Showing posts with label Hex Records. Show all posts
Showing posts with label Hex Records. Show all posts

Thursday, 7 September 2017

ALBUM REVIEW: Grizzlor - "Destructoid"

By: Charlie Butler

Album Type: Full Length
Date Released: 15/08/2017
Label: Hex Records



“Destructoid” is a record that fully lives up to its title. Grizzlor have served up a sumptuous platter of riffs that effortlessly lays waste to the opposition.

“Destructoid” CD//DD//LP track listing:

1). Fruitloopville
2). House in the Woods
3). Tooth Pain
4). Miserable Jerk
5). Stupid Shit
6). Too Many People
7). Fighting Aliens With No Gravity
8). Wade’s Notes
9). Feeling Like Shit
10). Simulation
11). Quit And Die


The Review:

New Haven’s Grizzlor continue to carve out their own bizarre niche in the world of noise rock with debut LP “Destructoid”. The band achieve a perfect balance of lurid absurdity and nasty heaviness like opening up a kids comic book to discover it has been used to harbour dark top-shelf material.

The album lurches into life with the gargantuan “Fruitloopville”. Imagine a 50 foot Clutch after having their drink spiked by the Melvins and you have an idea of the monstrous, city-levelling riff Grizzlor unleash here. This sets the scene for the next thirty minutes of mayhem. While on previous releases the band have ripped through seven songs in ten minutes, here they have managed to lengthen their attention span in order to wring maximum impact from their bottomless arsenal of weapons-grade riffs. “Tooth Pain” and “Simulation” prove they can rock hardcore punk tempos without losing their edge but it is the relentless attack of closer “Quit Ad Die” that captures the band at their peak.

The fact that Grizzlor can achieve this and maintain their unhinged acid-fried intensity is no mean feat. Key to this are the vocals and lyrics of guitarist Victor. His barked maniacal delivery is the perfect vehicle for his darkly comic rants on tooth pain, crippling paranoia and feeling like shit. The air of weirdness is enhanced by outbursts reverb-drenched lead guitar that lend the likes of “Feeling Like Shit” a warped surf edge.

“Destructoid” is a record that fully lives up to its title. Grizzlor have served up a sumptuous platter of riffs that effortlessly lays waste to the opposition.

“Destructoid” is available here



Band info: bandcamp || facebook

Tuesday, 15 August 2017

TRACK PREMIERE: New Haven noise trio Grizzlor raise the finger to mediocrity with “Fruitloopville”



 



Spewed forth into existence in the year 2013, GRIZZLOR hit the Earth with a misanthropic thud. Hailing from the toxic depths of New Haven, CT, these are three dudes power slopping their way through the daily drudgery, weighed heavy with fuzz, sludge and an itching disdain for the mundane. Their anthems are sonically beefy for the sardonically bored. 

Coming 3 years after the release of their 7” “When You Die”, GRIZZLOR will finally release their first full-length album, "Destructoid", on September 8th via Hex Records  and their unique brand of lurid, sludgy weirdness is perhaps more potent than ever.  Coming across like the Melvins providing a twisted soundtrack to Saturday morning kid’s cartoons, "Destructoid" is a barrage of sharp angular riffs, aggressively pummeled rhythms and vocals spat through a wall of misanthropic fuzz and today we are excited to deliver a  brand new exclusive track, for your listening pleasure.

To quote Fight Club “This is your life and it’s ending one minute at a time”, so why not enrich it by playing a cool fucking tune by kick ass band. Check out the magnificent “Fruitloopville” below, preorders for “Destructoid” are available here.

 







Band info: facebook || official || twitter || instagram || youtube

Tuesday, 9 August 2016

"Riffs are our Future" - In conversation with Godstopper Mastermind Mike Simpson and New Song Exclusive



Like a disgruntled commuter waiting for the number 83 bus, invariably you wait that long for your mode of transport to come along and then 2 -3 come along at once.  Not that I am comparing today’s featured artist to a bus, but Hex Records will be releasing another batch of material from Toronto's Godstopper, a band we featured just last week with the premiere of a new track from their forthcoming split with compatriots The Great Sabatini set for release via No List Records.  

In addition to properly giving their download-only 2015 full length "Lie Down" (with "The Children Are the Future" EP as bonus tracks) a proper physical release on CD, Hex Records will also be releasing a new 12" EP entitled "Who Tries Anymore"Godstopper is essentially the project of songwriter Mike Simpson who has members backing him up live and sometimes in the studio. Their heavy-handed approach brings to mind everything from The Melvins, to Cave-In, Mare and Torche.

So with the release of "The Children...","Lie Down", and now on "Who Tries Anymore" the progression from harsh, down-tuned sludge fests with hidden hooks and melodies has almost been reversed.” Who Tries Anymore" is Godstopper presenting their most blatantly catchy songs to date whilst retaining their core heavy elements, in turn this material showcases the exceptional song writing talent of Simpson coupled with his pitch-perfect vocals. 


