Showing posts with label NeeCee Agency. Show all posts
Showing posts with label NeeCee Agency. Show all posts

Sunday, 24 May 2015

OBESE - KALI YUGA (Album Review)

























Album Type: Album
Date Released: June 01st 2015
Label: Argonauta Records

Kali Yuga - Track Listing:

01 - Enion
02 - Rite Of Fire
03 - Kali Yuga
04 - The Bitter Blast
05 - Red As The Sun
06 - Steamroller
07 - Down The Gauntlet
08 - Bow
09 - Begetter Dead Letter

Bio:

OBESE hail from Holland, they are authors of a crunchy, catchy, powerful and above all heavy as hell sound! Bringing the groove back into stoner and feeding your appetite with fat tunes that will leave you hungry for more. The weight and thickness of sound is being explored one track at a time: corpulency never felt that good. The immense riffage in a vast landscape of bulldozing euphony will leave nobody unsatisfied.

Review:

Sometimes a band gets locked into a certain sound or feel for an album. Obese is not this band. This four-piece from The Netherlands has released a heavy sonic maze that weaves and wanders through tones, tempos, and vocals. Trying to guess the feel of the next song is not worth the time. This album, Kali Yuga, has break-apart fuzz for the sludge heads and driving blues riffs for the fans of classic stoner jams.

The first track “Enion” starts with a punch to the chest from what may be the heaviest vocals I have heard from modern heavy bands. Combined with heavy toms and blasts of fuzz from the guitars, you get a feel of what this band is offering up. The riffs that develop at the end of this track show that Obese has some chops and can use them.

“Rite Of Fire” throws the first of many change-ups on this album. For fans of more modern stoner vibes, this track has a bit more of a modern feel. The track has a quicker tempo with all the heavy guitar tones you would expect from the opening track. I began to see some a glimpse of influence from some of the classic desert bands (Kyuss, early Fu Manchu). The title track, “Kali Yuga” and “The Bitter Blast” gave proof that the early stoner/desert bands played a part in Obese’s sound. “Red As The Sun” is one of the tracks on this album that stood out. It has all the parts of a song that got me excited to hear new bands. The riff on track opens with is as heavy and fuzzed-out groove as I have heard in a long time. The song transforms with some heavy drums in the middle and comes right back to that sweet riff.

The final tracks on the album, “Steamroller”, “Down The Gauntlet”, and “Bow”, have a heavier and more classic sludge vibe but stills show a bit more of a swampy blues feel with some touches of prog-rock. The final track, “Begetter Dead Letter,” threw the final change-up with a sludge jam that wrapped this album up the way it began by leaving you guessing. The track is unapologetic and dark in its guitar tone and rhythm section with a nod to some Pink Floyd and Black Sabbath.

Kali Yuga showcases Obese’s ability to take multiple influences and use it to create a flowing, calculated record. Some bands tend to try this but usually end up with weaker tracks taking a back seat to the stronger ones. Kali Yuga delivers on each track and still maintains strength in each song’s individualism. I am definitely looking forward to seeing them live and hope they can capture the album’s strength on stage.

Words by Rick Fogarty

Thanks To Barbara at NeeCee Agency and Gero at Argonauta Records for promo. Kali Yuga will be available to buy from June 1st 2015.

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Saturday, 9 May 2015

Ritual Beginnings - An interview with NIBIRU


NIBIRU have been perfecting their self proclaimed – Ritual Psychedelic Sludge – for a few years now. We've featured them on the blog countless times now. I've reviewed every album they've released so far. Plus I've interviewed them twice before.

Today, NIBIRU are a different band to when they started. They have become something more progressive, experimental and one of the most out-there bands from the Italian Sludge/Doom Metal Scene. They're about to release their incredible new album – Padmalotus – via Argonauta Records (Some other good pals of ours doing a great job).

Padmalotus is a different beast to NIBIRU's past two albums. This one is more experimental, heavier, psychedelic and scarier at times. The sheer volume of noise and experimentation that the band have created on the album makes this an album of the year contender.

This is what I had to say about the album - “Padmalotus is a very dark album as Nibiru venture further into the Ritual Sludge part of their music. It can be very primal at times with the band trying to survive from their own musical landscapes.

I class Padmalotus as Nibiru's most defining work to date. It won't be for everyone as it's a complex and wonderfully strange experience that runs for 66 mins or so. Nibiru have proven once again they are one of the most daring and creative forces in Italian Sludge Metal next to Ufomammut. Padmalotus is a thrilling and bold album that will rank as one of my albums of the year. No Question.”

