Showing posts with label Music For Nations. Show all posts
Showing posts with label Music For Nations. Show all posts

Friday, 24 June 2016

Paradise Lost - "Shades of God" Reissue (Album Review)

By: Richard Maw

 
Album Type: Full Length (Reissue)
Date Released: 22/07/2016
Label: Music For Nations

 

 
The reissue sounds great- crisp and clean, unlike a lot of modern day murk that infests the doom genre and there can be no doubt that “Shades of God” was an important record for the band- perhaps occupying a space kind of like “...Justice” did for Metallica, but unlike that band, Paradise Lost were able to reach higher and achieve more musically on subsequent releases. Having said that, the record is a must-listen for any fan of Paradise Lost and essential listening for anyone with an interest in the doom genre.
 
“Shades of God” Reissue track listing:
 
1. Mortals Watch The Day
2. Crying for Eternity
3. Embraced
4. Daylight Torn
5. Pity The Sadness
6. No Forgivenes
7. Your Hand in Mine
8. The Word Made Flesh
9. As I Die
 
The Review:
 
Paradise Lost, as noted in my previous writing about the band, are an unusual outfit in that their career trajectory did not go as predicted in terms of approach, style and perhaps commercial success. “Shades of God” finds the band maintaining their early doom/death sound, their mid 90's Metallica-by-way-of-Type-O-Negative commercial peak was still a way off. After the genre classics of “Lost Paradise” and “Gothic”, “Shades of God” is something of a left turn- rather than a step forwards (or backwards, depending on your viewpoint!) like “Icon”.
 
Song lengths here come in at over seven minutes on several occasions, while the textures are more subtle this time around. The reissue sounds great- crisp and clean, unlike a lot of modern day murk that infests the doom genre. To be sure, PL's was and is a unique take on doom- they sound nothing like Pentagram/Saint Vitus. Instead, they come across kind of like Bolt Thrower mixed with Sabbath.
 
There are echoes of Metallica (early) and classy thrash in “Mortals Watch the Day”, while out and out rock style gate crashes “Embraced”. Each band member does a fine job, with the guitar work being a particular highlight. The sound allows every instrument to be heard, too. There are progressive tendencies here and I would assert that although I have heard this record many times, there is always something new to pick up on.
 
 
So far, so good, then... However, this is not the best Paradise Lost album. Not even close, in my view. Don't misunderstand me- it is still a fine, fine record but it lacks one thing: song writing. It just doesn't, for me, have the bite of the first two albums or of what followed (not all of what followed, mind!). The songs are labyrinthine in places and there is always a lot going on. Truly, aside from the opener and a couple of other songs, there are not a lot of memorable tracks here. That said, what there IS more than makes up for what there is NOT. The performances are fantastic, solid production and mixing, experimental structures and instrumentation and the album is clearly the sound of a band starting to spread their wings.
 
“Daylight Torn”, for instance, has a lovely acoustic section. After that, the band utilise a trick that surfaces on subsequent albums by juxtaposing the fast and chugging start of “Pity The Sadness” (slamming track!). The nine tracks that the album contains are all of a uniformly high quality and the style and delivery is consistent and creates a mood of darkness and bitterness very well, with “No Forgiveness” being a fine example of this. The more direct approach favoured by “As I Die” was a portent of things to come, but none listening at the time could have predicted what PL would go on to be.
 
The downbeat vibe is successfully carried through the whole album and the longer songs do invoke the feel of a funeral march at times- doom indeed! There can be no doubt that “Shades of God” was an important record for the band- perhaps occupying a space kind of like “...Justice” did for Metallica, but unlike that band, Paradise Lost were able to reach higher and achieve more musically on subsequent releases. The record is a must-listen for any fan of Paradise Lost and essential listening for anyone with an interest in the doom genre.
 
Shades of God” is available here
 
Band info: facebook

Monday, 7 December 2015

Opeth - “Deliverance” & “Damnation” Reissue (Review)

By: Richard Maw

Album Type: Full Length (Reissue)
Date Released: 30/10/2015
Label: Music For Nations



It is just excellent music. The playing is superb throughout with all band members firing on all available cylinders (Lopez on drums is fantastic here). The title track “Deliverance” is a particularly face melting blast of death metal with so many twists and turns that it defies prediction. Conversely with “Damnation” Opeth created a unique and melancholic record too.  The songs are great, the time signatures sometimes tricky and the sound, again, perfect for the material. In my opinion they are surely one of the greatest metal bands of all time

“Deliverance” & “Damnation” CD//LP Re-issue track listing:

“Deliverance”

1). Wreath
2). Deliverance
3). A Fair Judgement
4). For Absent Friends
5). Master's Apprentices
6). By the Pain I See in Others

“Damnation”

1). Windowpane
2). In My Time of Need
3). Death Whispered A Lullaby
4). Closure
5). Hope Leaves
6). To Ride the Disease
7). Ending Credits
8). Weakness

The Review:

What can be said about Opeth that has not been said already? Nothing I can think of, that is for sure. Opeth are that most rare of bands: a band that has progressed and morphed throughout their career- but also one that has changed almost beyond recognition. There are elements of early-mid period Opeth in their latter day releases, but the prog beast of today is a very different animal to the death metal outfit of yesteryear. I love both and see no issue with the band wanting to move on from album to album.

