make no mistake, Wretch are here and Wretch will bring you real doom or throw you out of the bar if you don't like it.



07). Subrosa- "For This We Fought the Battle of Ages" (3040)

If you love really emotionally charged hard hitting music, give this record a listen. I had very high expectations of this record, and those expectations were met and then exceeded.


06). Meshuggah - "The Violent Sleep of Reason” (3065)

Trying to describe Meshuggah’s sound is a challenge.  The only way I can put it is that they’re a musical cascade: a never-ending barrage of sound and heaviness pounding down upon you. Don’t expect or ballad or moments of levity here, this is a relentless tide which you will not escape from.  Tracks like ‘MonstoCity’ and ‘Our Rage Won’t Die’ are pummelling tracks of new material which can easily be slotted in to their live setlist and not seem out of place.  In fact, the same could be said for any of those songs on display here: like a chain forged by Vulcan, there’s not a weak link present.  It all hits, and hits hard.


05). Gojira - "Magma” (3156)

‘Magma’ is a record that envelopes you with its overtly dark drama, but within its haze, its crushing catharcism makes it one of the most special metal records to be released in some time.  It may not be the relentless assault many fans wanted from the album – and that’s not to say it is barren of those moments – yet, as a vehicle for emotional cleansing, as a eulogy and an obituary for a woman who shaped the personalities that drive this act, it is staggering.


04). Suicidal Tendencies - "World Gone Mad" (3326)

It flows in a virtually flawless manner and I do believe “World Gone Mad” will be remembered as one of their best records, ever.  This one’s a home run with a bullet. 

 

03). Blood Ceremony – “Lord of Misrule” (4006)

If you are new to Blood Ceremony, this album is as fine a place to start as any. If you have heard any of their previous albums and enjoyed them, your enjoyment of this one is guaranteed. This is as good an example as any of a band looking to the past both in terms of musical and folklore tradition to create fantastical and occult inspired music.


02). Megadeth - "Dystopia" (6616)

This line-up has introduced itself with a battering ram of thrash utopia; the riffs, the fury and the sizzling lead playing present here stands toe-to-toe with the bands best 21st century output.  It’s a record which accentuates the bands relevancy in 2016. Masters of their trade just listen to ‘Lying In State’ and tell me they can’t smash shit up with the best of them. They continue to release music and make the effort to give more content for their fans to consume. Not many other bands their age can say that.


1). Alter Bridge - (20,702)

If you have any interest in the more commercial end of the rock and metal spectrum i.e. Metallica, Maiden, Soundgarden and so on then this album could be a fine intro to the band. If you are a fan already you will enjoy this one immensely. Alter Bridge are leading lights in modern rock and may well be the last of a dying breed.



A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  September’s “Sour 16” features reviews by:  Richard Maw, Theron Moore, Dan Brownson, Jake Wallace, Phil Weller, Chris Markwell, Chris Bull & Victor Van Ommen

Saturday, 13 August 2016

The Sludgelord "Sour 16 for July 2016

By: Aaron Pickford


As we talk stock at The Sludgelord, that we achieved the milestone of publishing 4000 articles and over 2000 album reviews this week (n.b. Steve Howe’s contributions cannot be understated), our commitment to offer you many more magnificent riffs is unwavering, therefore it is time cast our minds back upon the month of July and digest the 16 albums that would become July’s sacrilegious ‘Sour 16’, the finest and most profane riffs around bundled together into a premium sized sonic soufflé.

You know the drill, each month; you the reader are unwittingly compiling a list of the top 16 records that we featured in July, covering all genres of metal.  Is it not a chart, in which reviewers or contributors extol their opinion about their favourite music.  The ‘Sour 16’ are the records that have been trending the most at Sludgelord Headquarters.

The results are compiled based on page views alone and calibrated into the list below. So kick back, with a cold one and let the power of the riff compel thee! All reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red)

16). Graves At Sea – “The Curse That Is” (303)

The album opener and title track drops the anchor to establish the length, tone and rhythm this 76 minute voyage is about. An unpredictable, violent haze of amplifier worship, “The Curse That Is” is a strong candidate for one of the top 10 albums of 2016.




