Showing posts with label Mastiff. Show all posts
Showing posts with label Mastiff. Show all posts

Wednesday, 13 February 2019

ALBUM REVIEW: Mastiff, "Plague"

By: Chris Bull

Album Type: Full Length
Date Released: 01/02/2019
Label: APF Records


If the universe implodes, "Plague" would undoubtedly be the soundtrack.

“Plague” CD//DD//LP track listing:

1). Hellcircle
2). Bubonic
3). Brainbleed
4). Quarantine
5). Vermin
6). Torture
7). Weep
8). Black Death

The Review:

Without sounding too cliché or lacking in imaginative use of vocabulary, 'Plague' by Mastiff is fucking heavy. I mean REALLY FUCKING HEAVY! If the universe implodes, this will undoubtedly be the soundtrack.

As the hellish screams and guitar scrapes and rumbles give way to the D-beat infused sludgy groove of 'Hellcircle' it's clear that this is the type of fairground ride you'd get in a village fete; terrifying due to its lack of adequate safety and rickety structure. The ride shudders towards the end of the circuit and then slows down...but it's not stopping...'Bubonic' and 'Brainbleed' see you taken around the circuit a couple more times, the safety harness is frayed and coming loose and it looks like one of the wheels is about to fall off, yet no matter how many times or how loud you scream for help, all you get is vocalist Jim Hodge bellowing at you.

'Vermin' sees sparks coming from the wheels as onlookers stare in terror. As it slows down, you're consumed by false hope; "please, just let me off the ride"...but it's no use, 'Torture' has other plans...the safety harness has completely torn and you're heading towards the loop-the-loop, all you can do is cling to the bar in front of you. Tendons are stretched and twisted as the ride hurls you in an upward trajectory then slams you back into your seat, rupturing your tailbone in the process. As you begin to weep, you realise that the onlookers are now smiling sadistically, seemingly enjoying your suffering. As the ride screeches to a halt, the throes of 'Black Death' ring out, nullifying your pain as just a part of your existence. As you're rushed to hospital, battered and bruised, with life altering injuries, you feel a sympathy with the people who did this to you. Much like Stockholm syndrome, you feel as though this ride has awakened you to the realities of life. Pain is inevitable, but everything must end.

“Plague” is available HERE



Band info: bandcamp || facebook

Wednesday, 30 August 2017

REVIEW: Mastiff - "Bork" (EP)

By: Ernesto Aguilar

Album Type: EP
Date Released: 31/08/2017
Label: APF Records



The abrasiveness of the tracks is exceptional. Whatever you call it, this follow up to their 2016 debut "Wrank" is uncannily brutal. Cuts like "Nil By Mouth" and "Everything Equals Death" are chainsaws of sound, ripping into your head in ways you did not expect


"Bork" CD//DD track listing

1. Agony
2. Nil By Mouth
3. Everything Equals Death
4. Threats
5. Tumour
6. Eternal Regret

The Review:

There is so much to appreciate of artful metal and extreme music with a vision. Literally dozens of metal albums in 2017 have come to you with a message, a profound social commentary or literary and/or historical concept at its core.

Kingston Upon Hull, UK's Mastiff are not one of those bands. Mastiff lowers the sonic boom with angst and decibels. And it will give you a new appreciation for the sheer levels the band takes both.

On their new release, "Bork," the British group, which bills itself as doing an aggressive form of sludge, drills you with a sound so fierce that you just do not hear often, even in metal. You may not be sure where the sludge notion came from because "Bork" is as far from it as you can find. "Bork" is as methodical as any sludge classic in this sense. However, the sophomore recording by Mastiff feels more like an especially nihilistic form of thrash or hardcore. The abrasiveness of the tracks is exceptional. Whatever you call it, this follow up to their 2016 debut "Wrank" is uncannily brutal. With During the opening "Agony" and throughout this record, vocalist Jim Hodges and the band are inconsolably anguished. You hear fury and pain in every note.

Extreme music takes vocalists to limits few of us could even imagine testing our voices. Hodges is truly spectacular, literally killing each song with his inconsolable wail. At every turn, he seems to be giving everything he can to every note, and one has to wonder if there is a breaking point. However, Mastiff can offer range beyond growling. A song like "Eternal Regret" is a departure that Hodges simply outshines almost any other metal vocalist on. He's the centerpiece of this black orchestra, though the players all make it a happy torture throughout.