The paradigm shift which has occurred for Opeth over the last five years can almost certainly be traced back to these two (and now released as one double) albums. “Deliverance” is the monstrous follow up to “Blackwater Park,” while “Damnation” is a mostly acoustic, and certainly all gentle, selection of compositions.

The re-release is superb in sound and packaging. I have the triple vinyl edition: the sound is sensational. It is crystal clear with all elements simply shining forth from the speakers. The digital version also sounds great. “Deliverance” covers two vinyl discs- with opener “Wreath” spanning the entire of side one! “Damnation” is short in comparison and its melancholic songs cover disc three. It is enjoyable to note that Akerfeldt always intended the albums to be released as one set and that now that time has come. The re-booted Music For Nations label has done a stellar job with this- the cover is simple white, but the inner sleeves faithfully recreate the familiar art work. The vinyl is heavy and good quality.

With hindsight, the curve that Opeth would take in the following years can be clearly seen to begin with these records. The songs are progressive, complex and in places catchy (in a very odd way, being as they take in weird time feels and obtuse riffing). With only “For Absent Friends” coming in at anywhere near a normal song time (2.17) the rest of the record easily exceeds ten minutes per song. Truly, there is genius at work on “Deliverance”. Opeth have produced some truly great and classic albums; “Blackwater Park” and (for me) “Ghost Reveries” being chief amongst them. On re-listening to this I would have to say that “Deliverance” is up there with them. It is just excellent music. The playing is superb throughout with all band members firing on all available cylinders (Lopez on drums is fantastic here). The title track is a particularly face melting blast of death metal with so many twists and turns that it defies prediction. To say that Opeth stand alone is correct. I can think of no other band who have ever been labelled “death metal” with as much variety to their sound.

Yes, Opeth are Swedish and yes, Opeth are death metal, but they bear no relation to Entombed or Dismember beyond using double bass drums and having growled vocals. Of course, “Damnation” was viewed at the time as a sharp left turn by the band and possibly as a kind of bonus/afterthought of “Deliverance” (as in, “we can play acoustic and sing too!”). With the benefit of twelve (!) years of distance, this was well wide of the mark. Opeth were announced to the wider public with the seminal and well promoted “Blackwater Park” record, but they had utilised acoustic motifs and clean vocals prior to that turning point. “Damnation,” although acoustic and impossibly maudlin and wistful at times, is not really comparable to any other band. Despite Akerfeldt's oft-professed love for bands such as Camel, Jethro Tull and so on, “Damnation” really doesn't sound like any of it. Perhaps such a disparate comparison could be equated to Steve Harris' love for Wishbone Ash and how little Iron Maiden sound like them? Opeth created a unique and melancholic record with “Damnation.” The songs are great, the time signatures sometimes tricky and the sound, again, perfect for the material.

It is impossible to know where Opeth will go next with their music, further down the prog rabbit hole is the safe bet, but this is a band that has never played safe and has always sought to stretch the boundaries of what their music is and what is supposed to be. Rest assured, Opeth have always been progressive- in that they have incorporated many different sounds and textures into their music, taking them beyond the realms of death (spot the reference) and into their own space. In being progressive, they have carved their own niche and simply become “Opeth”, again kind of like how Iron Maiden have become “Iron Maiden.” Either way, they are surely one of the greatest metal bands of all time. “Deliverance” & “Damnation” stands testament to that.

“Damnation” & “Deliverance” is available here

Band info: official | facebook

Wednesday, 25 February 2015

The Sludeglord News: Music For Nations / Stream Anathema’s ‘A Fine Day to Exit' / Remastered With Different Track-listing & New Song


Music For Nations, the celebrated and legendary Heavy Metal, Rock and Prog record label announced its return last week.

In a series of reissues, the label will be celebrating some of the most iconic records by some of the World’s most influential bands. As well as reissues, the label will be signing new artists for the first time in over a decade.

Music For Nations importance cannot be under estimated. Either signing, exclusively distributing or collaborating with artist including Metallica, Tool, Slayer, Opeth, Cradle of Filth, Anathema, Entombed, Poison, WASP, Frank Zappa. As well as licensing deals with some of the seminal labels including Metal Blade, Peaceville and Rise Above.

Ever headbanged?

Chances are it was to a track released on Music for Nations.

Dom Lawson of Metal Hammer and the Guardian reflects.
“From metal milestones by the likes of Metallica, Manowar and Opeth through to cult classics by Mindfunk, The Beyond and Dearly Beheaded, Music For Nations' vision and towering roster has provided me with some of the greatest and most enduring music I've ever heard. It is supremely exciting to witness the return of this deservedly revered label.”

