ALBUM REVIEW: Dytopian Future Movies, "Inviolate"

By: Peter Morsellio

Album Type: Full Length

Date Released: 02/03/2020

Label: Lasairfhíona Records

“Inviolate” CD//DD//LP track listing:

1. Countenance
2. Wreckage
3. Rules
4. All the Light
5. Kathleen
6. Black Cloaked
7. Ten Years

The Review:

The juxtaposition of beauty and dissonance in music is an often attempted and often failed venture. It takes a very special creative mind to find the connection points to make that puzzle fit together. On “Inviolate”, the ghostly sophomore effort from Dystopian Future Movies, this puzzle is completed. 

“Inviolate” drips with haunting beauty in its ethereal vocals and silky atmospheres.  Melodies are sweet and floating, with harmonies that seep deep into the listener's mind, wrapping them in a comfortable embrace.  On the other side of that same coin there is a cold darkness, chilling to the bones. A blackened void that swallow’s life. This is the marriage that Dystopian Future Movies consummates on this album. A powerful emotional output balanced with the bleak grey of cacophonous insanity.

Notes on this album range from ethereal pop to a dreamily melodic post rock to the dark chaotic soundscapes of black metal.  These diverse offerings are handled with the delicate care with which one would tend any garden. And like a good garden, the individual parts are not on display as the stars of the show, but rather the picture as a whole. There is no melody and cacophony, there is no hard and soft. Neither beauty nor ugliness. Neither darkness nor light.  Rather, Dystopian Future Movies creates something entirely its own from all of these parts.

This may not be an album for everyone. Some will claim it too soft; others might call it strange. But these terms are walls of our own construction. We cannot let them contain us. “Inviolate” is not dream pop, it is not post rock.  It's not sludge and it's not black metal.  Rather, Dystopian Future Movies has crafted a work of art that is wholly its own.

Band info: facebook || bandcamp

ALBUM REVIEW: Iron Monkey, "9-13"

By: Ernesto Aguilar

Album Type: Full length

Date Released: 20/10/2017

Label: Relapse Records

"9-13" offers a shredding sludge attack and is a violent rejoinder of why Iron Monkey got its reputation as a doom/sludge vanguard. All these years later, Iron Monkey remains gritty and uncompromising. Predictions for a return were invariably high. "9-13" does not blow those expectations out of the water. Nor does Iron Monkey disappoint. For that, there's much to smile about.

“9-13” CD//DD//LP track listing

1. Crown of Electrodes

2. OmegaMangler           

3. 9-13

4. Toadcrucifier - R.I.P.PER

5. Destroyer

6. Mortarhex

7. The Rope

8. Doomsday Impulse Multiplier

9. Moreland St. Hammervortex

The Review:

Sterling though it is, Iron Monkey has a name circulated mostly through lore. Its 1996 EP and 1998 full-length, honestly, came out when a fair number of metal fans were children. Of those consciously watching sludge metal at the time, scores of acts have since surpassed Iron Monkey and its sparse output. Yet the notoriety of the band has lingered. Its brash and unfiltered metal through the lungs of vocalist Johnny Morrow was, for many, that blending of punk and metal that ensembles like Crass or 45 Grave were for fans in respective decades previous. Not that the UK crew gained those levels of recognition, or are anywhere the same, but you get the idea: something with an appeal that set it apart from others. After Iron Monkey faded with the untimely death of Morrow in 2002, you could assume the boys from Nottingham would be little more than a faded memory or trivia at a punk club's quiz night.

Not so fast.

Following a nearly 20-year break hastened by the death of its lead singer, Iron Monkey return to take up the accolades the group never received in its heyday. Implausible though that comeback might be its new release, "9-13," rolls up to make a claim for the throne.

Returns like this can be a controversial business at times. Here, founding members Jim Rushby, on guitars and vocal duties, and bassist Steve Watson are back in place, but original drummer Justin Greaves has bowed out. The new Iron Monkey has opted to go it as a trio, replacing Greaves with Scott Briggs, one of the former drummers of Bristol hardcore legends Chaos UK. No Greaves and no original singer may prompt some gnashing of teeth from the outset. Yet having Bushby and Watson, who were nevertheless architects of the band's grimy sludge metal clatter, may keep you curious enough to give "9-13" your full attention.

With the opener, "Crown of Electrodes," you are left with the clear impression that Iron Monkey is rejoining us largely as a punk act. No bones about it that there's plenty of sludge and grind in this corybantic gruel. Still, in what could be Briggs' influence or a new direction decades on, there is irrefutably a hardcore tension in the All Pigs Must Die vein here. Some might criticize Iron Monkey for this or the vocals, which tend to be an echo of Morrow. However, all things change and, to tell the truth, this may be the first real introduction to Iron Monkey a lot of people have had. You can judge this on the strength of "9-13" alone and step away gratified.

There are a few near missteps. "Toadcrucifier - R.I.P.PER" opens with 30 seconds of pointless guitar feedback – although feedback starting "The Rope" is equally unlistenable. Fortunately enough, Iron Monkey makes up for it by delivering a crushing cut that pours on the aggression. The title selection before it uses the same feedback affectation, but similarly the trio redeems itself by serving up a whip tight track of metal-infused punk. In fact, the guitar feedback bit is used on several more songs; it can be cute for the new high school metal band, but gives "9-13" an 'out of ideas' vibe that is unnecessary. In fact, Iron Monkey's layoff has not left members bereft of passion or ideas. The group feels potent and ready to meet both new fans and skeptics. You just wish these small things did not detract from such a dexterous and forceful performance.

"9-13" offers plenty for veteran fans, such as "Doomsday Impulse Multiplier," a shredding sludge attack and the closing, "Moreland St. Hammervortex," which is a violent rejoinder of why Iron Monkey got its reputation as a doom/sludge vanguard. All these years later, Iron Monkey remains gritty and uncompromising. Predictions for a return were invariably high. "9-13" does not blow those expectations out of the water. Nor does Iron Monkey disappoint. For that, there's much to smile about.

"9-13" is available here:

Band info: bandcamp || facebook