Mastiff's sound could seemingly only be this loud with two guitarists, and Phil Johnson and James Andrew Lee fulfill their roles with aplomb. Cuts like "Nil By Mouth" and "Everything Equals Death" are chainsaws of sound, ripping into your head in ways you did not expect. Mastiff has gotten a live reputation for its volume and the heaviness of its music. "Bork" does a great deal to confirm those reviews.

Fortunately enough, Mastiff is expected to hit the road in the near future. A performance of the songs on "Bork" done live is assuredly going to be a flailing and fun experience.

"Bork" is available here




Band info: bandcamp || facebook

Wednesday, 19 July 2017

VIDEO PREMIERE: Mastiff deliver a devastating blend of sludge aggro-core with "Nil By Mouth"


Mastiff are a quintet from Hull, a self styled “miserable band from a miserable town” playing a combination of doom, sludge and aggressive hardcore, this crazy bunch of miscreants imbue hate. A sound in the key of malevolence, Mastiff are devastating, with their blend of sludgey hardcore metal. Hell, I’m a dog lover myself, but this four piece are more rabid that a rampaging packs of Rottweilers, an intimidating proposition indeed.  Is there a genre called sludge aggro-core? If indeed there was, this band of merry bastards would be the antithesis of that.  Their music is just low end filth, the pace of hardcore, the crush of Crowbar and venom of Converge

In 2016 Mastiff self released an eight track album entitled “Wrank”. Recorded and mixed in two days in February of that year it was a ferocious DIY statement of intent which matched the rabid intensity of their live shows.  The  group  continued  to  gig  relentlessly  and  started  to  pick  up  a  following  beyond  their hometown.

In July 2016 Mastiff played a now legendary show at The Alma Inn in Bolton which is recognized as the performance which took them to the next level. They opened a five band lineup at 6pm and blew the venue apart, leaving jaws dropped and ears ringing. In the audience that night were band members and reviewers from the growing UK stoner / doom / sludge metal scene who went away stunned. Also in attendance was Andrew Field, founder of APF Records, who befriended the band and signed them to his label in February 2017.

Mastiff’s second release, and first for APF Records, is “BORK”. A six track, 25 minute EP it was again recorded, mixed and mastered in a two day period at the beginning of July 2017. Everything about “BORK” puts debut album “Wrank” in the shade. With  the groundswell  of  support  and  goodwill  felt  towards  Mastiff  in  the  UK  metal  community,  THE SLUDGELORD  is thrilled to be debuting their debut video from the new EP in the form of “Nil By Mouth” which you can check out below. This is very special EP from potentially one of the most exciting bands in the UK today and we are excited to be able to introduce the band to a wider audience. “BORK” will be available via APF Records on 31st August.



Band info: bandcamp || facebook

Saturday, 8 March 2014

Live Review : Mastiff, Dripback, Crowbar, The Corporation, Sheffield, UK, 1st March 2014


Saturday, 1 March 2014, Crowbar bring the HEAvy to Sheffield., Corporation

With the news that Iron Witch were playing as support the previous night in Manchester, admittedly there was some disappointment from this Sludgelord, that they are not on the bill tonight, however Mastiff were more than a worthy replacement.  Hailing from Hull, East Yorkshire, UK this crazy bunch of miscreants imbued hate from the outset.  A sound in the key of malevolence, Mastiff were devastating, with their blend of sludgey hardcore metal. Hell, I’m a dog lover myself, but this four piece were more rabid that a rampaging packs of Rottweilers, an intimidating proposition indeed.  Is there a genre called sludge aggro-core? If indeed there was, this band of merry bastards would be the antithesis of that.  Their short set was just low end filth, the pace of hardcore, the crush of Crowbar and venom of Converge.  A nice mix and given that I was on a diet of crush tonight, this is just the start to the evening I needed.  These guys were a worthy replacement for Iron Witch, their power and performance was vicious and given the bassist was punching himself in the head, just a little bit unhinged too.  As their bio suggest they sound like, Crowbar, Battalions, Hatebreed, Terror, 100 Demons.  A heavy mix indeed and once this Mastiff embedded its teeth, there was no mercy shown. To paraphrase Jello Biafra, ‘A dog should not bite, it’s supposed to beg’, however the only people begging was the audience, for this particular onslaught to be over, and so they could nurse their wounds, before the next band took to the stage. 

