Showing posts with label Ritual Psychedelic Sludge. Show all posts
Showing posts with label Ritual Psychedelic Sludge. Show all posts

Thursday, 24 May 2018

ALBUM REVIEW: Nibiru, "Netrayoni" (2018)

By: Ernesto Aguilar

Album Type: Full Length (Reissue)
Date Released: 25/05/2018
Label: Argonauta Records


Vocal treatments, humming effects and elements you rarely hear in sludge decorate the exteriors everywhere. The heart of these songs is firmly in the doom/sludge camp, but this iteration of Nibiru was fearless in an atypical fashion when it came to experimentation

“Netrayoni” 2CD//DD track listing:

1). Kshanika mukta
2). Apsara
3). Sekhet aahru
4). Qaa-om sapah
5). Arkashani
6). Kwaw-loon
7). Sekhmet
8). Celeste samsara is broken
9). Viparita karani
10). Sothis
11). Carma geta

The Review:

Italian sludge trio Nibiru released last year's "Qaal Babylon" to some acclaim. The dense atmosphere and ambitious orchestration made it one of the strongest recordings in its discography. With interest up, its label has seen fit to remaster and reissue the band's second album, "Netrayoni." The results are as good as you might anticipate.

The reissue catches the sludge gods at some of their wilder best. "Netrayoni" got favorable reviews when it came out four years ago. It is a record that has held up quite well.

Nibiru's superpower has always been doing uncommon music. Its thick arrangements always have a flourish of something different. That is great for metal connoisseurs who will not be satisfied with just glacial chords, and want a new take on the music. The band is also apt to challenge its fans, as it does in the forbidding 11-minute opener "Kshanika mukta." A noise infused track, it's a step back a few years to what a slowed down version of The Body may have grilled in its backyard. There are syncopated guitars with distortion and quirky vocals. However, songs like "Apsara" and "Sekhet aahru" offer the traditional sludge as only Nibiru can do.

This album was released in 2014, when drummer Siatris was still with the band. Those who came to the group with "Qaal Babylon" may notice delicate divergences. L.C. Chertan was behind the kit for the last record, and the playing there was measured and quite deliberate at turns. "Netrayoni" sees a more ragged style take hold, which works for the record, particular on winding, freakier, more progressive cuts such as "Celeste samsara is broken." On the other hand, it is surely a ponderous matter to hear what the 16-minute "Kwaw-loon" might have become if Chertan had been on the original recording. Nibiru's delivery is nevertheless stunning.

If you are a newer fan, be aware this album is a departure. Vocal treatments, humming effects and elements you rarely hear in sludge decorate the exteriors everywhere. The heart of these songs is firmly in the doom/sludge camp, but this iteration of Nibiru was fearless in an atypical fashion when it came to experimentation. By all means, the current formation remains excellent. However, with "Netrayoni," you are sure to discover layers to the trio you may have missed on its last album. In all, this diversity is only going to make you love what they do all the more.

“Netrayoni” is available here



Band info: bandcamp || facebook

Saturday, 9 May 2015

Ritual Beginnings - An interview with NIBIRU


NIBIRU have been perfecting their self proclaimed – Ritual Psychedelic Sludge – for a few years now. We've featured them on the blog countless times now. I've reviewed every album they've released so far. Plus I've interviewed them twice before.

Today, NIBIRU are a different band to when they started. They have become something more progressive, experimental and one of the most out-there bands from the Italian Sludge/Doom Metal Scene. They're about to release their incredible new album – Padmalotus – via Argonauta Records (Some other good pals of ours doing a great job).

Padmalotus is a different beast to NIBIRU's past two albums. This one is more experimental, heavier, psychedelic and scarier at times. The sheer volume of noise and experimentation that the band have created on the album makes this an album of the year contender.

This is what I had to say about the album - “Padmalotus is a very dark album as Nibiru venture further into the Ritual Sludge part of their music. It can be very primal at times with the band trying to survive from their own musical landscapes.

I class Padmalotus as Nibiru's most defining work to date. It won't be for everyone as it's a complex and wonderfully strange experience that runs for 66 mins or so. Nibiru have proven once again they are one of the most daring and creative forces in Italian Sludge Metal next to Ufomammut. Padmalotus is a thrilling and bold album that will rank as one of my albums of the year. No Question.”

I've been asked to interview NIBIRU again though this interview will focus on the new album and their plans for the future. You can read the other interviews here and here.

