By: Richard Maw
Album Type: Full Length
Date Released: 15/02/2019
Label: Season
of Mist
Rotting Christ have triumphed again; they have
presented ten tracks of varied and fresh material. The band continues to
incorporate unusual elements, both musical and vocal, into their work and
continue to operate far beyond the scope if their contemporaries. This is an
example of what black metal can be, with the talent.
“The Heretics” CD//DD//LP track listing:
1. In the Name of God (04:14)
2. Vetry Zlye (03:13)
3. Heaven and Hell and Fire (04:52)
4. Hallowed Be Thy Name (05:06)
5. Dies Irae (03:46)
6. I Believe (03:42)
7. Fire God and Fear (04:50)
8. The Voice of the Universe (05:23)
9. The New Messiah (03:07)
10. The Raven (05:23)
2. Vetry Zlye (03:13)
3. Heaven and Hell and Fire (04:52)
4. Hallowed Be Thy Name (05:06)
5. Dies Irae (03:46)
6. I Believe (03:42)
7. Fire God and Fear (04:50)
8. The Voice of the Universe (05:23)
9. The New Messiah (03:07)
10. The Raven (05:23)
The Review:
Rotting Christ have quite the work rate and they return
with another ten tracks of almost unclassifiable black metal. An album every
three years in this style is an achievement- each record is dense and lushly
textured with a lot of effort going into the production, music and
instrumentation. If 2016's “Rituals” was a fairly
straightforward affair, “The Heretics” is somewhat more
subtle.
The
band's trademark quirks are present; they sound like no one else and combine everything
from Venom to Type O Negative
in their impressive aural assault. The opener “In The Name of God” sounds like Blind Guardian
jamming with Accept by way of late period Emperor... and it works. The sound is once again incredibly
impressive with lots of multi tracking, lots of sweeping instrumentation and
vocals and a good deal of layering in the sound. Vetry Zlye brings an
impressively cinematic feel to proceedings and at this point it is clear that
the Sakis Brothers et al have done it again- created something powerful and
unique.
This
is black metal- but they sound like no one else who came before them and retain
a unique approach- utilising whatever works in the setting of each song,
whether that be female vocals, choral singing or blast beats. Or even all that
and more.
The
bands sound and the album's tone can be summed up by the title of “Heaven and Hell and Fire”. The vibe is
one of occasional hope mixed in with a fair amount of darkness. It's not as
bleak as “Rituals” and stands alone as another unique feeling record in
their discography. Meanwhile, “Hallowed
Be Thy Name” is not a Maiden cover, but
instead is a funeral-like trudge through the darker sounds the band have at
their disposal. It's dramatic stuff and is again cinematic in scope.
“Dies Irae” is more
familiar in that it employs some of the band's more common musical motifs- the
shifts between blasting and slower tempos, choral vocals (again) and spoken
word sections. The second half of the album kicks off with a spoken word intro-
in Greek- and then it is heads down thrashing for “I Believe”, and more Greek spoken word. “Fire God and Fear” features an English spoken word intro and then
the type of rolling riff that the band excels at- while using a tempo that was
unexpected once the drums come in. The track is a great one- angry and
righteous, spilling out the brimstone that the title promises and possessing
excellent lead work down the back stretch.
The
closing triumvirate of “The Time Has
Come”, “The New Messiah” and “The Raven” is just as impactive. The
former employs an almost industrial like feel, while the latter is epic in feel
and scope. “The New Messiah” almost
sounds like an outro- it relentlessly marches forward, but employs a few
changes towards the end to build up to the album's closing beast. For me, “The Raven” is one of the best pieces of
music on the record and exemplifies everything that Rotting Christ
do best; it's unpredictable, eclectic and features the Poe poem of the same
name. It really is a fantastic finisher.
Rotting Christ have triumphed again; they have
presented ten tracks of varied and fresh material. The band continues to
incorporate unusual elements, both musical and vocal, into their work and
continue to operate far beyond the scope if their contemporaries. This is an
example of what black metal can be, with the talent.
“The
Heretics”
is available HERE