As the venue starts to fill up and the alcohol begins to flow, I can only make reference to myself here (I was enjoying myself, J).  Dripback take to the stage.  With their sophomore release but a few weeks old, Dripback’s opening gambit is one comparable to early NY Hardcore and is perhaps my immediate reference point, but more nihilistic, punctuated by grindings guitars.  The tone and refrain is angst, think Ray Winstone in a Borstal with an iron bar twatting you in the face.  Where’s your tool, now eh?  The pace is one of intensity, kinda Shane Embury doing hardcore, seriously these guys are unrelenting.  Pinched harmonic and the odd galloped riff and beat down are the only source of respite throughout the duration of this avalanche of discordant dirt.  This set is the sound of grinding noise and as the band state, “Keep your mouth shut and your head down”.  Hell, I feel like kicking my own arse, so these bastards will go easy on me.  30 mins of assault and battery, these guys are a knuckle duster to the face.  Dripback were arguably an incongruent choice for the bill, however what they delivered was blistering, and who can argue with that?  


Having kicked off this heavy metal day, watching The Lego Movie with my 2 ½ yr old son.  Frankly, you don’t get more metal than that, do you?  It was time to dust myself down and prepare for a night with ‘The Riff Lord’ himself, Mr Windstein.  That can only mean one thing, Crowbar are in town.  With the refrain of ‘Everything is awesome’ from the aforementioned movie, playing repeatedly in my head, it is quite fitting given that my face is due to be melted under the weight of sludge this evening.  Who doesn’t think that’s awesome??  Raise your hands. 

Owing somewhat of a favour to Phil Anselmo and two misunderstood TV metal heads, I have followed this band for 20 years.  The simple common denominator for this dedication is ‘riffs’, sheer unadulterated weight.  For me their first 5 records are solid gold, with Odd Fellows Rest perhaps just edging Broken Glass in terms of their definitive record.  But let’s not kid ourselves, nothing is average about these guys, Equilibrium, Sonic Excess, Lifesblood and more recently Sever the Wicked Hand are still class records.  The lasting appeal of Crowbar is Lord Windstein, his tenacity and dedication to his art of producing crushing riffs is unparallel, coining the phrase ‘None Heavier’.  Indeed, Windstein himself said in a recent interview, the biggest compliment you give, is that of ‘Riff Lord’. 

Recently stating that your current line up is the strongest in 25 years is a measure of their confidence, new album in the bank, no side projects, new bass payer.  This renewed vigour within the band is clear to see tonight.  The altar for this ‘Lord’ is the stage and tonight Crowbar destroys.  ‘Conquering’ is just the best start you could ask for, Windstein’s white explorer brings massive power, the crowd bellowing ‘Conquering, In time I’m Conquering’.  In the live arena, the song is heavier than I remember on record.  ‘High Rate Extinction’ was the first Crowbar I ever heard and is next up, chugging riffs, you known the one, with that trademark low end bend every 3 or four notes.  The Lasting Dose is stunningly crushing, audibly this is seismic.  Windstein sporting his Michael Schenker t shirt is clearly enjoying himself and reminding us that it was 10 years since he graced this very stage.  Words like weight, crush and crunch are the perfect adjectives to sum up this evening.  This band bring the kind of dense power that asphyxiates, causing your eyes to glace over, I’m talking petechial haemorrhaging.  The sheer volume tonight stifles your every breathe and ability to take in oxygen.  We are treated to ‘Burn Your World’, ‘Self Inflicted’ ‘Sever The Wicked Hand’ ‘New Dawn’ , saving ‘All I had (I Gave)’ to the latter part of the set.  For me, ‘Planets Collide’ is always a highlight and is easily one of the best songs Windstein has written.  Tonight is no exception and overall their performance was a balanced diet of bludgeoning riffs.  My 5 a day was slow low end heaviness and I went home overwhelming satisfied that Crowbar are more powerful than ever and undeniably there is indeed ‘None Heavier’.  Now watch the ‘Planets Collide.’    

Words by : Aaron Pickford