Photo courtesy of Robert Longo

Hi guys. Thanks for doing this. How are things with you today. Been a while since we last spoke. Hope things are well.

Ardath: It is a pleasure to do a new interview with you. It seems that it is a regular date now. That means Nibiru is alive and throbbing, and it strikes. From the release of Netrayoni to the making of Padmalotus (from the second half of 2014 to the first months of 2015) we had an intense and stimulating year.

I can't believe we are here to talk about your new album – Padmalotus. Your 3rd album overall. Did you think you would ever release your 3rd album in 3 years.

Siatris: “Honestly I’d say no. In the last years we have only focused on playing. We left our music flowing and we recorded what came out from the amplifiers.

Ardath: After Netrayoni and its promotion, at the middle of last year, we got together in our temple. New riff and new ideas have begun to take shape without any calculations. They immediately struck us, we realized that something of extremely interesting was coming to light. It was exciting to see Padmalotus taking shape within just a few months.


You guys are very quick workers as you only released your last album. Sorry double album back in Jan 2014. Do you always think about the next album when you've released the new album. As I thought you guys would take a break from it all.

Ardath: Our music comes out instinctively without calculations. There is only that moment in which the energies drag us, making time impalpable. A band takes a break when you notice that the inspiration is totally missed, when you feel you have no more energy, but this is not the case of Nibiru. I’d say that you will be able to listen a new record from Nibiru in 4 years. We are very inspired. There are still 3 unreleased songs off Padmalotus sessions.

Your new album is called Padmalotus. Why did you call the album this. Any specific meaning to this name.

Siatris: Padma means lotus in the Tibetan language. The concept of Padmalotus is linked to the chakras and the Kundalini Shakti, but the lotus is also the perfect representation of the illumination, because it is a flower that is born in the mud, grows in water and opens its blossom to the sky. So the enlightened keeps the feet firmly planted on the ground, but his mind is free from the constraints. I think that is highly zen, very relaxing. I think it creates a nice contrast inside our music.

What can people expect from the new album.

Ardath: Padmalotus features the psychedelic violence of Caosgon, the Netrayoni's uncontrolled insanity, and a new energy that takes shape in a destabilizing record.


What does the album mean to you as a band and individually.

Ardath: For Nibiru it is an important and fundamental point of transition. It concludes a three-years concept and it represents a new exciting beginning. Personally Padmalotus and the signing to Argonauta Records are satisfactions very difficult to explain. Lots of sweat, so much work, so many difficulties materialized in evident recognitions. We have a new energy to detonate in Nibiru.

Siatris: Personally it is a big step forward. This album was a challenge and I think it was exceeded, now other challenges come, and I am ready to accept them. As a band this is our third work, so it's a confirmation that we are not a meteor that passes through and disappears... We are Nibiru, when we pass through we leave the sign.

Was it an easy or hard album to write and record for.

Ardath: personally I did not find differences in the composition of the pieces of the new album, maybe in some parts, which have a more song form. We were more "controlled" but overall the songwriting style of Nibiru has not undergone upheavals, there are moments of improvisation. Mixing and recording, always made strictly live, were handled with more care but again without changing our sound.

Siatris: for me it was more difficult, especially the phase of the premix, because I want that all the sounds stood out before entering the studio to complete the work.


Did you do anything differently recording this album compared to your other two albums.

Siatris: the approach is always the same, we have worked all together: bass, drums and guitars are recorded at the same time. We overdubbed synth and others instruments like didgeridoo, but the difference is that we wanted a more powerful sound so I played a second guitar on all parts. I've played guitar because I have a different style compared to Ardath, I am still very attached to black metal, so you can hear two guitars that work in unison, but in a very different.

It seems your profile has gradually been growing over the last few years. The Doom/Sludge/Stoner Metal community thinks very highly of you guys. Have you seen that yourselves or do you just let the music do the talking.

Ardath: our music brought something special in a genre that was becoming extremely repetitive in the music scene today, even more in Italy. It is not easy to stand out. If this has happened to Nibiru it means that something has been done. We start from Padmalotus and the forthcoming live shows.

Looking back on your last two albums. Would you change anything about them or you happy with the way things are.

Ardath: We would not change anything, we are absolutely satisfied with what has been done and the responses had proved it. Every past situation brought me more experience and knowledge, but the past must be overcome in order not repeat itself, never.


I've noticed you've changed your sound again on the new record compared to the other two albums. The album is more structured and songs have a direct approach compared to your other albums. Was that an easy or hard experience to go through. Is this how NIBIRU will sound like in the future.

Siatris: we always try to improve our sound and I believe that things have changed from Caosgon. The first album had a sort of punk spirit, the recording is very dirty, almost nothing was overdubbed, Netrayoni was the pinnacle of the improvised phase, the sound is born spontaneously, in Padmalotus we sought a more direct sound, we were not satisfied of the first results, and in the mixing, we worked meticulously.

Ardath: I was the most skeptical when I’ve listened to the songs as they had a different structure compared to the previous CD’s. But I have to admit I was wrong. Of course the most difficult step was to insert new sounds while maintaining the approach and the sound of Nibiru and vary some – as for some riffs or structures - the way I play guitars. It has been a valuable, stimulating and educational experience. Padmalotus is a new starting point, we do not care looking back. From here on, I'm curious to listen to the next Nibiru.

You've hooked up with Argonauta Records for the release of this album. How did you hook up with Gero. Who seems to be releasing some brilliant albums of late. Huge fans of his work here.

Ardath: Gero knew our previous records and we followed the work of Argonauta with great interest, and there was a mutual respect. We contacted Argonauta as soon as we had in our hands a first track of Padmalotus. We sent it to Gero to get his opinion, then we met to know each other personally. We had a mutual desire to work together. Finally we have a label that works hard in Italy. It’s good to consistently promote certain genres of music.

Did you have any other label interest other than Argonauta Records.

Ardath: Our first two albums were mainly self produced as our own choice. We respect Argonauta as said above, so we wanted to approach them and start an important collaboration. Other labels can approach Nibiru but right now the only thing very important for us is Argonauta. Gero is doing an impeccable job for us and with us.

Have you guys performed more gigs over the last couple of years or so. Are there any plans to do a more extensive European tour. Or is it too expensive to do.

Ardath: We have not played so much live shows but the few we played have showns a band that knows how to strike the crowd, and to stay in the damned souls of those who attend our gigs. Certainly we would like to do an European tour. Nothing is impossible.


We have to talk about the brilliant album cover for Padmalotus. Who designed that cover. As it perfectly matches the mood of the album. Did you have much input to the overall design of the album cover.

Siatris: The cover was designed by a good friend, a very good illustrator. We talked about the topics of the album and he has reached the target, giving us an incredible design, the androgynous Shiva / Shakti that opens the third eye, the spider weaving the universe, and the figures on the sides that cut the head waiving their own ego. All this represents the best of our ideas.

So what do the next 12 months have in store for NIBIRU. Anything you like to share with our readers.

Ardath: Now we want to enjoy Padmalotus. We are curious to get feedback from the listeners but we are also conscious of having done a job that people will talk about. We are planning live shows, and in particular we are waiting for the final confirmation in the next edition of a major rock festival. You can also read an interview with Nibiru on the next issue of Metal Hammer UK.

Well guys thanks for doing this. Always great to feature you guys. All the best with the new album.

Ardath: thanks, Nibiru will not disappoint you.

Words by Steve Howe and NIBIRU

Thanks to Barbara at NeeCee Agency for arranging this interview. Padmalotus will be available to buy on CD/DD from May 14th 2015 from Argonauta Records.

For More Information

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Sunday, 19 April 2015

NIBIRU - Padmalotus (Album Review)

























Album Type: Album
Date Released: May 14th 2015
Label: Argonauta Records

Padmalotus - Track Listing

1.. Krim
2. Ashmadaeva
3. Trikona
4. Khem

Members:

Ardath | Guitars and Vocals
Ri | Bass and Synthesizers
Siatris | Drums, Percussions, Guitars, Screaming, Didgeridoo and Virus

Bio:

Since their inception in 2012, NIBIRU gave vent to their ritualized improvisation urge. They totally refused the concept of ordinary song form, leaving their energy flow, and channelling that into live recordings. "The first 2 years of NIBIRU were a time of empathic creativity. We used to communicate in a roundabout way. Improvisation was instinctive during the making of CAOSGON. Some kind of song structure was there, but in fact we went through an explosion of freedom in writing and playing. NETRAYONI is the zenith of NIBIRU’s improvisation. Maybe those times have been unique, most likely they are”, states the bassist RI.

