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Tuesday, 7 November 2017
ALBUM REVIEW: The Body & Full of Hell - "Ascending a Mountain of Heavy Light"
By: Ernesto
Aguilar Album Type: Full Length
Date
Released:
17/11/2017
Label: Thrill Jockey
The Body and Full
of Hell have created an album not easily forgotten
"Ascending a Mountain
of Heavy Light" CD//DD//LP track listing
1.
Light Penetrates
2.
Earth is a Cage
3.
The King Laid Bare
4.
Didn't the Night End
5.
Our Love Conducted with Shields Aloft
6.
Master's Story
7.
Farewell, Man
8.
I Did Not Want to Love You So
The Review:
Split 7-inchers are
everywhere. For great reason: they're easier for bands to issue are less costly
than solo pressing, and they keep one's name out there. In the case of
experimental metal act Full of Hell, though, it is not enough to
simply put out music with others. The quartet, which pitches punk, death metal,
noise, black metal and avant garde into its blender, has generated lots of
attention for full-on collaborations with others, to impressive results.
Full of
Hell's
2014 recording with Japanese noise master Merzbow was widely hailed as a superb
achievement. The collab was easily one of the most indurated pairings in recent
memory; its ultra-short tracks clocked in at under a minute, and were nothing
less than an airplane propeller of bluster and apoplexy. Full of Hell followed that
effort up with "One Day You Will
Ache Like I Ache," a 2016 collaboration with Providence, Rhode Island
sludgers The
Body. It turned out to be one of last year's better albums, showing
up far better than most probably expected at least. The Body and Full of Hell
return as a Legion of Doom once again, with this year's "Ascending a Mountain
of Heavy Light."
Much
like "One Day You Will Ache Like I
Ache,"The
Body and Full of Hell combine for a sound on the
upcoming album that is related to doom and sludge in only the slightest ways.
You may hear a chord here or a muddy bass there. Rather, "Ascending a Mountain
of Heavy Light" is
definitely more in the wheelhouse of Full of Hell, for fans of its intense brand of
grindcore. Even if that is not quite for you, extreme music aficionados are
sure to find something they like in disparate efforts included in "Ascending a Mountain of Heavy Light."
What
has always distinguished Full of Hell as well as The Body is boldness. The groups
are willing to permit genres you would not normally hear together very often,
including industrial, a touch of electronic and, of course, mountains of hard
guitars. "Light Penetrates"
the opener, is a great instance of this. The oscillating guitar and drums quite
nearly brush an indie vibe until the blitzkrieg vocals and curtain of sound
crash in. As they build to a crescendo, those screams are going to stick with
you. The vocals get even fiercer on "Earth
is A Cage," which features its own unique effects. Presumably you are
hearing The
Body's Lee Buford's hand with some of the unusual elements. The Body
has had its own nondenominational relationship with sludge, and has been
seemingly more open than many to diversify its arrangements. The bands merge to
creative music with impact on this track.
"The King Laid
Bare"
is among the release's most abrasive cuts, and it is seemingly where the
release starts its most furious stretch. Where the Merzbow disc was unmatched in
volume and "One Day You Will Ache
Like I Ache" set a standard for the pairing's fervor, this song and "Didn't the Night End" raise
the bar. However, instead of pure bombast, The Body and Full of Hell amalgamate the
harsh guitars, drums and dissonance with noise rock trappings that ramp up the
constriction you feel as you listen. It is hard to overstate just how taut that
gets in "Our Love Conducted with
Shields Aloft," where the drums are teeming and the screaming mirrors
a sort of mania that rattles you from all directions.When that trance-sort-of drum machine and
in/out effect assaults you, it's pretty much over.
There
are moments when the experimentation takes a little getting used to. "Master's Story" feels like a
Ministry
outtake that doesn't quite work as well as it sounds. "Farewell, Man" slips into this mode too. Fortunately
enough, Full
of Hell and The Body get back on track in time for the
closing, "I Did Not Want to Love
You So." It meanders through a doom or drone energy until it slams
into its final note. Chances are, you will get into "Ascending a Mountain
of Heavy Light"
understanding it will not be your typical metal record. The Body and Full of Hell
make good on your assumptions, and make an album not easily forgotten.
"Ascending a Mountain of Heavy Light" is available
to preorder/buy here