I've been asked to interview NIBIRU again though this interview will focus on the new album and their plans for the future. You can read the other interviews here and here.

Photo courtesy of Robert Longo

Hi guys. Thanks for doing this. How are things with you today. Been a while since we last spoke. Hope things are well.

Ardath: It is a pleasure to do a new interview with you. It seems that it is a regular date now. That means Nibiru is alive and throbbing, and it strikes. From the release of Netrayoni to the making of Padmalotus (from the second half of 2014 to the first months of 2015) we had an intense and stimulating year.

I can't believe we are here to talk about your new album – Padmalotus. Your 3rd album overall. Did you think you would ever release your 3rd album in 3 years.

Siatris: “Honestly I’d say no. In the last years we have only focused on playing. We left our music flowing and we recorded what came out from the amplifiers.

Ardath: After Netrayoni and its promotion, at the middle of last year, we got together in our temple. New riff and new ideas have begun to take shape without any calculations. They immediately struck us, we realized that something of extremely interesting was coming to light. It was exciting to see Padmalotus taking shape within just a few months.


You guys are very quick workers as you only released your last album. Sorry double album back in Jan 2014. Do you always think about the next album when you've released the new album. As I thought you guys would take a break from it all.

Ardath: Our music comes out instinctively without calculations. There is only that moment in which the energies drag us, making time impalpable. A band takes a break when you notice that the inspiration is totally missed, when you feel you have no more energy, but this is not the case of Nibiru. I’d say that you will be able to listen a new record from Nibiru in 4 years. We are very inspired. There are still 3 unreleased songs off Padmalotus sessions.

Your new album is called Padmalotus. Why did you call the album this. Any specific meaning to this name.

Siatris: Padma means lotus in the Tibetan language. The concept of Padmalotus is linked to the chakras and the Kundalini Shakti, but the lotus is also the perfect representation of the illumination, because it is a flower that is born in the mud, grows in water and opens its blossom to the sky. So the enlightened keeps the feet firmly planted on the ground, but his mind is free from the constraints. I think that is highly zen, very relaxing. I think it creates a nice contrast inside our music.

What can people expect from the new album.

Ardath: Padmalotus features the psychedelic violence of Caosgon, the Netrayoni's uncontrolled insanity, and a new energy that takes shape in a destabilizing record.


What does the album mean to you as a band and individually.

Ardath: For Nibiru it is an important and fundamental point of transition. It concludes a three-years concept and it represents a new exciting beginning. Personally Padmalotus and the signing to Argonauta Records are satisfactions very difficult to explain. Lots of sweat, so much work, so many difficulties materialized in evident recognitions. We have a new energy to detonate in Nibiru.

Siatris: Personally it is a big step forward. This album was a challenge and I think it was exceeded, now other challenges come, and I am ready to accept them. As a band this is our third work, so it's a confirmation that we are not a meteor that passes through and disappears... We are Nibiru, when we pass through we leave the sign.

Was it an easy or hard album to write and record for.

Ardath: personally I did not find differences in the composition of the pieces of the new album, maybe in some parts, which have a more song form. We were more "controlled" but overall the songwriting style of Nibiru has not undergone upheavals, there are moments of improvisation. Mixing and recording, always made strictly live, were handled with more care but again without changing our sound.

Siatris: for me it was more difficult, especially the phase of the premix, because I want that all the sounds stood out before entering the studio to complete the work.


Did you do anything differently recording this album compared to your other two albums.

Siatris: the approach is always the same, we have worked all together: bass, drums and guitars are recorded at the same time. We overdubbed synth and others instruments like didgeridoo, but the difference is that we wanted a more powerful sound so I played a second guitar on all parts. I've played guitar because I have a different style compared to Ardath, I am still very attached to black metal, so you can hear two guitars that work in unison, but in a very different.

It seems your profile has gradually been growing over the last few years. The Doom/Sludge/Stoner Metal community thinks very highly of you guys. Have you seen that yourselves or do you just let the music do the talking.

Ardath: our music brought something special in a genre that was becoming extremely repetitive in the music scene today, even more in Italy. It is not easy to stand out. If this has happened to Nibiru it means that something has been done. We start from Padmalotus and the forthcoming live shows.

Looking back on your last two albums. Would you change anything about them or you happy with the way things are.

Ardath: We would not change anything, we are absolutely satisfied with what has been done and the responses had proved it. Every past situation brought me more experience and knowledge, but the past must be overcome in order not repeat itself, never.


I've noticed you've changed your sound again on the new record compared to the other two albums. The album is more structured and songs have a direct approach compared to your other albums. Was that an easy or hard experience to go through. Is this how NIBIRU will sound like in the future.

Siatris: we always try to improve our sound and I believe that things have changed from Caosgon. The first album had a sort of punk spirit, the recording is very dirty, almost nothing was overdubbed, Netrayoni was the pinnacle of the improvised phase, the sound is born spontaneously, in Padmalotus we sought a more direct sound, we were not satisfied of the first results, and in the mixing, we worked meticulously.

Ardath: I was the most skeptical when I’ve listened to the songs as they had a different structure compared to the previous CD’s. But I have to admit I was wrong. Of course the most difficult step was to insert new sounds while maintaining the approach and the sound of Nibiru and vary some – as for some riffs or structures - the way I play guitars. It has been a valuable, stimulating and educational experience. Padmalotus is a new starting point, we do not care looking back. From here on, I'm curious to listen to the next Nibiru.

You've hooked up with Argonauta Records for the release of this album. How did you hook up with Gero. Who seems to be releasing some brilliant albums of late. Huge fans of his work here.

Ardath: Gero knew our previous records and we followed the work of Argonauta with great interest, and there was a mutual respect. We contacted Argonauta as soon as we had in our hands a first track of Padmalotus. We sent it to Gero to get his opinion, then we met to know each other personally. We had a mutual desire to work together. Finally we have a label that works hard in Italy. It’s good to consistently promote certain genres of music.

Did you have any other label interest other than Argonauta Records.

Ardath: Our first two albums were mainly self produced as our own choice. We respect Argonauta as said above, so we wanted to approach them and start an important collaboration. Other labels can approach Nibiru but right now the only thing very important for us is Argonauta. Gero is doing an impeccable job for us and with us.

Have you guys performed more gigs over the last couple of years or so. Are there any plans to do a more extensive European tour. Or is it too expensive to do.

Ardath: We have not played so much live shows but the few we played have showns a band that knows how to strike the crowd, and to stay in the damned souls of those who attend our gigs. Certainly we would like to do an European tour. Nothing is impossible.


We have to talk about the brilliant album cover for Padmalotus. Who designed that cover. As it perfectly matches the mood of the album. Did you have much input to the overall design of the album cover.

Siatris: The cover was designed by a good friend, a very good illustrator. We talked about the topics of the album and he has reached the target, giving us an incredible design, the androgynous Shiva / Shakti that opens the third eye, the spider weaving the universe, and the figures on the sides that cut the head waiving their own ego. All this represents the best of our ideas.

So what do the next 12 months have in store for NIBIRU. Anything you like to share with our readers.

Ardath: Now we want to enjoy Padmalotus. We are curious to get feedback from the listeners but we are also conscious of having done a job that people will talk about. We are planning live shows, and in particular we are waiting for the final confirmation in the next edition of a major rock festival. You can also read an interview with Nibiru on the next issue of Metal Hammer UK.

Well guys thanks for doing this. Always great to feature you guys. All the best with the new album.

Ardath: thanks, Nibiru will not disappoint you.

Words by Steve Howe and NIBIRU

Thanks to Barbara at NeeCee Agency for arranging this interview. Padmalotus will be available to buy on CD/DD from May 14th 2015 from Argonauta Records.

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Monday, 13 April 2015

Interview with Bantoriak


Bantoriak have released one of the most trippiest debut albums of the year so far with Weedooism. It's style of Stoner, Doom, Psychedelic Rock and Drone will leave you in a trance. It's being released on our good pals – Argonauta Records.

If you're into Sleep, OM and Kyuss then this is the album for you. I wanted to find more about the main man behind Bantoriak. I'm happy to say that Izio – the genius behind Bantoriak has agreed to talk to me at Sludgelord HQ.

You can find out what I thought about this brilliant album here:

Now lets get started with Izio aka BANTORIAK.

Hi Izio, How are things with you today. Thanks for doing this interview.

Thanks for the interview.


We are mainly here to talk about your new musical project – Bantoriak. Can you tell our readers how this project came about?

Project born by the will to express in a personal view, 30 years of listening and passion for a different type of music genre.

What inspired you to form Bantoriak as it’s a weird, trippy and psychedelic wild ride?

Mostly I get my inspiration from the sound of stoner/doom/psychedelic bands, trying to create a personal sound mixing with ambient/drone influences.

You’re about to release your new album – Weedooism. Can you tell people what to expect from this album.

