Showing posts with label Sweet Cobra. Show all posts
Showing posts with label Sweet Cobra. Show all posts

Sunday, 2 August 2015

The Sludgelord 'Sour 16' for July 2015

Welcome to The Sludgelord’s ‘Sour 16’. Each month, you the reader are unwittingly compiling a list of the top 16 records of the month, covering all genres of metal, but predominately the best the doom, sludge, stoner-psychedelic genres have to offer.  Is it chart? Not really.  To put it simply, the ‘Sour 16’ are the records you guys have been most interested in over the last month and checking out on this page.

So here is the The Sludgelord’s ‘Sour 16’ for July 2015, the 16 records you’re most looking forward too or are currently checking out.  Check em out, spread the word and perhaps revisit some records you may have overlooked.  

The results are compiled based on page views alone and calibrated into the list below. So without further ado, this is the ‘Sour 16’. So until next month, roll up, kick back, chug a beer and Hail the riff! All review links, are held under the artwork. (Total views at the time of publication highlighted in orange)


16) = The Nepalese Temple Ball – ‘Arbor’ (245)

‘How this band is not a household name is beyond my comprehension, but this album should go some way to making sure that happens.’






16) = Dreadnought – ‘Bridging Realms’ (245)

‘The cinematic scope of Dreadnought’s music sounds like it should take a small orchestra to perform it.’









14). Plaguewielder  - ‘Chambers of Death’ (252)

‘Ominously named, and equally ominous with their execution, Plaguewielder has no real give to their sound, the first track, ‘Existence is Our Exile’, simply shreds against the walls of your mind, with the torturous vocals raking like the nails of the dead against the inside of your skull.’








13). Vattnet Viskar – ‘Settler’ (254)

‘This record is DENSE! With a massively thick tone, these songs sonically envelop you in billowing oppressive textures’





12). Freedom Hawk – ‘Into your Mind’ (263)

‘Overall a very strong album that holds strong throughout; immense riffs and licks, explosive drumming, engaging vocals and solid bass playing- it doesn’t get much better.’







11). Hair of the Dog – ‘The Siren’s Song’ (284)

‘The tone of the record is undeniably loud and heavy, but incorporates an atmosphere which is vibrant, full of energy and represents a band with a very bright future indeed’.








10). Abrams – ‘Lust.Love.Loss’ (294)

‘Blending spiky guitar lines reminiscent of These Arms Are Snakes, plenty of weird Cave In style effects, angular post-hardcore aggression and no-nonsense stoner riffing, Abrams have created a compelling and addictive listen here.’








9). Tremonti – ‘Cauterize’ (304)

‘It is not metal like Celtic Frost, certainly, but it is as metallic as bands like Black Label Society for instance.’








8). Fogg – ‘High Testament’ (311)

‘If you like your music with heavy riffs, fuzz pedals in overdrive and mixed with various styles, Fogg are worth checking out.







7). Goya – ‘Obelisk‘(326)










6). Khemmis – ‘Absolution’ (334)

‘From the opening riff of the album you can pretty much tell ‘Absolution’ is great. Laying somewhere between Pallbearer and perhaps a downtempo Ghost, Khemmis' first full-length is one of the best albums you will hear this year, Period!!’








5). A Trust Unclean  - 'Reality Relinquished' (341)

‘The whole EP is so energetic, inspiration seems to bleed from every available crevice; here is a band basking in a creative flourish.







4). Weeed – ‘Our Guru Brings us the Black Master Sabbath’ (343)

‘Be it in the album’s closing track or all the tracks preceding, Weeed has made a potential classic stoner rock album that draws from familiar elements of the genre and has enough experimentation to give them a sound of their own.’







3). Sweet Cobra – ‘Earth’ (354)

'Earth' will sit nicely in any collection and would add some melodic relief in between the usual tipple of sludge, doom, death metal and black metal. Brilliant.’