15). The Human Condition – “Pathways” (308)


This is a classy album, full of doom and melancholy. The band are great live and boasts some of the North West's most enduring doom talent from such luminaries as Unsilence, for instance. The band play a blinder throughout and front man Nathan Harrison really captures the feeling of powerlessness so prevalent in the lyrics and themes here. Harrowing stuff indeed.





14). The Order of Israfel – “Red Robes” (330)


Titled "Red Robes," their sophomore album is a crushing slab of classic doom. Twin guitar harmonies permeate the arrangements; slow, lumbering beats intermingle with high-energy, uptempo passages; stark vocals deliver creep out lyrics; all in support of their almighty neck breaking riffs.


13). Wytch Hazel – “Prelude” (343)

If you have any interest in Tull, Ash, Lizzy, Sabbath et al and yearn for a band to come along and play like those heroes of a bygone era, Wytch Hazel are definitely worth your time and money. They are a great band and one that is doing something unique- out are occult tropes and devil-ish imagery, in are song-writing, medieval sonics/themes and enthusiasm rather than cynicism. A triumphant record on every level.





12). Bleak – “No Light No Tunnel” (350)


From the jagged intro of “Teeth” to the guttural barks that bring “Fuck Your God” to a close, Bleak do not let up for a second. Every track here is a potent blend of Converge’s nastiest moments and the crushing attack of Coalesce brewed in a vat of filthy, thick sludge.  “No Light No Tunnel” is not pretty but makes for a horribly captivating listen. Few records this year will match the vitriolic onslaught Bleak deliver here.





11). Adolyne – “Of Ash/Of Shit/Of Shame” (363)


The whole album feels like it’s teetering on the edge of collapse which lends a real thrill and urgency to proceedings. This is felt most strongly during epic closer “Brawler’s Fracture”. Intense, restless riffing akin to Keelhaul is swallowed by a buzzing swarm of squealing guitars that threaten to consume all. Just before chaos fully descends, the track breaks into a crushing slow-motion finale.  “Of Ash/Of Shit/Of Shame” is a skilfully constructed visceral journey. Adolyne create a unique noise, a captivating damaged racket that will enrapture those with a taste for uneasy listening.





10). Wo Fat – “Midnight Coment” (400)


Stoner, psychedelia, doom and classic rock all coalesce here with massive results. Only one track under five minutes, the rest sprawling languidly well over that mark. Hendrix jamming with Fu Manchu and Sabbath¸ simply put, this is storming stuff; wrought from the heaviest of iron and the lightest of air. Massive.





9). Ghold – “PYR” (444)


“PYR” is an exceptional release from Ghold that really cements their position as the finest heavy act in the UK right now. It is the sound of a band who exist in a world of their own, above and beyond our plane of existence and drifting ever closer to the outer limits.





8). Reproacher – “Nature’s Bastard” (475)

Huge, awkward riffs dominate the landscape, their ugly, discordant racket is reminiscent of Converge at their nastiest.  This is a mighty offering, a captivating combination of savage intensity and considered dynamics.





7). Cough – “Still They Pray” (507)





6). Solothus – “No King Reigns Eternal” (748)


An encompassing album with an unforgiving heaviness, "No King Reigns Eternal" sees Finns Solothus’ improve on their debut album, and release one of the heaviest doom releases so far this year. Instilled with death metal elements and no signs of calm, it is a harrowing album full of weighty monolithic riffs and a murky atmosphere.





5). Wormed – “Krighsu” (953)


Krighsu’ is ten tracks of unrelenting tech-death, set at a warp speed that has no intention of ever slowing down.  Space is infinite, and it seems WORMED’s ability to create jaw-breakingly heavy music is just as vast.