Today, we are delighted to have been given another opportunity to showcase this unique band, with the debut of their track “Halfway” from their forthcoming EP.  Not only that, you can check out my short interview with Godstopper mastermind Mike Simpson, all of which can be viewed and consumed below. 

SL: Mike, thanks for do this, can you give us an insight into how you started playing music, leading up to the formation of Godstopper and the release of your current record?


Mike Simpson: That would take a long time! I’ve been playing music since I was about 12 years old. I started playing in metal bands of the “post-metal” and “progressive” variety about 10 years ago. I had a more funk-oriented band that I led for a period of time, sort of a la Mr. Bungle. I started Godstopper in late 2010 (after a false start consisting of one show in 2009), recorded a demo by myself, and then got others to join the band and play with me.  In addition to the demo, “Empty Crawlspace”, we’ve released a full length “What Matters”, a split 7-inch with Tendril (featuring our track “Everybody Writes Good Songs”), an EP “Children are our Future”, and a second full-length “Lie Down”.

SL:  What can you tell us about your upcoming record and where do you feel it sits within the context current doom scene


Mike Simpson: I think you could say we are doom-inspired, but from more or less the get-go I figured “doom” wasn’t the best classification for us. This was verified when I sent the demo tracks off to Edgy 59 from Burning Witch, who was kind enough to respond to me with his feelings on the music…I’m only paraphrasing his words slightly; he said “call it what you want, but this is not doom”.


More recently, through a random facebook conversaton, I got Sean “Pellet” Pelletier (Bobby Liebling’s manager, or at least was so in Last Days Here…I’m sure he’d be familiar to you and your readership!) to listen to the music, which I recall him describing as “melodic post rock”.  No mention of doom.


Point being, if those two guys, who I’d consider to be among the best authorities on what doom music is, don’t think it’s doom, I don’t think I’d call it that either. More realistically, I’d say we are one of many bands who include doom music into a broader stream of influences. I suppose this would make us “post-rock” or “post-metal”, although both of those classifications miss the mark for me, in terms of the impression they give.

SL: What was the mood in the camp going into the recording of the record?


Mike Simpson: One track, “Halfway”, was recorded with the full band back in fall 2015. The other four tracks were recorded with just me playing the instruments. For those tracks, I was happy to see things through from creation to execution. It also gave me a good excuse to improve my drum skills (in the beginning, I played drums for our live shows, but have since switched to guitar).


SL: What can fans look forward to from you over the next 12 months? How is your schedule shaping up?


Mike Simpson: We have three releases coming…”Who Tries Anymore” is already available via Hex Record’s bandcamp, and pre-orders for the vinyl can also be made there. Additionally, we have a split tape with The Great Sabatini coming out later this month, through No List Records. And we have a split with GRIZZLOR coming out through Corpse Flower Records in the fall. We’ll play shows as the opportunities come. Due to the level of time and money investment required, it is doubtful there will be a tour from us anytime soon.
  


You can stream the track “Halfway” below and pre-order Godstopper’s new material at the Hex Records with one simple click here
Band info: facebook

Wednesday, 13 July 2016

Bleak - "No Light No Tunnel" (Album Review)

By: Charlie Butler

Album Type: Full Length
Date Released: 08/07/2016
Label: Hex Records

 
 
From the jagged intro of “Teeth” to the guttural barks that bring “Fuck Your God” to a close, Bleak do not let up for a second. Every track here is a potent blend of Converge’s nastiest moments and the crushing attack of Coalesce brewed in a vat of filthy, thick sludge.  “No Light No Tunnel” is not pretty but makes for a horribly captivating listen. Few records this year will match the vitriolic onslaught Bleak deliver here.
 
“No Light No Tunnel” DD//LP track listing:
1). Teeth
2). Cut Throat Rapture
3). I Can Not Die
4). Crowley
5). Needles
6). Crawl
7). Roses
8). First Born
9). No Time
10). Fuck your God
 
The Review:
An album titled “No Light No Tunnel” by a band called Bleak does not fill the listener with hope for hard partying good times. The second album from the New York quartet fulfils all of your worst expectations in a satisfyingly brutal style with thirty minutes of relentless bile-soaked hate.
From the jagged intro of “Teeth” to the guttural barks that bring “Fuck Your God” to a close, Bleak do not let up for a second. Every track here is a potent blend of Converge’s nastiest moments and the crushing attack of Coalesce brewed in a vat of filthy, thick sludge. Shards of serrated guitar burst through bowel-churning riffs while tempos switch between high octane punk rock and churning noise rock grooves. The vocals are an incessant feral howl that enhance the air of anger and futility.
Bar a few instances, most notably the punishing “Roses”, Bleak do not take their foot off the gas. Sometimes a lack of variety can make for a monotonous listen but Bleak’s single-minded focus on unyielding aggression only increases the sledgehammer-impact of this LP. The quality of the band’s assault is maintained throughout with a sustained intensity that makes this an addictive adrenaline rush of ugly noise.
No Light No Tunnel” is not pretty but makes for a horribly captivating listen. Few records this year will match the vitriolic onslaught Bleak deliver here.
“No Light No Tunnel” is available here
Band info: facebook