Available in April (and to pre order now), Liverpool’s Anathema release their MFN back catalogue. Songwriter and guitarist Daniel Cavanagh shared his enthusiasm for the project saying, “I'm really happy that after all these years, the Music For Nations era of Anathema music is  finally receiving the attention, respect and treatment it deserves. It has been a great pleasure to work on this package. Everything from supplying the additional artwork, the remastering process of the albums, and the chance to add a surprise or two, has been a wonderful process.”

Anathema:
- Fine Days. 3CD/1DVD box set covering the band’s MFN catalogue. Digitally remastered, new track and liner notes from the band.
- Judgement LP vinyl with CD Remastered
- A Fine Day to Exit LP Vinyl with CD Remastered
- A Natural Disaster LP Vinyl with CD Remastered

Stream the remastered version of ‘A Fine Day to Exit’, with a different track-listing and featuring a new track ‘A Fine Day’ here –



Upcoming Anathema live dates:
4th March - Leeds Minster - Acoustic show
5th March - Exeter Cathedral  - Acoustic show
6th March - Winchester Cathedral  - Acoustic show
7th March - Liverpool Cathedral  - Acoustic show
16th April - Shepherd’s Bush Empire, London - Resonance show

Available in Autumn 2015 / early 2016.
Paradise Lost’s back catalogue expanded and remastered. Opeth’s three seminal albums, ‘Blackwater Park’, ‘Damnation’ & ‘Deliverance’ special reissues. Spiritual Beggar’s back catalogue released on LP for the first time, as well as Cradle of Filth and other MFN artists to be confirmed shortly.

In 2015 Music For Nations will be releasing music, by new bands, in a series of 7” singles and compilations. Expect the heaviness. 


Source: ILikePress



Monday, 16 February 2015

The Sludgelord News: Music For Nations, the celebrated and legendary Heavy Metal, Rock and Prog record label has returned


Music For Nations, the celebrated and legendary Heavy Metal, Rock and Prog record label has returned.

In a series of reissues, the label will be celebrating some of the most iconic records by some of the World’s most influential bands. As well as reissues, the label will be signing new artists for the first time in over a decade. 

Music For Nations importance cannot be under estimated. Either signing, exclusively distributing or collaborating with artist including Metallica, Tool, Slayer, Opeth, Cradle of Filth, Anathema, Entombed, Poison, WASP, Frank Zappa. As well as licensing deals with some of the seminal labels including Metal Blade, Peaceville and Rise Above. 

Ever headbanged? Chances are it was to a track released on Music for Nations. 

Dom Lawson of Metal Hammer and the Guardian reflects.
“From metal milestones by the likes of Metallica, Manowar and Opeth through to cult classics by Mindfunk, The Beyond and Dearly Beheaded, Music For Nations' vision and towering roster has provided me with some of the greatest and most enduring music I've ever heard. It is supremely exciting to witness the return of this deservedly revered label.”


Available in April (and to pre order from February 16th), Liverpool’s Anathema release their MFN back catalogue. Songwriter and guitarist Daniel Cavanagh shared his enthusiasm for the project saying, 

I'm really happy that after all these years, the Music For Nations era of Anathema music is  finally receiving the attention, respect and treatment it deserves. It has been a great pleasure to work on this package. Everything from supplying the additional artwork, the remastering process of the albums, and the chance to add a surprise or two, has been a wonderful process.” 

Anathema:
- Fine Days. 3CD/1DVD box set covering the band’s MFN catalogue. Digitally remastered, new track and liner notes from the band.
- Judgement LP vinyl with CD Remastered
- A Fine Day to Exit LP Vinyl with CD Remastered
- A Natural Disaster LP Vinyl with CD Remastered

Available in Autumn 2015 / early 2016.

Paradise Lost’s back catalogue expanded and remastered. Opeth’s three seminal albums, ‘Blackwater Park’, ‘Damnation’ & ‘Deliverance’ special reissues. Spiritual Beggar’s back catalogue released on LP for the first time, as well as Cradle of Filth and other MFN artists to be confirmed shortly.

In 2015 Music For Nations will be releasing music, by new bands, in a series of 7” singles and compilations. Expect the heaviness. 

And finally, from today, available digitally for the first time in many territories the following classic Music For Nations releases:
Paradise Lost – One Second
Spiritual Beggars – Another Way to Shine
Spiritual Beggars - Mantra III
Spiritual Beggars - Ad Astra
Hardcore Superstar – Bad Sneakers and a Pina Colada
Hardcore Superstar - No Regrets
Hardcore Superstar - Thank you (For Letting us be Ourselves)
Firebird – Deluxe
Inme – Overgrown Eden
Sugarcoma – Becoming Something Else
Lost Horizon – Awakening The World
Lost Horizon - A Flame to the Ground Beneath
Elend - Umbersun
El Caco – Viva

Music For Nations.
Old Label.
New Danger.



Source: iLikePress