4). Cold World – “Autumn” (1033)


Börner writes and creates music that should appeal to both purist and tourist alike. Not because he haphazardly smashes the pieces into each other, like a child with their toys, but because his instincts and strengths do so organically.  “Autumn’ is flush with atmosphere and overall is a cohesive and brilliant listening experience.


3). Wretch – “Wretch” (1877)

This is a fine debut and a much needed shot of trad doom, with actual songs, - in an era of obsession with amps and pedals (but without, you know, actual songs and stuff). It is a triumph for this intrepid trio and surely there are great things to come for the band. Make no mistake, Wretch are here and Wretch will bring you real doom or throw you out of the bar if you don't like it.





2). Periphery – “Periphery III: Select Difficulty” (2009)


Experimental metal bands like Periphery will (hopefully) never settle for sticking to one particular groove.  Constantly innovating, this adds to “Juggernaut”, jumping off from that platform and diving into dark, unexplored depths.  Music should surprise and inspire, and “Periphery III: Select Difficulty” does both with eye-opening results.  Just watch out for unexpected face-melting, okay?


1). Dunsmuir – “Dunsmuir” (2021)

Dunsmuir, manages the uncanny trick of amounting to the sum of its parts. The record's players have some serious pedigree and none if it is wasted. Vinny Appice is as powerful as ever, with a beastly snare sound, while Bone and Davis are a formidable strings team. Fallon puts in a hardworking and uniformly stellar shift as per usual.  Simply put, if you like Clutch and Dio-era Sabbath, you will be right at home here. If you are a fan of Fu Manchu, there are sounds for you here as well. This album rocks, it’s that simple.




A big thank you as always to our amazing writers, your dedication knows no boundaries and for that I am truly grateful.  February’s “Sour 16” features reviews by:  Richard Maw, Daniel Jackson, George Parr, Charlie Butler, Chris Markwell, Doza Hawes  & Gerardo Pacheco

Saturday, 9 July 2016

The Sludgelord Presents: The Top 16 of the Sour 16 (January - June 2016)

By: Aaron Pickford

 
As I reflect incredulously upon 2016 so far, the first six months has seen writers and contributors come and go, there have been marriages, house extensions and new children, so it continues to confound my expectations that The Sludgelord exists at all, let alone being able to reflect upon six months worth of albums.
 
2016 is like any other, we predict this year’s releases will not top the last, but invariably we are proven wrong,  there have been highlights and disappointments, shocks and surprises, and as we approach the second week of July, we’ll continue to separate the good, from the bad and the ugly.  But today we reflect upon the 16 most popular records at The Sludgelord so far in 2016.  
 
This list does not reflect the contributors own tastes, rather they are articles that have received the most clicks, therefore by virtue of that, you could argue they’re the most popular (it’s a pretty loose hypotheses I know, but we wanted the list to reflect your tastes not ours).  The fact that the albums cover a variety of genres is indicative of how the site has grown and is central to the philosophy we promote, which is to review albums we like, not solely on the basis of genre.
 
The albums compiled in this list may not specifically be doom or sludge, but they are great albums nonetheless.  The results are compiled based on page views alone and all reviews can be viewed by clicking the artwork and we have included album streams wherever possible. (Total views since their publication are highlighted in red)



16). Bedowyn – “Blood of the Fall” (922)

While the overall sound is pretty weighty, this is not as aggressive as the likes of the High on Fire; Bedowyn cover more of a middle ground. This is eminently listenable and surprisingly accessible stuff. “Cotards Blade” is a good example of the overall sound; riffs, elements of traditional metal, some time changes and definitely metal drumming (not rock, as it were) but it won't take your head off. “Blood Of The Fall” is a fine independent release by Bedowyn and a worthy addition to the stoner doom/heavy metal canon. Support the band and check it out.

http://thesludgelord.blogspot.co.uk/2016/05/bedowyn-blood-of-fall-album-review.html


15). Oranssi Pazuzu – “Värähtelijä’” (932)
 