2). Alustrium – ‘A Tunnel  to Eden’ (409)

Listening to "A Tunnel to Eden" I get the feeling that this might be the album that "makes" this band









1). Gorgoroth – ‘Instinctus Bestialis’ (411)

‘Technical and precise, this album at times has a subtle yet palpable progressive tinge…’







This list features reviews by Heather Blewett, Chris Tedor, Chris Bull, Victor Van Ommen, Philip Weller, Brian Mclean, Kat Hilton, Charlie Butler, Steve Howe, Hunter Young, Richard Maw & James Harris

Thursday, 23 July 2015

Sweet Cobra - 'Earth' (Album Review)



'Earth' will sit nicely in any collection and would add some melodic relief in between the usual tipple of sludge, doom, death metal and black metal. Brilliant.’

Album Type: Full Length
Date Released: 24/07/2015
Label: Magic Bullet Records

‘Earth’ CD//DD//LP track listing:

01. Far Too Temp
02. Future Ghosts
03. He Tall He
04. Complaints
05. Flight Risk
06. Sunburned Sons
07. Repo
08. Stiff Fits
09. Blue Rose
10. Jealous of Drugs
11. Old Haunts
12. Walls

Sweet Cobra is:

Jason Gagovski | drums and cymbals
Robert Arthur Lanham Jr. | guitar
Botchy Vasquez (aka Tim Remis) | vocals and bass

Review:

'Earth' is the fourth album from Chicago stalwarts Sweet Cobra and their first as a 3 piece. While being predominantly a post hardcore band, they do have their sludgier moments. To those unfamiliar with this band, think of what would happen if Torche and Hot Water Music decided to form a supergroup. 

The guitars that emulate from first track 'Far Too Temp' are fuzzy, scuzzy and filthy.  Energetic rawk ensues and a massive chorus will keep fans of the more melodic side of heavy music interested. This album was mixed by Kurt Ballou (and parts of it were recorded by him too) and it certainly shows as second track 'Future Ghosts' has that raw, Ballou feel to it. Robert Arthur Lanham Jr's guitars sound simple but intense as drummer Jason Gagovski pounds away with a straight forward d-beat to excellent effect for half of the song. 'He Tall He' focuses the energy, and hammers home the riff and rhythm. The melodic vocals of bassist/vocalist Timothy 'Botchy Vasquez' Remis are in fine form as 'Complaints' rips through the speakers. The guitars provide the album with a few moments of post metal, sounding a little like keyboards before the thick guitars play out the songs last minute or so while Remis sings "bombs away" a few times.

'Flight Risk' is a tad slower than any of the other songs and the almost shoegaze nature of the guitars keeps the album from being one dimensional in it's delivery. Sixth song 'Sunburned Sons' kicks off with a metallic riff and the head swingingly brilliant drum pattern and the crushing distortion make this song a personal highlight. Side 2 begins with 'Repo' which is just a brilliant track, say no more. The vocals are a truly unique feature of this band and this is evident on 'Stiff Fits' where Remis sings a very interesting melody throughout the verse and the rocking chorus. Again, the guitars are heavy as a fuzzy sledgehammer until the last 10 seconds where a sombre melody is picked. That bleeds nicely into 'Blue Rose', a catchy, melodic, bundle of raw energy which would be a great first single. Any misconceptions about this being a lightweight album are stripped away during the songs closing moments; the guitars are seriously heavy!

'Jealous of Drugs' is up next and is more melancholic in its vocal delivery. Some haunting overtones make this song the perfect companion to a cocaine come down or a brutal hangover...right up until the faster part kicks in and shakes the shit out of you. The drums of penultimate track 'Old Haunts' is reminiscent of some late 90's punk. You know the kind that would be featured on an Epitaph or Fat Wreck Chords release, The Swingin' Utters springs to mind. Finally 'Walls'; very Foo Fighters but that's my lazy journalistic reference, it's a lot better than the Foos! Vocalist Botchy is joined by his wife Elizabeth on backing vocals for this one and the harmonic contrast is beautifully crafted. The shimmering electric guitar sticks to the atmosphere while the sound of a plucked acoustic guitar ushers in the end of the album.

Sweet Cobra should be mentioned in the same breath as Torche and Baroness, possibly a referential point to someone who likes the Foo Fighters but wishes they were heavier and more hardcore. Their song writing has come on leaps and bounds since 2010's 'Mercy' which, while heavier in riff content, lacked the focused energy of this. 'Earth' will sit nicely in any collection and would add some melodic relief in between the usual tipple of sludge, doom, death metal and black metal. Brilliant.