In Fall 2014 NIBIRU signed to Argonauta Records, and CAOSGON and NETRAYONI (originally self-released) were reissued by the label in January 2015.

Following their philosophical path, the band crafts PADMALOTUS ("padma" means lotus in Tibetan language). Once again, the lyrics are in Enochian language. “We have chosen to reveal our invocations using this ancient language, in order to express ourselves in many different ways. Our lyrics are very personal and can’t be compared to traditional patterns. Enochian language allows phonetics to take space, so that our feelings can be expressed without being trivialized by constrictive words”, explains Ardath.

Through PADMALOTUS, out in May 2015 via Argonauta Records, NIBIRU reach their artistic peak. Or at least until the next expressions of their invocations.

Review:

Nibiru have came a long way when they first contacted me back in late 2012 to check out their music video for Invokation IV. Heru-khentan-maati - which actually got banned from YouTube for a short period of time. The video captured this bands strange and wonderful sound that they call - Psych Ritual Sludge. Since then they've released two albums - Casogon and Netrayoni Ritual Parts 1 and 2. Nibiru's music has evolved with their last two albums from a more Drone/Ambient/Doom/Psych Sludge with their first album to a more primal and experimental sound with their last double album.

Within that time they've won their fair share of admirers within the Sludge Metal community. Though you need to be in a certain mood to listen to Nibiru's music as nothing is ever as straight-forward in Nibiru's world. Nibiru return with their eagerly awaited 3rd album - Padmalotus. This album sees Nibiru takes elements from their previous albums and give it a more crazier and psychedelic style of twisted Ambient/Drone/Doom/Sludge. Nibiru say this album is a major step forward for them as a band compared to their previous two albums. And I have to say I agree with that statement as Padmalotus sees Nibiru at the height of their musical talents.

The album demands your full attention as opening track - Krim - creates a mysterious and challenging world where the vocals are sang thru distinctive chants that appeared on the first two records. Though there a lot more easy to understand here. Nibiru merge Drone, Ambient, Noise and Psychedelic Nightmarish Doomish vibes. I've described these guys as Uformammut meets BONG in the past and that's about as close as a description I can possibly get. However, Nibiru take their sound onto the next level of distorted and twisted visions. Krim is an epic 12 minute head-trip of the highest order. Vocals drift from one spaced out dimension to the next and the music comes across like a distorted drone based battle.

Padmalotus is a very dark album as Nibiru venture further into the Ritual Sludge part of their music. It can be very primal at times with the band trying to survive from their own musical landscapes. When Nibiru venture into fast-paced territory on the 2nd song - ASHMADAEVA - another psychedelic epic assault on the senses though at least the band offer a more traditional structured song compared to the previous track. It's still another noisy and experimental affair with the ritual sludge riffs being built around Ardath's intense vocals.

The vocals are sung in the Enochian Language and the album has a deep meaningful and complex message that may be too jarring for some people to listen to. Well if they can understand it that is. I'm just going to focus on the music as I will admit I haven't a clue what the band are singing about, though that’s one of the albums strong points. As it dares to be brave, bold and different to other Sludge Metal albums currently out there. The album is packed full of progressive cosmic wonder as each passing second expands into minutes without you ever realising it.

The albums other two epic songs - Trikona and Khem - follow the same dark, twisted and experimental path with the emphasis firmly on noise and volume. Nibiru add a few moments of spine-tingling horror atmospherics with some very haunting soundbytes. The band play some of their more faster drone based riffs on the second half of the album as Nibiru become ever more comfortable with their role as Masters Of Twisted Violent Psychedelic Sludge Overlords. A word of warning though - Khem is on for 28 mins and it’s one song that I had to take a break from as the guitars can be quite punishing at times. Especially with the amount of reverb and feedback Nibiru have created here. Still my favourite track off the album though. Wait until you experience it for yourself.

Do I like this album? Yeah I do. I class Padmalotus as Nibiru's most defining work to date. It won't be for everyone as it's a complex and wonderfully strange experience that runs for 66 mins or so. Nibiru have proven once again they are one of the most daring and creative forces in Italian Sludge Metal next to Ufomammut. Padmalotus is a thrilling and bold album that will rank as one of my albums of the year. No Question.

Thanks to Gero at Argonauta Records and Barbara at NeeCee Agency for the promo. Padmalotus will be available to buy on CD/DD from May 14th 2015 from Argonauta Records.

Words by Steve Howe

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