Taking the album “as is”, ‘Värähtelijä’ contains flashes of brilliance, plenty of greatness, but a general need to be a bit more concise and efficient. It’s not every idea that deserves five minutes of exploration. In fact, very few ideas deserve that kind of focused repetition. Still, there’s no doubting that Oranssi Pazuzu are one of the few truly unique metal bands going in 2016, and that counts for a lot


http://thesludgelord.blogspot.co.uk/2016/01/oranssi-pazuzu-varahtelija-album-review.html


14). Churchburn & Opium Lord - “Churchburn/Opium Lord” (937)

Like a swift punch to the throat, this split by Pawtucket,Rhode Island crushers Churchburn and Midlandsfilth mongers Opium Lord is both unexpected and completely disabling. Released in Europe through the fantastic F H E D and on the other side of the Atlantic by DG Records, this release packs enough of a wallop to take down a herd of elephants.

http://thesludgelord.blogspot.co.uk/2016/06/churchburn-opium-lord-churchburnopium.html
 
13). Goya – “The Enemy” (977)
 
The buzz saw grind that so powerfully embodies Goya is, on this four track EP, infested with a horripulation that sees the Arizona three-piece sounding creepier and more terrifying than ever before.

http://thesludgelord.blogspot.co.uk/2016/03/goya-enemy-ep-review-song-premiere-of.html
 
12). Lord Mantis – “NTW” (999)
 
'NTW' or 'Nice Teeth Whore' is classic Lord Mantis.
 
http://thesludgelord.blogspot.co.uk/2016/03/lord-mantis-ntw-review.html

11). The Body – “No One Deserves Happiness” (1147)
 
Horns swell as dim, low riffs wash over your mind, drums vacillate between cold sweetness and strong blows and the stage of chaos is set by the high screaming voice of unreason, formless yet voluminous and constant. Static whispers through grating frequencies and primal percussion, augmented by surprising claps and snaps, urges the dance of a readied, warring people. The Body’s latest is an opus to ecstatic agony redolent of SWANS and Neurosis’ output. If no one deserves happiness, I suggest here that it is earned.
 
http://thesludgelord.blogspot.co.uk/2016/01/the-body-no-one-deserves-happiness.html
 
10). Borknagar – “Winter Thrice" (1151)
 
Even though ‘Winter Thrice’ is firmly rooted in the present sound, I’d strongly argue that this is the best iteration of their established prog rock-obsessed extreme metal sound to date. The songwriting is the strongest it’s been since ‘Empiricism’, and the album sounds absolutely fantastic from a production standpoint. Vintersorg should also be commended for turning in his best vocal performance to date, which comes from someone who has been a diehard ICS Vortex devotee when it comes to Borknagar’s vocalists. It helps that the music behind him lends itself to his strengths, driven by big, ringing chords and some delicious guitar leads.
 
 
http://thesludgelord.blogspot.co.uk/2016/01/borknagar-winter-thrice-album-review.html
 
09). Its Not Night: Its Space – “Our Birth Is But A Sleep And A Forgetting” (1304)

No vocals, just a lot of stoned, smoky repetition that is equally spiritual as it is absolutely mind blowing.
http://thesludgelord.blogspot.co.uk/2016/06/its-not-night-its-space-our-birth-is.html
 
08). Boss Keloid - “Herb Your Enthusiasm” (1490)
 
Herb Your Enthusiasm” is a powerfully elegant dirge. It’s masterfully produced with guitar tones that have their own suffocating gravitational pull, a comatose rhythm section that rumbles like the uneasy shifting of tectonic plates and Alex Hurst’s air raid siren howls all coming together to sound simply imperious. There’s an elevation to it, an otherworldliness and a freshness that wrestles with the aesthetics of the influences that shape their wide open sound that reeks of individualism. And it is upon that identity that they are forging their way to becoming something far greater than just another sludge band. Stand up. Pay attention. Boss Keloid are the pinnacle of the sludge movement right now.
 