Words by: Chris Bull

‘Earth’ is available here

For more information:





Thursday, 19 February 2015

The Sludgelord News: SWEET COBRA: Chicago Outfit Signs With Magic Bullet Records For Anxiously Awaited Earth LP This Spring

Album Features Production & Inclusion From Matt Talbot of Hum And Kurt Ballou of Converge


Magic Bullet Records is ecstatic to announce the signing of Chicago-based SWEET COBRA for the release of their anxiously awaited new studio album, Earth, late this Spring. The band's triumphant new LP was recorded and produced by Matt Talbot of Hum and Kurt Ballou of Converge, and also features guest musical contributions from each artist. Earth is their first full-length recording since their lauded 2010-released Mercy.

Recording was completed in late 2013 with Matt Talbot (Hum) and Kurt Ballou (Converge) at Talbot's Earth Analog Studios near Champaign, Illinois, mixed by Ballou at his Godcity Studio in Salem, Massachusetts, and with final mastering by Carl Saff. Earth shows the band hungrier than ever, with the trusted and infectious ferocity fans will expect as well as a slick, more accessible approach.
Issued Magic Bullet Records owner Brent Eyestone on getting hooked by the material on Earth, even before its final mastering, "Holy hell... it's completely badass! Kind of a new sound for the band; catchier, and I can see the appeal of the sound being much broader than their previous output. I get similar feelings from the best Queens of the Stone Age, Quicksand, and Young Widows records... super catchy slabs of heaviness."

The members of SWEET COBRA collectively offered a humble statement on the signing with Magic Bullet and the upcoming release of Earth: "We are honored to be working with Magic Bullet and have always felt a kinship to the label and artists they release. Earth is a deeply personal album for us, and it was a liberating experience to explore new sounds and dynamics in these songs with Matt and Kurt at the helm capturing it."

Earth will see release late this Spring on multiple formats; stand by in the coming weeks for an official street date, additional insight and audio samples from the LP. Also watch for SWEET COBRA tour dates throughout the year, including an already sold-out show with Hum in Grand Rapids on April 25th.

SWEET COBRA Tour Dates:
3/27/2015 Drunken Donut - Joliet, IL
3/28/2015 Melody Inn - Indianapolis, IN w/ Kvlthammer
4/04/2015 The Burlington - Chicago, IL w/ Auxes
4/25/2015 Pyramid Scheme - Grand Rapids, MI w/ Hum, Cloakroom (SOLD OUT)

The dedication of its members and the band's storied lineage has helped make SWEET COBRA a household name to fans of bold rock and post-hardcore internationally, and a staple within the bustling music scene of their hometown of Chicago. Founded in 2003 by former members of a wide array of notable underground acts and boasting the fury and angular qualities of their hardcore/noise-rock/metal roots with a more straightforward rock rhythm and delivery, the band came into existence and toured alongside the likes of Pelican, Russian Circles, Coliseum, Black Cobra, Doomriders, The Life And Times, Young Widows and many more. SWEET COBRA toured regularly throughout the first decade of the 2000s, and released a crushing load of recorded material, including three LPs -- 2004's Praisethrough Seventh Rule Recordings, 2007's Forever through Hawthorne Street Records, and 2010'sMercy on Blackmarket Activities -- as well as split releases with Doomriders, Get Rad, and Young Widows among other releases.

In fall 2009, with Mercy just completed, second guitarist Mat Arluck lost his ongoing fight with cancer. Arluck's death left a deep scar on the entire Chicago music scene (and beyond). SWEET COBRA committed to soldier on as a three-piece, as they began, resulting in a transformation of the band in the following years. The members have pushed forward -- playing shows, constructing new material, and exploring new sounds. These efforts have culminated in the upcoming release of Earth.

SWEET COBRA:
Jason Gagovski - drums and cymbals
Robert Arthur Lanham Jr. - guitar
Botchy Vasquez (aka Tim Remis) - vocals and bass


Source: Earsplit PR