In my vision it's a trip through images which spark of emotions of a human soul from Apollonian to Dionysian moods


Why did you choose the name for – Weedooism – for the album? Any specific meaning.

"Weedooism" it's a combination between "Weed" and "Voodoo" two kind of things that alter human perception , make the mind more receptive and introspective.

Was this a hard album to write and record for? As it’s a multi-layered and complex album at times.

As most of creative processes, Weedooism started from a rough idea too, refined and stratified during studio sessions.

You have a few special guests helping you out on the album. Was it easy convincing the people to participate on the album? (Fabio is from EREMITE, Rosy from Professional and Giacomo from ISAAK)

It was a pleasure working with all of them , because i always appreciated their own bands and their albums. When I asked them to work together with me at Bantoriak they were enthusiastic and they helped me so much to draw the album up.

Especially Mattia Cominotto (sound engineer)who produced the perfect sound for Weedooism.

Did you write all the music and lyrics yourself or did you have help from your friends on the album.

Bantoriak was born like a one man band project , but without the artists who helped me, Weedooismit would be not the same.

Weedooism feels like an out of body experience where you’re kept in a trippy state from the different noises and sounds you have created on the album. Was that your intention to create something tribal, trippy and psychedelic?

Yes, my intention was to create a sound trip that passing through various imaginary in one vision.


Which bands and artists influenced you a musician. Any specific band or album that stands out.

My favourite artists that influenced me: OM, SLEEP, KYUSS, SUNN O)))

You’ve probably read my review. Though the more I listen to the album I feel this album is very personal to you. Especially on Lysergic Tantra. As it brings a sense of reflection of remembering times in your youth.

Yes, I read your review and I really enjoyed it, 'cause I think that you have hit the essence of my work. In effect this is an album that tells so much about me and Lysergic Tantra reflecting a part of me and of my life story


You have a weird and wonderful vocal style that’s very much your own sound. Can you describe how you prepare to lay down vocal tracks in the studio as it’s more of a tribal/chant style?

Thanks. I'm fascinated by vocal techniques used in some rituals and ancient cultures, so I just tried to put them inside my work. To obtain the right voice and attitude you must have a good control of your breath and a sort of ''spiritual'' mood.

What is your musical setup when recording in the studio or playing live. Is it an advanced or basic setup?

The setup is basic:
Guitars (Gibson Les Paul Custom 1980 - Fender Telecaster)and Bass (Fender Precision)are dropped in D .
Valvular amplifiers (Fender Deluxe combo- Matamp -Mesaboogie bass amp)
Cabinet (Orange 4*12- ammpeg 8*12)
Handcrafted bronze drum kit
Love pedal fuzz, Ibanez vintage delay
Electric Piano and Organ

You’re currently signed to Argonauta Records who are signing a ton of great artists to their label. How did you hook up with Gero? Did you have any other offers to release your record?

Argonauta Records have a lot of interesting bands, so I already knew the label for this reason. Giacomo (Isaak singer) suggested me to contact Gero, who was interested to produce this album, so I never contacted other labels.


Italy has a well deserved reputation within the Sludge/Stoner Metal world for providing us with great bands to check out. Ufomammut, Zippo and Doomraiser amongst others. How is the Sludge/Stoner Metal scene perceived in Italy?

Yes, in Italy there are some cool bands but anyway it's an underground scene that has a peak of popularity in the last years 'cause there are a lot of bands in USA and Europe that play in a vintage attitude .

Which bands/albums are you currently enjoying at the moment? Any you like to recommend to our readers.

I'm listening to bands such as Eremite, Ape Skull, Vinum Sabbatum and the new album from Eyehategod.

Can you tell us what the long term plans for Bantoriak, Future tours or albums? Can you see Bantoriak becoming a full time band with actual band members? Or do you see it as a studio project at the moment.

Album will be released on 13th April and some gigs will be confirmed soon. Bantoriak has members who are live musicians and other stuff will be released in the future but it's a project not a full time band at the moment.

What other musical projects are you currently involved with.

I am in a band called The Jackie O's Farm where I play piano, guitar and percussion.


Finally do you have anything to say to your fans and our readers?

Thank you and Enjoy the TRIP!

Words by Steve Howe and Izio Orsini aka Bantoriak

Thanks to Gero at Argonauta Records at Barbara at NeeCee Agency for arranging this interview. Thanks to Izio for taking the time out to talk to us at Sludgelord HQ. Weedooism is available to buy from Argonauta Records now and it's a great album to trip out to.

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Check out the excellent song - Lysergic Tantra - from Weedooism.