http://thesludgelord.blogspot.co.uk/2016/02/boss-keloid-herb-your-enthusiasm-album.html

07). Budgie – “The MCA Albums 173 - 1975” (1502)
 
These reissues should be picked up by anyone with an interest in the era, the growth of the“heavy” genre and by anyone looking for some quality hard rock, played well, by great musicians. Lars Ulrich is no Pete Boot or Steve Williams (who play solidly and professionally on the albums re-packaged here), but he knew a tune when he heard one, all those years ago
 
http://thesludgelord.blogspot.co.uk/2016/06/budgie-mca-albums-1973-1975-album-review.html
06). Criminal – “Fear Itself” (1556)
 
Quite simply, this is the best thrash record I have heard yet this year and may well remain so. It edges towards death metal (in the same manner that the Seps' early work does) but this is just vicious stuff. This type of album is why I first started listening to thrash and extreme metal. The sound and the fury. Dios mio! What a fantastic album from a band playing with fire and passion.
 
http://thesludgelord.blogspot.co.uk/2016/05/criminal-fear-itself-album-review.html
 
05). Dunsmuir – “Dunsmuir” (1637)
 
Dunsmuir, manages the uncanny trick of amounting to the sum of its parts. The record's players have some serious pedigree and none if it is wasted. Vinny Appice is as powerful as ever, with a beastly snare sound, while Bone and Davis are a formidable strings team. Fallon puts in a hardworking and uniformly stellar shift as per usual. Simply put, if you like Clutch and Dio-era Sabbath, you will be right at home here. If you are a fan of Fu Manchu, there are sounds for you here as well. This album rocks, it’s that simple
 
http://thesludgelord.blogspot.co.uk/2016/07/dunsmuir-dunsmuir-album-review.html
04). Conan  - “Revengeance” (1700)
 
The song 'Every Man Is An Enemy' has one of the most metal sounding titles I've ever heard and the violent intentions inherent in the brooding, bruising riffs put the bands money where its snarling mouth is. 'Earthenguard', the final track of the 6 on offer, is a song so heavy it has its own gravitational pull. Its 12 minutes of neanderthalic doom which also swims and swirls thanks to the phased guitars. It's an odyssey, a massive trek through mountainous chops and pounding beats that are designed to systematically cave your head in. Have Conan outdone themselves? Quite possibly.
 
 
http://thesludgelord.blogspot.co.uk/2016/01/conan-revengeance-album-review.html

 
03). Gojira – “Magma” (2030)
 
‘Magma’ is a record that envelopes you with its overtly dark drama, but within its haze, its crushing catharcism makes it one of the most special metal records to be released in some time. It may not be the relentless assault many fans wanted from the album – and that’s not to say it is barren of those moments – yet, as a vehicle for emotional cleansing, as a eulogy and an obituary for a woman who shaped the personalities that drive this act, it is staggering.
 
http://thesludgelord.blogspot.co.uk/2016/06/gojira-magma-album-review.html
 
02). Blood Ceremony – “Lord of Misrule” (3722)
 
If you are new to Blood Ceremony, this album is as fine a place to start as any. If you have heard any of their previous albums and enjoyed them, your enjoyment of this one is guaranteed. This is as good an example as any of a band looking to the past both in terms of musical and folklore tradition to create fantastical and occult inspired music.
 
http://thesludgelord.blogspot.co.uk/2016/05/blood-ceremony-lord-of-misrule.html
 
01). Megadeth - "Dystopia" (5903)
 
This line-up has introduced itself with a battering ram of thrash utopia; the riffs, the fury and the sizzling lead playing present here stands toe-to-toe with the bands best 21st century output. It’s a record which accentuates the bands relevancy in 2016. Masters of their trade just listen to ‘Lying In State’ and tell me they can’t smash shit up with the best of them. They continue to release music and make the effort to give more content for their fans to consume. Not many other bands their age can say that.
 
http://thesludgelord.blogspot.co.uk/2016/01/megadeth-dystopia-album-review.html