Showing posts with label Artemisia Records. Show all posts
Showing posts with label Artemisia Records. Show all posts

Wednesday, 4 October 2017

ALBUM REVIEW: Wolves in the Throne Room- ‘Thrice Woven’

By: Daniel Jackson

Album Type: Full Length
Date Released: 22/09/2017
Label: Artemisia Records



There’s a kind of theatrical gravitas throughout ‘Thrice Woven’. It’s supremely confident, gravely serious, and stunning in its ability to pair serenity and sorrow with pain and anger.


‘Thrice Woven’ CD//LP//CS//DD track listing:

1. Born From The Serpent’s Eye
2. The Old Ones Are With Us
3. Angrboda
4. Mother Owl. Father Ocean
5. Fires Roar in the Palace of the Moon


The Review:

It’s human nature to want to have new experiences. We’re always looking for something different. Whatever aspect of life we’re talking about, things are always moving. Sometimes the perception is that we’re moving forward, but there’s almost always movement of some kind. The same is obviously true of musicians and artists.

Wolves in the Throne Room took their music in an entirely different direction with 2014’s ‘Celestite’. The album was all over the place, ranging from light synthy ambient music to caustic drone and plenty more between the two. The reaction to the album, from fans and press alike, covered a broad spectrum too. Some hailed the band for their artistic freedom, some spurned the album for its failure to fall in line with the band’s previous work, and everyone else fell between those two points.

With ‘Thrice Woven’, Wolves in the Throne Room have essentially retreated to familiar ground, while bringing back some of what they found in the great beyond. Were it not for some of the synth work and dramatic atmospheric elements at work throughout, this album might be Wolves in the Throne Room’s most traditionally black metal album since ‘Diadem of 12 Stars’. A lot of the riffs and tremolo leads would feel right at home in a 90s scandinavian black metal context. “Born From The Serpent” features a section in the first half of the song that could have been on any early Marduk or Enthroned album.

The production too feels like something older. The drums in particular have a very dry sound, which is out of character for Wolves in the Throne Room. The snare has a crisp, thin feel to it, like on Sacramentum’sFar Away From The Sun’. The guitars have a hazy texture to them, though you could call them muted or dull. It would feel constricted and spaceless if these compositions were any different, but here it fits surprisingly well. The guitar leads aren’t in a constant battle with everything else, struggling to shine through in the mix. They’re right up front and clear as day, pulling everything else along with it. What the production sacrifices in sounding massive, it makes up for in clarity.

 There’s a kind of theatrical gravitas throughout ‘Thrice Woven’. It’s supremely confident, gravely serious, and stunning in its ability to pair serenity and sorrow with pain and anger. It harnesses all the bleak melodrama that made ‘Two Hunters’ such a compelling album, and puts it into a universe that’s rooted in a style of black metal they’ve avoided until now. And yet, it never crosses that boundary into second wave worship. This album is a testament to just how deep and rich black metal can be as a genre. I hope they stick around in this space a little while longer.



‘Thrice Woven’ is available digitally here and a CD/LP/CS copy here.



Band info: Official Site || Facebook

Monday, 11 August 2014

Wolves In The Throne Room - Celestite (Album Review)


Album Type: Full Length
Date Released: 8/7/2014
Label: Artemisia Records

Celestite, Tape/LP/CD/DD  track listing:

1). Turning Ever Towards the Sun 11:24
2). Initiation at Neudog Alm 05:58
3). Bridge of Leaves 05:08
4). Celestite Mirror 14:32
5). Sleeping Golden Storm 09:02

The Band:

Nathan Weaver | Guitars, Synth
Aaron Weaver | Guitars, Synth

Review:

Wolves in the Throne Room (WITTR) have been honing their craft for well over a decade. Celestite is their fifth full length album release and sees the band veering into far more progressive territory than before with an instrumental companion piece to their previous album; Celestial Lineage. Comprising five tracks, two of which run to over ten minutes, the spacey cover of the album echoes the traits of the album.

A very ambient opening on ‘Turning Ever Towards The Sun’ shimmers delicately for the opening as it expands before a left turn sees the ambience hit a darker note. Brass led tones create an awkward soundscape, as the guitars create a minimal sound reminiscent of some of Ulver’s material on Messe. The opening is almost in two parts as it pulses and pulsates for the second half whilst the unnerving drone continues. Atom Heart Mother Pink Floyd springs to mind as the vastly cinematic and track never loses your attention.

The opening of the album, although dark in places, doesn’t allow you to decide where you are. Second track, ‘Initiation at Neudog Alm’, is far more sinister and menacing as the guitar drone is a lot more intense. The guitars spiral downwards using a definite Stephen O’Malley influence. ‘Bridge of Leaves’ continues the darkness but without the dense guitars. Organ sounds fill the void of the track and the entire dark flourishes spout off the track to create another horrifying mood. As the track nears its completion there is a glimmer of light as the mood lightens.

This mood segues a little into the next epic composition; ‘Celestite Mirror’, this is synth heavy, and as the track moves through it various peaks and troughs, there is a synthesised melody that moves away from the main body of the track. More melody ensues with an almost flute like sound adding more colour to the constantly evolving tableau of sounds. The ending strains of the track see the melodies paired with more droning guitars to take you back to that extremely unnerving place from earlier in the journey. ‘Sleeping Golden Storm’ closes the album with layer upon layer of synthesised strings building towards another epic sounding ode to the vast.

Throughout the album, the journey is epic. Some parts are more exciting than others as some sections get bogged down in their own pomp. However, this album from a band that like to push boundaries is a very good listen. It is lengthy and certainly challenging, but that is certainly enough for you to give it a go. If you are a fan of Shabda, Sunn O))), Ulver or the earlier Pink Floyd material around Saucerful of Secrets and Atom Heart Mother, this is well worth an hour of your time. Get the headphones on and disappear to a different world.

Words by: Dom Walsh


You can pick up a copy here

For more information: