By: John Reppion
Album Type: Full Length
Date Released: 09/03/2018
Label: Nuclear Blast Records
“AmeriKKKant” CD//DD//LP track listing:
1.
I Know Words
2. Twilight Zone
3. Victims of a Clown
4. TV5/4Chan
5. We’re Tired of It
6. Wargasm
7. Antifa
8. Game Over
9. AmeriKKKa
2. Twilight Zone
3. Victims of a Clown
4. TV5/4Chan
5. We’re Tired of It
6. Wargasm
7. Antifa
8. Game Over
9. AmeriKKKa
The Review:
“This
isn’t the future we were promised. They said there’d be jet-packs, and flying
cars, and hover-skateboards, and self tying shoe-laces, and, and, and…”
Yes, the films, and the TV shows all lied. As it turns out, our timeline is
less Back to the Future II, more Orwell’s
1984. You know who, in a weird way, seems to have known exactly what
the 21st Century would be all about, though? Al Jourgenson
and Ministry,
that’s who.
Ever
since their 1992 anthem “N.W.O.” sampled the then
president, George H. W. Bush, Ministry have been pedalling an
anti-authoritarian, anti-right-wing American message. And ever since “N.W.O.”, they’ve been hacking up the words
of US presidents, and incorporating them into their patented brand
of drink and drug fuelled industrial-metal. This approach
culminated in the band’s early 2000s
anti-Bush (junior) trilogy of albums: “Houses of the Molé” (2004), “Rio
Grande Blood” (2006), and “The Last Sucker” (2007). Ministry officially
split in 2008, but continued to release re-mixed and previous
recorded material fairly steadily. Then Uncle Al came back
with all new material for 2012’s “Relapse”, which was
soon followed up with a definitely, absolutely, unequivocally, final
album (their thirteenth studio album, in case you were
wondering) entitled “From Beer to Eternity” in 2013. And
that was Ministry done.
Over. Dead.
Then,
on the ninth of November 2016 it was announced, much to the amazement
of many, many people in the world that Donald J. Trump was going to
be the next president of the United States of America. Trump the king of
the idiotic sound-bite. Trump the liar; the “lets’ build a wall around
Mexico and make them pay for it” guy; the ex-reality TV star;
Trump the alt-right’s leader of choice. Had
Al Jourgenson somehow tragically lost his life post 2013, I feel there’s a
genuine chance Trump’s presidency would have resurrected him. His
deadlocked, leather-clad corpse clawing its way through the earth, bursting
forth from the grave screaming “GET ME TO THE FUCKIN’ STUDIO, NOW!”.
“AmeriKKKant” is the album
that brought Ministry back
from the dead. Again.
Trump’s
infamous words “we will make America great again” – suitably
warped and fucked with – are the first thing we hear on opening
track “I Know Words”: the ominous, middle eastern influenced,
instrumental (save for all the Trump samples) introduction to the
album. “Twilight Zone” is a weighty, plodding industri-stomp,
very much in the “Scarecrow” mould. It too, features plenty
of Trump samples, and a good dollop of that harmonica which crops up in
more Ministry tracks
than you remember.
When
the bass comes in on “Victims of a Clown”, you could be
forgiven for thinking you were listening to something off of 1989’s “The
Mind is a Terrible thing to Taste”. This is very much classic Ministry, with
the scratching of new member, turntablist DJ Swamp, the only real indicator
that this isn’t some lost pre 90s off-cut.
Eight
minutes(!) or so in, we get a final blast of the higher BMP industri-thrash
stuff more associated with latter Ministry (and with much of the output
of Al’s most recent side-project Surgical Meth Machine). That Burton C.
Bell fella out of Fear
Factory (remember them?) growls “Hey! What he say?
Vomiting conspiracies. God damn the racist blind. Anti social impotence ignites”.
“TV 5-4 Chan” continues the tradition of
short, sharp, “TV” titled
tracks which have graced their albums since the early 90s. This
time guns, racism, and white nationalist are the targets. It segues into “We’re
Tired of It” which is an up-tempo thrash diatribe against “Fucking
insane Christian Hypocrisy”, with Bell on vocals once again. “Wargasm”
is more very classic sounding Ministry, with a chorus reminiscent of 1996’s “The
Fall”. Samples talking about “the people’s war” and “the
mother of all bombs”… you get the idea. “Antifa” is a
chug-along anti-fascist anthem “Brown shirt little snowflakes never want to
admit, Terrified of the red and black flag, Antifa's the shit”. Enough
said. Oh, you want to know which old Ministry song it sounds like? A bit
like “Just One Fix”, I suppose.
Closers “Game
Over”, and title track “AmeriKKKant”, are a pair
of mid-paced, somewhat more reflective songs. The rage of
earlier tracks turned to despair at the inevitability of just how fucked we, America, and the world as
a whole actually are. There is a nice brass section in “AmeriKKKant” to
offset that slightly, though. “It's like the Nazis back in '39, Like the
Romans on the verge of decline. Like the Russians back in '68, How is this
supposed to make America great?”
Jourgenson
has referred to “AmeriKKKant” in
recent interviews as “Pink Floyd on meth”. Yes, it’s a concept album,
and yes several of the tracks do have rather excessive running times, but
ultimately this is a Ministry album.
I’m not going to say “just” a Ministry album, because that would be doing Al
and company a disservice, but it’s 100% a Ministry album.
Have you heard previous Ministry albums
and enjoyed them? Good, then this is another one of those. Yes, some will
argue that not much has changed musically in the Ministry camp for
some twenty-odd years, but what’s even weirder is to think that US politics has
somehow become more regressive in that time. If it feels like you’ve heard this
all before, then maybe that’s just because Al Jourgenson has been right all
along.
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